What is Color? Beginning Art What is COLOR? • An art element with three properties: Hue Value Intensity • Also, the character of surfaces created by the response of vision to wavelengths of reflected light. •How we see color relates to the visible spectrum. •How we use color relates to Color Theory 3 Properties of Color: • HUE: name, identity of color • VALUE: a color lightness/darkness of • INTENSITY: brightness/dullness of a color VALUE: • Property of color which refers to the lightness and darkness of a color. • TINT: lighter values (adding white) • SHADE: darker values (adding black) Monochromatic Scheme: Using only the tints and shades of ONE color INTESITY: • Property of color which refers to the brightness and dullness of a color. • TONE: dull values (adding gray or the complimentary hue) • SATURATION: highly saturated colors are very bright. Duller colors are less intense or less-saturated. • If you mix a color with its complement, the resulting color will be a duller one, because each color subtracts from the other. H U E T O N E H U E How do we see Color? • Color Spectrum: When a ray of light passes through a glass prism, the ray is bent, or refracted. This ray of light then separates into individual bands of color: R,O,Y,G,B,V • Hue: Property of color which refers to the name and identity of a color, as seen in the spectrum • Link to Science: Sir Isaac Newton demonstrated over 300 years ago that color is a property of light. • Only the rays of the spectrum are visible to the human eye. • LIGHT is the real source of color-reflected light is the kind of light given off by objects. Example: An apple absorbs all the colors of light EXCEPT red. RED is reflected. COLORED LIGHT: • Primary and secondary hues in lights: • Is an additive process. • When all colors are combined the result is whitepure light rays NEUTRALS: • NO identifiable hues • WHITE: sum of all colors, total reflection • GRAY: partial absorption, partial reflection • BLACK: total absorption of all hues MIXING PIGMENTS: • Most artworks involve the use of pigments -powdered coloring material which produces the color of any art medium. Such as paint, crayons, colored pencils, ink, etc. • Is a subtractive process. They absorb the color rays except those we see (much like the surface of an apple) • Pigment hues behave differently from the hues found in the color spectrum: Theoretically, if the three primaries were combined in the correct proportions, the final result would be black. • Primary and secondary hues in pigments: How do we use Color? • Color Theory: understanding COLOR, its properties, and how to utilize and manipulate them in an aesthetic composition. • Color Schemes (Color Harmonies): combinations of all colors that are considered satisfying, or produce certain effects. COLOR THEORY: • COLOR WHEEL: a radial diagram used to show the relationships between primary, secondary, and intermediate (tertiary) colors. PRIMARY COLORS: •RED, YELLOW, and BLUE •Basic hues used to mix ALL others. SECONDARY COLORS: • ORANGE, GREEN and VIOLET. • Hues resulting from mixing equal amounts of two primary hues. INTERMEDIATE COLORS: • Yellow-green, yelloworange, red-orange, red-violet, blue-violet, and blue-green • Hues resulting from mixing unequal amounts of two primary hues (basically mixing a primary with a secondary) COLOR SCHEMES: • Also known as COLOR HARMONIES • Combinations of colors that are considered satisfying, or that produce certain effects. WARM COLORS: •Hues in which Yellow and Red are dominate. COOL COLORS: •Hues in which Blue is dominate. ANALOGOUS COLORS: •Colors that are next to each other on the color wheel and are closely related. COMPLEMETARY COLORS: • Two hues directly opposite on the color wheel. • HIGEST CONTRAST! SPLIT-COMPLEMETARY COLORS: •One hue and the two hues on either side of its complement. TRIADIC: •Any three colors that are equal distances on the color wheel.