Brand and identity IS 403: User Interface Design Shaun Kane Admin • Today: – Identity – Q1 and A4 back (with a few small exceptions) • Thursday: – Some comments on interaction design – Q2 review Reprise: Kuler Today: identity! What is identity? • Brand identity • Corporate identity • What distinguishes you from everyone else How do we create identity? • • • • • • Slogan Color (specific shades) Color schemes Shapes / logo (Olympics, Coca Cola, Nike) Fonts / typefaces (Harry Potter) “Logo type” Use visuals to communicate. Use visuals to communicate. “Brand” Outsider Opinion Organizational Behavior Self-image Visual Identity Brand Diagram Logo BP Logo Aspects of a good visual identity: Simple, easy to remember Unique (!blue) Color matters Meaning Accurate: they will know what you are Uniqueness: they won’t confuse you with others Credibility: they will take you seriously Credibility: they will take you seriously Flexible but Consistent: they can identify your materials in any medium Case Study: UMBC What makes UMBC identity? • Mascot (in various forms) • Colors: black and gold • Dog head Short Exercise: Let’s work on the identity for our project sites Work on your own site (but with a partner) Logo, color scheme Exercise: Part Two Write down six words (adjectives) that would be associated with your client’s brand. Case studies Myspace Walmart and Target Games Next time • Project workshop Q1 100 96 96 90 83 83 83 85 86 86 88 89 89 81 81 80 74 74 74 75 69 69 70 67 60 0 5 10 15 20 The rest of the course • • • • Still 5 assignments and 2 quizzes left Resubmit assignments Extra credit slots Improvement counts Today • • • • Sync up on schedule, assignments Kaitlyn: Reading summary More about color Color activity WHY STUDY COLOR? Cultural Significance of Colors • http://www.1stwebdesigner.com/design/col ors-web-design-right-combination/ Color and Mood • http://www.infoplease.com/spot/colors1.html • • Black Black is the color of authority and power. It is popular in fashion because it makes people appear thinner. It is also stylish and timeless. Black also implies submission. Priests wear black to signify submission to God. Some fashion experts say a woman wearing black implies submission to men. Black outfits can also be overpowering, or make the wearer seem aloof or evil. Villains, such as Dracula, often wear black. • • Yellow Cheerful sunny yellow is an attention getter. While it is considered an optimistic color, people lose their tempers more often in yellow rooms, and babies will cry more. It is the most difficult color for the eye to take in, so it can be overpowering if overused. Yellow enhances concentration, hence its use for legal pads. It also speeds metabolism. • • Purple The color of royalty, purple connotes luxury, wealth, and sophistication. It is also feminine and romantic. However, because it is rare in nature, purple can appear artificial. Color Theory The artist’s model: primary colors The Secondary Colors Tertiary Colors An artist’s color wheel Color Schemes RGB vs. HSB RGB Scheme • What is the RGB scheme? • Where do you use it? RGB Scheme • An additive color system, since you add light from the primary colors to make new colors. • The values for Red, Green, and Blue may be specified in percent (0–100); or in a scale from 0–255 (decimal) or 00–FF (hex)—where 255 or FF = 100%. • Remember: higher numbers mean more of each color of light. • More is lighter, less is darker! RGB Scheme • • • • Red = (255,0,0) Green = (0,255,0) Blue = (0,0,255) Magenta = (255,0,255) • Yellow = (255,255,0) • What’s #ff00ff? HSB Scheme • This scheme is a device-independent way to describe color • Hue • Saturation • Brightness HSB Model HSB Model • Hue is the actual color. Measured in angular degrees counter- clockwise around the cone starting and ending at red = 0 or 360 (yellow = 60, green = 120, etc.). • Saturation is the purity of the color, measured in percent from the center of the cone (0) to the surface (100).At 0% saturation, hue is meaningless. • Brightness is measured in percent from black (0) to white (100).At 0% brightness, both hue and saturation are meaningless. More about saturation • White, black, and grays are 0% saturated • A color becomes more saturated as it moves away from gray to a pure color • A pure (fully-saturated) color, in RGB terms, is: • Only red, green, or blue, or • Only yellow (= red + green), or • Only magenta (= red + blue) • A saturated color can have a range of brightnesses Vary saturation, constant brightness Vary brightness, constant saturation Useful Guidelines ADAPTED FROM “UNIVERSAL PRINCIPLES OF DESIGN: 100 WAYS TO ENHANCE USABILITY, INFLUENCE PERCEPTION, INCREASE APPEAL, MAKE BETTER DESIGN DECISIONS AND TEACH THROUGH DESIGN” How Many Colors? • Limit the palette to what the eye can process at one glance • Don’t use more than 5 colors Color Blindness • Don’t use color as the only way to distinguish information • User is not like me • vischeck.com Color Combinations Color Combinations • Create aesthetic color combinations! • Use adjacent colors on the color wheel (analogous) • Use opposing colors on the color wheel (complementary) • Use colors at the corners of a symmetrical polygon (triadic and quadratic) • Use color combinations found in nature Monochromatic • 1 Hue, possibly in different values • Looks clean and elegant • Monochromatic colors go well together, producing a soothing effect. Monochromatic Blues Reds Complementary • 2 Complementary Hues • (opposites on color wheel) • Tricky to use in large doses, but work well when you want something to stand out. • Really bad for text Complementary Red and Green Orange and Blue Triadic • 3 colors at corners of equilateral triangle • Often vibrant, even if you use pale or unsaturated versions of your hues. • Colors should be carefully balanced - let one color dominate and use the two others for accent. A triadic can shout . . . ...or whisper ... . . . or speak conversationally . . . Analogous • 3-5 adjacent hues • Use to create serene and comfortable designs. Often found in nature and are harmonious and pleasing to the eye. • Make sure you have enough contrast when choosing an analogous color scheme. • Choose one color to dominate, a second to support. The third color is used (along with black, white or gray) as an accent. Analogous Blue, Green, Yellow Split Complementary • Variation of complementary scheme. • Uses a base color and the two colors adjacent to its complement. • This color scheme has the same strong visual contrast as the complementary color scheme, but has less tension. • Split-complimentary color scheme is often a good choice for beginners. Useful Tools • http://www.colorsontheweb.com/colorwizard.asp • http://kuler.adobe.com • http://vischeck.com (for color blindness) Using color effectively Background/Foreground • Use warmer colors for foreground element • Use cooler colors for background elements Grouping Elements • Light gray is a safe color to use for grouping elements without competing with other colors • White may also be OK Using Saturation Wisely • Use saturated colors (pure hues) when you want to attract attention • Use desaturated colors when performance and efficiency are the priority • Desaturated, bright colors are perceived as friendly and professional • Desaturated, dark colors are perceived as serious and professional • Saturated colors are perceived as more exciting and dynamic • Be careful when combining saturated colors! They can visually interfere with each other and cause fatigue Symbolism • There is no substantive evidence supporting general effects of color on emotion and mood. However… • Verify the meaning of colors and color combinations for a particular target audience prior to use • More about this in The Power of Color by Morton Walker, 1991. Highlighting • Color is a potentially effective highlighting technique • Should be used sparingly and only with other highlighting techniques • Such as bold or maybe changing type • Highlight using a few desaturated colors that are clearly distinct from one another Interference Effects • Break mental models and cause user to either make mistakes or take longer to understand • Stroop Inference Contrast of Light and Dark • Dark Colors come forward • Light colors stay in the back • True for both grayscale and color • Use high contrast when you want to make a loud statement Branding What brand is this? What brand is this? Branding Branding Branding: Blue Branding Blue Branding Blue Interested in more advice? • http://www.tigercolor.com/color-lab/colortheory/color-theory-intro.htm • http://speckyboy.com/2010/05/19/beginner s-guide-to-using-the-power-of-color-inweb-design/ • http://desource.uvu.edu/dgm/2740/in/steinj a/lessons/03/l03_06.html Color schemes in the wild • Let’s do some color exploration Colors from nature • Look behind (and around) you! Color activity • Let’s pick a new color scheme for the UMBC home page – Analogous – Complementary – Triadic