YOU KNOW FILMS
Presents
In Association with ATLANTIC FILMS
808
Directed by Alexander Dunn
Screening Format at SXSW Film Festival: DCP
TRT: 107 mins
Camera: Sony F55, Sony F3 with external recorders, Sony FS700 with Odyssey 7Q
recorder, GoPro Hero 3, Canon 7D
Press Materials and Art:
https://www.dropbox.com/sh/x6im2qy3sqfn93y/AADQryPA3DPv0fznfVmjnnYSa?dl=0
Sales Contact:
Richard Abramowitz
C: (917) 566-7175
E: Richard@abramorama.com
Film Press Contact:
Emily Lu / Strategy PR
C: (323) 533-3491
E: Emily.Lu@strategypr.net
Karol Martesko-Fenster
C: (212) 362-4661
E: kmf@abramorama.com
Music Press Contact:
Jordan Danielle Frazes/ Atlantic Records
C: (212) 707-2022
E: Jordan.Frazes@AtlanticRecords.com
Synopsis
This documentary chronicles the untold story of how the Roland TR-808 Drum Machine changed
the course of music history. Featuring appearances and commentary from: Pharrell, Beastie
Boys, David Guetta, Phil Collins, Rick Rubin, Lil Jon, Afrika Bambaataa, Questlove, Norman
Cook (Fatboy Slim), Diplo, Goldie and more.
808 - Directors Statement
Making a documentary about a drum machine, a piece of electronic equipment, is a real
challenge. It's inanimate, has no voice of its own and as a protagonist, is rather difficult to craft a
story around. 808 has really been a journey of discovery for me. Over the course of around two
years, the team and I met over 50 musicians and artists with the intention of telling the story of
the Roland TR-808 drum machine through the music that featured its iconic sounds.
Those artists and musicians are the real protagonists of the film. The 808 was the
machine to enable their creativity through its odd sounding, electronically produced drum sounds.
It didn’t sound anything like real drums, but in their hands, it would change music forever.
Working with music producer Arthur Baker as part of the production team, I had an entry point for
the story, Planet Rock, a seminal track he produced with Afrika Bambaataa in the early 80s which
was one of the first globally influential music tracks that would use the 808 and a key piece of
music in the emergence of hip hop as a genre.
But the enormity of the task was then how to tell the rest of the story. Delving into the 30year history of the 808, its sound has touched so many great pieces of music and defined so
many genres. So 808 is very much about the experiential as well as the factual. About the people
we met and the tales we heard along the way, letting the story unfold as organically as possible. It
was really important to me to keep the integrity of their stories and uncover the relevant music
along the way. It was then a massive challenge to bring this seamlessly together as one in the
edit.
By no means is this meant to be the definitive story of the 808; it has touched far too
many people and reached too far into music, so that's the beauty of it. This film represents a
cross section of stories from its life so far, how it influenced artists, the sounds that they created
together, the iconic music they recorded and the history they were all part of. The amazing thing
about the 808 is that its sound lives on, it's everywhere, especially now. It has transgressed both
genre and time. It’s retro but futuristic. It's been more important to music than just a piece of
inanimate electronic equipment. It has a life of its own.
- Alexander Dunn
Q&A WITH DIRECTOR ALEXANDER DUNN
What was the inspiration behind filming 808?
808 originally came from a discussion between Arthur Baker and Alex Noyer while
discussing another potential project. The subject turned to “Planet Rock” being thirty years old
and of course, the 808’s role in that story. Once it was mentioned to me as a possible project and
we started developing the idea, it was very obvious the legacy the 808 had left within music. We
knew it would be a fantastic journey to embark on.
“Planet Rock” was a perfect entry point for the documentary. It was really the song that
brought the 808 to prominence and was, of course, an extremely influential track in the
development of hip-hop and electronic music in general. The film then grew from there and
allowed me to build a journey of the 808’s sound and influence through music.
Can you discuss the process of interviewing some of the most influential subjects in
musical history for the film?
We were extremely lucky to get so many great artists involved in the film. Arthur Baker
did a great job getting some amazing artists to take part. Credit also goes out to my colleague
and co-producer on this project, Matt Jarman, who managed to get Phil Collins involved. Phil
provides a really interesting angle on the 808 we otherwise wouldn't have had.
Managing to get such a cross section of artists with such a wealth of experience has
meant this project has really been able to develop into what it is today. The artists themselves
had so many amazing stories and experiences to share, all defined by the 808. I think the most
amazing thing is that most of these conversations could have carried on all day. Everyone had so
much to say about the 808, and the music it was part of. I think it's pretty amazing that this
machine can create such wide-ranging discussions with so many great artists.
In your own words, describe what your film is about?
808 is a film about what is arguably the most iconic drum machine that has ever existed
and how it became synonymous with electronic music almost by accident. It’s about the artists
and producers who stumbled upon it, used it, experimented with it and created iconic music with
its unique sounds. The 808 have headed many musical movements, and the film explores the
stories and experiences of the artists at the forefront of those movements. And, of course, the
music plays a huge part in the film offering a fantastic soundtrack to their experiences.
As a first time director, what were the challenges you faced?
It’s such a huge subject matter to explore, and you have to know when to say enough is
enough. That was probably the most difficult thing, working within limitations of time, budget and
then forcing ourselves to stop shooting! We conducting around 55 interviews in total, spread over
the course of three years, and we could have easily done this again…. and again, almost
indefinitely.
The 808 is part of so many musical genres and so many artists used it. I had to take a
cross section, peer in and grab hold of the essence of the story and the journey that it took
through the eyes of the contributors we met. I had to refine all that information down into a feature
length film. That was hard as we had so much great interview footage, and I had to manage that
down to a consumable length for a feature film.
I know we’ll probably get a lot of questions, like why didn’t you feature this artist or that
artist. Certainly, there are people who I’d have loved to feature in the film that we couldn’t get
around to interviewing for various reasons. However, I think this is really interesting. I’d love the
film to be the starting point for more conversations about the 808. I hope it is something that gets
people to investigate further and experience more of the music it played a huge part of.
How does it feel to showcase your film at SXSW Film Festival?
The opportunity to have the film premiere at SXSW is a really fantastic opportunity for
us. It really seems like the perfect place for a documentary that sits bang in the middle of this
convergence of film, music and technology. The team and I are all really happy to be taking part
of the festival. It's also a great opportunity to meet new people and discuss some of the exciting
new projects we currently have in development.
Why do you feel it is important to share the history of the 808?
The 808 has been a prime example of how an instrument can be created with a particular
purpose in mind, only for that purpose to be completely overlooked by its end users. Those end
users instead took it on a completely different, revolutionary journey. It has permeated so many
musical genres, left an indelible mark on culture, inspired countless musicians and continues to
be as relevant today as it was thirty years ago. Plus, it’s retro-futuristic sounds are just plain
awesome.
Q&A WITH PRODUCER ALEX NOYER
How did you get involved with the project?
I am proud to say I started it. After a fun and inspired tapas lunch with Arthur Baker, our
music discussions lead me to decide that the 808 was going to be the topic of my next film. So, I
spoke some more with Arthur, got him on board along with Alex Dunn, and we started this 3-yearjourney. From then on, I got the initial production funded, and we started in Miami at WMC in
2012 to see if we really had a film. Today, we can call that an inspired decision.
Describe the collaboration process between your team and director Alexander Dunn?
Alex has been my long time friend and business partner for the last 10 years. His
influence and skill in editorial and post-production at You Know along with his personal affinity
with the topic made it a perfect opportunity for him to take the directorial reigns. He is a very
meticulous and thorough individual. Taking this large amount of personal accounts (55+
interviews) and turning them into the film that we see now was no small achievement.
We are not just 2 namesakes. Our partnership has allowed us to always be creatively
ambitious, and this project is an important landmark in this ambition being fulfilled. Being a
producer himself, he also understood all imperatives and when the production needed to be
completed. That made the whole process very effective.
How much preparation and research did you have to do before production started?
There were multiple talks, a lot of music listened to and all of us had different
perspectives and music tastes to draw from. After that, we also let ourselves be guided by the
interviews that in turn called for more research to back points made. Arthur Baker’s experience
and legacy in relation of the 808 was very valuable as well as Luke Bainbridge's music journalism
track record. We went where the memories of our contributors took us, and I would say the most
thorough work came when it was time to piece it together into a film.
Why do you feel it is important to share the history of the 808?
30 years of hip-hop and electronic music that can be tracked back to this evanescent
drum machine. These are sounds that are still used today across the musical spectrum, and the
fact that icons still refer to its influence means that the 808 needed its legacy celebrated.
What were some of the challenges you faced when trying to secure the various subjects
for the film?
Arthur did a fantastic job getting great people in front of our cameras. Challenges of time
and travel were there, but I would say that despite our limited budget, we really made the most
out of each location and opportunity with hardly any waste. Then, Matt Jarman managed to get us
some time with Phil Collins and Atlantic added none other than the Beastie Boys to round up all
our efforts. We have been blessed with favorable conditions of people being in the right spot at
the right time, and the challenge for me was to back the opportunities with resources and time.
Our motivation was high, and I am delighted to say that we all filled our roles to meet and match
the challenge to deliver this film today.
Can you describe your first encounter with 808 creator and Roland Corporation founder
Ikutaro Kakehashi?
I unfortunately did not get to go as I was finishing the Los Angeles leg of the shoot, but
we sent Arthur Baker, along with Matt Jarman and Stuart Birchall, and they all came back feeling
humbled by the way they were welcomed by Roland. The conversation between Arthur and Mr.
Kakehashi revealed a very important secret regarding the history of the 808, and we are
extremely grateful for his time. He gave us the prefect way to round up our film. I am due to go
pay them a visit in the very near future, and I very much hope to get to thank Mr. K in person.
About the Filmmakers
ALEXANDER DUNN, Co-Writer/Director/Producer/Editor
Alexander Dunn is a filmmaker based in London, UK, working in film, television and
advertising as a director, producer and editor for over a decade. 808 is his first documentary
feature as a director, having previously created film and programming for a number of clients and
broadcasters including Sky Television, PBS and MTV. Alexander has brought a wide production
knowledge and storytelling skills to 808 as well as a passion for music.
Born in Birmingham, England, during his school years, Alexander first encountered dance
music, but being too young for the clubs, spent his time listening to mix tapes and honing his DJ
skills on old belt driven turntables. He moved to Cornwall at 16 where he developed his interest in
music further, playing at clubs in the area and spending all his spare money on vinyl. At this time,
he also began his journey into film production whilst studying at college.
Following a move to the Hertfordshire to study film production where he would direct a
number of short films, Alexander worked for a brief stint at CNBC Europe where, amongst other
programming, he worked on the feature length documentary THE POWER OF FLIGHT. Following
this in 2004, Alexander co-founded production company You Know with Alex Noyer, producing
content for a variety of clients as well as the documentaries A CONVERSATION WITH JULIAN
SCHNABEL, NEW YORK INFLUENCE CITY and a slate of music videos.
Over the years, he has worked as a director, producer and editor for a number of clients
and collaborators including Ubuntu, Nokia, Casio, Jagermeister, Sony, The House of
Marley, Diesel and many more. He is currently in development on a number of documentary
projects to follow 808 as well as developing his first drama feature.
ALEX NOYER, Producer/Executive Producer
Paris-born producer is the driving force behind 808, the feature documentary that traces
the story of the Roland TR808 from the creation of Afrika Bambaataa’s “Planet Rock” to the
dynamic drum machine’s influence on hip hop and modern dance culture, through its continued
use today. Raised in a French-Finnish art and media world, Noyer studied advertising at the
University of Hertfordshire and subsequently worked for CNBC Europe. In 2004, alongside
Alexander Dunn, Noyer co-founded You Know, an innovative creative solutions agency with a
special focus on film and video. The agency’s early work included the development and creation
of marketing content for L’Oreal, Durex and Jägermeister. In 2007, Noyer expanded his digital
reach by opening and growing the UK branch of the Finnish agency Activeark.
In 2008, he wrote and produced a project that merged two of his primary interests – film
and art. A CONVERSATION WITH JULIAN SCHNABEL, a short documentary for the artist’s
retrospective at Helsinki’s Kiasma Museum of Contemporary Art and Galerie Forsblom, screened
at Art Basel (Switzerland) and major museums and galleries throughout the world. In 2009, he
served as executive producer on Stuart Birchall’s BURNING, an educational short film about a
young girl’s struggle with bulimia.
The artist documentaries led Noyer to produce and write NEW YORK INFLUENCE CITY
(2011), his first feature length film. NEW YORK INFLUENCE CITY’s key participants include
Ross Bleckner, Ann Craven, Peter Halley, Donald Sultan, Ryan McGinness, Jacob Hashimoto,
Tony Oursler and Eric Freeman. In 2014, Noyer expanded his film operations, opening You Know
Films in Los Angeles. Noyer resides in Los Angeles with his family.
CRAIG KALLMAN, Producer
Craig Kallman carries on the entrepreneurial tradition that has driven Atlantic Records
since its founding by Ahmet Ertegun over 65 years ago, and is embodied in the careers of such
fellow Atlantic producer/executives as Jerry Wexler, Nesuhi Ertegun, and Doug Morris. Craig
joined Atlantic in 1991, when the company acquired his independent Big Beat Records label.
Advancing through the executive ranks, the New York-born Kallman was named Chairman/CEO
of the Atlantic Records Group in 2005.
Just four years after Craig started Big Beat after college, his success prompted Atlantic to
acquire the label and bring Craig into the company. He came on board as Vice
President/Assistant to then Co-Chairman Doug Morris. Advancing to Executive Vice President,
Kallman began to oversee Atlantic's entire A&R operation. His roster of trailblazing artists grew
to include Aaliyah (whose Atlantic debut introduced producers Timbaland and Missy Elliott to the
pop top 10); Brandy; Notorious B.I.G.'s rap clan Junior M.A.F.I.A., featuring Lil' Kim; and hard
rockers Stone Temple Pilots and P.O.D.
Over the past decade, Kallman has continued to drive Atlantic’s recruitment of a rich
diversity of high-profile artists, among them Bruno Mars, Death Cab For Cutie, James Blunt, Ed
Sheeran, Jason Mraz (via Atlantic’s 2004 merger with Elektra), Trey Songz, Lupe Fiasco, Flo
Rida, Zac Brown Band, Gnarls Barkley, B.o.B, Skrillex (via Kallman’s re-launched Big Beat label),
Paolo Nutini, Janelle Monae, Wiz Khalifa, Skillet, Halestorm, Jaheim, Christina Perri, Hunter
Hayes, Straight No Chaser, and many others. Kallman also spearheaded one of the music
industry’s pioneering 360 deals, partnering with punk-pop band Paramore. In 2010, Craig relaunched his Big Beat label which has had tremendous success with artists like Grammy winners
Skrillex and Clean Bandit, Icona Pop, and Martin Solveig, to name a few.
Over the past two decades, Craig has championed Atlantic’s involvement in the film and
TV soundtrack world, beginning with the 1996 smash SPACE JAM soundtrack, on which he
served as Executive Producer. Most recently, Atlantic has released Grammy-nominated
soundtracks for the TWILIGHT movie series – which produced an unprecedented two
consecutive #1 albums, and HBO’s acclaimed TRUE BLOOD and BOARDWALK EMPIRE series.
The newly established Atlantic Films is co-producing the documentary film 808, which chronicles
the story of the influential Roland TR-808 drum machine, with a soundtrack on Big Beat/Atlantic.
ARTHUR BAKER, Producer
Born in Boston, Massachusetts, Arthur Baker launched his musical career as a disco DJ
by spinning 45s, pre-remixes and 12-inch disks. He graduated to being among the most visible
and widely imitated of the early hip-hop producers, masterminding breakthrough experimentation
with tape edits, sampling and synthetic beats on such records as “Planet Rock” (winning the
Billboard Trend setter award in 1983), New Order’s “Confusion”, Rockers Revenge’s “Walking On
Sunshine”, Freeez’ “IOU” and his own break dance classic “Breakers Revenge”.
Baker would go on to become an internationally renowned producer, working with such
legends as Bob Dylan, Al Green, Bruce Springsteen and New Order. He discovered the group
New Edition and produced anti-apartheid benefit record Sun City, (being honored at the UN for
the effort). He has made London his home since 1996. Baker also music supervised and
produced tracks for such movies as FRIED GREEN TOMATOES, THE FLINTSTONES,
SOMETHING WILD, FERRIS BUELLER’S DAY OFF, PRETTY IN PINK and LISTEN UP- THE
LIVES OF QUINCY JONES.
On the events front, Baker produced the infamous international Return To New York
parties through the 2000s in such cities as London, Barcelona, Paris, Toronto, New York City and
Miami. He helped launch such acts as 2 Many DJs, LCD Soundsystem, Mark Ronson, Tiga and
Diplo. He now co-owns fashion label Felder Felder and has recently produced two music
documentaries: FINDING THE FUNK with director Nelson George for VH1 and 808 with You
Know Films and Atlantic Films. He is also writing and developing TV and film properties with
Irvine Welsh and Jonas Akerlund. He has also recently launched BAKED Recordings and will be
releasing “No Price” under the artist name of Slam Dunk’d with Columbia Records this summer.
STUART BIRCHALL. Editor/Cinematographer
Stuart Birchall is an award winning multi platform artist, founding his first production
company in 2000. He joined You Know ltd from 2004-2009 as a director/producer. Birchall went
on to found Numinous Pictures, focusing on creative direction and cinematography working on
music videos, commercials, feature documentaries and short films. Birchall has directed for
clients including: Sony, Lipton, The House Of Marley, L’Oreal, Diesel, Durex, Bose and Nokia
etc. Birchall has directed over forty music videos and is currently focusing on feature film
development.
CLAUDIO RIETTI, Cinematographer/Associate Producer
Cinematographer Claudio Rietti most recently lensed DEEP IN THE DARKNESS and 5
SENSES OF FEAR for NBC/Universal as well as worked as 2nd Unit DP and Camera Operator
for ANIMAL, produced by Drew Barrymore's Flower Films and Synthetic Cinema
International. He is currently attached to shoot THE OTHER SIDE starring Tony Roberts and
Alysia Reiner. Rietti's documentary work has aired on several major European (ITV, Channel 4,
RAI Sport), South American (Globo, SBT, Record, Bandeirantes), and North American TV
channels. His commercial clients include Kellogg's, Mary Kay, Olay, AT&T (Filipino watches),
Sunglass Hut, amongst others. Rietti studied at the London Film School and speaks English,
Portuguese, and Spanish.
LUKE BAINBRIDGE, Co-Writer/Associate Producer
Luke Bainbridge is an author, filmmaker and festival curator. He was one of the founding
editors of the award-winning Observer Music Monthly, the UK’s biggest ever music magazine,
and ghostwriter of Shaun Ryder’s autobiography, The Sunday Times bestseller, Twisting My
Melon. He has been a music journalist since his late teens, becoming editor of Manchester’s City
Life (the first magazine to cover Oasis) in his early 20s. Over the last 20 years, Luke has
interviewed almost every top musician and pop star, from Jay-Z, Paul McCartney, Pharrell
Williams and Oasis. He currently writes for publications including The Observer, The Guardian
and GQ. He is working on a new book called Red Planet, to be published late 2015. He is also
Head of Arts and Culture for Festival No.6, which was voted Best New Festival at the UK Festival
Awards.
MATTHEW JARMAN, Co-Producer/Editor/Sound Supervisor
Matthew is a London based filmmaker with a background in the music industry. As coproducer, he has worked closely with director Alexander Dunn to bring the story of Roland's
seminal 808 to the big screen. Matt has worked as a producer and director on a variety of
projects, mainly focusing on music and documentary. These projects have featured a variety of
artists and contributors such as Gary Numan, Alt-J, Phil Collins, The Futureheads, Ladyhawke,
Get Cape. Wear Cape. Fly, Architects and Deaf Havana as well as working with Universal Music,
Sony, IMG, Jaegermeister and Syco.
Matt’s career began as a musician and producer. He eventually opened a recording
studio in Hampshire, UK, before making a leap into video production, utilizing his knowledge from
the music industry to specialize in the capturing of live music performances. In 2013, Matt
traveled to mainland Europe to direct and produce SPIRIT OF THE ALPINE, a documentary
following 47 vintage Rolls-Royce Silver Ghosts as they departed from Vienna. The cars traveled
through Austria, Slovenia, Croatia and Italy before returning to Vienna on June 29, 2013, exactly
100 years to the day that the 1913 Alpenfahrt finished. The faithful re-enactment celebrated the
seminal 1913 Trials, a test of endurance that saw the Rolls-Royce Silver Ghost cement its
reputation for faultless reliability, thus, establishing the legend of the ‘Best Car in the World’.
After SPIRIT OF THE ALPINE, Matt joined You Know as a producer before becoming
Head of Production. He works closely with founders Alexander Dunn and Alex Noyer, developing
new film and television projects to follow 808, which he worked on as co-producer, editor and
sound supervisor.
CREDITS
You Know Films Presents
In Association with Atlantic Films
808
Directed by
Alexander Dunn
Written by
Alexander Dunn
Luke Bainbridge
Executive Producer
Alex Noyer
Producers
Alex Noyer
Alexander Dunn
Producer
Craig Kallman
Producer & Co-Executive Producer of Re-Covered Content Limited
Arthur Baker
Co-Producer
Matthew Jarman
Associate Producer
Sarah Pinchemain
Associate Producer
Luke Bainbridge
Associate Producer
Claudio Rietti
Edited by
Alexander Dunn
Matthew Jarman
Stuart Birchall
Cinematography
Claudio Rietti
Stuart Birchall
Danny Vecchione
Sound Supervisor
Matthew Jarman
Narrated by
Zane Lowe
Featuring
A-Trak
Damon Albarn
Arthur Baker
Afrika Bambaataa
Chris Barbosa
Jellybean Benitez
Mr BIGGS
Mike Butcher
Tony Carrasco
Phil Collins
Norman Cook
David Dewaele
Stephen Dewaele
Mike Diamond
Diplo
Chris Frantz
G.L.O.B.E
Goldie
David Guetta
Richie Hawtin
Felix Da Housecat
Jori Hulkkonen
Lil Jon
Jim Jonsin
François K
Ikutaro Kakehashi
Remi Kabaka GSS
Ian Lewis
Jimmy Jam & Terry Lewis
Graham Massey
Mr Mixx
Stephen Morris
David Noller
Man Parrish
Questlove
T La Rock
Rick Rubin
Hank Shocklee
Tom Silverman
Gerald Simpson
Strafe
Bernard Sumner
Todd Terry
Tiga
Lady Tigra
Pretty Tony
Armand Van Helden
DJ Pappa Wheelie
Pharrell Williams
With special thanks to
João Barbosa (Li'l John)
Boyz Noize
Brodinski
Paul Oakenfold
Skrillex
Tensnake
Toddla T
Watch the Duck
Additional Photography
Alexander Dunn
Matthew Jarman
Rob Wilton
B Cam Operator (NYC)
Adrian Correia
Quenell Jones
DIT (NYC)
Katie Harris
Location Sound
Matthew Jarman
Aaron Miller
Todd Reckson
Mike Infante
Steven W. Rose
Estuardo Gálvez
Boom Operator (NYC)
Dave McRorie
Voice Over Recording
Trident Audio Post
Voice Over Audio Engineer
Stephen O’Toole
Sound Facility
Empire Recording Studios
Sound Mix & Edit
Sam Burden
Post Production Facility
You Know Studios London
TVC Soho
Dubbing & Mastering Facility
TVC Soho
Dubbing Mix
John York
Graphic Design
Julie Rose Dunn
Programme Your 808 Artwork Series
Rob Ricketts
Title Sequence
Paul Roberts
Motion Graphics
Alexander Dunn
Paul Roberts
Pedro Gundar Mota
Matthew Jarman
Archive Producer
James RM Hunt
Archive Researchers
Kino Library
Jenny Coan
Serena Sharp
Music Clearance
DMG Clearances
Deborah Mannis-Gardner
Christine J. Viggiano
Legal Services
Brown Rudnick (London)
Alexander Carter-Silk
Atlantic Records
Marc Joaquin
FRWV (New York)
Eric Brown
Insurance
Allan Chapman & James Insurance Brokers Ltd.
Kerrie Mills
Marketing
Blake Foster
Publicity
Jordan Frazes
Emily Lu
Equipment
Filmscape Media
LVR USA
Abel Cine
VMI
Richmond Film Services
Handheld Films
Additonal Footage & Photography Courtesy Of
You Know Ltd
Merrill Aldighieri
Stuart Birchall
Mario Boncaldo
Joe Conzo
Corbis Images UK LTD
Danny Cornyetz
Dissolve
©George-Dubose.com
Getty Images
BBC MG / Getty Images
HB Barber
Alan Hempsall
David Hobbs AKA MR Mixx
Jim Jonsin
Kino Library
PYMCA
Photos by Plastics
Jesse Saunders
Charandjit Singh
Janak Rana Ghose
Ultra Music Festival
Hajime Tachibana
Videoblocks.com
Footage Firm Inc.
Lynn and Louis Wolfston II Florida Moving Image Archives, Inc
YWA Music, Inc
Roland
Ikutaro Kakehashi
Suzuki GB PLC
John King, Chung King Studios
Shot On Location In
London
New York
Miami
Los Angeles
Tokyo
Brussels
Turku
With thanks to
The Boom Boom Room Studios
Ed Randle
Circle House Studios
Charles Wakeman
Downtown Music Studios
Jordan Kinne
Egg London
Electric City
Alan Ward
Mandarin Oriental Miami
Heidi Barfels
Oscilloscope Labs
Andre Kelman
Quad Studios
David Rosner
RAK Studios
Andy Leese
Trisha Wegg
Red Bull Studios London
Sofitel Miami
Danielle Dew
Elizabeth Diaz
Latoin Parris
Soho Beach House Miami
Amanda Hale De Jesus
Studio 13
Charly Hutchings
Trump International Hotel & Tower New York
Jazmine Davila
Special Thanks To
Roland / Roland Japan
Jamie Franklin
Martyn Hopkins
Sean Montgomery
Toshi Ikeda
Shinsuke Takami
Shin Kaieda
East City Management
Kirsten Winn
Young Turks / XL Recordings
Caius Pawson
Simon Guzylack
Rabbit Vocal Management
Becky Fuller
J.H.O Management
Amanda Playle
Rosie Foster
Suzuki GB PLC
Jade Wells
TVC Soho
Simon Ward
Marc Collins
Tom Rutherford
Tony Smith
Jo Greenwood
Marybeth Shea
A very special thanks to
Rafaela Seppälä
For Your Love And Support
Julie & Jago
Linda and the Pikkuiset, mon Pâ-Pâ
Katherine & Storm
The Pinchies
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