Victoria’s Secret Focus Shift Victoria’s Secret’s Focus Shift Jenna Bartak COMM121: Introduction to Mass Communications Ted Gournelos 1 Victoria’s Secret Focus Shift Abstract Victoria’s Secret, globally known for their sexy catalog and well-anticipated fashion shows- full of nothing but women in nothing but fancy lingerie- has been a fashion and controversial icon in America since the early 1970’s. Victoria’s Secret was founded by Ray Raymond, who’s original vision was to create an inviting atmosphere for both men and women to purchase their intimates for themselves and/or for their significant others. In fact, Victoria’s Secret primary target marketing audience was the male population, surprising for a womenoriented line of products. Victoria’s Secret made a big name for them self when they hosted a fashion show with their Angel collection, using well-known super models to display their newest line. Focusing mainly on middle-aged women with their merchandise, one can now find a much younger audience within Victoria’s Secret scope of target marketing—teenagers and college students. Introducing the PINK and PINK colligate collection in 2004 and 2008, respectively. 2 Victoria’s Secret Focus Shift Victoria’s Secret Background For years Victoria’s Secret has set the bar of how women should dress—underneath their clothes. Known for their classic, yet sultry lingerie, Victoria’s Secret most known advertising strategy was done with supermodels strutting down the runway in angel wings—the Angel Across America campaign. Now, Victoria’s Secret has turned to a collegiate campaign- mainly the Pink collection. Even with the economy crisis, Victoria’s Secret has been the victor of reaping in dollars worth over $2.8 billion (Monget, K., 2004). This paper will execute a contextual analysis of Victoria’s Secret campaigns from Angel to Collegiate, focusing on the Pink advertising, in which Victoria’s Secret gears its focus to a younger audience than their traditional audience of women in thirties and forties. The Pink audience is composed of collegeaged women from 18- 22 years of age, creating a life-style image for young women to pursue through Victoria’s Secret products. It argues that Victoria’s Secret target audience is shifting from older women to young women in order to catch them earlier and keep them. Victoria’s Secret Story Victoria’s Secret legend began in 1982 when The Limited Brands bought out their store and catalog for $1 million (Limited Brands History, 2009). By 1986 Victoria’s Secret was a franchise of 167 stores across America with an annual sales volume of $112 million dollars (Workman, N., 1996). These stores specialized in lingerie which integrated the style of old English and the 19th Century into their products and store design. The original store design was a “turn-of-the-century San Francisco bordello” style. Since then the stores’ layout has been transformed into a lighter, bedroom type style to create a more personal, intimate atmosphere. This bedroom-style look is created through the use of bedroom type furniture, like dresser 3 Victoria’s Secret Focus Shift drawers with merchandise inside (Workman, N., 1996). In 2002 Victoria’s Secret decided to change their look to match the supermodels who were promoting their Angel Across America campaign: Tyra Banks, Gisles Buchchen,, Heidi Klum, Adriana Lima, and Alssandra Ambroso (See figure 1). Figure 1 The Victorian era look would be transformed into a more racy style to recreate the feel of the store. Instead of shoppers feeling as if they had stepped back in time, they would feel as if they had stepped onto the runway. Kathleen Baldwin, Vice President for store design, said, “Traditionally, our stores have had soft, feminine environments, but the ad campaigns were sexier. Those ads and the Victoria’s Secret fashion show are an enormous part of our image, and 4 Victoria’s Secret Focus Shift the new design is more aligned with that” (Khamsurov, M., 2004, 54) (See figure 2). Figure 2 A large portion of Victoria’s Secret sales are due to their two main advertising strategies—catalogs and live fashion shows. 90% of Victoria’s Secret catalogs and retail customers are women, so it was surprising to industry observes that Victoria’s Secret target audience was predominatley men. This is because Victoria’s secret theory is that if men do not buy lingerie for the women in their life, then women will but it with the men in mind. In fact, Victoria’s Secret mails their catalog to 350 million people annually (Cobb, C., 1999) increasing sales. In 1999, for the Super Bowl XXXIII, Victoria’s Secret spent $5.5 million in pitching their sexy lingereie ads and spent $1.5 million to show one 30-second ad during the Super Bowl commericals (Cobb, C., 1999). In Feburary of the same year Victoria’s Secret was to air its fashion show over the internet, allowing people to log in and see what was new in stores. To promote this event $4 million was spent on a full page newspaper ad (Cobb, C., 1999). Though Victoria’s Secret planned for an audience of over a million people, the serves could not handle the 1.5 million who logged on, jamming the site. Visuals were dark and choppy and the sound was disappointing. This mishap hindered the sales that Victoria’s Secret was expecting (Hanover, D., 1999). Learning from mistakes Victoria’s Secret then went on to air their fashion shows via television through ABC and then on to CBS (Monget, K., 2005). 5 Victoria’s Secret Focus Shift Contextual Anaylsis of Victoria’s Secret In regards to the Angels (figure 3) Figure 3 walking down the runway, Anthony Hebron, the spokesperson for Limted Brands Inc. claims that Victoria’s Secret fashion shows drive more people into the store—making the $10 million production worthwhile (Prashad, n.d.). He claims that the fashion show sends a message and this is what women who buy Victoria’s Secret products think, “when I put that push-up padded bra on, I’ll look just like Naomi (Campbell) or Heidi Klum and it will give me the support I need” (Prashad, n.d.). To encourage the viewing of the already anticipated event, CBS held a sweepstakes for viewers to a win a trip to New York to watch Gisele Bundchen and Tyra Banks on and off stage (Advertising Mascots, n.d.). Victoria’s Angels inspired Victoria’s Secret product line of perfumes and lotions called “Dream Angels”. To promote these products the Angels were posed naked with only their wings, creating a pure and innocent look in the advertisments (see figure 4). 6 Victoria’s Secret Focus Shift Figure 4 . The saying at the bottom of the ad stated: “Scent from above. A celestial blend of soft florals and earthy warmth creates sheer heaven on earth for the wear. Your skin will be fabulously fragrant and blissfully cared for. Chosen among the full Dream Angels Heavenly Collection” (Advertising Mascot, n.d.) Ironically, the sexy, naked models use their bodies to create a pure and innocent look, persuading women to buy their products. On Valentine’s Day of 2004 Victoria’s Secret introduced a new line of products: Pink Products. This line includes bikinis, thongs, boy shorts, hipsters, short-shorts and pajamas. This line was meant to target 18- 22 year old women (Zmuda, N., 2008). This new line proved popular, but in the last quarter of 2007, Victoria’s Secret lingerie sales decrease by 7%, so the Pink line was used to create the Collegiate Collection, consisting of license T-shirts, sweats, totes, and underwear designed specifically for 33 universities across America (see figure 5). Figure 5 These universities included University of Michigan to Texas A&M to Harvard (Zumda, N., 2008). Sara Tervo, Victoria’s Secret Vice President of Public 7 Victoria’s Secret Focus Shift Relations and Event Marketing, argues that by incorporating Pink into the college scene will help foster relationships with students, schools, and communities (Zmuda, N., 2008). Filandroa, an analyst with Susquehanna Finical Group argues ‘Pink has been a tremendous growth vehicle for [Victoria’s Secret] and gives them an opportunity to capture that customer at a much younger age than Victoria’s Secret was able to do previously. The earlier that can get her, the more likely it is they keep her” (Zmuda, N., 2008, 29). In order to establish this collegiate collection, Victoria’s Secret hired brand ambassadors to promote their products, using what is called a grass-roots approach. Filandro claims that this approach is “brilliant… a powerful way to connect with the core customer that they are targeting” (Zmuda, N., 2008, 29). For each campus there were two to three ambassadors hired to ensure maximum visibility. Their responsibilities as ambassadors included handling the Recycle Your Sweats Program by placing bins on campuses for used-clothing donations, promoting Pink’s pop-up store on the internet, and traveling to six college football games to promote various games-day events for the brand (Zmuda, N., 2008). Harvard’s newspaper discusses how the Pink Ambassadors on their campus and on other campuses were interested in fashion, marketing or retailing as a post-college career. The article posted that Rob Walker from the New York Times believes that Victoria’s Secret real target is actually preteens and teenagers with Pink being used as an entry brand (College Women Join ‘Team Pink’, 2005). This reiterates Filandro’s belief that Victoria’s Secret is trying to get girls at an early age in hopes of keeping them. To continue and revamp the Pink collection, Victoria’s Secret is adding a Green Collection to the Pink, along with a new fragrance line made up of organic and vegan ingredients to appeal to the same college-aged market (Naighton, J., 2009). The company plans to use an 8 Victoria’s Secret Focus Shift intensive sampling campaign for the fragrances and utilize viral marketing via Facebook, MySpace and YouTube (Naughton, J., 2009). In fact, girls can now receive text messages about Pink as well, informing them of the newest products. Textual Analysis of Pink Ads In Figure 6, an image derived from Victoria’s Secret Pink website, is evidence that Victoria’s Secret is encouraging young girls to purchase their products. In Figure 7, one can see four models used to advertise Victoria’ Secret’s Pink bra collection. Performing a textual analysis of these selected items, one can first observe that the models used are quite younger than the models usually used for Victoria’s Secret advertising. One can also clearly see that the bras have titles which attach an identity to the product. This creates an idea that when a girl wears a certain bra, she is empowered to be the most popular, the biggest flirt, or the most likely to succeed. Pink’s image of power is created by wearing a simple bra, degrading women’s success to their bra size and style. Figure 6 “Most Popular” T-shirt bra All girls are posed in seductive stances with flirtatious looks, quite similar to the stances and looks of their counterparts in Victoria’s Secret Angel collection. “Most Comfy” padded wireless bra “Biggest Flirt” scoop neck bra Figure 7 “Most Likely t o Succeed” push-up Bra with gel 9 Victoria’s Secret Focus Shift Analyzing the styles present, it can been seen that the “Most Popular” T-shirt bra reappropriates a hippie look with their model, recreating a 60’s type hairstyle, head band and colorful bra. It can be seen that Victoria’s Secret Pink also incorporates diversity in their models in order to appeal to a broader scope of girls. They also create a sense of exoticism by using multiracial models and background settings. All of these models are skinny and fit, just like the models used to showcase other Victoria’s Secret products. This is to ensure a look that says that the Victoria’s Secret way is the best way—only the top models with the top body types display their bras, creating a belief that when women buy these products, they too will achieve this Victoria’s Secret lifestyle. Interestingly, found on the Victoria’s Secret Pink webpage is a tab that reads “Pink is Life” and when rolled over switches to “Life is Pink”, insinuating that the life a teenage girl should have is one that includes Victoria’s Secret Pink products. As stated before, the earlier Victoria’s Secret can get a girl, the more likely they are to keep her. Pink is a sales maneuver to appeal to a younger generation in a way that their previous ads would not have. In an industry that sells a bra in the price range of $40- $60, teenagers are not the main target. However, Victoria’s Secret knows that if they can entice teenage and college students with a more appealing price range, they are more likely to invest in more expensive products as they advance in life. In conclusion, Victoria’s Secret is becoming the victor of women of all ages. Through their effective marketing, they have expanded their target marketing from women in their thirties 10 Victoria’s Secret Focus Shift and forties to teenage girls and college students; all done strategically through the power of sex appeal and desirability. 11 Victoria’s Secret Focus Shift References Advertising Mascots-People. (n.d.). Retrieved March 26, 2009, from http://tvacres.com/admascot_angels2.htm. Cobb, C. (1999, April). Victoria’s Not So Little Secret, Public Relations Tactics, 6,(4), 1. Retrieved March 23, 2009, from Business Source Premier database. College Women Join ‘Team Pink.’ (2005, March 15). National On-Campus Report. Retrieved March 24, 2009, from Academic Search Premier database. Hanover, D. (1999, March). Victoria’s Secret Show Proves Pull of Web. Chain Stone Age, 73(3), 190. Retrieved March 26, 2009, from MasterFILE Premier database. Khemsurov, M. (2004, April). Sexing Up Victoria’s Secret. Business 2.0,5(3),54-55. Retrieved March 24, 2009, from Business Source Premier database. Limited Brands History. (2009). Retrieved March 29, 2009, from http://www.limitedbrands.com/about/history.jsp. Monget, K. (2005, August 15). Steamy TV: Victoria’s Secret Show Returns to CBS. WWD: Women’s Wear Daily, 190(43), 3-3. Retrieved March 26, 2009, from Business Source Premier database. Monget, K. (2004, September 23). Victoria’s Angels to Star in TV Road Trip. WWD: Women’s 12 Victoria’s Secret Focus Shift Wear Daily, 188(64), 3-3. Retrieved March 25, 2009, from Business Source Premier database. Naughton, J. (2009, February 6). Victoria’s New Secret: Scents, Natural Bath and Body. WWD: Women’s Wear Daily, 197(25), 7-1 NULL. Retrieved March 23, 2009, from Business Source Premier database. Newman, E. (2007, September 10). Victoria’s Secret Pinks Them Up. Brandweek, 48(32), 36-36. Retrieved March 23, 2009, from MasterFILE Premier database. Prashad, S. (n.d.). Victoria’s Secret Fasion Show ‘all about aspiration.’ Toronto Star (Canada). Retrieved March 25, 2009, from Newspaper Source database. Workman, N. (1996). From Victorian to Victoria’s Secret: The Foundations of Modern Erotic Wear. Journal of Popular Culture, 30(2), 61-73. Retrieved March 23, 2009, from America: History & Life database. Zmuda, N. (2008, July 7). Pink label: Victoria’s Sales Secret. Advertising Age, 79(26), 4-29. Retrieved March 23, 2009, from Academic Search Premier database. 13