Engl 1020 / Composition II / 10567 January 17 - May 7, 2013 MONDAY/WEDNESDAY 11:00am - 12:20am [Yates 102] COURSE SCHEDULE WEEK 1: INTRODUCTION TO THE COURSE January 23 Class Lecture & Discussion: Overview of the Course READ (Online) for the next class meeting o Writing About the Central Idea o The Central Idea (aka Theme) PREPARE for submittal at the Next Class Meeting: A One paragraph summary of Steinbeck's The Chrysanthemums (pg. 76) Be sure to follow the General Guidelines for assignments (headings, margins, font, etc.) WEEK 2: THE CENTRAL IDEA (THEME) January 28 Class Lecture & Discussion: Identifying a Story's Theme ["The Chrysanthemums"] SUBMIT: A one paragraph summary of Steinbeck's The Chrysanthemums READ for Thursday o Chapter 7 / pgs 183 - 187 o Chapter 6 / pgs 126 - 127 January 30 Class Lecture & Discussion: Parsing the Theme Statement PREPARE for submittal at the Next Class Meeting: A one paragraph summary and interpretation of Steinbeck's The Chrysanthemums (pg. 76) WEEK 3: PLOT, STORY and CONFLICT February 4 Class Lecture & Discussion: Separating Plot and Story ["Desiree's Baby"] SUBMIT: A one paragraph summary and interpretation of Steinbeck's The Chrysanthemums Begin READING Maisie Dobbs February 6 Class Lecture & Discussion: Identifying the Conflict(s) READ: In the Text: Plot and Conflict (pgs. 437 - 438) Online: Them's Fightin' Words Conflict PREPARE for submittal at the Next Class Meeting: A summary and interpretation plus a discussion of plot and conflict(s) in Chopin's Desiree's Baby (pg. 63) WEEK 4: CHARACTER ["Almost A Man"} February 11 Class Lecture & Discussion: Flat and Round Characters Continue READING Maisie Dobbs SUBMIT: A summary and interpretation plus discussion of plot and conflict(s) in Chopin's Desiree's Baby (pg. ) February 13 Class Lecture & Discussion: Static and Dynamic Characters READ for this week In the Text: Character (pgs. 439 - 440) Online: My Aunt Betty Character PREPARE for submittal at the Next Class Meeting: A Summary and Interpretation plus discussion of Character in Wright's The Man Who Was Almost A Man WEEK 5: SETTING ["A Rose for Emily"] February 18 Class Lecture & Discussion: Where and When Does the Story Happen and What if We Don't Know SUBMIT: A Summary and Interpretation plus discussion of Character in Wright's The Man Who Was Almost A Man Continue READING Maisie Dobbs February 20 Class Lecture & Discussion: Open READ for this week In the Text: Setting (pg. 439) Online: Everything Happens Somewhere Setting PREPARE for submittal at the Next Class Meeting: A summary and interpretation plus discussion of Point of View in Faulkner's A Rose for Emily WEEK 6: POINT OF VIEW [A & P] February 25 Class Lecture & Discussion: Who Tells the Story (Omniscient Narrator, Main, Minor or Unidentified Character?) Continue READING Maisie Dobbs SUBMIT: A summary and interpretation plus discussion of Point of View in Faulkner's A Rose for Emily February 27 Class Lecture & Discussion: Open READ for this week Online: o The Narrator o Types of Narrators READ for Next Class Meeting: Young Goodman Brown (Pg ) PREPARE for submittal at the Next Class Meeting: A summary and interpretation plus a discussion of Point of View in Updike's A & P (pg. 383). WEEK 7: LANGUAGE [Young Goodman Brown] March 4 Class Lecture & Discussion: Metaphors, Similes, Symbolism, Iront, Dialogue, Syntax SUBMIT: A summary and interpretation plus a discussion of Point of View in Updike's A & P. Continue READING Maisie Dobbs March 6 Class Lecture & Discussion: What Language Devices are Used and Why["Young Goodman Brown"] READ for this week In the Text: Symbolism (pg. 360 - 362) Simile (Pg. 495) Irony (Pg. 434 - 435) Online Language It's Not What You Say, It's How You Say It PREPARE for submittal at the Next Class Meeting: A Summary and Interpretation plus a discussion of the Language in Young Goodman Brown [Page 624] SPRING BREAK: March 12 - 14 WEEK 8: THE FINAL ANALYSIS March 18 Class Lecture & Discussion: SUBMIT: A Summary and Interpretation plus a discussion of the Language in Young Goodman Brown [Page 624] Continue READING Maisie Dobbs March 20 Class Lecture & Discussion: Putting it All Together READ for this week In the Text: Appendix A: Writing About Literature: An Overview of Critical Strategies (Pg 1347 - 1360) Online Close Reading a Text and Avoiding Pitfalls FINISH READING for Next Class Meeting: Maisie Dobbs PREPARE for submittal at the Next Class Meeting: A comprehensive paper analysing all elements of a story that was not discussed in class, selected from this list of stories WEEK 9: THE NOVEL [Maisie Dobbs] March 25 Class Lecture & Discussion: Film - Oh What A Lovely War SUBMIT: A comprehensive paper analysing all elements of a story, that was not discussed in class, from this list of stories March 27 Class Lecture & Discussion: The Novel READ for this week Online Reviews of Maisie Dobbs How to Analyze A Novel Literary Analysis of A Novel How to Write A Novel Analysis READ for Next Class Meeting: Trifles by Susan Glaspell (Pg 1336) PREPARE for submittal at the Next Class Meeting: A paper analysing and critiquing Maisie Dobbs WEEK 10:THE PLAY [Trifles] April 1 Class Lecture & Discussion: The Play's the Thing SUBMIT: A paper analysing and critiquing Maisie Dobbs April 3 Class Lecture & Discussion: Dramatic Components and Devices READ In the Text: Reading and Writing About Plays (Pg 434 - 440) Online Screenplay for The Forty Year Old Virgin or Screenplay for Mel Brooks The Producers or Pilot Episode Teleplay for Scrubs PREPARE for submittal at the Next Class Meeting: An analysis of the Elements in Trifles WEEK 11: FILM [Lonely Are the Brave] April 8 Class Lecture & Discussion: Film - Lonely Are the Brave SUBMIT: An analysis of the Elements in Trifles April 10 READ for Next Class Meeting: Thinking About A Filmed Version of A Play (Pg 448) PREPARE for submittal at the Next Class Meeting: An analysis and review of a Film Script selected from this list of screenplays WEEK 12: POETRY: Part I April 15 Class Lecture & Discussion: SUBMIT: An analysis and review of a Film Script selected from this list of screenplays April 17 Class Lecture & Discussion: "A poem should not mean, but be" READ In the Text: Chapter 16: Reading and Writing About Poems Elements of Poetry (Pg 488 - 502) Online: Writing About Poetry PREPARE for submittal at the Next Class Meeting: An analysis of a Poem from the text that has not been discussed in class WEEK 13: POETRY: Part II April 22 Class Lecture & Discussion: Modern Poets (Robert Frost, e.e.cummings, Allen Ginsberg, Nikki Giovanni, Philip Levine, Bob Dylan, Paul Simon, 50 Cent) SUBMIT: An analysis of a Poem from the text that has not been discussed in class April 24 Class Lecture & Discussion: Open PREPARE for submittal at the Next Class Meeting: A comparison of two poems that share a common theme WEEK 14: TELEVISION AND THE INTERNET April 29 Class Lecture & Discussion: Where Literature is Headed (The Impact of Elctronic Media) SUBMIT: A comparison of two poems that share a common theme May 1 Class Lecture & Discussion: Open READ (Text): "It's Hard Enough Being Me" (Anna Lisa Raya) "Two Kinds" (Amy Tan) "Ellis Island" (Joseph Bruchac III) "So Mexicans Are Taking Jobs from Americans" (Jimmy Santiago Baca) READ (Online) Rita Dove on the Future of Literature PREPARE for submittal at the Next Class Meeting: An analysis and review of a Television Drama or Situation Comedy WEEK 15: TYING UP THE LOOSE ENDS May 6 Class Lecture & Discussion: Wrap Up (Rap Up?) SUBMIT: An analysis and review of a Television Drama or Situation Comedy May 8 Class Lecture & Discussion: Open + LIST OF STORIES ARRANGEMENT IN BLACK AND WHITE by Dorothy Parker CARLYLE TRIES POLYGAMY by William Melvin Kelley HAIRCUT by Ring Lardner HEY, JOE by Ben Neihart I'M A FOOL by Sherwood Anderson INFLEXIBLE LOGIC by Russell Maloney JEALOUS HUSBAND RETURNS IN FORM OF PARROT by Robert Olen Butler OFFLOADING FOR MRS. SCHWARTZ by George Saunders PAUL'S CASE by Willa Cather RIDING THE RAP by Elmore Leonard SOLDIER'S HOME by Ernest Hemingway SON IN THE AFTERNOON by John A. Williams THE BRIDE COMES TO YELLOW SKY by Stephen Crane THE CASK OF AMONTILLADO by Edgar Allan Poe THE GIRLS IN THEIR SUMMER DRESSES by Irwin Shaw THE MOST DANGEROUS GAME by Richard Connell THE SECRET LIFE OF WALTER MITTY by James Thurber THE STAR by Arthur C. Clarke THE STORM by McNight Malmar THE STORY OF AN HOUR by Kate Chopin TEN MILES WEST OF VENUS by Judy Troy * LIST OF SCREENPLAYS AIRPLANE by Jim Abrahams and Jerry and David Zucker with THE FORTY YEAR OLD VIRGIN by Judd Apatow and Steve Carell SPANGLISH by James L. Brooks STARMAN Bruce A. Evans and Raynold Gideon with Dean Riesner GHOST by Bruce Joel Rubin DR. STRANGELOVE by Stanley Kubrick, Terry Southern and Peter George 48 HOURS by Roger Spottiswoode, Walter Hill, Larry Gross and Steven E. De Souza ANNIE HALL by Woody Allen and Marshall Brickman THE BIG LEBOWSKI by Ethan and Joel Coen