1 English 124: Critical Reasoning and Writing, Section #7258 / MW 2-3:15 Instructor: Sydney Brown / sydney.brown@gcccd.edu sydbrown.net / 619.644.7523 Advanced Composition: COURSE CALENDAR The following is a tentative schedule of readings and course activities subject to change at the discretion of the instructor—or unforeseen changes in collective linguistic weather (the best way to stay “in the loop” is to attend class regularly). If I am absent, be sure to check e-mail or message left on official notice on classroom door. If you miss class, you are responsible for arranging to pick up handouts before the next class meets. Absence is not an excuse for being unprepared for the following session. Those who show up for class unprepared drain our collective energy…so please be present in body AND mind. Please turn off laptops and cell phones (in fact, do not place them on your desk!) while in the classroom—we do it “old school.” Readings and all written work should be completed for the day they are assigned. In other words, come to class having prepared and/or completed what is listed that date. (A gentle reminder: please do not e-mail work to me or place work in my school mailbox; it will not be read.) Bring appropriate books/handouts on days you have assignments from them. Any questions? Just ask. Monday, January 25 Introduction: Critical Reasoning & Writing Handouts: Syllabus, Survey WEEK ONE Wednesday, January 27 In-class Writing (diagnostic): Stephen Dunn’s poem “To a Terrorist” WEEK TWO Monday, February 1 Lecture/discussion: Content and Form Return/discuss: Poem as Argument and In-class Writing (diagnostic) Wednesday, February 3 Lecture/discussion: Content and Form In class writing/clustering: Worldview Handout/discuss: Assignment for Essay #1: Worldview (100 points) Monday, February 8 Class Cancelled. Work on worldview essay. WEEK THREE Wednesday, February 10 Read: Ella deCastro Baron’s Itchy Brown Girl Seeks Employment, Introduction (14-21), “Archipelago” (45-57), and The Bell Curve” (68-96). Class Activity: Working Critically with Worldview, Identity, and Ella deCastro Baron’s Assigned Readings—Ways to Approach Essay #1 Handout/discuss: Rest of Semester Calendar Monday, February 15 Holiday—enjoy the day off! WEEK FOUR 2 Wednesday, February 17 Due: Four copies of Essay 1 “Worldview” for Peer Workshop (25 points, no make-up). Draft should be at least three pages long and in MLA format and style, including a Works Cited page. You must have your copies and be on time in order to participate in the workshop. You may print on both sides of the paper for this workshop. Handout: Richard M. Nixon’s “Checkers” Speech WEEK FIVE Monday, February 22 Lecture: A Brief History of Rhetoric and the Persuasive Appeals Handout: List of Logical Fallacies and Max Shulman’s “Love is a Fallacy” Wednesday, February 24 Research context and Read: Richard M. Nixon’s “Checkers Speech” Annotate: Mark successful and unsuccessful examples of emotional (Pathos), Ethical (Ethos), and Logical (Logos) appeals as you read Nixon’s speech. Due: Essay #1 in the following order: 1) Final, polished essay with Works Cited page; 2) Reflection (20 points—follow directions on page 3 of syllabus; draft—if you miss the Peer Workshop, a draft is still required. WEEK SIX Monday, March 1 Film: Here Be Dragons: An Introduction to Critical Thinking (40 minutes) Discuss: Fallacies or “Red Flags” in Nixon’s speech Wednesday, March 3 Read: Max Shulman’s “Love is a Fallacy” Class Activity: Identifying Logic Fallacies Handouts: Short Arguments: “Letter to the Editor” and “Boxing, Doctors—Round Two” WEEK SEVEN Monday, March 8 Read: Short Arguments: “Letter to the Editor” and “Boxing, Doctors—Round Two” Class Activity: Rhetorical Analysis of Short Arguments Wednesday, March 10 Exam: Logic Fallacy Identification (100 points, matching and fill-in-the-blank) Return: Essay #1 Worldview WEEK EIGHT Monday, March 15 Handout/discuss: Sample Student Essay, “Boxing, Doctors—Round Two”: Rhetorical Analysis of a Short Argument Preparation: Midterm/Essay #2: In-class Rhetorical Analysis of Short Argument Return/discuss: Logic Fallacy Exam Handout: Short Argument for Midterm Wednesday, March 17 Midterm/Essay#2: In-Class Rhetorical Analysis of a Short Argument (100 points). Bring 8 ½ x 11 college-ruled paper and pen or pencil. You may use only your marked copy of the short argument and a dictionary—no outlines, notes, books, or electronic devices. Handout: “Written Argument” 3 WEEK NINE Monday, March 22 Read: “Written Argument” (87-111) Begin Lecture: Introduction to the Visual/Editorial Cartoon as Argument and the Rogerian Strategy (induction, deduction, concession, refutation), evidence and the Grossmont College Databases Handout/discuss: Assignment for Essay #3: Editorial Cartoon / Rogerian Argument (200 points); Sample Student Essay: Editorial Cartoon / Rogerian Argument Wednesday, March 24 Continued Lecture/discussion: Visual/Editorial Cartoon as Argument and the Rogerian Strategy Class Activity: Identifying Arguments of Editorial Cartoons Handout: Outline for Sample Student Essay #3 Return/discuss: Midterm/Essay #2 WEEK TEN: SPRING RECESS, MARCH 29-APRIL 1 WEEK ELEVEN Monday, April 5 Read: Sample Student Essay: Editorial Cartoon / Rogerian Argument Due: Outline for your Essay #3 Class Activity: Working with Essay #3 Outlines Wednesday, April 7: Research Day for Essay #3. No class meeting. WEEK TWELVE Monday, April 12 Due: Three copies of Essay 3: Editorial Cartoon/Rogerian Argument (25 points, no make-up). Draft should be at least five pages long and in MLA format and style, including a Works Cited page. You must have ALL of your copies and be on time in order to participate in the workshop. You may print on both sides of the page for this Peer Workshop. Special Office Hours Tuesday, April 13: 11-3 Wednesday, 14 Due: Essay #3 Editorial Cartoon / Rogerian Argument (200 points) at the beginning of class in the following order: 1. Polished essay with Works Cited page (on top—no cover page, please); 2. Reflection (20 points—outlined on page 3 of syllabus); 3. Draft. In-class Writing: “First Time” Read: Ella deCastro Baron’s Itchy Brown Girl Seeks Employment: “First Time” (63); “Café du Monde” (98-102)—bring book to class! Discuss: Extra Credit Opportunities for the 14th Annual Literary Arts Festival http://www.grossmont.edu/english/Festival/ 4 WEEK THIRTEEN Monday, April 19 Film: Do the Right Thing. Dir. Spike Lee. Perf. Danny Aiello, Spike Lee, John Turturro, Bill Nunn, Rubie Dee. 40 Acres & a Mule, 1989. (120 minutes, Rated R for nudity, language, and violence.) Handout: Jonathan Rosenbaum’s “Say the Right Thing,” and “Working Critically with Jonathan Rosenbaum’s Argument” (50 points) Wednesday, April 21 Conclude Film: Do the Right Thing. Lecture/Discussion: Argument and Film—What does Spike Lee want us to do? WEEK FOURTEEN Monday, April 26 Due: “Working Critically with Jonathan Rosenbaum’s Argument” (50 points) Small Group Discussion: “Working Critically with Jonathan Rosenbaum’s Argument” Handout/discuss: Assignment for Essay #4: Rhetorical Analysis, Evaluation, and Response to the Extended Argument (100 points) Wednesday, April 28 Sharing critical work/discussion: Lee’s Do the Right Thing and Rosenbaum’s “Say the Right Thing” WEEK FIFTEEN Monday, May 3 Due for Peer Workshop #3: Three copies of Essay #4 (25 points, no make-up). Your draft must at least meet the minimal page count to participate. In addition, if you are late or do not have your copies at the start of class, you will not be able to participate. See essay prompt for details. For the workshop, you may print on both sides of the page. Return/discuss: Essay #3 Editorial Cartoon / Rogerian Argument and “Working Critically with Jonathan Rosenbaum’s Argument” Wednesday, May 5 Optional Conferences: 2-5 WEEK SIXTEEN Monday, May 10 Due: Essay #4 at the beginning of class in the following order: 1. Polished essay with Works Cited page (on top—no cover page, please); 2. Reflection (20 points—outlined on page 3 of syllabus); 3. Draft. Review for Final Exam / Essay #5: Rhetorical Analysis, Evaluation, and Response to a Short Argument (100 points) Read: “Written Argument”: “A Case for Affirmative Action” (108-113). This was handed out on March 17th. 5 Wednesday, May 12 Continue Review: rhetorical analysis, evaluation, response, concession and refutation. WEEK SEVENTEEN: FINAL EXAM WEEK Wednesday, May 26 from 1:35 to 3:25 Final Exam / Essay #5: Rhetorical Analysis, Evaluation, and Response to a Short Argument. Unlike the midterm, you will not have the opportunity to read the essay with which you are working beforehand. In addition, you are asked to respond with your position, making at least one concession and one refutation. Bring 8 ½ x 11 college-ruled paper and pen or pencil. No notes, electronic devices, or dictionary…just you, your brilliant brain, some paper and a writing utensil. Final exams are not returned. E-mail me if you would like to know your score. Return: Essay #4 Have an amazing summer!