Book Chronology– The Universe and the Psyche

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The Universe
and the
Psyche
by
www.aum-pi.com
The Universe and the Psyche
Preface
A simple cosmic riddle – if we assume the background fields of
the universe are space-time-gravity and primal matter then how
does a ‘bucket of cosmic mud’ create and sustain a complex
universe of consciousness, how did it create us?
With this riddle we begin a journey into the universe and the
psyche, we begin an exploration of the two primal creation
models proposed by the greatest minds from the past five
thousand years, the minds of science such as Kepler,
Mendeleev, Tesla, Ramanujan and Gell-Mann and the minds of
mysticism such as Fu Hsi, Nu Gua, Gautama Buddha,
Ramanamaharshi and Nisargadatta.
About the Author
The author of this book, after the obligatory journeys in India,
spent a further two decades pursuing his interests in science,
philosophy and mysticism. This book then is the product of
these investigations. The author currently lives in Australia.
© www.aum-pi.com, 2010 Edition 1
Email: info@aum-pi.com
(Note: some images in this book have been sourced from the
internet and are assumed to be free from copyright.)
Table of Contents
Chapter 1 – The Introduction ........................................................
Chapter 2 - Two Creation Models ................................................
Chapter 3 – Exploring the Matter Model ......................................
Chapter 4 - Mystics' Model Expanded ..........................................
Chapter 5 - Two Models Combined..............................................
Chapter 6 - The Psyche .................................................................
Chapter 7 – The Solar System Psyche ..........................................
Chapter 8 - The ‘Theory of Everything’ .......................................
Chapter 9 – A Final Summary ......................................................
Chapter 1 – The Introduction
In Europe, in the year 1600AD, Giordano Bruno was burnt at
the stake for proposing that every star was a sun with its own
planetary system and that the earth was not the centre of the
universe. Bruno was sacrificed because he had challenged the
orthodox thinking of his time and he had threatened to reduce
the ‘cosmic rooster’ of the human ego into a pile of discarded
feathers in a forgotten corner of the cosmos.
Yet two thousand years before Giordano Bruno the ancient
Greek Eratosthenes had also gazed upon the heavens and in a
remarkable act of insight he not only deduced that the earth was
round but he also measured its circumference, with remarkable
accuracy, using a differential of light shadows in two water
wells 800kms apart.
Both of these men were struggling with the first great cosmic
riddle of appearance – ‘that the earth appears to be flat, the sun
to orbit the earth and the earth to be the centre of the universe.’
This riddle of appearance captivated us for millennia but we
now accept the truth that we dwell upon a round earth orbiting a
sun in a universe that is billions of years in age and hundreds of
millions of light years across. We have attained a revolution in
cosmic perception.
However, some of the greatest minds from the last five
thousand years, including the mystics from the Himalayan
plateau, China and Egypt have suggested that there are a further
three great riddles of cosmic appearance currently hidden from
our general perception. They also propose that the solution to
these three riddles will cost our ego structure dearly, that they
will demand a greater and greater price in ‘ego blood.’
The mystic’s three riddles of appearance, plus the fourth riddle
of the ‘flat earth’ can be called the four great ‘elephant traps’ of
perception because they are vast in size, cosmic in dimension.
When entering them our first response is often to simply say,
‘wot elephant trap?’
It is only when we discover ourselves limited by vast cosmic
walls and mired neck deep in elephant dung that we say in
disbelief, ‘Duh! This is an elephant trap!’
What then are these four cosmic ‘elephant traps,’ the four
riddles of appearance, the four riddles which lie hidden within
four simple statements?
The first riddle of appearance, as we have already seen, states:
‘the earth is flat, the sun orbits the earth and the earth is the
centre of the universe.’
The second riddle of appearance states: ‘matter creates
consciousness.’
The third riddle of appearance states: ‘the ego is separate from
the surrounding universe.’
The fourth riddle of appearance states: ‘the Eternal is simply the
three dimensions of consciousness, those of deep sleep, dream
and waking.’
The ancient mystics also suggested that these riddles of
appearance only arise when we move outwardly from the
Eternal and identify with the personal self dwelling within the
three dimensions of consciousness. It is an identity then which
only arises when we leave the state of ‘I AM.’
When we stare at the last three riddles of appearance proposed
by the mystics we can see that we are entering the realms of
philosophy and the ‘big questions,’ we are encountering the
nature of the universe and the perceiving self, the realms of the
catacombs of the cosmos, the ‘lamp of mind’ by which we
journey and the ‘Self which holds the lamp aloft.’
Now there are many who say that no-one knows the nature of
the universe, it is too big for our minds to grasp, the questions
are impossible to answer, so why bother? They say, ‘just live
your lives like shadows upon the face of the earth, let death
swallow you when the winds of fate call.’ But what if the
cosmic questions have been answered, the maps created in great
detail by minds which have gone thousands of years before, just
as the ancient Greek Eratosthenes measured the circumference
of the earth millennia before Galileo took his first breath. Would
we not be fools if we did not at least consider the templates of
knowledge which have been created by ancient minds such as
Lao Tzu, Fu Hsi, Nu Gua and Gautama Buddha?
Templates such as the Taoist Yin-Yang symbol and the octet
structure of the Ba Gua.
Or templates created by the ancient mystics of the Himalayan
plateau, China, Egypt and Greece such as the AUM and Pi
symbols.
Or even the teachings of such modern mystics as
Ramanamaharshi, Nisargadatta and Krishnamurti for if we are
simply trying to recreate the wheel we are going to be
humiliated by the ancient gaze of the ‘Eratosthenes’ of history
who lit the way for our journey only to find that we were
incapable of understanding their truth.
For upon investigation we can discover that there are common
threads running from the mystics from five thousand years ago
to some of the greatest scientific minds of our current age.
Five millennia ago the mystics proposed that there is an octet
structure to our universe in the realms of consciousness, psyche,
matter and biology.
An octet structure to our universe is also proposed by such great
scientific minds as Kepler, Newlands, Mendeleev, Tesla,
Ramanujan and Gell-Mann and they have inspired discoveries in
the scientific realms of the periodic table of elements, the
molecular structure, the sub-particle realm of chromadynamics
and superstring theory.
In China five thousand years ago the mystics Fu Hsi and Nu
Gua created the 64 hexagrams of the I Ching, a perfect mirror
for the 64 codons of DNA, the source of all complex biological
life.
Amazingly, the symbol they used for the I Ching is also a
photographic replica of the DNA spiral when viewed under an
electron microscope.
In the seventeenth century the German mathematician Gottfried
Leibniz, co-founder of calculus with Isaac Newton was inspired
by the binary structure of the I Ching to create the mathematical
basis for computer science, five thousand years after the I Ching
was created.
We also know that the ancient Greek Pythagoras was enchanted
by the ‘harmony of the spheres’, by the orbits of our solar
system and his thoughts are mirrored by the modern Russian
astronomer Molchanov who has proposed that our solar system
is a ‘quantum-tuned resonant structure with Jupiter as the
conductor of the celestial symphonies.’
John Martineau in his intriguing book ‘A Little Book of
Coincidence’ also describes the elaborate and beautiful
geometric orbits of the planets, so stunning that he can parody
the possibility that they are created simply by chance by using
the word ‘coincidence’ in the title of his book.
Modern science also proposes that the physical appearance of
our universe comprises less than 5% of the total universe, with
the remainder appearing as the background fields of dark matter
and dark energy. These realms are bewildering for they are nonbaryonic, that is not made from protons and neutrons, the
physical stuff of our universe, so the names they are described
by appear like the ancient term ‘terra nullius’ or ‘unknown
lands’ upon the ancient maps. These hidden dimensions infer
that western science has lost the ‘elephant of the universe,’ as if
our scientists are now staring at the fabled ‘breaths of dragons’
which many myths say are the causal forces for our universe.
The ancient mystics have mirrored these dark matter and dark
energy discoveries of western science. Indeed for five thousand
years they have proposed that our physical universe in the
waking dimension of consciousness is only a tiny part of the
whole and for them the background fields of the universe will
comprise 97.959183675…% of the total universe. They further
propose that these background fields are consciousness and that
they are woven from 31 fundamental components.
The ancient mystics also described our universe as a creation of
light and a branch of modern cosmic physics, Quantum
Information Theory, suggests that the basis for our universe is
not atoms and threads of DNA but quantum templates of
information which tell an atom how to form and a DNA helix
how to spiral but as to who wrote these templates and in what
dimension they exist this branch of science remains mute.
The ancient mystics did not stop there. Five millennia ago they
also proposed the input formula for what we would now call the
cosmic fractal, the formula of the ‘law of 3 and 7’ which
proposes that ‘three primal powers will move through seven
steps’ to create octaves of creation.
The mystics also described the source of the primal duality, Pi,
Phi and the Fibonacci series in mathematics. They described the
structure of the psyche and the ‘theory of everything.’ They
described the primal motivation for creation and the psychic
quest to merge with the dimension of Eternal Awareness, the
quest for diamond-mind.
This book then is an exploration of the last three great riddles of
cosmic appearance, the riddles that matter appears to create
consciousness, that the ego appears to be separate from the
surrounding universe and that the Eternal appears to be simply
the three dimensions of consciousness. In this way this book is
an exploration of the universe and the nature of the perceiving
self.
We can also suggest, from the mystics’ viewpoint, that if we
simply focus upon the physical appearance of the universe and
forget the nature of the perceiving consciousness that we will be
bound within a ‘flat-earth’ perception of our universe, entombed
within the vaults of matter, left struggling with the greatest
enigmas of our age. What is consciousness? Does consciousness
even exist or is it simply a cosmic hallucination created by
complex chemistry? What is more real, the physical universe or
the nature of the perceiving mind? And if we deny the existence
of consciousness, if we decide it is just too hard and focus
simply upon the study of chemistry, biology and physics then
perhaps we will become deaf to the wisdom of the ancient and
modern mystics. We will be left trapped within a nonsensical
riddle straight from a mad hatters’ tea party – if the background
fields of the universe are space-time-gravity and primal matter
then how does a ‘bucket of cosmic mud’ create and sustain a
complex universe of consciousness? How did it create you?
This book is also based around three simple images created by
the author – the images of the universe, the psyche and the
‘theory of everything.’
The Universe
The Psyche
The ‘Theory of Everything’
These three images contain the essence of all that is presented
within this book and with these three images we have the power
to describe the universe and to reveal a myriad of its tapestries.
Perhaps it seems extraordinary to suggest that we can express
the primal nature of our universe and our psyches using only
three simple images but with these three images we can describe
the nature of the witnessing dimension of the Eternal and the
‘genie's bottle’ of consciousness woven from the three
dimensions of deep sleep, dream and waking.
With three images we can join such disparate universal
philosophies as Animism, Plato, Zen Buddhism, Tibetan
Buddhism, Indian yoga, the hero's journey of Joseph Campbell
and western science.
With three images we can answer some of the most profound
riddles of our age – such as the problem of the galaxies forming
after the 'big bang' from the initial 'singularity' and the problems
of evolution and complex organs arising from 'blind' matter.
With three images we can discover that there are profound
connections between the speed of light, the structure of our solar
system, the conscious vibrations of the human psyche and the
sound-tone nature of music.
With three images we can suggest that the 8 cycles per minute
pulse of our cranio-sacral or spinal minds is connected to the 79Hz vibration of our REM sleep and the 7.83Hz vibration of the
Schumann Resonance within our planet's ionosphere,
resonances which create a mystical conduit for humanity to
ascend through the surrounding fields of cosmic mind. (Note:
one cycle per second equals one Hertz or 1Hz.)
With three images we can describe the primal mystics’ model of
creation, a model which requires 12 powers of the Eternal, 31
powers of consciousness, the fractal nature, the cosmic law of ‘3
and 7,’ the four primary riddles of appearance and the five
chains of consciousness to create a play of identity within a vast
cosmic theatre of Eternal Awareness.
With three images we can describe the game of life and the
nature of relationship and we can describe the journeys to
wisdom-heart and the dissolution of the identity with the ego.
With three images we can depict the mystical journey of 'Alice'
as she returns towards the holism of her own 'looking-glass' of
consciousness.
Chapter 2 - Two Creation Models
We can focus now upon the second of the four great riddles of
cosmic appearance which lies hidden within the simple
statement: ‘matter appears to create consciousness.’ We can
explore this appearance with the medieval riddle of the ‘mud
and the frog.’
In the middle-ages a group of scientists watched frogs crawling
from the mud and believed mud was spontaneously turning into
frogs, that matter was spontaneously creating consciousness.
However our modern science teaches us this process takes
billions of years, with atoms joining to form molecules, proteins,
cells and complex organisms through vast evolutionary periods.
This modern perspective however does not change the basic
medieval premise that 'mud creates frogs,’ that matter creates
consciousness and it still leaves us with the peculiar appearance
of 'thinking mud.’ This riddle of the ‘mud and the frog’ also
confronts us with a primal question, ‘are the background fields
of our universe matter or consciousness?’
Here is a quote from the physicist Paul Davies from his book
‘The Big Questions’ as he attempts to solve the riddles of matter
and consciousness by discussing whether an intelligent designer
for the universe is required.
'Well, you are absolutely right that this argument was
demolished by Darwin's theory of evolution, because there is a
very good mechanism namely, variation and natural selection that can produce the appearance of design even where there is
no design. So if you ask me about features, such as the human
eye, which seems so well adapted to its purpose, I wouldn't have
said that, as a specific entity, the eye is an example of design.
We can understand how, if you have an ensemble of competing
organisms, and competing species, then that competition can
lead to the emergence of very clever-looking organs. I accept
that Darwinian picture.'
The greatest minds of humanity, the greatest scientists and
mystics have worked on these riddles of matter and
consciousness for thousands of years and they have created two
possible fundamental answers, the two mother lodes of all
universe philosophy, the two great primal models of creation.
For simplicity we can call these two creation models the ‘fourblock’ model of matter proposed by western science and the
‘genie’s bottle’ model of consciousness proposed by the
mystics.
We can also suggest that our true education, our true knowledge
of ourselves and our universe does not begin until we are
presented with these two fundamental models of creation so that
we can make a conscious choice, so that we can open our minds
to the truth of our universe.
Historically the proponents of these two models have often
stood in deep antithesis to one another. On the matter model side
stand those remembered primarily as scientists and
mathematicians such as Euclid, Archimedes, Eratosthenes,
Hipparchus, Copernicus, Brahe, Galileo, Newton, Darwin,
Maxwell, Lyell, Watt, Faraday and Einstein. On the
consciousness side stand the great lineages of the mystics such
as Lao-Tzu, Chuang-Tzu, Gautama Buddha, Socrates,
Heraclitus, Bodhidharma, Milarepa, Rumi, Kabir, Krishnamurti,
Gurdieff, Ramanamaharshi and Nisargadatta.
So let us begin with the first creation model, the four-block
model of matter proposed by western science. In this model the
essence of our universe can be described using only four simple
building blocks.
The first block is the space-time-gravitational vault, the second
block is primal matter. We can shrink these two blocks to a tiny
point of no-thingness and then explode them as the ‘big bang,’
the source of the appearance of our universe. The third block is
the underlying physical laws such as the ‘tendency to
complexity’ and natural selection. The fourth block is the
appearance of consciousness arising finally as a ‘hallucination’
created by complex chemistry.
In this model the background fields of the universe are spacetime-gravity and primal matter, including their associated realms
of dark matter and dark energy, realms which comprise more
than 95% of our universe.
(We can note in this creation model that we are using the term
‘space-time-gravity’ as a generic term to describe all the
underlying components of the universe which can be defined as
neither consciousness nor Awareness.)
The second creation model, created by the mystics, is the
‘genie’s bottle’ model of creation.
This model proposes that in an Eternal dimension of Pure Light
and Awareness there arises a vault of consciousness woven from
the three dimensions of deep sleep, dream and waking, with the
reflected light of our physical universe appearing within the
dimension of waking consciousness. This physical universe
contains the reflected light of the personal mind and creates a
cosmic riddle or koan, ‘how can the reflected light of the ego
find the Sun which lights all, yet cannot be seen?’
In this model the three dimensions of consciousness appear as
descending octaves of one another, with each octave containing
seven internal steps so that deep sleep dimension appears as a
realm seven times as powerful as dream dimension which in
turn is seven times as powerful as waking dimension. This
means that our physical universe in the waking dimension of
consciousness will comprise only 1/49 or 2.040418163265...%
of the universe.
These two creation models, the ‘four-block’ model of matter and
the ‘genie’s bottle’ model of consciousness are perhaps the
greatest creations of the human mind from the past five
thousand years. The two models represent the two fundamental
ways of looking at our universe and they are the two mother
lodes of all philosophy, religion and science.
Which then of these two great creation models reflects the facts
for our universe the best? And does humanity know of any other
plausible creation models which are not just simply variations of
these two fundamental models of creation?
In response to the existence of these two creation models the
author of this book proposes a simple ‘$AUD10,000 Universe
Challenge.’ To collect the prize just be the first person to
describe a plausible creation theory which is not simply a
variation of one of the two models presented above, or through
simple logic, prove to the author that the matter creation model
fits the facts of our universe better than the consciousness
model.
To help us with this ‘$10,000 Universe Challenge’ we will now
explore in detail the two great creation models of matter and
consciousness.
Chapter 3 – Exploring the Matter Model
Science has sought to prove its ‘four-block’ model of creation
by examining the universe in intricate detail and it has found
surprising patterns within its data.
On a biological level science has discovered that the myriad
forms of life are based upon a biological language of 8 by 8 or
64 codons of DNA.
There is also a second language, the RNA creation sequence
which uses 20 biological amino acids, plus a stop and start
codon in each sequence, to create protein structures which turn
the templates of DNA into physical life forms.
It is possible then, on a basic level, to say that biological life is
based upon two languages of 64 and 22 letters, a premise
proposed by Michael Hayes in his book ‘High Priests, Quantum
Genes.’
Further, on the molecular level science has discovered the
elements of the periodic table are based upon seven families,
with their properties changing every eighth element.
On an atomic level the electrons move around the nucleus in
seven shells, forming in octet patterns, with a maximum of eight
electrons in the outer valence shell.
Beneath the periodic table of elements lies the chromadynamic
level of the sub-particles. This level has been called the
‘eightfold-way’ by the noble laureate Gell-Mann because the
sub-particles arrange themselves into families with eight
members. Eight baryon particle/waves form as an octet, eight
pions join as another and eight vector-mesons as a third.
These particle waves in turn are made from three smaller
particles, triplets called quarks which are woven from
superstrings made simply from space. It is proposed that this
fundamental space is limited to 64 degrees of movement.
It seems then, surprisingly, that our universe is woven from
mathematical repetitions of the numbers 3, 7, 8 and 64.
Science has also discovered that in a high energy plasma field a
single quanta – that is light plus information – through looping
interactions with charged particles can create a trillion electrons
with the weight of a billion hydrogen atoms. In this way all
matter appears to be simply the creation products of light
quanta.
In these sub-particle quantum realms electrons can appear as a
cloud woven from an infinite number of possible electrons
which then act together as if they share a single mind. It is a
realm where photons can act at a distance and appear in two or
more states at any one time, where the universe is in
communication with itself even over vast cosmic distances as if
time and space no longer exist. It is a realm where our universe
appears to be simply confined waves upon an ocean of
unfathomable depths.
In a new branch of physics called Quantum Information Theory
the basis for our universe is no longer matter and energy but
information which tells an atom how to form and a DNA helix
to spiral. However, in which dimension these parchments of
information exist and as to who wrote them this branch of
science remains mute for in these realms our seemingly solid
universe becomes little more than a strange mirage blown
through the hookah pipe of a character from ‘Alice in
Wonderland.’
On this quantum level our dilemmas seem to be the same
dilemmas that we would experience if we were characters within
one of our movies who developed the self-awareness to examine
our movie nature.
We would then discover that our reality was simply a
bewildering mirage of flickering light moving in random and
chaotic fashion, with no causality, nor prediction of position. It
would be a strange cosmic sorcery created from an unknown
dimension, trapping us within a prison of perception, unable to
cross the abyss of the dark theatre to find the source of the light
which creates our world.
On all these aspects of matter and quanta it seems that science
has run into a vortex of dilemmas. The old Newtonian model of
creation has collapsed, the ‘four-block’ model no longer
describes the nature of our universe. Is it possible then that the
second creation model of consciousness can explain these
cosmic appearances, even though it is a model which is now at
least five thousand years old? Do the cosmic solutions now lie
with the ancient ‘genie’s bottle’ model of consciousness?
Chapter 4 - Mystics' Model Expanded
The mystics agree with the scientists and their descriptions of
the quantum information field but when the mystics travel
beyond this realm they diverge from the ‘four-block’ model of
matter and ascend into their vaults of consciousness, ascend into
a model which can be called the ‘genies bottle’ model of
creation.
This model suggests that in a pure dimension of Eternal Light
there appears a vault of consciousness, perhaps best described as
a ‘genie's bottle’ which is woven from the three dimensions of
deep sleep, dream and waking, with the reflected light of our
universe appearing within. In this model the background fields
of our universe are consciousness and it is consciousness which
creates the appearance of matter. The model also proposes a
primal koan or riddle for our universe, ‘how can the reflected
light of the ego find the Sun which Lights All, yet cannot be
seen?’
We can look at this ‘genie's bottle’ creation model from the
perspectives of seven of the world’s philosophies.
Firstly, Plato suggested that all we perceive is simply a shadow
play in a cave, a house of reflections, with the creating light
behind us. We can see this is a good description of the ‘genie’s
bottle’ model of creation.
Secondly, Animism describes all things in the universe as
having consciousness or spirit.
Thirdly, Tibetan Buddhism describes the death process as ‘the
earth aspect returns to water, water to fire, fire to air and air into
the darkness. Then one travels through the Rigpa. If one has
sufficient merit one passes through the transparent film into the
Great Luminosity.’
This description of earth to ether is simply the reverse process of
the creation chain of the 'big bang.’ The Rigpa is mind, the
waters of consciousness. The transparent film is the vessel of the
‘genie's bottle.’ The Great Luminosity is the Light of the
Eternal.
Fourthly, Zen Buddhism and a mystical riddle. ‘A goose is
hatched within a bottle. In time it grows. How then does one
release the goose without breaking the bottle?’
The goose is the personal self growing within the womb of
consciousness, seeking at last to merge into the Eternal. To
accomplish this it must recognize its pure nature was never
imprisoned in the first place. The appearance of the self within
the bottle is simply the reflected Light of the Eternal Nature.
This recognition is the awakening.
Fifthly, Indian yoga. ‘Firstly one focuses one's self upon image
or deity. Then in time the sense of self is lost, only deity
remains. Then deity too is lost, there is simply void. Then at last
there is union with the Beyond.’
This is union with waking dimension, then dream dimension,
then deep sleep dimension, then the fourth dimension of the
Eternal.
Sixthly, the hero's journey of Joseph Campbell describes the
progression from ego-centred consciousness to the union with
the divine. It is the journey within the ‘genie's bottle.’
Finally, western science has discovered matter is not real in our
usual perception; it is more like a multitude of particles, perhaps
woven from superstrings, in turn woven from eleven dimensions
spun from a mathematical point of no-thingness.
In other words the universe becomes an appearance, an illusory
reality. Perhaps something within a ‘genie's bottle?’
In ancient India the ‘genie’s bottle’ model was depicted by the
symbol Aum, representing the three dimensions of
consciousness, with the inflexion above symbolising the hidden
fourth dimension of the Eternal.
The dimensions of consciousness in this model appear as
octaves of one another, with each octave containing seven
internal steps so that deep sleep dimension is seven times as
powerful as dream and dream is seven times as powerful as
waking. Waking dimension and the physical universe will then
comprise only 100/49 or 2.0408163265...% of the universe, with
the remainder becoming the 97.9591836735...% of the universe
known to science as Dark Matter and Dark Energy.
Deep Sleep + Dream + Waking = 100% of the universe of
consciousness.
Dream + Waking = 100/7 = 14.285714285...% of the
universe.
Waking = 100/49 = 2.0408163265...% of the universe.
Deep Sleep and Dream (or Dark Matter/Energy)
= 100 - 100/49 = 97.9591836735...% of the universe.
The mystics have also mapped the powers of consciousness
which create the three dimensions of deep sleep, dream and
waking. Five thousand years ago the Chinese mystics Fu Hsi
and Nu Gua proposed the Taoist symbol of the Yin/Yang which
depicts the universal duality.
When this Yin/Yang polarity is woven to the three primal
creation powers it creates the eight trigrams of the Ba Gua, the
seed formula for the universe.
We can note that the Ba Gua contains the Fibonacci series of
1,1,2,3,5,8,13.. and its implicit Phi ratio which are two of the
greatest mathematical building blocks for the universe.
(From the One arises the Two. The One plus the Two becomes
the Three. The Three plus the Two becomes the Five. The Five
plus the Three becomes the Eight. The Eight plus the Five
becomes the Thirteen… creating the Fibonacci sequence
1,1,2,3,5,8,13..)
This Ba Gua formula in turn flowers into the 64 hexagrams of
the I Ching.
This I Ching structure mirrors the 64 codons of DNA.
Both of these templates are based upon polarity, the I Ching
upon the polar aspects of Yin/Yang, DNA upon the plus and
minus threads of the double helix. The two three-line hexagrams
of the I Ching also have the same tri-part structure as the DNA
codons. In this way the I Ching suggests the structure of the
quantum mind and the DNA codons the templates of physical
form.
In ancient Egypt the Ba Gua was depicted as the ‘law of three
and seven,’ a law which states that ‘three creating powers will
move through seven steps’ to create octaves of manifestation,
with each eighth step in turn becoming the first step in a higher
or lower octave.
Three consecutive overlapping octaves create a template of 22
letters, a template we can describe as a triple-creation codon, a
term first suggested by the author Michael Hayes in his book
‘High Priests, Quantum Genes.’
In ancient Greece the three consecutive octaves were known as
Pi.
We often use the Pi value of 22/7 in geometric calculations that is 22 notes over 7 steps within an octave - but as each of the
22 letters varies in value, like the notes within our musical
octaves, then together these letters create the transcendental Pi
number of 3.14159265…
This triple-creation codon of Pi is far more than an intriguing
number, in reality it is the source for our entire universe, it is the
input formula for the cosmic fractal. If we imagine the
dimensions of the ‘genie’s bottle’ of creation as an ocean then
the triple-creation codon of Pi forms as every droplet within,
appearing as the musical structure upon which the labyrinths of
octaves are suspended, from the tiniest atoms to the vast oceans
of cosmic consciousness. It is the transcendental nature of the
triple-creation codon which creates the complexity and apparent
chaos of our universe through ‘fractal paintings’ which appear
upon these octet structures.
In historical Egypt each of the three primal octaves flowered
into three further octaves to create the nine overlapping octaves
or 64 letters of the Thoth Code, a term first proposed by Michael
Hayes in his book ‘High Priests, Quantum Genes’ in memory of
Thoth, the Egyptian God of Wisdom. This Thoth Code mirrors
the I Ching and the 64 codons of DNA.
In Egypt the interlocking spheres of the triple-creation codon of
Pi became the source for the creation chains of existence. In the
Egyptian creation model proposed by the author Drunvalo
Melchizdek the triple-creation codon of Pi was depicted by the
overlapping circles of the Flower of Life.
From the Flower of Life arose the Fruit of Life and
Metatrons’Cube.
From Metatron’s Cube arose the five Platonic Solids.
From the five Platonic Solids arose the geometric shapes which
became the basis for our universe, such as the myriad aspects of
molecular geometry, cellular life and the ascents of evolution.
Let us pause here. Is this ‘genies bottle’ model of creation valid?
Does it explain the structure of our universe? Is it plausible that
the background fields of our universe are not space-time-gravity
and primal matter but consciousness? Is it an elegant solution to
some of our greatest modern scientific dilemmas such as the
following three perplexing riddles.
Firstly, how does matter create consciousness? We can see in
the ‘genie’s bottle’ model that matter does not create
consciousness, it is consciousness which creates matter.
Secondly, how do complex organs arise from the blind forces of
evolution? We can see complex organs manifest because they
are precise expressions of the hidden powers of consciousness.
Thirdly, what is the 'unified field theory' which Einstein
struggled with towards the end of his life? We can see the
'unified field theory' is a signpost pointing to the fourth
dimension of the Eternal, the source of all the disparate aspects
of consciousness and matter.
This ‘genie’s bottle’ model of creation suggests then that we
should pause when faced with the incomprehensible riddle of ‘if
the background fields of the universe are space-time-gravity and
primal matter, then how does a ‘bucket of cosmic mud’ create
and sustain a complex universe of consciousness?’ Indeed, we
need to suspect that there are hidden dimensions of
consciousness surrounding us which are not immediately
perceivable to our physical senses and our personal minds.
To discover these realms we must move into the witnessing
states of meditation, the quiet contemplation of the ‘buddhas.’
We must move our attention to the nature of consciousness itself
and the fundamental question ‘who is the perceiving
consciousness’ or ‘who am I?’
We can suggest then that the greatest revelation of our age will
be the discovery that we dwell within an overflowing ocean of
consciousness, not an empty vault of space-time-gravity. We
will then discover that the three dimensions of deep sleep,
dream and waking are the source of all that we perceive.
Chapter 5 - Two Models Combined
What would a mature creation model look like? A model which
could stand for a thousand years as a signpost to the energetic
truth for our universe? A model which is a marriage of the past
five millennia merged with the insights of our present moment?
Can we combine the matter and consciousness creation models
for our universe so that they are not in antithesis to one another
but simply two ways of seeing the one cosmic unity for science
has explored the minute detail of our physical universe and the
mystics the grand poetic panorama of the causal forces for
creation and consciousness. Can we look with the wisdom
merged with these two perceptions?
If we were to present a model of unity as a pyramid structure
perhaps we could begin at the apex with the three images of the
universe, the psyche and the ‘theory of everything.’ These three
images are a trinity of keys with which we can explore the
myriad catacombs of the universe, they are three images which
contain the condensed truth of all that will follow.
The Universe
The Psyche
The ‘Theory of Everything’
Beneath these three images we could array a series of ancient
symbols which have carried the truth for millennia. These
images would begin with the AUM symbol of the Himalayan
plateau, the pure pictogram of the consciousness theory of
creation.
Beneath AUM we could arrange the Chinese symbol of the Tao,
the duality of the Yin/Yang in the endless dance of creation.
Beneath the Yin/Yang we could present the Ba Gua, the primal
hexagram or octave of creation from which we can derive Pi,
Phi and the Fibonacci series.
Below the Ba Gua we could present the 64 hexagrams of the I
Ching, the flowering of the Ba Gua into the octaves of creation.
Beneath these Chinese Taoist images we could arrange the 22
letters of the triple-creation codon of Pi from Egypt and Greece,
the input formula for the cosmic fractal.
Beneath this level would lie the Thoth Code, the Egyptian
mirror for the 64 hexagrams of the I Ching. In Greece this could
have been called the Hermetic Code after Hermes, the Greek
name for Thoth, the Egyptian God of Wisdom.
Beneath this level we could arrange the Egyptian symbols for
the chains of creation – the Flower of Life..
The Fruit of Life and Metatron’s Cube..
The five Platonic solids..
These are the creation chains which create the octet structures of
consciousness, psyche, matter and biology.
Beneath these levels we can arrange the symbols created by
western science, discovered through the use of its profound tools
of universal exploration.
Such as the octet structures of DNA..
and RNA..
The periodic table of elements..
The molecular structure..
The octet levels of sub-particle chromadynamics, the quantum
nature, superstrings and the realms of dark matter and dark
energy.
We can see now that the two creation models have united in
synthesis, a union which has absorbed the two polarities into
one model of cosmic truth. It is a model of unity which could
light the human path for the next millennia.
Chapter 6 - The Psyche
The mystics have not only mapped the causal forces for our
universe but they have also explored the structure of the human
psyche so in the ‘genie's bottle’ model we can now zoom into
the reflected light of the cosmos to reveal the image of the
psyche portrayed below.
If we look at this image we can see the body-psyche is like a
magic tapestry of consciousness woven from seven psychic
centres which form vibrational octaves to create the journeys of
personal psyche. These journeys appear because the human
body is like a miniature ‘genie's bottle’ which we enter within
our mother's womb. We enter this bottle through the fontanelle,
the opening at the crown of the head as a plume of pure
consciousness before we descend the spine until we reach
wisdom-heart, where we dwell awaiting our birth. At birth we
find ourselves cast in a great arc of psychic destiny, 'falling'
through the 'front' of the heart in a descent to the feet, where we
draw upon ourselves a shroud of forgetfulness, the dreaming
nature of the personal self.
This act creates an individual journey, the ascent through the
psychic centres suspended upon the spine until we eventually
return to our remembrance at wisdom-heart. In this way there is
a chronology written upon the body so that during early
childhood we psychically dwell at the feet, ankles and calves; by
the age of six we have psychically reached the knees; by ten or
twelve we have reached the pelvis and puberty.
We must then ascend through the adult aspects of feeling upon
the lower abdomen, mind at the belly and ego-structure at the
liver to return to wisdom-heart. It may seem peculiar to place
the 'centre' of mind at the belly but this is the source of the
subtle mind impressions which eventually become our 'stream'
of thought. This is why stopping the breath stops the thought
processes too.
If we understand this psychic panorama we can see that when
we dwell beneath wisdom-heart we will experience ourselves as
a personal self existing within the fields of pleasure and pain, of
life and death, but when we dwell at wisdom-heart we will
experience ourselves as pure spirit, the state of 'I AM', a
witnessing self no longer trapped in identity with the changing
fields of consciousness, a self free from the tenacious clasp of
the five primal chains of consciousness. The chains are
forgetfulness, the loss into sexual polarity, the entrapment at the
'woundings' of childhood and sex and pride, the identity with
personal mind and the dwelling beneath the ego-structure at the
liver.
We can see now that wisdom-heart is the profound meeting
point for the psyche.
We can see it is the place where we connect our feet and crown
in one pure column of universal knowing so we are at last free
from the journeys of becoming and can simply love 'what is.’
We can see it is the union point for the two inner sex streams so
it is the psychic goal for our relationships.
We can see it is the union point for the personal and universal
minds so it is the doorway to meditation.
We can see it is the place where the grit of sand of ego sense
falls from the eyes and we can at last perceive the panorama of
our divinity.
We can see it is the place of clarity where we are free to walk in
and out of the pure mirror of consciousness, the doorway
between forgetfulness and remembrance.
We can see it is the source of our wisdom, the hiding place of
our spirit in a cosmic game of 'hide and seek.’
We can see it is the temple where the warrior lays down his
sword to become the 'lamb of God.’
We can see it is our sacred home in a sea of life and death.
Further, if we understand this journey in consciousness, we can
see that the act of standing vertically has two aspects to its
nature. Firstly, to stand vertically in physical form, allowing the
flowering of the brain-spinal stem. Secondly, to stand vertically
in consciousness, to rise from the ego-centre at the liver until we
dwell at wisdom-heart.
In this way we can see the holy grail of our myths is simply the
spinal column of consciousness radiating its clear perception.
Our very nature then has been the grail that we have mythically
sought and we have been travelling with the grail strapped to
our backs in a peculiar state of existential forgetfulness!
We can also see that the chakras or psychic centres have
appeared upon the spinal column like a stairway to heaven. The
chakras have appeared in ascending order as firstly
matter/creation/sex, then feeling, mind, ego-sense, universal
heart, causal/spirit realm and transcendence. These chakras have
appeared as an expression of the ‘law of octaves’ or the 'law of
7' which suggests that there are seven steps occurring within
many universal sequences before each sequence repeats itself as
an octave of higher or lower resonance.
In this way the base chakra of creation/matter vibrates at about
7Hz and each ascending chakra increases this vibration by an
exponential factor of seven, to create the following table of
psyche.
Creation (spine base) - 7Hz
Feeling (abdomen) - 49Hz
Mind (belly) - 343Hz
Ego (liver) - 2,401Hz
Love (heart) - 16,807Hz
Being (throat) - 117,649Hz
(We can note that the female elephant in rut calls to the bull
elephant with a tone of 17Hz.)
In the ‘genie's bottle’ creation model we can also see that the
body has appeared within the waters of consciousness as a
holographic droplet of the surrounding universe. We can see this
because the body mirrors the creation chain of the 'big bang,’ the
chain of ether, air, fire, water and earth, with ether or primal
sound appearing at the throat, air at the lungs, fire at the gastric
level of the stomach, water at the level of the bladder and earth
at the bowels.
The universe also has a duality nature for it needs a polarity of
energies to manifest - even an egg requires a polarity separation
to exist. This duality is revealed within the body when we fold
the body along a vertical line, creating the polarity separation of
the two lobes of the brain, the two breaths of the individual
lungs and the two polarities of the sexual nature. In this way an
orgasm is simply a 'spark' jumping between the left and right
sides of the body, between the anima and the animus.
We can also fold the body horizontally just below the level of
the liver so that the crown of the head bends down and touches
the feet. We can see then that the liver has merged with the
belly, connecting ego-sense and mind, the heart merges with the
lower abdomen, connecting heart and feeling, the mouth and sex
centres have established a strong energy connection and the base
of the spine which runs in a horse’s tail of fine nerves all the
way to the feet is now connected to the crown centre, forming a
primal polarity.
We can also see that the personal consciousness has a colour
nature which mirrors the rainbow spectrum of the cosmos. We
can see this for we often talk of the psyche in terms of colours: 'I
felt red with rage, green with envy and blue with sadness.’ This
psychic spectrum is the rainbow dreamcoat streaming from the
brain-spinal stem. It appears as the 'red' of survival and sexuality
at the base of the spine, the ‘orange’ of emotionality and instinct
at the lower abdomen, the ‘yellow’ of mind at the belly, the
‘green’ of ego and personal will at the liver, the ‘blue’ of subtle
heart at the chest, the ‘indigo-violet’ of the causal/spirit forces at
the throat and as the 'White Light' which emanates from the
crown when the colour spectrum is merged in union.
All these aspects of the psyche indicate that the body is a mirror
droplet of the surrounding oceans of the universe and this
affirms the ancient maxim 'as above, so below.’
We can suggest now that when the journey of psyche naturally
flowers it will effortlessly move through three octaves of psyche
with each octave manifesting as a period of seven years. The
first octave from birth to the age of seven will involve the
establishment of the personal self. The second octave from the
age of seven to fourteen will involve puberty and the
establishment of the sexual self. The third octave from the ages
of fourteen to twenty-one will involve the natural awakening to
diamond-mind and the ‘buddha-nature.’
We can also now understand the nature of meditation and the
basic structures for mind. The first structure is the personal mind
which is connected to the inbreath/outbreath pulse of fifteen
cycles per minute. It moves as the feeling sense of 'I am myself'
in the fields of desire, fear and accumulated knowledge.
The second structure of mind is the brain-spinal stem which
pulses softly at 8 cycles per minute in a vertical direction, in the
realm of 'now and presence.’ It is connected to the feeling sense
of 'I-AM.’
This cranio-sacral mind is in turn profoundly connected to a
planetary vibration called the Schumann Resonance, a standing
wave of electro-magnetic vibration of 7.83Hz which travels
through the ionosphere surrounding the earth. This earthionosphere expanse has been poetically called the planetary
mind of Gaia with the Schumann Resonance as its heartbeat. We
unite with this mind when we move into the 7-9HZ of our REM
dreaming.
We can also note that many hallucinogenic drugs create
chemical vibrations in consciousness corresponding to 8 cycles
per second or 8Hz so they have been used by shamans for
'connecting us to the gods.’ Also many healers when they enter
their 'stream' of healing have been found to enter a brain-wave
pattern of about 8 cycles per second.
It is the underlying linkage between the three minds of the
personal mind, the cranio-sacral mind and the mind of Gaia,
with its mystical conduit of the Schumann Resonance which
allows the human possibility of union with cosmic mind and the
profound states of meditation, healing and awakening.
Meditation or 'stillpoint' then is the psychic-space which arises
when the personal mind unites with the vertical-mind of the
spinal column, creating a profound union which allows us to
enter our deep well of knowing and intuition, where we know
instinctively who we are and how we should act in the present
moment. This 'stillpoint' at the centre of the cyclone of
consciousness is the same space we enter during deep sleep and
during our times of insight and healing.
It is the union of these minds which creates the possibility for a
revolution in consciousness, a state the mystics call diamondmind. Diamond-mind arises when the centre of our attention
moves from the endlessly changing oceans of consciousness to
unite with the ‘glass’ or diamond of the ‘genie’s bottle’ of
consciousness.
Diamond-mind becomes possible when the vertical column of
the psyche is cleared of all psychic impediments, when the mind
has stilled so that it becomes a metaphysical conductor,
producing no resistance to the powerful flows of the cosmic
mind.
Chapter 7 – The Solar System Psyche
It is an ancient premise that our human psyche is a cosmic
mirror for our solar system and that both are structures of
consciousness. This seems to be a bizarre concept yet it has
resonated with the human mind for millennia, with endless
musicians creating musical compositions to reflect the ‘harmony
of the spheres.’
We can also see this premise reflected in the work of such
scientists as the Russian astronomer Molchanov who said that
‘our solar system is a quantum-tuned resonant structure with
Jupiter as the conductor of the celestial symphonies.’ We can
also see the premise reflected in John Martineau’s book ‘A
Little Book of Coincidence’ which presents the amazing beauty
of our solar system orbits.
We can also see this premise of a conscious universe expressed
within the vast spirals of our Milky Way galaxy, with the
presence of spirals suggesting a background consciousness.
In ancient Egypt each life form was believed to be surrounded
by a MerKaBa or ‘living energy field’ which was its source of
consciousness hidden deep within the background dimensions of
deep sleep and dream, such as in the image of the human form
below.
or in this image of a galaxy
In 2010 NASA scientists discovered two huge bubbles of
gamma rays either side of our Milky Way galaxy and they are
among the largest structures ever found.
Are our scientists now staring at the outer expression of a
galactic MerKaBa?
Let us look into this further. The formula E=MC2 suggests that
the speed of light is the basis of energy and energy is the basis
for matter. This infers then that our universe is a matter-energy
hologram created by the speed of light. Is it possible then that
our cosmos is also a matter-consciousness hologram created by
the speed of light, the expression of a fractal endlessly mirroring
itself through a myriad of dimensions, an image which has been
depicted in the multi-headed form of the Hindu god Shiva.
Are there profound connections then between the speed of light,
the structure of our solar system, the sound-tone nature of music
and the conscious vibrations of the human psyche? Is it a
coincidence that the earth is 150 million kms from the sun, the
vibration of middle 'C' upon the piano is 256HZ and the
vibration of the human mind upon the spinal column is about
200Hz?
Let us investigate this further. The speed of light is believed to
be a universal constant of 299,792,458 metres a second so using
this unit of light we can now measure the orbits of our solar
system planets in millions of kilometres from the sun: Mercury
58Mkms, Venus 108Mkms, Earth 150Mkms, Mars 228Mkms,
Jupiter 778Mkms, Saturn 1470Mkms, Uranus 2870Mkms,
Neptune 4504Mkms, Pluto 5913kms.
If we look at these solar system orbits it is easy to see that there
are two Fibonacci sequences written into their structure. A
Fibonacci sequence is a mathematical formula upon which much
of our universe is based. The sequence says that after the first
two numbers the next number will always be the sum of the
previous two numbers: such as 1,1,2,3,5,8,13,21,34.. Let us look
at the first four planets and their orbits: Mercury (58Mkms),
Venus (108Mkms), Earth (150Mkms) and Mars (228Mkms).
We can see these mirror the Fibonacci sequence of
50,50,100,150,250.
The next planet in the sequence should appear 400Mkms from
the sun but Jupiter is 778Mkms from the sun. The natural
cosmic step is missing and where this 'mythical' planet should
be we discover the major asteroid belt orbiting between
300Mkms-600Mkms from the sun, as if they are the remains of
a foetal planet. However, once we attain Jupiter we can see a
new Fibonacci sequence begins: Jupiter (778Mkms), Saturn
(1470Mkms), Uranus (2870Mkms), Neptune (4504Mkms) and
Pluto (5913Mkms). A pure Fibonacci sequence would be:
800,800,1600,2400,4000,6400.
We can now make a prediction. If there is a planet beyond Pluto
and assuming our solar system is the expression of a matterconsciousness hologram created by the speed of light then that
tenth planet will orbit about 10-11 billion Kms from the sun.
This is the orbit of Neptune, 4504Mkms, plus the orbit of Pluto,
5913Mkms, which equals 10,417Mkms. We can also suspect
that the tenth planet will have a strong affinity to a cosmic
meridian of consciousness which runs 117 billion 649Mkms
from the sun, corresponding to the throat chakra of deep sleep, a
vibration of 117,649Hz.
In March 2004 it was announced that a tenth planet, eventually
named Sedna, had been discovered beyond Pluto moving in a
huge flattened ellipse around the sun. The closest point of its
orbit to the sun is 10.9 billion kms. The furthest point of its orbit
is estimated to be 110 billion to 130 billion kms from the sun.
The expanded Fibonacci sequence has now become: Jupiter
(778Mkms), Saturn (1470Mkms), Uranus (2870Mkms),
Neptune (4504Mkms), Pluto (5913Mkms) and Sedna
(10,900Mkms). A pure Fibonacci sequence would be: 800, 800,
1600, 2400, 4000, 6400, 10400.
We can now see that the ‘genie's bottle’ model of creation has
not only predicted the existence of the 'dark matter' which
surrounds our cosmos and measured its exact volume but the
model has also predicted the elliptical orbit of the tenth planet
Sedna simply through the use of Fibonacci sequences and the
'law of octaves.' These are remarkable acts of prediction.
Let us look now at our system of western music and imagine
that we are playing notes upon the keyboard of a piano and
describing them in terms of their relationship to the octave of
middle 'C', creating the following table of vibrations: (Note: 1Hz
= one cycle per second). ‘A’ two octaves down 55Hz (Mercury
orbit 58Mkms), ‘A’ one octave down 110Hz (Venus 108Mkms), ‘D’ one octave down 146Hz (Earth - 150Mkms), ‘A
sharp’ middle octave 233Hz (Mars - 228Mkms), ‘G’ one octave
up 783Hz (Jupiter - 778Mkms) and ‘F sharp’ two octaves up
1480Hz (Saturn - 1470Mkms).
We can see there is a profound serendipidity between these two
sets of figures of Mkms and Hz vibrations of sound and if our
solar system is the expression of a matter-consciousness
hologram created by the speed of light, with the planets creating
cosmic sound tones as they move through the background fields
of consciousness, then it suggests that we have intuitively
created our musical systems based upon the solar system orbits,
upon the Pythagorean 'harmony of the spheres.' If this is so then
it infers that when we play music we are playing the speed of
light in the form of sound and we can suspect that the high
vibrations of Neptune, Pluto and Sedna have become the
silences of the heart and the soul.
Further, long before the time of Eratosthenes and Pythagoras it
was believed that each planet expressed a different aspect of the
cosmic psyche and that the planets and our individual psyches
were divine and mortal mirrors of one another as portrayed in
the following list of our current solar system:
Pluto/Sedna - power/transcendence, Neptune - heart spaces,
Uranus - new states of being, Saturn - wisdom and separate self,
Jupiter - high mind and harmony, Mars - will, Earth - earthly
consciousness, Venus - feeling nature and Mercury - creation
mind. Is it possible then that one million kilometres of solar
system distance not only corresponds to a vibration of one cycle
per second in music but that it also corresponds to one cycle per
second in consciousness?
Let us look at the list of the chakras: being (throat) purple, love
(heart) blue, ego (liver) green, mind (stomach) yellow, feeling
(abdomen) orange and creation (spine-base) red. Now we have
discovered that there is a mystic journey through these psychic
centres, an ascent through the tapestries of consciousness from
the physical feet to the crown so if we knew the vibrational level
of each chakra we could measure the psychic distances we must
travel as we ascend the vertical column of the spine. We already
know that the vibration which integrates and disintegrates matter
is about 7Hz so we can now do something that is extraordinarily
simple, something we have already seen in the previous pages.
We can take the base chakra of 7Hz and multiply each
ascending level of consciousness by 7 - the number of steps
within a musical octave - to create the following list of psyche
vibrations: Creation (spine base) - 7Hz, Feeling (abdomen) 49Hz, Mind (belly) - 343Hz, Ego (liver) – 2,401Hz, Love
(heart) – 16,807Hz and Being (throat) - 117,649Hz.
These figures give us the pure vibration tones of the chakras but
the chakras in reality exist as broad 'bands' of overlapping
vibration. This suggests that the 'bands' of wisdom-heart and
spirit-throat will be immense in size because of their vast
transcendent nature so we can imagine the experiential chakra
'bands' will look like the following list: Being (throat).. 5000Hz
upwards, Wisdom-heart.. 2000Hz upwards, Separate self
(liver).. 900-3000Hz, High mind (low liver).. 300-1000Hz,
Mind (stomach).. 100-400Hz, Feeling (abdomen)... 20-200Hz
and Creation (survival).. 0-80Hz. We can see that this suggested
table of 'bands' of consciousness mirrors the solar system orbits
in millions of kilometres and it suggests that the speed of light is
not only profoundly linked to matter, energy, the structure of the
solar system and the sound-tone nature of music but also to the
nature of the psyches which appear upon the crucible of the
earth!
They suggest that the cosmos is a matter-consciousness
hologram created by the speed of light and they suggest that the
universe is not simply an empty wasteland of primal matter but
that it is the vast body of a conscious being. This means that we
have discovered the 'footprints' of the gods in the 'sands' of
Eternity and it also means we have discovered one of the most
beautiful and elegant formulas in the cosmos: 'Each one million
kilometres of solar system distance creates the cosmic
appearance of one Hz vibration in music and one Hz vibration in
consciousness.’
In summary we can see that the planets of our solar system are
laid out in two Fibonacci sequences which mirror the string of
pearls of the chakras or psychic centres upon the human spinal
column and it means that the missing planet between Mars and
Jupiter will have profound effects upon the psyches of our
earth's life forms, creating the solar system appearance that we
dwell within an empty void of matter, a realm of cosmic
estrangement.
This explains why the mystic journey requires supreme acts of
faith, prayer and the still witnessing of meditation. It also
suggests that humanity will need to learn to tone a vibration of
about 450Hz so that we can 'recreate' the missing planet or
missing psychic centre as we collectively ascend upon the
mystic journey.
This panorama of solar system mind also suggests that the solar
system is being created by the speed of light as an expression of
an underlying fractal, a geometric shape which can be endlessly
divided with each part becoming the same form as the whole
and it means that hidden within these simple figures of solar
system orbits and psychic vibrations we have discovered a
mathematical proof, just as Pythagoras believed, that we are
children of the cosmos! At last we can see that the speed of light
is a cosmic 'paintbrush' held in the hands of vast powers of
consciousness, a 'paintbrush' which robes itself within a myriad
of forms such as matter, energy, the solar system distances, the
sound-tones of music, the rainbow colours of the psyche and the
vibrations of individual consciousness.
Chapter 8 - The ‘Theory of Everything’
Beyond the image of the psyche, beyond the vistas of AUM-Pi
stands the mystics ‘theory of everything,’ the forty-three powers
of the Eternal and Consciousness which we can use to describe
the nature of our universe. These forty-three powers are based
upon the thirty-six creation powers or Tattvas of the yogic
philosophy of Kashmir Shaivism.
This mystics model of the theory of everything requires 12
powers of the Eternal, 31 powers of consciousness, the ‘law of
three and seven,’ the four primary riddles of appearance and the
five chains of consciousness to create a play of identity within a
vast cosmic theatre of Eternal Awareness.
In this creation model the dimension of deep sleep contains 15
powers.
They are the primal Duality, the Trinity, ego-sense, the two
powers which form the projecting film and the impressions upon
it, the five powers which form the reflecting screen, the power
of universal mind which is the self-knowing aspect of the
universe and finally, the space-time-gravitational vault of ether.
Below deep sleep dimension lie the two dimensions of dream
and waking, woven from a further sixteen powers of
consciousness. They are firstly creation mind which takes the
subtle impressions and creates a universal reality and secondly
personal mind which identifies with a particular stream of
thought-feeling and says ‘this is myself.’ There are also the five
powers of action - breathing, sexuality, voicing, digestion and
movement. There are also the five powers of sense - touching,
tasting, seeing, hearing and smelling. And finally, the last four
of the five powers of manifestation which are collectively
described as ether, air, fire, water and earth.
In this model the primal trinity garbs the individual self in five
etheric robes. They are the robe of deep sleep, the two robes of
universal and creation minds and the two outer robes of the
physical body and the personal life force, robes which send the
individual self out on its journey of destiny.
These three dimensions and thirty-one powers can be described
as a genie's bottle of consciousness but when the powers are
absorbed in union they simply form as a pure Mirror, a Mirror
reflecting the Light of a fourth dimension, the Eternal. In this
state of balance the Eternal is simply Aware of the Eternal and
all the dreams of consciousness have evaporated like mists
before the morning sun.
This Eternal nature in turn is woven from a further twelve
powers for each Eternal Sun with its intrinsic three dimensions
of consciousness is simply a single droplet in a vast ocean of
Illusion woven from five Eternal powers and beyond lies a sixth,
the primordial seed of Illusion itself, a seed which is known on
the Himalayan plateau as the goddess Maya.
Above these powers dwell five Blue powers, those of Pure
Being, Bliss, Knowing, Power and Unlimited Form, the highest
expressions of all the powers of the Eternal. This Blue
dimension eventually fades to become a tiny Blue Pearl before
disappearing into an endless ocean of Darkness, the ocean of the
Unmanifest, the Unknowable which is the last step in all the
realms of creation and manifestation.
We have now before us an extraordinary panorama of
consciousness and the Eternal and if we grasp this vision we can
understand why the genie’s bottle model theory of everything
has 43 powers in its sacred formula, a formula based upon the
creation powers or Tattvas of the yogic philosophy of Kashmir
Shaivism.
These powers have Sanskrit names so if we take their initial
letters, plus the letters from some English terms, we can then
create the fabled ‘theory of everything’ formula which can be
printed onto a T-shirt.
A Formula for the ‘Theory of Everything’
CHI + AN + IC + JA +KRI
+ MAY
+ KA + KAA + NI + RAG + VI
+ AW
+ YI + YA +SA + TA + RA
+ EG + CH + MA
+ G + RAA+ RU + SH + SP
+ UI + CI + PI
+ M+ B +V + D + SE
+ SEE + T + TO + S + H
+ E + A + F + W + EA
= the powers of consciousness and Awareness which
surround the darkness of the Absolute.
Where
(CHI + AN + IC + JA +KRI) = Supreme blue powers
(Eternal Being, Bliss, Power, Knowing and Form)
(MAY) = Illusion itself
(KA + KAA + NI + RAG + VI) = Veils of Illusion
(AW) = Awareness, the Droplet within the Eternal Oceans
(YI + YA) = Primal Powers of Duality
(SA + TA + RA) = great Trinity of consciousness
(EG + CH + MA) = primal power of ego-sense, impressions
upon the causal film, the causal film itself
(G + RAA+ RU + SH + SP ) = powers of the reflecting screen
(UI + CI + PI ) = universal mind, creation mind, personal
mind
(M+ B +V + D + SE ) = five powers of physical action
(movement, breath, voicing, digestion and sexuality)
(SEE + T + TO + S + H ) = five powers of physical sense
(seeing, tasting, touching, smelling and hearing)
(E + A + F + W + EA ) = five creation powers (space-timegravitational vault of ether, gaseous realm of ‘air,’
combustion of ‘fire,’ liquidity of ‘water’ and physical
matter.)
This formula appears at first to be incomprehensible to the
western scientific mind but its essence has stood the test of five
passing millennia and it has been verified by some of the
greatest mystical minds which our planet has produced. Perhaps
these mystics too would suggest to the perplexed scientific mind
that the primary error of the matter creation model is that it is
impossible to deduce the totality of consciousness and the
Eternal simply by studying primal matter and the etheric vault of
space-time-gravity.
The ego-mind can also find itself staring at such a formula with
a mixture of rage and despair because it reduces its perception
down to a ‘pile of rooster feathers in a forgotten corner of the
universe’ but what if the Eternal has simply robed itself with the
personal form so that it can go on an adventure within
consciousness, so that it can explore the aspects of itself?
To do so it must enshroud itself in the dreams of forgetfulness
using perhaps the greatest act of wizardry of all, the power
which creates the perception that the ego structure is separate
from the surrounding universe.
What if the Eternal and the ego are simply two faces of the one
power?
Chapter 9 – A Final Summary
Let us now summarise the terrain of the universe and the psyche
which we have crossed.
Firstly we now know that the Eternal nature has two primal
aspects, those of the Eternal Light and the clear translucent
nature of the ‘genie's bottle’ which can also be described as the
pure mirror of consciousness.
Secondly the ‘genie’s bottle’ contains the oceans of
consciousness woven from the three dimensions of deep sleep,
dream and waking, dimensions which also contain the reflected
light of the personal self.
When our identity is merged with the personal self we
experience ourselves as dwelling within the ocean of life and
death, of desire and fear but when our identity is merged with
the pure mirror of the ‘genie's bottle’ we experience ourselves as
the Witness, the state of 'I AM' which exists in a separate
dimension to the changing fields of consciousness.
In this way it is possible to move from identity with the personal
self to become the Eternal mirror untouched by the 'stain' of the
universe. To attain this transformation of perception we need to
enter wisdom-heart space in full wakefulness. To do so we must
throw the five primal chains of consciousness. The chains are
forgetfulness, the loss into sexual polarity, the entrapment at the
'woundings' of childhood and sex and pride, the identity with
personal mind and the dwelling beneath the ego structure at the
liver.
We can suggest now that if this ‘genie’s bottle’ or AUM-Pi
creation model gains general acceptance within our communities
we will then be ready to explore the tapestries of spiritual
relationship, healing, esoteric music and all the sciences of
consciousness.
And if the discovery of a round earth created a revolution in our
cosmic perception then the discovery that the background fields
of our universe are not matter but consciousness also has the
potential to ignite an incredible awakening. Indeed it gives us
the opportunity to begin to act in ways of collective
responsibility that we have previously been unable to attain for
we will now understand that we dwell within a cosmic fractal,
with everything appearing as a mirror droplet of the one great
ocean. Our destructive patterns of war and violence will then
become an existential absurdity. They mean only that we have
been trying to destroy our own shadows or impale ourselves
upon our own swords.
This acceptance of the ‘genie's bottle’ creation model will
inevitably awaken within us a profound interest in the state of
diamond-mind, a state where we awaken ourselves from the
deep oceans of forgetfulness and return to the profound states of
Being. It is then we will remember that before our first footfall
into the oceans of consciousness we dwelt as the mystical state
of 'I-AM.' This will also be our state when we return again to the
surrounding realms of Awareness and the Light of our Eternal
Nature.
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