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Guiding Thinking Model

入世 :

Classicism

Reception ( 接受某

種論述之後而採取的

行為 )

Perception ( 如何去感知、

經驗 )

Spiritual need

Physical need

出世 :

Christianity,

Conception ( 如何去理解所經驗的客體 )

Romanticsim

Spiritual need: 生成於形而上,落實於形而下 ( 生活,物質 )

Physical need: 生成於形而下,結果於形而上 ( 文化、政治、社會、宗教,精神 )

Cycles of Style

Roman Art in Late Antiquity

To the glory that was Greece

And the grandeur that was Rome.

-- Edgar Allen Poe “To Helen”

• Founding of Rome: 753 B.C.

• Roman Republic: 509 B.C. ~31 B.C.

1. First Triumvirate: Pompei, Caesar, Carasus: 60 B.C.

2. Second Triumvirate: Antony, Lepidus, Ocavian: 43 B.C.

• Roman Empire : (Golden Age)

31B.C. ~ A.D. 476

(end of Western Roman Empire)

The first Roman emperor: Ocavian under the name of Augustus

Edgar Allen Poe, “To Helen”

Helen, thy beauty is to me

Like those Nicean barks of yore,

That gently, o'er a perfum'd sea,

The weary way-worn wanderer bore

To his own native shore.

On desperate seas long wont to roam,

Thy hyacinth hair, thy classic face,

Thy Naiad airs have brought me home

To the beauty of fair Greece,

And the grandeur of old Rome.

Lo ! in that little window-niche

How statue-like I see thee stand!

The folded scroll within thy hand ?

A Psyche from the regions which

Are Holy land !

The agate lamp within thy hand,

Ah! Psyche, from the region which

Are Holy Land

Hellenistic Period:

Alexander The Great (323BC)-

Roman sacked Corinth (146 B.C.)

Roman Expansion in Italy

264-44 B. C.

The Roman Empire at Its Greatest Extent

I. Roman Arts

• 1. Etruscan Arts

• 2. Republican Art and architecture

• 3. Architecture of Early Empire

• 4. Augustan Sculpture

• 5. Late Roman Architecture and Sculpture

1. Etruscan Arts

Capitoline She-Wolf, c. 500-480 B.C.

A bronze of a She-Wolf suckling Romulus and Remus (the mythical founders of

Rome) gives an idea of the great skill with which Etruscan artists worked.

"The Etruscans, as everyone knows, were the people who occupied the middle of

Italy in early Roman days, and whom the Romans, in their usual neighborly fashion, wiped out entirely." -D.H. Lawrence, Etruscan Places

Reconstruction of an

Etruscan temple. [Model of a typical Etruscan temple of the sixth century BC, as described by Vitruvius.]

Reconstruction drawing of the Treasury of the Siphnians. Sanctuary of Apollo at

Delphi. c. 525 BC.

Etruscan Chimira

Sarcophagus from Cerveteri, Etruscan sculpture, c. 520 B.C.

husband and wife shown in sculpted form on their tomb terra cotta

Tension of pose, sinister smile

Apollo of Veii , from the roof of the Portonaccio Temple,

Veii, Etruscan, c 510-500 B.C.

Love of nature, naturalistic observation

Tomb of Hunting and Fishing in Tarquinia, 6th Century B.C.

2. Republican Art and Architecture (509-31 B.C.)

Republican

Rome Forum

Temple

Sanctuary of Fortuna Promigenia, Palestrina

聖堂

Cicero

1 st Triumbirate: Pompei, Caesar, Crassus

2nd Triumvirate: Anthony, Lipidus, Octavian

3. Architecture of the Early Empire

Flavian Amphitheater (The Colosseum), c. 72-80 A.D., Rome.

Colosseum.

圓形競技場

Reconstruction model of the Colosseum.

Vault corridor

View of the corridor of the Colosseum (Groin vaults)

Diagram of arch

Diagrams of vault barrel and groin

Arch_vault barrel

Arch_vault groin_1

Arch_vault groin 2

Forum

Model of the Forum of Augustus, late 1st c. B.C.

Basilica

Reconstruction of the interior of the Basilica Ulpia.

Pantheom

萬神殿

View of the Exterior of the Pantheon

.

Reconstruction model of the complex of the

Pantheon of Hadrian, 118-25 A.D. Rome.

dome

Giovanni Pannini, painting of the interior of the Pantheon, c. 1750

Corinthian columns

Structural diagram of the Pantheon showing arches built into the walls.

Cross section of the Pantheon.

Water Channel

排水渠道

Three rows of arches

Pont du Gard (Aqueduct), late 1 st c. B.C., near N?mes, France.

Triumphant Gate

凱旋門

Arch of Titus, 81 A.D., Rome, constructed by Domitian after the death of Titus.

4. Augustan Sculpture

Augustus of Primaporta, 20 B.C. or c. 14 A.D.

Ara Pacis of Augustus, 13-9 B.C.

(altar of peace 息靈龕 )

Augustus

Imperial Procession from the Ara Pacis, 13-9 B.C.

Details: Imperial Procession from the Ara Pacis, 13-9 B.C.

Aeneas sacrificing , from the Ara Pacis

Tellus Relief (Air, Earth, and Sea personified), from the Ara Pacis .

5. Late Roman Architecture and Sculpture

Marble portrait of Constantine, c. 330 A.D.

The Basilica of Maxentius and Constantine (Basilica Nova)

II. Roman Philosophy and Law

Epicureanism: moderation and prudence in the pursuit of pleasure

•Epicurus (341~271 B.C), founder of the Epicurean School

•Lucretius (99~55 B.C.), On the Nature of Things

Stoicism: Becoming virtuous by controlling will and desire

•Seneca (8 B.C.~ A.D. 65)

•Epictetus (c.A.D. 50~134)

•Emperor Marcus Aurelius (A.D. 121~180), Meditation.

III. Roman Literature

(Neo-Classicism)

1. Horace: Odes , and Ars Poetica

2. Catullus, lyrics

3. Vergil , The Aeneid (an epic), Geogics , and Eclogues

4. Ovid, Metamorphoses (mythological tales)

5.

Livy , Annals of the Roman People (history)

6. Juvenal , Satires

Aeneas’s wanderings

Vergil's Aeneid

•Publius Vergilius Maro (70 BCE - 19 BCE)

•The Aeneid by book

1.Arrival in Carthage

2.Fall of Troy

3.

Aeneas' wanderings

4.Love and death of Dido

5.Funeral Games

6.Aeneas goes to Hades

7.Arrival in Italy, war starts with Latins

8.Trip to where Rome will later be; shield

9.Nisus and Euryalus

10.Death of Lausus and Pallas

11.Death of Camilla

12.Death of Turnus

Virgil’s The Aenead

Map of Aeneas’s Journey

Laocoon

Aeneas, Under the Protection of Venus

Dido

Book IV

•Dido in love; Anna

•Apparent reconciliation between Juno and Venus

•The hunt and the cave; "Marriage" of Dido and Aeneas

•Jupiter sends Mercury

•Aeneas departs

•Dido's suicide

Some themes to consider

1.

Creative imitation: How does Vergil make use of his Greek predecessors, especially Homer?

2.

Aeneas: What kind of hero is he?

3.

Rome: What does Vergil say about Rome' s destiny and her history?

4.

Augustus: What does Vergil have to say about Augustus and his role in Roman history?

5.

Suffering: How does the suffering that occurs in the poem affect our attitude towards Rome's destiny?

6.

Gods: What roles do the gods play in the poem?

Gaius Valerius Catullus

(84 - 54 BC) Roma

BORN: c. 85 B.C.E.; Verona, Cisalpine Gaul

(now in Italy)

DIED: c. 54 B.C.E.; probably Rome (now in

Italy)

ALSO KNOWN AS: Gaius Valerius Catullus

(full name)

AREA OF ACHIEVEMENT: Literature

Catullus was born into a wealthy family of

Celtic descent in the town of Verona in

Cisalpine Gaul. His father was a friend of

Julius Caesar, and sent his young son to

Rome to learn the ways of the city. He was one of the most versatile of Roman poets, writing love poems, elegies, and satirical epigrams. He moved in the literary and political society of Rome and wrote lyrics describing his unhappy love affair with Clodia, probably the wife of the consul Metellus. His longer poems include two wedding-songs.

His work remained virtually unknown during the Middle Ages, until a manuscript of his poems came to light at Verona in the 14th century. Many of his poems, are short verses to the young boys he loved. Some of his verses have a real feeling... A cycle of eight poems (15, 16, 21, 24, 40, 48, 81, 99) concerns a youth, Juventius, which reveals that Catullus was comfortable working within the Hellenistic tradition of poetry in praise of boys.

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