Rock Roots 4: Gospel, Tin Pan Alley, and the “Latin tinge” Gospel • Combination of blues + spirituals + European hymns • Emerges as separate genre (category of music) c. 1930 • First songs in genre by Thomas A. Dorsey, aka Georgia Tom (“It’s Tight Like That) Gospel Quartets • Gospel songs often performed by small ensembles • Quartets developed unique sound – a capella (unaccompanied) singing – one person sings melody – others accompany by • imitating instruments • vocalizing with ooohs, shoo-bops, or other sounds Golden Gate Jubilee Quartet Golden Gate Gospel Train • backing vocalists imitate train - “vocal percussion” • swinging, eight-beat feel • riff-based accompaniment • highly syncopated • call and response between lead and backing vocals Soul Stirrers, Jesus I’ll Never Forget • More pop music influence • Rhythmic freedom of vocal line – Flourishes = melismas = more than one note per syllable of text – Signature of gospel style • Instrumental accompaniment - voice and piano • Clear blues influence Mahalia Jackson • Vocal style clearly influenced by blues • Blue notes, pentatonic (five-note) scale, and Western harmonies • Accompanying instruments – electric keyboard – Hammond organ - typical “gospel sound” • Ex. Move On Up A Little Higher Folk Music • Old-time, mountain music doesn’t catch on commercially in same way • Re-emerges as folk music • Begins early 1930s Rise of folk music due to: • Public works project in Depression • John Lomax and son Alan record AfricanAmercian folk songs in south • Union building activities, labor rallies in NYC provide audience Woody Guthrie • Combined country music, old-time music, pop songs, cowboy songs into new musical style • Topical lyrics in pop music framework • Plain singing style Tin Pan Alley • New York center of music publishing business (near 28th St.) beginning c. 1880s • Professional songwriters employed in “factories” to turn out songs Tin Pan Alley • Initially songs in the mold of Stephen Foster hits (Old Folks at Home, Camptown Races) • Incorporated whatever styles rose to popularity - vaudeville, Broadway reviews, jazz, ragtime, blues, etc. Popular Song to 1950 • gently flowing, “conversational” melodies • melody + accompaniment • lightly syncopated, jazz/blues inflected singing or playing • conversational lyrics • influence of dance rhythms The “Latin Tinge” • Jazz, later rock, contain hints of Latin American music • Themselves fusions of European music, African music, native musics of Central and South American countries • Main types: rumba and mambo Rumba • Dance popularized in 1930s • Introduced by Cuban bandleader Don Azpiazú • Injected into American musical mix – Afro-Cuban percussion: conga drums, bongos, maracas, claves – Clave rhythm Clave rhythm • Pattern of accents that are contrary to beat • Analogous to backbeat in African-American influenced music 1 +2 + 3 + 4 + 1 + 2 + 3 + 4 + C C C C C • Ex. El Manisero