AP Language and Composition Rasmussen Literary Terms/Devices to Know and Use What do I look for when doing rhetorical analysis? And how to I identify it, describe it, and articulate it in my writing? LITERATURE’S BIG FIVE diction, point of view, imagery, detail syntax (You may have learned DIDLS Diction, Imagery, Details, Language, Syntax) TONE Author’s attitude toward the subject, toward himself, or toward the audience THEME The author’s overall message. What’s the point? DICTION Adjectives, nouns, verbs, adverbs, negative words, positive words, synonyms, contrast. Look at words that jump out at you; they usually hold some kind of emotion—Evaluate only those words to find tone. Also look at: Colloquial (slang) Informal (conversational) Connotative (suggestive meaning) Concrete (specific) Euphonious (pleasant sounding) Monosyllabic (one syllable) Old-fashioned Formal (literary) Denotative (exact meaning) Abstract (general or conceptual) Cacophonous (harsh sounding) Polysyllabic (more than one syllable) Describe diction (choice of words) by considering the following: 1. Words can be monosyllabic (one syllable in length) or polysyllabic (more than one syllable in length). The higher the ratio of polysyllabic words, the more difficult the content. 2. Words can be mainly colloquial (slang), informal (conversational), formal (literary), or old-fashioned. 3. Words can be mainly denotative (containing an exact meaning, e.g., dress) or connotative(containing suggested meaning, e.g., gown) 4. Words can be concrete (specific) or abstract (general or conceptual) 5. Words can be euphonious (pleasant sounding, e.g., languid, murmur) or cacophonous (harsh sound, e.g., raucous, croak) IMAGERY Alliteration Creates a vivid picture and appeals to the senses repetition of consonant sounds at the start of a word The giggling repetition of vowel sounds in the middle of a word Moths cough girl gagged. Assonance and drop wings. 1 AP Language and Composition Consonance Rasmussen repetition of consonant sounds in the middle of a word The man has writing sounds as words The clock a direct comparison of unlike things using like or as Her hair is a direct comparison of unlike things The man’s a deliberate exaggeration for effect I’d die for a represents something as less than it is A million attributing human qualities to inhuman objects The teapot kin in Spain. Onomatopoeia went tick tock. Simile like a rat’s nest. Metaphor suit is a rainbow. Hyperbole piece of candy. Understatement dollars is okay. Personification cried for water. Apostrophe form of personification; the absent/ dead are spoken to as living Caesar! Where are you? Metonymy word exchanged for another closely associated with it Uncle Sam play on words—uses words with multiple meanings Shoe something that represents/stands for something else the American wants you! Pun menders mend soles. Symbol Flag Analogy comparing two things that have at least 1 thing in common A similar thing happened. .. Oxymoron use of words seemingly in contradiction to each other bittersweet chocolate Conceit elaborate, sometimes, far-fetched image, which extends a metaphor into many layers of meaning. My prison cell is my world. Synecdoche form of metaphor; part of something is used to signify the whole The pot is boiling. DETAILS specifics the author includes about facts—his opinion or those he specifically leaves out LANGUAGE words that describe the entire body of words in a text—not isolated bits of diction Helpful vocabulary: Artificial Bombastic false pompous, ostentatious Colloquial Concrete vernacular actual, specific, particular 2 AP Language and Composition Connotative Cultured Detached Emotional Esoteric Euphemism Exact Figurative Formal Grotesque Homespun Insipid Jargon Learned Pedantic bookish Plain alludes to; suggestive cultivated, refined, finished cut-off, removed, separated expressive of emotions understood by a chosen few insincere, affected verbatim, precise serving as illustration academic, conventional hideous, deformed folksy, homey, native, rustic uninteresting, tame, dull vocabulary for a profession educated, experienced didactic, scholastic, Rasmussen Poetic Precise Pretentious Provincial Scholarly Sensuous Simple Slang Symbolic Trite Informal Vulgar Literal Moralistic Obscure Obtuse Ordinary lyric, melodious, romantic exact, accurate, decisive pompous, gaudy, inflated rural, rustic, unpolished intellectual, academic passionate, luscious clear, intelligible lingo, colloquialism representative, metaphorical common, banal, stereotyped casual, relaxed, unofficial coarse, indecent, tasteless apparent, word for word puritanical, righteous unclear dull-witted, undiscerning everyday, common clear, obvious Image Grammar: Appositive phrase – a noun phrase that renames a noun, e.g., The hardworking teenagers, first year college students, knew that every essay would make them a better writer if they applied themselves. Adjectives shifted out of order – instead of lining several adjectives up in front of a noun, shift a few of them behind it, e.g., I love the bright sun, yellow-gold, in the waning light. Absolute phrase – a noun combined with a –ing verb. Absolutes work as modifiers to add imagery, e.g., Head nodding, the girl could not stay awake in math class. Or, Snakes slithering, the cave proved too scary to enter. Action verbs – verbs that add imagery by nature of their meaning; using action verbs eliminates the passive voice, e.g., verbs like tumble, jostle, poke, shutter, putter, sashay, gallop, all add images. Gerunds -- -ing verbs that act as nouns in sentences. They may be at the beginning of sentences. They are not set off by a comma. e.g., Gazing at the night sky is a favorite hobby of mine. OR Puttering around the house on Saturday mornings makes the rest of my weekend better than normal. Participial phrases -- -ing or –ed verbs used in phrases that add details and imagery. They can be at the beginning, middle, or end of sentences, and they must be set off with commas. E.g., Dancing with my friends, I didn’t notice that the boy was staring at me. OR, Flowered and blooming in the sunshine, the rose bush gave off a wondrous scent. 3 AP Language and Composition Rasmussen RHETORICAL DEVICES the use of language that creates a literary effect—enhance and support Rhetorical question Rhetorical shift Euphemism Aphorism Repetition Anaphora Epistrophe Restatement Irony Allusion Paradox Motif Omission Asyndeton Ellipsis Polysyndeton SYNTAX food for thought; create satire/sarcasm; pose a dilemma refers to a change or movement in a piece resulting from an epiphany, realization, insight substituting a milder or less offensive sounding word(s) universal comments, sayings, proverbs—convey major point also called refrain; repeated word, sentence or phrase repetition of same word or group of words at beginning of successive clauses repetition of same word or group of words at end of successive clauses main point said in another way either verbal or situational—good for revealing attitude refers to something universally known (Biblical, historical, mythological, etc) a statement that can be true and false at the same time a pattern or strand of imagery or symbolism (like Cinderella) deliberate omission of conjunctions in a series of related clauses deliberate omission of a word or words that are readily implied by the context deliberate use of many conjunctions for special emphasis sentence structure Consider the following patterns and structures: Does the sentence length fit the subject matter? Why is the sentence length effective? What variety of sentence lengths are present? Sentence beginnings—Variety or Pattern? Arrangement of ideas in sentences Arrangement of ideas in paragraph- Pattern? Consider the construction of sentences to convey attitude: Declarative Imperative Interrogative Simple Loose Periodic Juxtaposition Parallelism Repetition assertive-A statement authoritative- Command asks a question one subject and one verb details after the subject and verb-happening now details before the subject and verb-reflection on a past event unassociated ideas, words, phrases are placed next to one another show equal ideas; structure, rhythm- for emphasis words, sounds, and ideas used more than once 4 AP Language and Composition Rasmussen Punctuation is included in SYNTAX. Ellipses a trailing off; going off in a dreamlike state Dash interruption of a thought; an interjection of a thought into another Semicolon parallel ideas; equal ideas; a piling up of detail Colon a list; a definition or explanation; a result Italics for emphasis Capitalization for emphasis Exclamation point for emphasis; for emotion SHIFTS IN TONE Attitude change about topic/ Attitude about topic is different than the attitude toward subject Key words (but, nevertheless, however, although) Changes in the line length Paragraph divisions Punctuation (dashes, periods, colons) Sharp contrasts in diction Describe the sentence structure (syntax) by considering the following: 1. Examine the sentence length. Are the sentences telegraphic (shorter than 5 words in length), short (approximately 5 words in length, medium (approximately 18 words in length), or long and involved (30 or more words in length)? Does the sentence length fit the subject matter? What variety of lengths is present? Why is the sentence length effective? 2. Examine sentence beginnings. Is there a good variety or does a pattern emerge? 3. Examine the arrangement of ideas in a sentence. Are they set out in a special way for a purpose? 4. Examine the arrangement of ideas in a paragraph. Is there evidence of any pattern or structure? 5. Examine the sentence patterns. Some elements to consider are listed below: a. A declarative (assertive) sentence makes a statement. Mrs. Rasmussen is awesome. b. An imperative sentence gives a command. Love reading. c. An interrogative sentence asks a question. Is Mrs. Rasmussen crazy? d. An exclamatory sentence makes an exclamation. I passed the AP English test! e. A simple sentence contains one subject and one verb. The student accepted praise for her work. f. A compound sentence contains two independent clauses joined by a coordinate conjunction (and, but, or, yet, for, nor) or by a semicolon. The student accepted praise for her work, and she went on to ace all her AP tests. g. A complex sentence contains an independent clause and one or more subordinate clauses. I said that this course would be hard. h. A compound-complex sentence contains two or more principal clauses and one or more subordinate clauses. The student cried while her parents praised her, and she gained confident as she passed all the difficult tests. i. A loose sentence makes complete sense if brought to a close before the actual ending. I passed the test after staying up all night and eating Cheetohs and drinking Monster after Monster in hopes of not fading away. j. A periodic sentences makes sense only when the final clause is stated at the end of the sentence. After staying up all night and eating Cheetohs and drinking Mnoster after Monster in hopes of not fading away, I passed the test. 5