MEREDITH MONK BIBILOGRAPHY: 1969 – 1964
1969
Articles about MM in Magazines/Newspapers
"Song and Dance to Blend at Guggenheim", by Anna Kisselgoff; The New York Times;
November 7, 1969.
Reviews
"The Avant-Garde in Question", by Alan M. Kriegsman; The Washington Post; p. G-2;
March 2, 1969; Billy Rose
Theatre program.
"Avant-Garde Program is Odd and Different", by Joyce Warren; The Evening Star (Wash.
D.C.); March 5, 1969; review of "Tour" & "Dedicated to Dinosaurs".
"Cantata by Monk Unfolds Further", by Anna Kisselgoff; The New York Times; December
1, 1969; review of second part of "Juice".
"Dance- Echoes and Reverberations", by Deborah Jowitt; The Village Voice; December
11, 1969; review of "Juice".
"Dance Journal-Horses Teeth", by Jill Johnston; The Village Voice; December 11, 1969.
"The Dance-'Juice'" by Judy Wood; Show Business; November 29, 1969; review of
"Juice".
"'Juice' is Meredith Monk at Her Avant-Garde Best", by Robb Baker; Chicago Tribune;
December 3, 1969.
"'Juice, 3-Part Work by Meredith Monk, Comes to a Finish", by Anna Kisselgoff; The New
York Times; December 9, 1969.
"Guggenheim Offers a Setting For 'Juice', Dance by Miss Monk", by Anna Kisselgoff; The
New York Times; November 8, 1969; review of Guggenheim segment of "Juice".
"Meredith Monk at the Guggenheim Museum, New York City", by Jennifer Danziger;
Dance News; December 1969; review of "Juice".
"Meredith Monk Comes to Broadway", by Frances Herridge; The New York Post;
Febraury 5, 1969; review of Billy Rose Theatre program.
MEREDITH MONK BIBILOGRAPHY: 1969 – 1964
"Monk: A Curious Dance Essay", by David Elliot; Chicago Daily News; April 10, 1969;
review of "Tour 2: Barbershop".
"Monk Dance Program Resembles 3-Ring Circus", by Robb Baker; Chicago Tribune; April
9, 1969.
"Movie Journal", by Jonas Mekas; The Village Voice; December 11, 1969.
"Off-Broadway and the Off-Off Dance Troupes", by Robb Baker; Chicago Tribune;
December 1969.
"Program of Dances by Meredith Monk Mixes Art and Life"; The New York Times;
February 5, 1969; review of Billy Rose Theatre program.
"16 Millimeter Earrings", by Arlene Croce; Ballet Review; Vol. 2, Number 5; April 1969.
MEREDITH MONK BIBILOGRAPHY: 1969 – 1964
1968
Articles about MM in Magazines/Newspapers
"Dance: Second Avant-Garde Generation: Meredith Monk and Twyla Tharp", by Don
McDonagh; The New Republic; March 23, 1968.
Mentions, Photographs, etc... in Books
At the Vanishing Point: A Critic Looks at Dance; by Marcia B. Siegal; Saturday Review
Press, New York, 1968; pp. 249, 263, 270-73, 279, 280, 282, 284-288, 293, 297-300, 302.
The Theatre of Mixed Means: an Introduction to Happenings, Kinetic Environments, and
Other Mixed-means Performances; by Richard Kostelanetz; The Dial Press, Inc., New
York, 1968; pp. xii, 29, 278.
Reviews
"Dance Journal", by Jill Johnston; The Village Voice; November 14, 1968; review of "Coop".
"Events Complement Non-Events in Dance by Meredith Monk", by Anna Kisselgoff; The
New York Times; November 5, 1968; review of "Co-op".
"Monk's Mix", by John Perreault; Arts Canada; April 1968; review of "Blueprint",
"Overload/Blueprint" and "16 Millimeter Earrings".
MEREDITH MONK BIBILOGRAPHY: 1969 – 1964
1967
Articles about MM in Magazines/Newspapers
"Making It New- Meredith Monk and Kenneth King" by Constance H. Poster; Ballet
Review; June 1967.
Reviews
Review of "Blueprint" at Judson Gallery by Jill Johnston; The Village Voice; November 23,
1967.
"Break" and "Timestop" at Village Theatre by Doris Hering; Dance Magazine; July, 1967.
"Break" and "Timestop" at Village Theatre by Jill Johnston; The Village Voice; May 18,
1967.
"Judson Show Joins Dancers and Films", by Don McDonagh; The New York Times;
December 6, 1967; review of "Blueprint".
"Mixed Media is Her Message: Meredith Monk", by Sheila Arnopoulos; The Montreal
Star; September 20, 1967.
"Monk/Neville: Judson Church", by Jacqueline Maskey; Dance Magazine; January 1967;
Concert dates: December 5-6, 1966
"Overload/Blueprint", by Jill Johnston; The Village Voice; December 21, 1967.
MEREDITH MONK BIBILOGRAPHY: 1969 – 1964
1966
Reviews
"Break" by Jill Johnston; The Village Voice; June 16, 1966; review of June 8-9, Benefit
Concert for Bridge Theatre.
"16 Millimeter Earrings" and "Duet with Cat's Scream and Locomotive" by Clive Barnes;
New York Times; December 7, 1966; Judson Church.
"16 Millimeter Earrings" by John Perrault; The Village Voice; December 15, 1966.
"Spring in New York: An Unusual Church", by Marc Albert-Levin; Les Lettres Francais;
August 3, 1966; review of "The Beach" and "Portable".
MEREDITH MONK BIBILOGRAPHY: 1969 – 1964
1965
Mentions, Photos, etc... Books
A Primer of Happenning and Time/Space Art; by Al Hansen; Something Else Press, Inc.;
1965, New York; pp. 20, 21, 74-76.
Dance Scope; Volume 1 Number 1; Winter 1965: cover photo and article by Cecily Dell
Articles
Reviews
.....review of "The Beach
MEREDITH MONK BIBILOGRAPHY: 1969 – 1964
1964
Articles about MM in Magazines/Newspapers
"TV: New Voices in the Arts' a Debut" by Jack Gould, The New York Times; November 27,
1964
"Avant-Garde Festival Reviews Erik Satie in Music and Dance" by Richard D. Freed;
Miscellaneous
Compilation of press quotes used for promotional material, Lincoln Center Festival,
2000.
ENTRIES with no year:
Music for Music's Sake: Systems of Analysis in Music, Art and Philosophy by Julie
Shackson; no other information.