Individual Reading Assignment 1st 9 weeks project English 11 Honors Objectives Students will: indicate personal preferences by choosing a novel and its accompanying film for class study from a teacher-provided list. demonstrate understanding of the elements of fiction by creating a journal to guide their discussion. write about the novel and film in various areas. work individually to create a graphic representation of their novel and film. present their graphic to the class as a way of sharing their novel and film and connecting their graphic representation to the novel and film. Choosing your novel and film You may use one of the British novels I have suggested, or you may find your own. Be sure to have your parents sign the form to indicate that they are aware of and approve of your choice. Once you have chosen the novel, you will have some time in class to read and begin journaling on your book, but most of your reading will have to be completed outside of class. You will need to find and view the film version on your own time. Reading and Journaling: While you are reading and viewing, you will keep a journal. You should have one journal page for every two-three chapters (at least) and you should create the journal as you read and view. You may annotate in the book if it’s your personal copy, but you will need to journal separately for the film. Journaling will contain: 1. graffiti: drawings, shapes, symbols, and colors that reflect the novel’s setting, characters, plot structure, point of view, themes, and symbols. 2. words and phrases that come to mind while you read and watch that reflect setting, characters, plot structure, point of view, themes, and symbols. 3. direct quotations from the novel and film that reveal your thoughts on the setting, characters, plot structure, point of view, themes, and symbols. Written Assessment: 1. Brief summary of the story: concentrates on plot and characters, includes essential details, 2 paragraphs maximum 2. Personal response 1: student’s reaction to the novel is given, with explanation and reasoning, 1 paragraph 3. Motifs and symbols: at least one motif and at least one symbol from the novel – discuss, using examples, 2 paragraphs (1 for motif, 1 for symbol) 4. Major Literary Elements: at least 2 elements from the novel - discuss (identified and purpose explained) using examples, 1-2 paragraphs 5. Author’s theme: at least one theme from the novel is discussed and examples that exemplify theme throughout the novel are given, 1 paragraph 6. Film’s theme: Discuss how the filmmaker handles the development of the major theme you identified from the book. Is that theme the major one in the film, or has the filmmaker focused on another idea? 7. Personal response 2: student’s reaction to the film is given, with explanation and reasoning focusing on handling of plot elements and casting, 1-2 paragraphs Graphic Representation: Choose your medium of graphic representation: physical (graffiti wall or other tangible visual) or digital (Poster My Wall, Prezi, Photostory, Glogster, PowerPoint, etc.) Using the medium of your choosing, combine the graphics, words and phrases, and quotations that reveal and represent the elements of fiction from your novel and film about which you’ve journaled. Everything in your journal may not become part of your final product. Choose what is best from your thoughts in your journal to make your final outcome complete. The following criteria need to be followed and are covered on the rubric: 1. Graphics are easily viewed. 2. Required elements of fiction are addressed and are relevant to novel and film: setting, characters, plot structure, point of view, themes, and symbols. 3. Content – Quotations, words, phrases, graphics are well chosen and are relevant to novel and film. 4. Writing conventions are used correctly. 5. Attractiveness - product is attractive in terms of design and layout. 6. Class Time – class time was used wisely. 7. Journal is turned in with final project. 8. Oral Presentation – A. Student can explain his or her product, the elements, and how those elements fit into the development of the novel and film. B. Student is prepared to answer any questions raised by the class. C. Student listens carefully to other presentations, takes notes, and is prepared to contribute to class discussions. Recommended Reading George Orwell Animal Farm 1984 Jane Austen Pride and Prejudice Emma Sense and Sensibility Charlotte Bronte Jane Eyre Charles Dickens A Christmas Carol Great Expectations David Copperfield Oliver Twist A Tale of Two Cities Daniel Defoe Robinson Crusoe Elizabeth Gaskell North and South Frank McCourt Angela’s Ashes Cecilia Ahern P.S. I Love You C.S. Lewis The Chronicles of Narnia The Screwtape Letters* J.K. Rowling Harry Potter series (books 5, 6, or 7) James Joyce Portrait of an Artist as a Young Man D.H. Lawrence Sons and Lovers The Rainbow Women in Love Lady Chatterley's Lover Virginia Woolf Mrs. Dalloway Evelyn Waugh Brideshead Revisited Lewis Carroll Alice in Wonderland H.G. Wells War of the Worlds The Time Machine George Eliot Middlemarch Robert Louis Stevenson The Strange Case of Dr. Jekyll and Mr. Hyde Oscar Wilde The Picture of Dorian Gray The Importance of Being Ernest Arthur Conan Doyle The Adventures of Sherlock Holmes (short stories must equal a minimum of 200 pages) Bram Stoker Dracula Henry James The Portrait of a Lady The Turn of the Screw The Wings of the Dove J.R.R. Tolkien The Lord of the Rings (one volume of the series) 5 Types of Imagery Different types of imagery correspond to different senses. When we hear the word imagery, we usually associate it with some form of visual representation in our minds. We think about pictures and images. But, that's not all there is to imagery. Imagery is more complex. Essentially, there are five types of imagery, each corresponding to one of our senses: visual, auditory, kinesthetic, olfactory (smell), and gustatory (taste). The key to good imagery is engaging all five senses. Here are some examples of words specific to the five sensory systems: Visual Auditory Kinesthetic Olfactory Gustatory picture flash bright sharp clear see light dark large blue scream shout listen tone whisper ring utter nasal squeal quiet feel warm grasp sharp peaceful cold rugged joyful fuzzy hard pungent fragrant sweet dank rich aroma stinky musty rotten odor essence sweet sour salty bitter fresh juicy bland burnt zesty tangy The following examples will take you through all the senses and will guide you to evoke specific imagery internally. For best results, close your eyes during visualization. Visual To evoke visual imagery, visualize the following: A shape: circle, triangle, square An oak tree A rose A sailing boat A button A computer Auditory To evoke auditory imagery, imagine the following: The wind blowing through the trees The ring on your telephone The sound of your computer keyboard Scales played on a guitar Water lapping on a lake shore Olfactory To evoke olfactory imagery, conjure up the following smells: Petrol fumes Newly baked bread Chlorine New mown grass Freshly brewed coffee Gustatory (taste) To evoke gustatory imagery, imagine the taste of: Sugar Bananas Salt Lemon Toothpaste Kinesthetic Kinesthetic imagery can be further divided into: sense of touch, temperature, movement, and feelings. Touch - imagine the feelings of: Standing barefoot on a sandy beach Running your fingertips on satin fabric Holding a smooth pebble Temperature: Sunlight falling over your arm Holding an ice cube Stepping into a warm bath Movement - feel yourself engaged in an activity: Swimming Running on grass Throwing a ball Feelings - what does it feel like in your body to be: Peaceful Angry Sad Calm Happy These are the main five types of imagery. Engage as many senses as you can when you are doing visualization or guided imagery. Color Symbolism Chart Color Symbolism Red Excitement, energy, passion, desire, speed, strength, power, heat, love, aggression, danger, fire, blood, war, violence, aggression, all things intense and passionate. Yellow Joy, happiness, optimism, idealism, imagination, hope, sunshine, summer, gold, philosophy, dishonesty, cowardice, betrayal, jealousy, covetousness, deceit, illness, hazard. Blue Peace, tranquility, calm, stability, harmony, unity, trust, truth, confidence, conservatism, security, cleanliness, order, loyalty, sky, water, cold, technology, depression, appetite suppressant. Orange Energy, balance, warmth, enthusiasm, vibrant, expansive, flamboyant, demanding of attention. Green Nature, environment, healthy, good luck, renewal, youth, vigor, spring, generosity, fertility, jealousy, inexperience, envy, misfortune. Purple Royalty, spirituality, nobility, spirituality, ceremony, mysterious, transformation, wisdom, enlightenment, cruelty, arrogance, mourning. Gray Security, reliability, intelligence, staid, modesty, dignity, maturity, solid, conservative, practical, old age, sadness, boring Brown Earth, hearth, home, outdoors, reliability, comfort, endurance, stability, simplicity, and comfort. White Reverence, purity, simplicity, cleanliness, peace, humility, precision, innocence, youth, birth, winter, snow, good, sterility, marriage (Western cultures), death (Eastern cultures), cold, clinical, sterile. Black Power, sexuality, sophistication, formality, elegance, wealth, mystery, fear, evil, anonymity, unhappiness, depth, style, evil, sadness, remorse, anger, underground, good technical color, mourning, death (Western cultures). Guiding Questions for Film Study Individual Reading Project English 11 Honors 1. What is the movie’s time period and location? What words and phrases would you use to describe the setting? 2. How does the setting work with (or against) the characters and the plot? 3. What do the setting and other visual cues show about the time period? How do the clothes, buildings, and other visual elements indicate the film’s time period? 4. Why do you think these particular actors were chosen to portray these characters? Do these actors fit their roles in your opinion, or do you think the casting was poor? Explain. 5. Which characters were well-developed? Which characters were simple, and which were complex? Did any characters grow or change over the course of the film? 6. Are any of the characters’ stories or personalities changed from the way they are in the novel? 7. Think about the symbols and motifs you journaled about as you read the novel. Do these same symbols and motifs appear in the film? If so, do they appear in the same way, or are they used differently? 8. Discuss the use of special effects. Evaluate the film in terms of music, artistic quality, and crafting. 9. What does the film change or leave out from the book? Do you agree with these filmmaking decisions, or does it lessen the story? 10. What were you feeling as you watched the film? Happy? Hopeful? Excited? Bored? Sad? Uncomfortable? What contributed to these feelings? 11. Did seeing the film version add to your understanding of any of the aspects of the novel? In other words, is there something you didn’t quite understand in the novel that was made clear to you in the film? 12. Which do you prefer: the play or the film? Why? Independent Reading Assignment English 11 Honors Dear Parents, Please sign below indicating that you are aware of your child’s choice for an outside reading and viewing assignment for the 1st 9 weeks of this course. I have asked each student to choose a novel by Wednesday, August 29 to read and watch a film version of in addition to the work we do in class. Students received an assignment today (8/20/12) to accompany the reading of this novel and viewing of this film. Throughout reading and viewing, the students are asked to either keep a process journal and to annotate in their novels. Students will complete a project on this novel involving a written product, a visual product, and an oral presentation that is due Wednesday, October 10. The novel must be by a British author and must have a film version. I have provided the students with a list of possible choices, but they may venture outside of this list. Please do not hesitate to call or email with any questions. Phone: 582-4347 ext. 2130 Email: colwelkw@spart6.org Thank you, Katie Colwell ________________________________ (Student name) ________________________________ (Book title and author) ________________________________ (Parent signature) Rubric for Graphic Representation Name: _____________________ A. Content – Quotations, words, phrases, graphics are well chosen and are relevant to novel and film. It is made clear which elements are in the novel and which are in the film. Required elements of fiction are addressed and are relevant to novel and film: setting, characters, plot structure, point of view, themes, and motifs and symbols. (50) B. Writing conventions - used correctly. Quotations are documented correctly. (10) C. Attractiveness - Product is attractive in terms of design and layout. Graphics are easily viewed. (15) D. Oral Presentation – (25) Student can explain his or her product, the elements, and how those elements fit into the development of the novel and film. Student is prepared to answer any questions raised by the class. Student listens carefully to other presentations, takes notes, and is prepared to contribute to class discussions. Total Grade: ___________ Comments: Rubric for Written Portion Student’s Name:__________________________ Journal/Annotations (20) Brief summary of the story: concentrates on plot and characters, includes essential details, 2 paragraphs maximum (10) Personal response 1: student’s reaction to the novel is given, with explanation and reasoning, 1 paragraph (10) Motifs and symbols: at least one motif and at least one symbol from the novel – discuss, using examples, 2 paragraphs (1 for motif, 1 for symbol) (10) Major Literary Elements: at least 2 elements from the novel - discuss (identified and purpose explained) using examples, 1-2 paragraphs (10) Author’s theme: at least one theme from the novel is discussed and examples that exemplify theme throughout the novel are given, 1 paragraph (15) Film’s theme: Discuss how the filmmaker handles the development of the major theme you identified from the book. Is that theme the major one in the film, or has the filmmaker focused on another idea? (15) Personal response 2: student’s reaction to the film is given, with explanation and reasoning focusing on handling of plot elements and casting, 1-2 paragraphs (10) Total: __________________ Comments: