Using paintings in Religious Education The Maries at the Sepulchre, imitator of Andrea Mantegna, National Gallery (Matthew 28:1-10; Mark 16:1-8; Luke 24:1-12) http://www.nationalgallery.org.uk/paintings/imitator-of-andrea-mantegna-the-maries-at-the-sepulchre Background information for teachers ((This information will not necessarily be shared with children. These interpretations are only one viewpoint and children should be given an opportunity to form their own opinions about the picture) This picture depicts the scene where three women go to the tomb on Easter morning, only to discover that it is empty. Although the painting is called the Maries, in the scripture text the identity of the women is uncertain. In Matthew’s account it is Mary of Magdala and ‘the other Mary’ (the mother of James and Joseph), who go to the tomb. In Mark’s gospel it is Mary of Magdala, with Mary the mother of James and Salome, who take spices to the sepulchre. Luke, however, in his version of the story, names the third woman as Joanna. The artist seems to have based the painting on Matthew’s gospel, which describes an angel rolling away the stone and sitting on it. In the accounts of Mark and Luke the women enter the tomb before they see a young man, or men. The angel in this picture is seated on a tomb, which would have been in a style familiar to the artist. A photograph of what the tomb might have been like can be found on: http://www.sacred-destinations.com/categories/biblical-sites - (see photograph of ‘Garden tomb’) There is more information about the painting and the artist available on the National Gallery website. Ensure that the children realise: o The picture is not historically accurate. The setting and architecture reflect Sixteenth Century Italy o The painting is the artist’s imaginative reconstruction of a Gospel story so not all of the details are scripturally accurate o Angel in Hebrew can be translated as ‘messenger’ so the wings of the angel are symbolic. The painting provides a starting point to stimulate the children’s imagination but discussion and outcomes should always return to the scripture story. Approach The picture might be displayed on the interactive board and reflective music played. It is helpful to allow the children to express their own responses to the picture before any general discussion takes place. When discussion and practical activities have taken place, create a prayerful atmosphere and return to the picture so that the children are given an opportunity to reflect quietly on their own insights. You might read the story again while the children look at the picture. Some possible activities – these suggestions are only intended to be starting points. The year groups are approximate and questions and activities should be adapted to the needs of the children. Year 1 Year 2 Ask the children to talk about the picture and describe what they can see http://www.nationalgallery.org.uk/paintings/imitator-of-andrea-mantegna-themaries-at-the-sepulchre Listen to a simple version of the story, keeping closely to the Gospel text. (Matthew 28: 1-10) Set up a corner of the classroom with a tent as the tomb and allow the children to explore the story in small groups. Ask the children to draw a picture of the Scripture story and then tell the story orally. Discuss the picture in talk partners. http://www.nationalgallery.org.uk/paintings/imitator-of-andrea-mantegna-themaries-at-the-sepulchre Who do they think the figure on the tomb is? Why? What do they think the women are doing? What might they be saying or thinking? Listen to a simple version of the story, keeping closely to the Gospel text. (Matthew 28: 1-10) Role play or mime the story in small groups Retell the Gospel story as a story board. Year 3 and 4 Discuss what is happening in the picture in talk partners. http://www.nationalgallery.org.uk/paintings/imitator-of-andrea-mantegna-themaries-at-the-sepulchre Read or listen to (Matthew 28: 1-10) Look carefully again at the picture. Be a detective – how accurately has the artist followed Matthew’s account? (Use the zoom to study the details) What do Christians believe about this story? As a class activity, record these beliefs in a simple mind map. Ask the children to use the gospel account to write the story in their own words. Why is this story important for them? Year 5 and 6 Discuss the picture, using the zoom to study the details. http://www.nationalgallery.org.uk/paintings/imitator-of-andrea-mantegna-themaries-at-the-sepulchre Read (Matthew 28: 1-10) In pairs ask the children to compare the painting with the Gospel account. What is the same? What is different? Look at the photograph of what we think the tomb may have been like: http://www.sacred-destinations.com/categories/biblical-sites - (see photograph of ‘garden tomb’) Compare it to the tomb in the picture. Now read Mark and Luke’s account. Discuss in partners, using small white boards to record answers. How are the accounts the same as Matthew’s? How are they different? Which account do they think the painter used for this picture? Why is this Resurrection story important for Christians? As a class activity, record the beliefs linked to the story in a simple mind map. Discuss in pairs where we might find out about these beliefs (e.g. Christians believe that Christ is present with us today in the Sacraments, Scripture, our own prayer experience) Ask the children to write a pamphlet for someone who is not a Christian, using at least two sources to show how they understand the meaning of this Resurrection story. (N.B. ‘sources’ refer to Scripture, Tradition, Creation, Experience) Building on the activities above - look at the way another artist, has painted a Resurrection scene. http://www.nationalgallery.org.uk/paintings/imitator-of-andreamantegna-noli-me-tangere What do they notice about this picture? Why do they think the artist has only painted ‘one Mary’? (This picture was based on John 20:1 18) Compare this story to the accounts of the other three gospel writers (Matthew 28:1-10; Mark 16: 1-8; Luke 24: 1-12) Discuss in pairs why they think the accounts were different (e.g. these were originally oral accounts; gospel writers were not all writing at the same time; the writers were emphasising different aspects of the story) What other Resurrection stories can they remember/ research? Why do they think Jesus appeared several times? Why do they think the disciples still needed the experience of Pentecost to be able to share the good news? High ability Year 6 – extension activities