Syllabus Preparation - Middle Tennessee State University

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Teaching Excellence
Showcase
November 16, 2007
Are We Doing
Anything Important
in Class Today?
Designing Effective
Syllabi and Outlines
http://www.mtsu.edu/~pvpaa/ada/syllabus.htm
This module covers:
1. what a syllabus is,
2. how syllabi can aid student
learning in the classroom,
3. where to begin in writing an
effective syllabus,
4. what to include in an
effective syllabus, and
5. online resources for building
effective syllabi for the
university classroom.
What is it?
syl·la·bus
P Pronunciation Key (s l -b s)
n. pl. syl·la·bus·es or syl·la·bi (-b )
An outline or a summary of the main
points of a text, lecture, or course of
study.
[Medieval Latin, probably alteration
(influenced by Greek sullambanein, to
put together), of Latin sillybus,
parchment label from Greek sillubos.]
http://dictionary.reference.com/search?q=syllabus
What is it?
Wikipedia
Syllabus (plural syllabi or syllabuses) is a document with
an outline and summary of topics to be covered in a
course. It is often either set out by an exam board, or
prepared by the professor who teaches the course, and
is usually given to each student during the first class
session. A syllabus usually contains specific information
about the course, such as information on how, where
and when to contact the lecturer and teaching
assistants; an outline of what will be covered in the
course; a schedule of test dates and the due dates for
assignments; the grading policy for the course; specific
classroom rules; etc.
What is it?
Wikipedia (continued)
Within many courses concluding in an
exam, syllabuses are used to ensure
consistency between schools and that
all teachers know what must be taught
and what is not required. Exams can
only test based on information
included in the syllabus.
http://en.wikipedia.org/wiki/Syllabus
Aid Student Learning
Aid Student Learning
•Why bother?
Students learn better
when they understand
what they are expected to
learn and how that
learning will be
assessed.
Where to Begin
Journey
What are the
rules?
Where are the
pit stops?
Who is driving?
Are we taking turns?
Where to Begin
Journey
What do you
want to teach?
What expectations
do you have for the
students?
Where do you want to end?
Where to Begin
Course Development:
Modules
Units
Learning Objects
Where to Begin
Goals vs. Outcomes:
General Course
Goals/Objectives
Specific Student Learning
Outcomes
What to Include
http://www1.umn.edu/ohr/teachlearn/tutorials/syllabu
s/index.html
http://mtsu32.mtsu.edu:11069/July%20Syllabus%
20Preparation.doc
What to Include
IDES 3700
Interior Design Visual Presentations 1
Human Sciences Department
Interior Design Program
IDES 3700-01
IDES 3700-02
EHSA 020
MW 9:10-11:40
MW 12:40- 3:10
IDES 3700
Interior Design Visual Presentations 1
Deborah Belcher, Allied Member ASID, IDEC
Associate Professor
Registered Interior Designer State of Tennessee #156
Office: EHSA 222
Teaching Schedule:
IDES 3700-01
IDES 3700-02
HSC 1010-03
IDES 3730-01
IDES 3730-02
MW
MW
M
TR
TR
9:10-11:40
12:40- 3:10
8:00- 8:55
11:20- 1:50
2:40- 5:10
Office Hours:
TR
9:00-11:00
By Appointment
Phone: 898-5604
E-mail: dbelcher@mtsu.edu
IDES 3700
Interior Design Visual Presentations 1
Course Description:
Interior rendering techniques,
perspective drawing, sketching, and
operation and care of equipment
necessary in the effective
communication of design solutions.
Three credits. Five hours per week.
Prerequisites: IDES 2700, IDES
2710 and Art 1620. Five hours per
week.
Renderings : http://www.birkey.com/index.asp
IDES 3700
Interior Design Visual Presentations 1
Course Content:
Students will be able to:
1. sketch one point and two point 3-D
drawings,
2. translate floor plans into perspective
drawings,
3. render interior perspectives,
4. combine mediums for effective
communication of design solutions, and
5. operate and take care of equipment
used in developing a professional
presentation.
Renderings : http://www.mayronrend.com/index.htm
IDES 3700
Interior Design Visual Presentations 1
Course Topics:
1. 3-D sketching techniques
2. Perspective drawings
a. 1 point and 2 point
3. Reproducing drawings
4. Media
a. graphite (pencil)
b. pen and ink
c. color pencils/ pastels
d. color markers
Renderings : http://www.robertbecker.com/Sketches.htm
IDES 3700
Interior Design Visual Presentations 1
Course Format:
The class format will combine
appropriate lectures, studio
practice, and open review
sessions. Lectures and
demonstrations will be
organized to present the
content as a framework for
the studio section.
Renderings : http://www.architecturalart.com/index.html
IDES 3700
Interior Design Visual Presentations 1
• What does accreditation mean?
– Accreditation is a process of selfevaluation and peer assessment that
promotes achievement of high academic
standards, while making education more
responsive to students’ and society's
needs.
– Standards developed by interior design
practitioners and educators and concern
for continued growth and development are
central to accreditation.
– Accreditation also sends a message to the
public that the institution and/or its
programs have accepted and are fulfilling
a commitment to educational quality.
http://www.accredit-id.org/accreditedprograms.html
IDES 3700
Interior Design Visual Presentations 1
Standard 1. Curriculum Structure
• The curriculum is structured to facilitate and
advance student learning.
• Indicators
• a) The curriculum MUST follow a logical
sequence.
• b) Course content MUST increase in degree
of difficulty.
• c) Significant concepts MUST be interrelated
and reinforced throughout the curriculum.
• d) Projects MUST demonstrate variety and
complexity in type, size, and scope.
• e) The curriculum MUST provide exposure to
a variety of business, organizational, and
familial structures (for example, for-profit,
non-profit, publicly vs. privately held,
hierarchical, flat, co-housing, nuclear and
extended family).
IDES 3700
Interior Design Visual Presentations 1
Standard 1. Curriculum Structure
(continued)
The teaching and learning methods MUST
incorporate:
• f) the experience of team approaches to design
solutions.
• g) experiences that provide interaction with
multiple disciplines (for example, code specialists,
engineers, architects, artists, behaviorists)
representing a variety of points of view and
perspectives on design problems.
The program MUST provide:
• h) interaction with practicing professionals (for
example, as jurors, project critics, guest lecturers,
mentors).
• i) opportunities for design work experience (for
example, internship, co-op, shadowing, or other
experiences that familiarize students with the
culture and environment of the professional studio
and professional practice).
IDES 3700
Interior Design Visual Presentations 1
Standard 1. Curriculum Structure
(continued)
– Guidance: Use the indicators to determine
whether the standard is met. Program
inputs and outcomes are evaluated to
determine compliance with this standard.
Analyze the curriculum, syllabi, project
descriptions or briefs, handouts, and
blank exams. Review student work and its
progression, variety, and complexity. Do
not focus on the work of individual
students, but look at the student work as a
whole. In other words, take a broad view
and seek the preponderance of evidence.
If the standard has been met, student work
will include a variety of project types and
the work will progress in complexity and
degree of difficulty.
IDES 3700
Interior Design Visual Presentations 1
Standard 3. Design Fundamentals
• Students have a foundation in the
fundamentals of art and design; theories of
design, green design, and human behavior;
and discipline-related history.
• Indicators
– Student work MUST demonstrate
understanding of design fundamentals
including:
• a) design elements (for example, space, line,
mass, shape, texture) and principles (for
example, scale, proportion, balance, rhythm,
emphasis, harmony, variety).
• b) color principles, theories, and systems (for
example, additive and subtractive color; colormixing; hue, value, and intensity; the
relationship of light and color).
• c) theories of design and design composition
(for example, functionalism, Gestalt).
• d) principles of lighting design (for example,
color, quality, sources, use).
IDES 3700
Interior Design Visual Presentations 1
Standard 3. Design Fundamentals
(continued)
– Student work MUST demonstrate
understanding of theories of
human behavior in interior
environments:
• e) human factors (for example,
ergonomics,
anthropometry/anthropometrics)
• f) the relationship between human
behavior and the built environment.
IDES 3700
Interior Design Visual Presentations 1
Standard 3. Design Fundamentals
(continued)
– g) Student work MUST demonstrate
understanding of principles and
theories of sustainability.
– Student work MUST demonstrate
understanding of the history of:
•
•
•
•
h) art.
i) architecture.
j) interiors.
k) furnishings.
IDES 3700
Interior Design Visual Presentations 1
Standard 3. Design Fundamentals
(continued)
– Guidance: Use the indicators to determine
whether the standard is met. Program
inputs and outcomes are evaluated to
determine compliance with this standard.
Review the curriculum to determine where
these topics are covered. Review syllabi,
project descriptions, handouts, and blank
exams in conjunction with applicable
student work. Do not focus on the work of
individual students, but look at the
student work as a whole. In other words,
take a broad view and seek the
preponderance of evidence. If the
standard has been met, student work will
demonstrate the appropriate
understanding.
IDES 3700
Interior Design Visual Presentations 1
Standard 5. Communication
• Students communicate
effectively.
– Indicators
– Student work MUST demonstrate
competence in:
• a) drafting and lettering, both manual
and computer-aided techniques.
• b) illustrative sketching.
• c) presentation of color, materials, and
furnishings (for example, sample
boards, collages, mock-ups, digital
representations).
– Students MUST:
• d) express ideas clearly in oral
presentations and critiques.
IDES 3700
Interior Design Visual Presentations 1
Standard 5. Communication
(continued)
– Student work MUST demonstrate the
ability to:
• f) render by any medium, manual or
computer-generated, that successfully
communicates the design intent.
• g) communicate 3-dimensional space and
form, such as in perspectives, paralines,
and models (computer-generated or
manual).
– Student work SHOULD demonstrate the
ability to:
• h) apply the metric system to design work.
• i) communicate through alternative
presentation techniques (for example,
audio, electronic, film, photography, slides,
video).
IDES 3700
Interior Design Visual Presentations 1
Standard 5. Communication
(continued)
– Guidance: Use the indicators to determine
whether the standard is met. Program
outcomes are evaluated to determine
compliance with the standard. Evaluate
sketches, drawings, and other
presentation materials. Review student
reports and research papers. Do not focus
on the work of individual students, but
look at the student work as a whole. In
other words, take a broad view and seek
the preponderance of evidence. Interview
students, observe presentations or
videotapes, and review jurists’
evaluations. If the standard is met,
students and their work must demonstrate
the ability to communicate effectively.
IDES 3700
Interior Design Visual Presentations 1
Course Requirements:
Students will be required to complete the
following demonstrating not less than
minimum competency of requisite
knowledge and skills in order to receive
credit for this course:
A. attendance, punctuality, participation, and
preparedness
B. sketch book
C. required number of studio
exercises/experiences
D. required assignments
E. required number of projects
Renderings : http://www.simonjonesandassociates.co.uk/index.html
IDES 3700
Interior Design Visual Presentations 1
A. Attendance, Punctuality,
Participation, and Preparedness
Class attendance, punctuality
participation and preparedness is
required.
1. Attendance will be taken at the professor's
discretion. No more than three (3) absences will be
permitted during the semester. After three absences,
one point will be removed from your final grade per
each additional absence. "Excused" absences beyond
the three permitted are not accepted.
2. Punctuality is expected. If you arrive early, get
prepared for studio and begin working on your
assignments. You must be in the room ready for
lecture and /or studio when the role is called.
Tardiness will be considered an absence and graded
accordingly.
Renderings : http://www.mikekowalskistudio.com/index.html
IDES 3700
Interior Design Visual Presentations 1
A. Attendance, Punctuality,
Participation, and Preparedness
3. If you are absent, it is your
responsibility to contact a peer in class and
request notes, handouts, assignments,
directions to a field trip, changes in the
Course Outline, etc. You must be prepared
for the next class period with the appropriate
materials, equipment, and completed
assignments.
4. To maintain a positive, professional
atmosphere within the studio, you are
required to turn off all cell phones, beepers,
and other electronic equipment that might
interrupt the class session.
Renderings : http://deborahhickson.com/index.php
IDES 3700
Interior Design Visual Presentations 1
A. Attendance, Punctuality,
Participation, and Preparedness
5. Participation with a positive attitude in all activities is
also expected. Coming to class and working on other projects or
school assignments will be considered an un-productive studio
day and will be graded as an absence.
6. Students are expected to be prepared for class and to
bring necessary materials such as course workbook, texts,
designated assignments, drawings, appropriate supporting
materials, and basic drawing equipment to class each day.
Students are also expected to be prepared for pin-up, critique
sessions (you must bring push pens) and for turning in exercises
(you must bring paper clips). Special tools and/or materials
needed will be announced prior to use for a designated project.
Failure to be prepared for class will be graded as an absence.
Renderings : http://www.lamontgallery.co.uk/yachtinteriordesign.asp
IDES 3700
Interior Design Visual Presentations 1
B. Sketch Book
1. All students are required to maintain a sketchbook that
will be a record of all class notes, in - class drawings
and assigned sketching exercises.
2. This sketchbook should be considered a portfolio of
graphic composition development and technique.
Emphasis should be placed on the content as well as
the presentation of the content.
3. All entries are to be done in pencil (HB or B) or black felt
tip pin. All entries must be sequential and dated. Pages
should not be removed or added to the sketchbook.
4. The sketchbook is for the benefit of the student to
maintain a record and a visual process of growth and
development. The sketchbook will not be graded but
sketches and the development of concepts will be
reviewed. (NOTE: Please, refer to visuals indicated
during lecture as an example of how to visually
compose information for the sketchbook.)
Renderings : http://ascenderrisesabove.com/
IDES 3700
Interior Design Visual Presentations 1
C. Exercises/Experiences
• Exercises are defined as short studio modules
complimenting and/or supplementing studio
projects. Exercises and graded class
experiences must be completed as assigned
and prepared to present at the beginning of
designated class period.
• If not complete, present what is finished for
partial credit or a grade of zero will be recorded.
To maintain organization and a professional
standard, late and early exercises will not be
accepted. However, please note, the professor
maintains the right to make individual
exceptions based on extreme circumstances or
“Acts of God.”
Renderings : http://www.keithschmidt.com/index.htm
IDES 3700
Interior Design Visual Presentations 1
C. Exercises/Experiences
•
•
Exercises will be graded based on a key. Additional
grade sheets will not be provided since points will be
marked directly on each exercise.
Each exercise provides a location for total points
possible and points earned within the exercise header.
KEY:
+
Excellent!
Nice job, but don’t stop improving.
-
“OK”, you did it, but where is that
quality that makes it special?
You fell in a big hole. Keep practicing!
Where is it?
Renderings : http://www.bayillustration.com/
IDES 3700
Interior Design Visual Presentations 1
D. Assignments
Assignments are verbal and may
consist of reading chapters,
gathering information, gathering
products, and drawing or
sketching. Assignments are for the
benefit of the student and must be
completed to understand the
exercises and projects. No grade
will be assigned.
Renderings : http://billjehle.com/archren-1.html
IDES 3700
Interior Design Visual Presentations 1
E. Projects
• Projects are defined as major studio
accomplishments that develop and enhance
course objectives.
• Projects must be completed as assigned and
prepared to present at the beginning of
designated class period for open review
sessions.
• Depending on the nature of the project, it will be
graded in class with student participation and
discussion or taken up for grading and returned
to the student.
• Grade sheets must be included with all projects
for the student to receive a grade.
Renderings : http://russellwreid.com/introduction.aspx
IDES 3700
Interior Design Visual Presentations 1
E. Projects
• Projects will be graded on an
achievement rating per each
descriptive category found on the
grade sheet.
Achievement :
(P)
poor
(BA)
below
average
(A)
average
(AA)
above
average
(E)
excellent
Renderings : http://www.studio9architecture.com/studio9_home.html
IDES 3700
Interior Design Visual Presentations 1
E. Projects
Individual characteristics of each
category of the project will be graded
based on a key.
KEY:
+
Excellent!
Nice job, but don’t stop improving.
-
“OK”, you did it, but where is that
quality that makes it special?
You fell in a big hole. Keep practicing!
Where is it?
Renderings : http://mmorga.com/index.htm
IDES 3700
Interior Design Visual Presentations 1
Grading:
•
•
•
•
Department of Human Sciences Grading Policy
– 91-100% = A
– 81-90%
=B
– 71-80%
=C
– 61-70%
=D
– 60-below% = F
All exercises and projects are to be completed on time and
presented at the previously announced time and place. Early
exercises and projects will not be accepted. Late exercises
and projects will not be accepted. If not complete, turn in
what is finished for partial credit or a grade of zero will be
recorded. Studio experiences cannot be made up or replaced
in any manner.
Projects:
Exercises:
3 at 200 points each
5 at 20 points each
Renderings : http://www.garethchughes.com/index.html
IDES 3700
Interior Design Visual Presentations 1
Supplies:
hard bound sketch book (8 1/2"x 11")
black felt tip pens
assorted color felt tip pens
pastels
sanding block
roll of tracing paper
lead holder
4H, 2H, H, HB, 2B, 4B leads
triangular architects scale
4H, 2H, H, HB, 2B, 4B wood pencils
set of technical pens
eraser shield
T-square
18" x 24" vellum
assorted markers
colored pencils
pencil sharpener
erasers: kneaded and pink pearl
11" x 17" spiral sketch book
45 degree triangles
30/60 degree triangles
adjustable triangle
drafting tapes or dots
drafting brush
lettering guide
skum bag
18" cork back steel rule
color wheel
Renderings : http://artanddesignstudio.com/drawings.html
IDES 3700
Interior Design Visual Presentations 1
Suggested Supplies for Future Use:
• digital camera
• 25' steel measuring tape
• electric or battery operated eraser
Additional supplies will be necessary
for specific projects and are subject
to the student's interpretation of that
particular project.
Renderings : http://www.akersdesignrender.com/
IDES 3700
Interior Design Visual Presentations 1
Required Text:
•
Mitton, Maureen, Interior Design Visual Presentation: A Guide to
Graphics, Models & Presentation Techniques, 2nd edition,
Hoboken, NJ: John Wiley & Sons, Inc., 2004.
Selected References:
•
•
•
•
•
Ching, Francis D.K., Architectural Graphics, 4th ed., New York: Van
Nostrand Reinhold, 2000.
Ching, Francis D.K., Interior Design Illustrated, New York: Van
Nostrand Reinhold, 1987.
Cooper, Douglas, Drawing and Perceiving, 2nd ed., New York:Van
Nostrand Reinhold, 1992.
Edwards, B., Drawing on the Right Side of the Brain, Los Angeles: J. P.
Tarcher, Inc., 1979.
Montague, John, Basic Perspective Drawing: A Visual Approach, 2nd
ed., New York: Van Nostrand Reinhold, 1993.
Woods, M. Perspective in Art, Cincinnati: Ohio: North Light Books,
1984.
Renderings : http://www.michaelandersonstudio.com/
IDES 3700
Interior Design Visual Presentations 1
NOTICE TO LOTTERY SCHOLARSHIP RECIPIENTS:
•
•
•
•
•
Students receiving a lottery scholarship must earn a
2.75 GPA after attempting 24 credit hours and a 3.0 GPA
after attempting 48 or more.
Students who drop below full-time status (12 hours)
during the first 14 days of the semester will have their
awards adjusted and will owe money to the University.
Students who drop after the 14th day of class will
have their future lottery scholarships suspended unless the
drop was approved in advance by the Financial Aid Office.
Students may appeal the suspension if the drop is
due to documented personal illness, illness or death of
immediate family members, extreme financial hardship,
military service or other extraordinary circumstances
beyond the student's control.
A PDF version of the lottery appeal form may be
obtained on-line.
Renderings : http://www.perspective-studio.com/archIllustration.htm
IDES 3700
Interior Design Visual Presentations 1
NOTICE TO HOPE SCHOLARSHIP RECIPIENTS
(Lottery) Continued:
•
•
•
Please note, the minimum GPA requirement
cannot be appealed. You also need to be aware that if you
repeat a course, both are counted towards your lottery
scholarship GPA. Suppose, for example, you receive an "F"
in a course but then repeat the course and receive an "A"
grade. Your MTSU GPA is now 4.0. But your lottery
scholarship GPA is only 2.0, not high enough to keep the
scholarship.
Finally, please be aware that these rules and
procedures have been established by the Tennessee
Legislature, not by the Board of Regents, MTSU, your
college or department.
For more information see these web sites: Tennessee
Scholar Dollars and the Tennessee Student Assistance
Corporation.
Renderings : http://www.studiocooper.com/links.html
IDES 3700
Interior Design Visual Presentations 1
FAMILY EDUCATIONAL RIGHTS AND PRIVACY ACT
(FERPA):
•
In general, under FERPA I am not permitted to
disclose your academic progress to anyone not
allowed to receive such information.
•
Thus I cannot discuss your academic progress,
grades, etc., over the phone or via e-mail. All such
discussions must be in person.
•
At the end of the semester I cannot disclose
your final grade over the phone or via e-mail. Nor
can I "post" your grades on my door.
•
You will receive your final grades via
PIPELINEMT or WEBMT. Additionally, I cannot
access your grades if you have a "hold" on your
records.
Renderings : http://www.fmcostantino.com/index3.htm
IDES 3700
Interior Design Visual Presentations 1
ACADEMIC MISCONDUCT:
•
•
•
•
Plagiarism, cheating and other forms of academic
dishonesty are prohibited.
Students guilty of academic misconduct, either
directly or indirectly through participation or assistance, are
immediately responsible to the instructor of the class.
In addition to other possible disciplinary sanctions
which may be imposed through the regular institutional
procedures as a result of academic misconduct, the
instructor has the authority to assign an F or a zero for the
exercise or examination; or to assign an F in the course.
If the student believes he or she has been
erroneously accused of academic misconduct, and if his or
her final grade has been lowered as a result, the student
may appeal the case through the appropriate institutional
procedures.
Renderings : http://www.rfassoc.com/
IDES 3700
Interior Design Visual Presentations 1
REASONABLE ACCOMMODATION FOR STUDENTS
WITH DISABILITIES:
•
If you have a disability that may require
assistance or accommodation, or if you
have a question related to any
accommodations for testing, note takers,
readers, etc., please speak with me as soon
as possible.
•
Students may also contact the Office of
Disabled Student Services (898-2783) with
questions about such services.
Renderings : http://www.greenstoneart.com/index.html
IDES 3700
Interior Design Visual Presentations 1
Course Syllabus Statement
(Disclaimer):
•
The course syllabus and outline is a
guide for the semester and is subject to
change.
•
Any additions or modifications to the
syllabus or course
outline/schedule/calendar will be
announced in class.
•
It is the student’s responsibility to
take note of such changes.
Renderings : http://www.gilgorski.com/index.html
Course Outline
Course Outline
IDES 3700 Fall 2007 Course Outline:
8/27 Greetings and Introductions
Introduction to Course
Course Syllabus and Outline
Review: drafting techniques, line weight, line quality, floor plans, symbols, color
schemes, elements and principles
Reading Assignment: Chapter 1-Orthographic Drawings
8/29 Interactive Activity: Chapter 1
Studio:
Assignment 1: selection of materials, finishes, fabrics, furniture, lighting and
accessories for provided floor plan
9/5 Studio:
Assignment 1: selection of materials, finishes, fabrics, furniture, lighting and
accessories for provided floor plan
9/6
MTSU Student Chapter ASID/IIDA Membership Meeting 6:00
Course Outline
Month
Date
17
19
24
26
31
Class
Activity
Introduction to Course:
Review of Course Syllabus
and Outline
Movie:
Auntie Mame
Slide Series: Unit 1
Winterthur Museum
“Why Things Matter”
Video: Inventing the Home
Interactive
Activity
Experiential
Activity
Test
Assignment
Due
Review IDES 3710
Workbook
Begin Exercise 2
Read: Ching
Chapter 3 (review)
Exercises: 1 and 2
Discussion:
Exercise 1
Exercises: 2 and 6 Exercise: 1
2
Field Trip:
Bell House*
Main Street,
Murfreesboro*
Field Trip:
Main Street,
Murfreesboro*
Exercises: 2, 3,
4 and 6
Project 1:
Research
Exercises: 2, 3,
4 and 6
Project 1:
Research
Online Resources
http://www.clt.cornell.edu/campus/teach/faculty/Teac
hingMaterials.html
http://cte.udel.edu/syllabus.htm
http://cte.udel.edu/TAbook/syllabus.html
http://honolulu.hawaii.edu/intranet/committees/FacD
evCom/guidebk/teachtip/writesyl.htm
http://www.brown.edu/Administration/Sheridan_Cent
er/publications/syllabus.html
http://www1.umn.edu/ohr/teachlearn/tutorials/syllabu
s/index.html
Questions
Thanks!!!
Deborah Belcher,
Allied member ASID, IDEC
Registered Interior Designer
State of Tennessee # 156
Middle Tennessee State University
Human Sciences Department
Interior Design Program
POB 86
Murfreesboro, TN 37132
615-898-5604
FAX 615-898-5130
dbelcher@mtsu.edu
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