Integrated Communication Chapter 1 Communication- process of using verbal and non verbal messages to generate meaning within and across various contexts, cultures, and channels *oral communication skills are most critical Process- set of constantly changing actions, elements, and functions that bring about a result 7 Key Elements and Guiding Principles of Effective Communication 1. Self (know thyself) 2. Others (connect with others) 3. Purpose (Determine your purpose) 4. Context (adapt to context) 5. Content (select proper context) 6. Structure (structure your message) 7. Expression (practice successful expression) Culture- a learned set of shared interpretations about beliefs, values, norms, and social practices, which affect the behaviors of a relatively large group of people Context- the circumstances and settings in which communication takes place 4 types of integrated communication contexts: psychological, logistical, interactional, and mediated Psychological- refers to cultural environment in which you live and communicate. Logistical- physical characteristics of a communication situation which focuses on a specific time, place, setting, and occasion Interactional- type of interaction: one on one or between presenter and audience Interpersonal: accomplishing a certain goal or maintaining relations Group: 3 or more people working together to accomplish 1 goal Presentational: between speaker and audience Mediated- technology comes in between communicators MASS COMMUNICATION: between a person and a large group Media Richness Theory- Examines how the qualities of different media affect communication Symbol- don’t have a direct relationship to what they represent Structure- Organization of a message content Channels- various physical and electronic media through messages Guiding principles- communication guide lines focusing on self, others, purpose, context, content, structure, and expression Communication models- illustrations that simplify and present the basic elements of interaction patterns in the communication process. Linear Communication Models- earliest type of communication model that functions in only one direction. Source-> message->receiver Interactive Communication- model including noise and feedback to show that communication isn’t always a one way street Feedback- any verbal or non verbal response you can see or hear from others Noise- internal or external obstacles that prevent a message from reaching the receivers ~External- physical elements in environment that inter fear with communication ~Internal- thoughts, feelings, and attitudes that inter fear with ability to focus on message Source- person/group of people who create a message intended to produce response Receiver- another person who interprets and evaluates your meaning Encoding- decision making process by which you create a message intended to produce a particular response Messages- verbal and non verbal context that generates meaning Decoding- converts code into form you can understand Transactional communication model- shows how to send and receive messages at the same time Strategies- specific plans of action that help you achieve your communication goal Skills- ability to accomplish communication goals during interaction Habits- things you do frequently and for so long you don’t even think about it Ethics- agree upon standards of right and wrong Chapter 2 Prepare Explore by reading plan/organize draft Review/Revise 3 elements that interact with writing (AKA Rhetorical Triangle) 1. Writer/Speaker 2. Subject 3. Audience *Focus on personal experience is a reflexive aim *Focus on explaining subject is an informative aim *Focus on certain beliefs is a persuasive aim 8 kinds of assignments 1. Writing to reflect: reflections 2. Writing to inform: observations and informative essays 3. Writing to analyze: rhetorical and literary analysis 4. Writing to persuade: casual arguments, evaluation arguments, proposal arguments Building Credibility-Know what’s at stake, have your readers in mind, think about alternative solutions and points of view Chapter 3 ID purpose narrow topic write a working thesisevaluate topic visual plan or a working outline *Thesis statement has a subject and an assertion Chapter 4 Zero draft/ discovery draft Working outline Engaging title and introduction Develop your body paragraphs Write a strong conclusion Check your links and between paragraphs ~Conclude with strength: issue a call to action make a recommendation give an example speculate the future rhetorical question Chapter 5 Revision is a two step process: REVISING and EDITING Revising: rewriting segments of your paper Editing: making sentences sound better and inserting transitions Evaluate draft Respond to others Pay attention to detail last Revise using your instructor’s comments Responding to others: First read- main idea and purpose Second read- intro, thesis, focus, organization, sources Third read- audience, style, tone Chapter 6 2 causes of speaker anxiety: Situation and Person/ Group Situational Anxiety- state of anxiety caused by new, different, or unexpected situations Trait anxiety- internal feeling they carry with them Communibiology- genetic factors play a role Condit- situational factors play a role Speaker Confidence 1. Be prepared 2. Engaged in skills 3. Use positive imagery 4. Apply cognitive restructuring 5. Deep breathing and relaxation 6. Audience centered 7. Practice speaking often Uncertainty reduction theory- people improve their talking skills with others by being able to predict audience reactions 5 steps of preparing a speech 1. Analyze audience 2. Developing your topic, thesis and purpose 3. Gathering materials 4. Organizing your main points 5. Practicing your speech *speech purposes: inform, persuade, entertain Audience Analysis Demographic analysis- statistical characteristics or the group Attitude analysis- about topic, speaker, and speech Voluntary analysis- something that has drawn them there Involuntary analysis- they have to be there Accidental analysis- happened to wander there Chapter 7 Informative speech- to create understanding about a person, thing, event, problem Persuasive speeches vs. Informative speeches Speakers intent- clarifying by teaching a specific topic Supporting info- clarify, add interest, and prove something Audience info- psychological info picked up by the speaker to relate their topic *keep in mind cultural differences Speech introductions 1. catch audience attention 2. build repport by creating a god feeling 3. establish credibility 4. point our benefits 5. clarify central idea Catch audience attention by… Question Startling statement Narrative Unexpected content Humor Personal anecdote- story that actually happened to you Build rapport- feeling or liking of closeness Establish credibility- audience should consider you a good speaker Point our benefits- show how the audience will benefit Speech conclusions Summery of main points Memorable ending Speech transitions Built in repetition helps listener connect dots Speech outlining Easier to see your ideas Easier to organize your thoughts Easier to get help from others Types of outlining 1. rough draft- basic structure of speech 2. formal outlining- gather more info and organize it 3. speaking outline- key words and phrases that remind you of the main points parallel structure- main words are worded similarly grammatically and syntactical variety Chapter 8 visual aids are meant to help not distract. Types of visual aids FLIP CHART AND POSTERS (no more than 25) HANDOUTS/OBJECTS ( don’t pass around objects, it distracts from speech) MARKER BOARDS/CHALK BOARDS (absolute last choice) COMPUTER GENERATED AIDS (powerpoint/keynote) AUDIO VISUAL AIDS (videos/sound bites, no longer than 30 seconds) Guidelines for visual aids 1. strive for perfection 2. strive for simplicity 3. strive for clarity 4. prepare for possible problems 5. focus on audience Using powerpoint correctly ~don’t use a lot of words ~don’t use all caps ~main points=single words not cx sentences ~all slides should have a title ~use a pleasing background ~think about text color ~use clear font ~limit title words ~pay attention to font size ~use pictures to help people remember ~don’t fear bullets basic design principles- repetition, contrast, alignments, proximity Preparing for a specific audience Delivery nonverbal and verbal Audience types Friendly Neutral Uninterested Hostile Delivery methods Manuscript scripts: avoid deviation and keep eye contact Memorize speech: speak as if you hadn’t written It out, PRACTICE LOTS Impromptu speech: think on your feet Extemporaneous speech: organized, researched, and practiced Practicing verbal and non verbal delivery 1. Pick words carefully 2. Eye contact 3. Use facial expressions 4. Monitor posture, gestures, and movement 5. Monitor clothing and grooming Vocal Delivery Rate Pitch Volume Emphasis Quality Articulation Pronoucication Vocal disfluencies ENTHUSIASM!!! Practice citing sources Don’t just list sources Don’t list at the end Don’t overlook sources FINAL PREP FOR SPEECHES! Practice speech out loud multiple times Practice speech in multiple ways Prepare for a Q&A session after Get to bed early the night before Be enthusiastic! Chapter 9 Critical Reader ~look with critical eye ~read actively Recognizing Fallacies Fallacies of Logic * begging the question *either-or * False analogies *hasty generalizations *non sequitur (does not follow) *over simplified *Post havoc (after this, therefor this) *Rationalization *slippery slope (one thing causes another) Fallacies of Emotion *bandwagon appeals *name calling *polarization *Strawman Chapter 10 Rhetorical analysis- take apart and analyze it to find a meaning Visual analysis- like rhetorical but of a picture Literary analysis- interpret a text that you share with readers Writing a Rhetorical Analysis 1. identify purpose 2. examine audience 3. examine author 4. examine larger context 5. analyze rhetorical appeals 6. examine the language and style Writing a visual analysis 1. choose a visual text that you care about 2. pay close attention to detail 3. provide a frame for understanding 4. go beyond the obvious Writing Literary Analysis 1. develop an interpretation 2. provide evidence 3. use literary concepts 4. avoid plot summery