Abstract Expressionism - First major new abstract style developed in the US after the emigration of refugee artists after WWI and before WWII Started in NY – partly as a response to the chaos of the time – it turned against reason, used Surrealist improvisation (the force of the unconscious) They saw themselves as the future, their art was a weapon in a struggle to maintain their humanity – it turned inward with a rough spontaneity and a lot of energy The content was supposed to be grasped intuitively by each viewer Jackson Pollock - American - Most associated with this movement Brought his memories of open spaces of the southwest where he grew up and sand painting techniques of Native American medicine men he had seen there His style became a free, abstract style that had him working with his whole body in dynamic swirling gestures as he poured or flung paint onto the surfaces of his canvases – Lucifer o o o o o o o o o o He unrolled a large section of canvas directly on the floor and dripped and splattered paint while moving along the edge or across it Felt more comfortable with it on the floor – he felt more a part of the painting – he could walk around it, work from 4 sides and be in the painting He would alternate between periods of spontaneous improvisation and careful scrutiny of the composition as it developed His methods were influenced by Kandinsky’s automatic and spontaneous non-objectivity The random fall and spatter of paint emphasizes the liquid nature of the medium itself, but the gestures of the artist have turned the paint into loose strings of colours that loop across the canvas No easily identifiable shapes to help establish a normal figure/ground relationship The rhythmic layers spread out and seem to extend far beyond the edges He didn’t look out but down – made into a plane of confrontation when exhibited on a wall – gives a sense of floating, gravity-less space Painting becomes a record of Pollack’s actions in making it The sense of process is stronger that the awareness of the painted surface itself Willem deKooning - Dutch - made abstract works and energetic images of massive women – he is best known for these his figures were inspired by women on billboards, but also suggest fertility figures Woman I o It’s defined by an almost manic excitement o He worked at full speed at arm’s length o The woman has an evil looking face with a toothpaste ad grin – she becomes a grimace or death’s head o The effect he is going for is both construction and cancellation at the same time – a conflict between a sketch and the finished picture o The image seems to be always coming into being, but is demanding to be recognized Organic and Colour Field Abstraction - Post-1940’s architecture and painting became more organic Universal imagery was important to artists working in these modes Frank Lloyd Wright - - his residential designs were "Prairie Houses", so-called because the design is considered to complement the land around Chicago. These houses featured extended low buildings with shallow, sloping roofs, clean sky lines, suppressed chimneys, overhangs and terraces, using unfinished materials. The houses are credited with being the first examples of the "open plan." Falling Water – 1935 o It was designed according to Wright's desire to place the occupants close to the natural surroundings, with a stream and waterfall running under part of the building. o The construction is a series of cantilevered balconies and terraces, using limestone for all verticals and concrete for the horizontals. o In the late 1990s, steel supports were added under the lowest cantilever until a detailed structural analysis could be done. In March 2002, post-tensioning of the lowest terrace was completed. Guggenheim Museum in NYC o He used reinforced concrete almost like clay – designed a structure inspired by the spiral of a snail’s shell o Inside the building the shape of the shell expands towards the top and a winding interior ramp spirals to connect the gallery’s bays which are illuminated by a strip of skylight embedded in the museum’s outer wall o Long viewing area opens out onto a 90 ft central well of space Color Field Mark Rothko - Best known for this style Used this approach to represent the sublime Rothko came to believe that references to anything specific in the physical world conflicted with the sublime idea of the universal, supernatural “spirit of myth” which he saw as the core of meaning in art His work exemplifies simple expression of complex thought Gradually reduced his compositions to 2 or 3 large rectangles composed of layers of colour with hazily brushed contours spreading almost to the edges of the canvas Subtle tonal variations go above the monochromatic effect and create a mysterious sense of forms or images hovering in an undefined space Four Darks in Red o Perceived as a whole o o Still shimmering veils of colour Encourages a calm and contemplative mood Op Art Bridget Riley - - In 1965 the term 'Op Art' entered the public consciousness. Op Art captured the imagination of the public and became part of the swinging sixties. The fashion, design and advertising industries fell in love with its graphic, sign-like patterns and decorative value. Op Art was cool, and Bridget Riley became Great Britain's number one art celebrity. The basis of the Op Art movement was a form of geometric abstraction, which was in a way impersonal and not obviously related to the real world. a huge hit with the public but proved to be less popular with the critics, who dismissed the works as trompe l'oeil (literally 'tricks of the eye'). Movement in Squares