Chapter 4 – Section 3 Persia Attacks the Greeks 1 Male Narrator: Kingdoms were growing in size, but the bigger they became the harder it was for leaders to communicate their power. Their new subjects simply couldn’t see them. Around 500 BC this problem was particularly acute for one king above all. He’d taken control of a kingdom so large it was the world’s first empire. He needed to find a new way to impose his power across all of this vast territory. He was Darius the Great, the king of the Persians and his capital was Persepolis. Persepolis is in Iran, one of the wonders of the ancient world. Two thousand five hundred years ago it stood at the heart of Darius’ vast empire, an empire that stretched thousands of miles from the Mediterranean in the west to India in the east. From here Darius ruled over millions of people, across more than 20 nations. He carved the names of the most far flung nations on a block of solid gold and buried it under Persepolis for posterity. But how on earth, could he rule over so many diverse peoples? Darius came up with a plan, a new kind of political leadership which he outlined in a series of inscriptions. Their message was radical. Rather than war and brutality, Darius offered peace and cooperation. Male Speaker #1: “In a war between two nations I intervene to protect the weak, I am justice and have been asked by God to promote happiness.” Male Narrator: Darius’ brainwave was the beginning of nothing less than an artistic revolution. The walls of Persepolis are covered with awe inspiring images, but there was something unusual about them. These stone reliefs are not just from one artistic style, but combine elements from all over the empire. The most spectacular reliefs of all are those decorating the staircase that leads to the great hall of Darius. Once a year Darius would invite ambassadors from every nation within his empire to join him here and as they arrived all the ambassadors passed up the staircase for their audience with the king, so this was their approach to one of the most imposing monuments in the ancient world. The ambassador’s eyes would have been drawn to these figures, the conquered peoples of the empire. All are shown in their national costumes bringing tributes to the king. No scenes of war and retribution, they’re happy to honor Darius, so Darius had found an inspired solution to his problem, a way of communicating his political vision through art, the international language of images. ***** Content Provided by BBC Motion Gallery 1