WARNER BROS. Presents
In Association with REGENCY ENTERPRISES and ALCOR FILMS
An IXTLAN / NEW REGENCY Production
In Association with J D PRODUCTIONS
An OLIVER STONE Film
"NATURAL BORN KILLERS"
WOODY HARRELSON
JULIETTE LEWIS
ROBERT DOWNEY JR.
TOM SIZEMORE
and TOMMY LEE JONES
Directed by OLIVER STONE
Produced by JANE HAMSHER, DON MURPHY and CLAYTON TOWNSEND
Screenplay by DAVID VELOZ & RICHARD RUTOWSKI & OLIVER STONE
Story by QUENTIN TARANTINO
Executive Producers ARNON MILCHAN, THOM MOUNT
Co-Producer RAND VOSSLER
Directbr of Photography ROBERT RICHARDSON, A.S.C.
Production Designer VICTOR KEMPSTER
Edited by HANK CORWIN, BRIAN BERDAN
NATURAL BORN KILLERS
page 2
A hallucinatory satire on America's culture of violence and the
tabloid media's encouragement of that culture for its own
benefit, "Natural Born Killers" tells the story of two mass
murderers who become cult heroes. Their fame is the result of
exploitation by an amoral television tabloid talk-show journalist
played by Robert Downey, Jr. The film mixes video, documentary
film techniques, animation and rear-projection images to involve
the viewer in both the action and the interior world of killers
Mickey and Mallory Knox.
Woody Harrelson, who plays Mickey Knox, most recently starred in
"The Cowboy Way" and "Indecent Proposal." His other film credits
include "White Men Can't Jump," "Doc Hollywood," a cameo in "L.A.
Story" and "Wildcats."
He costarred on the highly rated TV comedy series "Cheers" for
eight years, playing the affable bartender Woody Boyd, and
received an Emmy Award and an American Comedy Award for his
performance.
Juliette Lewis, who portrays Mallory Knox, landed her first
leading role at the age of 12 in the Showtime Network miniseries, "Homefires," then went on to star in several motion
pictures, including "National Lampoon's Christmas Vacation" and
"Crooked Hearts." In 1991, Lewis received both Academy Award and
Golden Globe nominations for Best Supporting Actress for her
performance in Martin Scorsese's "Cape Fear." Her other film
credits include "Husbands and Wives," "Kalifornia," "What's
Eating Gilbert Grape?" and "Romeo is Bleeding."
Lewis recently
completed the comedy "Lifesavers" as well as "Strange Days"
opposite Ralph Fiennes and Angela Bassett.
Robert Downey, Jr., who plays tabloid TV host Wayne Gale,
received an Academy Award nomination as Best Actor for his
performance in the title role in Richard Attenborough's
"Chaplin." Last year, he starred in Ron Underwood's "Hearts &
Souls" and hosted the documentary feature "The Last Party."
Downey, Jr. made his acting debut in his father's film "Pound,"
and has since appeared in several more features for his father,
including "Greaser's Palace," "Rented Lips" and "Too Much Sun."
His first starring role was in "The Pick-Up Artist," followed
with "Less Than Zero," "Soapdish," "True Believer," "Firstborn,"
"Tuff Turf," "Weird Science," "Back to School," "Johnny Be Good"
and "1969." He recently completed a film for Norman Jewison
entitled "Only You" and is currently filming a
starring role in "Restoration" opposite Meg Ryan and Hugh Grant
under the direction of Michael Hoffman.
NATURAL BORN KILLERS
page 3
Tommy Lee Jones, who plays Prison Warden McClusky, received an
Academy Award and a Golden Globe Award for his performance in
Warner Bros.' smash hit film, "The Fugitive." He currently stars
in "The Client" and "Blown Away" and was recently seen in Oliver
Stone's "Heaven and Earth." Jones just completed a starring role
in "Cobb" and is currently directing his first picture, a
telefilm called "The Good Old Boys," in which he also stars. He
will begin a starring role this fall in Warner Bros.' "Batman
Forever."
Jones made his film debut in Arthur Hiller's "Love Story." He has
since starred in over 15 films, including "Under Siege," "The
Package," "Coal Miner's Daughter," "Jackson County Jail,"
"Rolling Thunder," "Back Roads," "Fire Birds," "Eyes of Laura
Mars," "Stormy Monday," "The River Rats," "Blue Sky" and "House
of Cards." In 1991, Jones was nominated for an Academy Award for
Best Supporting Actor for his performance as Clay Shaw in Oliver
Stone's "JFK."
Tom Sizemore, who plays obsessed, corrupt police detective Jack
Scagnetti, was last seen in the Tony Scott feature "True
Romance." He also starred last year with Robert Downey, Jr. in
"Heart & Souls," and in "Striking Distance." Sizemore recently
appeared in Lawrence Kasdan's "Wyatt Earp" and starred opposite
Denzel Washington in the upcoming "Devil In A Blue Dress." He
recently completed a starring role in Kathryn Bigelow's
futuristic thriller, "Strange Days," with Ralph Fiennes and
Angela Bassett.
Sizemore's other film credits include "Lock-Up," "Flight of the
Intruder," "Guilty By Suspicion" and "Passenger 57."
Cowriter/director Oliver Stone's "Natural Born Killers" marks his
ninth film since "Salvador" (1986). He has directed "Platoon"
(1986), "Wall Street" (1987), "Talk Radio" (1988), "Born on the
Fourth of July" (1990), "The Doors" (1991), "JFK" (1991) and
"Heaven and Earth" (1993).
Stone wrote "Midnight Express," "Scarface," "Platoon" and "Heaven
and Earth." He cowrote "Conan the Barbarian," "Year of the
Dragon," "Salvador," "Wall Street," "Talk Radio," "Born on the
Fourth of July," "The Doors," "JFK" and "Natural Born Killers."
Producer Jane Hamsher began her career working as a reporter for
the Bay Guardian and as an editor of the punk music magazine
Damage. She earned a Master's degree in motion picture producing
at USC Film School's Peter Stark Program, where she met partner
Don Murphy. The two started their company, JD Productions, in
NATURAL BORN KILLERS
page 4
1990. In addition to "Natural Born Killers," Hamsher and Murphy
also produced the movie "Double Dragon," based on the bestselling video game of the same name, to be released this fall.
Hamsher and Murphy are continuing their relationship with Oliver
Stone that began with "Natural Born Killers" in the upcoming
"Planet of the Apes," which the three will produce, and with
"Elektra Assassin," based on the graphic novel by Frank Miller.
Producer Don Murphy studied business administration at Georgetown
University before his attention to film, earning a Master's
degree in film production at USC. Murphy directed and produced
his first feature film, "Class of Fear," on a $35,000 budget as
his USC thesis project. The film, also known as "Monday Morning,"
was released on video.
Producer Clayton Townsend has been affiliated with Oliver Stone
on the director's past five motion pictures. He served as
production manager on "Talk Radio," associate producer/production
manager on "Born on the Fourth of July," associate producer of
"The Doors," coproducer/ production manager on "JFK" and
coproducer/ production manager on "Heaven and Earth."
Townsend began his film career as a location
films as "A Chorus Line" and "9 1/2 Weeks."
location manager/ assistant production manager
"Angel Heart," Townsend took on full production
on "The Money Pit," "A New Life," "Three Men
"Jacob's Ladder."
manager on such
After serving as
on Alan Parker's
management duties
and a Baby" and
Warner Bros. Presents, in association with Regency Enterprises
and Alcor Films, an Ixtlan/New Regency Production In Association
with JD Productions, of An Oliver Stone Film: Woody Harrelson,
Juliette Lewis, Robert Downey, Jr. and Tommy Lee Jones in
"Natural Born Killers," starring Tom Sizemore. The film is edited
by Hank Corwin and Brian Berdan; the production designer is
Victor Kempster; and the director of photography is Robert
Richardson, A.S.C. The coproducer is Rand Vossler and the
executive producers are Arnon Milchan and
Thom Mount. The story is by Quentin Tarantino and the screenplay
is by David Veloz & Richard Rutowski & Oliver Stone. "Natural
Born Killers" is produced by Jane Hamsher, Don Murphy and Clayton
Townsend, and is directed by Oliver Stone. It is distributed by
Warner Bros., A Time Warner Entertainment Company.
NATURAL BORN KILLERS
page 5
PRODUCTION INFORMATION
America has become a society steeped
decent, ordinary people are sick of it.
in
violence,
and
most
Or so we say.
But filmmaker OLIVER STONE challenges our conventional outrage
with his newest film, a hallucinatory journey that shocks and
disorients as it reveals and informs. Holding a warped mirror of
contemporary excess up to our eyes, Stone confronts us with a
satire on our culture of violence and the media's ratings-driven
exploitation of that culture.
"Natural Born Killers" brings two of the most terrifying,
relentless and cold-blooded mass murderers imaginable to the
motion-picture screen -- in a love story, about Mickey and
Mallory Knox, who have vowed to adore each other to the
end...about the American media's fatal attraction to the
unspeakable... and about the American public, who drew evercloser to the carnage... even as they found that the next bullet
was aimed right at their own hearts.
WOODY HARRELSON and JULIETTE LEWIS star in a riveting look at two
savage lost souls and the avaricious tabloid media that made them
into cult heroes. ROBERT DOWNEY JR. stars as tabloid TV-show host
Wayne Gale, whose calculated strategy to boost his ratings has
unexpected consequences; Academy Award-winner TOMMY LEE JONES
stars as an outlandish prison warden who thinks he knows his
population -- until it's too late; and TOM SIZEMORE stars as an
obsessed, media-hungry law-enforcement officer whose success on
the job comes from thinking almost exactly like his quarry. Also
appearing in the film are RODNEY DANGERFIELD, EDIE McCLURG and
RUSSELL MEANS.
Intensifying the mood and creative impact of "Natural Born
Killers" is a collection of more than 75 musical selections that
form the soundtrack of the movie. Produced by TRENT
REZNOR of alternative music's Nine Inch Nails, the soundtrack was
created
from
such
diverse
sources
as
Puccini's
"Madama
Butterfly," Leonard Cohen's "Waiting For the Miracle," L7's
"Shitlist," Lou Reed's "Sweet Jane" and the Shangri-Las' "Leader
of the Pack," among many others.
NATURAL BORN KILLERS
page 6
"Natural
Born
Killers"
brings
a
surreal
panorama
of
unforgettable, over-the-top characters and situations to the
screen, and focuses sharply on the possible causes--and effects - of the media's fascination with evil. The viewer must
constantly wrestle with his own emotions as he questions his
response to the murderous spree of Mickey and Mallory. Both the
perpetrators and the victims of their own acts; the Knoxes are
simultaneously the ringmasters and sideshow of a bizarre media
circus.
From Diane Sawyer's interview of Charles Manson to Stone
Phillips' interview of Jeffrey Dahmer -- between February 17 and
May 27 of this year alone, "reality-based" tabloid and network
news shows such as "Inside Edition," "Hard Copy," "A Current
Affair"
and
"PrimeTime
Live"
broadcast
45
stories
that
graphically focused on murders, spree killers and their victims.
The events and people covered by tabloid journalists and "feature
news" programs in early 1994 alone included the following:
man who shot six people in a fast-food restaurant;
postal worker shot to death by her boyfriend;
convicted murderer who was paroled after 22 years and then
killed 11 more people;
confrontation between a man who'd shot a three-year-old in
the head and the dead child's father;
a man who murdered a woman in front of her children and was
freed on parole 24 years later;
and the man who gunned down commuters on the Long Island
Railroad.
And this doesn't even include actual "news" stories, such as the
heavily covered trial of Lyle and Erik Menendez, who'd confessed
to shooting their parents to death -- or the myriad made-for-TV
movies "inspired by true stories" about sensational killings of
the recent past.
Killers are the hottest media draws in town
As American politicians, seeking the easy vote, speak out against
crime and violence, and as American voters, in their mediainduced
paranoia,
demand
more
protection
from
society's
predators, 95 million Americans watched the televised police
NATURAL BORN KILLERS
page 7
manhunt for O.J. Simpson in fascination, cheering the former
football hero on as he eluded law enforcement, and scores more
tune in daily to tales of domestic mayhem on Court TV. Violence
is our most seductive form of contemporary entertainment.
"Natural Born Killers" is an Ixtlan/New Regency Production
produced by JANE HAMSHER, DON MURPHY and CLAYTON TOWNSEND. The
screenplay is by DAVID VELOZ & RICHARD RUTOWSKI & OLIVER STONE,
based on a story by QUENTIN TARANTINO. Among the talents behind
the camera are director of photography ROBERT RICHARDSON, editors
HANK CORWIN and BRIAN BERDAN, production designer VICTOR KEMPSTER
and costume designer RICHARD HORNUNG. The executive producers are
ARNON MILCHAN and THOM MOUNT and the co-producer is RAND VOSSLER.
Warner Bros. is distributing "Natural Born Killers" worldwide.
About the production
The history of motion pictures has been marked with many
spectacular efforts at exploring criminal psychopath's behavior
and its roots. From the hard-boiled Warner Bros. gangster
classics of the 1930s to "Cape Fear," through Alfred Hitchcock's
many immortal efforts, Sam Peckinpah's gritty "The Wild Bunch"
and Stanley Kubrick's unforgettable "A Clockwork Orange," the
psychology of violence and sociopathy has fascinated many of
filmdom's finest artists.
For Oliver Stone, who cowrote and directed "Natural Born
Killers," the fascination lay both inside and outside his central
characters. In addition to portraying Mickey and Mallory Knox and
their impact on those with the misfortune to
get in their way, Stone turns conventional narrative on its ear
and produces an unexpected new viewpoint: the hyped-up,
amused, furious, passionate, sensuous and deranged outlook of the
killers themselves, as terrified of their own demons as they are
terrifying to the world around them. Throughout
"Natural Born Killers," the viewpoint moves without warning from
outside the characters to the astounding territory inside their
heads, bringing a dimension to Mickey and Mallory that has rarely
been explored onscreen.
In order to make this mind-bending introspection possible, the
filmmakers combined narrative and non-linear images, blending
black-and-white and color filming with videotape shot in handheld documentary style and startling animated sequences of ultraviolence in the "superhero" style. One moment the audience is
watching Mallory cruise down a deserted street in her car;
NATURAL BORN KILLERS
page 8
seconds later, flames lick at a building and a mysterious series
of images flit across the screen--and her mind.
The intentional disorientation causes the viewer to struggle to
maintain bearings in this visual environment, shaped as it is by
both fact and emotion. As the story weaves in and out of Mickey
and Mallory's minds, recalling their tormented childhoods, their
angry dreams, and their sociopathic revenge on society,
perpetrators turn into victims and back again, the innocent
become guilty, the past becomes present -- and mayhem follows.
And throughout, various forms of visual media -- documentary
video, animated drawings, blue-screen film effects, black-andwhite footage -- are used to heighten the hallucinatory
experience. Employing the very techniques used by tabloid
journalists to bring crime stories into our homes--mockdocumentary "crime recreations," hand-held news cameras pushing
into the faces of the bereaved, courtroom sketches, video moviesof-the-week and full-color film -- "Natural Born Killers"
constantly reminds viewers that that's how it's done: with
cameras, with microphones, with a trick of the lights and an
imperturbably invasive interviewer -- with a flick of the hightech wrist, murder becomes entertainment.
The movie's diverse musical score, containing more than 75
different selections, was played as background during actual
filming of each scene. The power of its ability to evoke emotion
becomes clear when the audible backdrop to a killing
is first opera, then contemporary hipster-style pop; the shifting
both disorients the audience and reminds it of the
media's ability, when it so desires, to constantly, subtly and
insidiously shape every perception and action.
Filmed in locations from Arizona to Chicago, with a memorable
stop in Illinois' maximum-security Stateville Prison, "Natural
Born Killers" became an odyssey into the unknown recesses of each
cast and crew member's spirit. Before their eyes, as the current
day's news unfolded, what had once seemed implausible became
increasingly, disturbingly closer to reality, as avid buyers
snapped up Jeffrey Dahmer's kitchen utensils when they were
offered to the public... and John Wayne Gacy's execution caused
the market value of his paintings on velvet to skyrocket... and
TV talk-show host Phil Donahue went to court to request
permission to film an execution and air it on network television.
In the end, what frightened people most about "Natural Born
Killers" was not its assault on what we believe to be true -- but
how closely it came to reflecting real life.
NATURAL BORN KILLERS
page 9
Warner Bros. presents, in association with Regency Enterprises
and Alcor Films, an Ixtlan/New Regency production in association
with JD Productions, of An Oliver Stone film: Woody Harrelson,
Juliette Lewis, Robert Downey, Jr. and Tommy Lee Jones in
"Natural Born Killers," starring Tom Sizemore.
The film is
edited by Hank Corwin and Brian Berdan; the production designer
is Victor Kempster; and the director of photography is Robert
Richardson, A.S.C. The coproducer is Rand Vossler and the
executive producers are Arnon Milchan and Thom Mount. The story
is by Quentin Tarantino and the screenplay is by David Veloz &
Richard Rutowski & Oliver Stone.
"Natural Born Killers" is
produced by Jane Hamsher, Don Murphy and Clayton Townsend, and is
directed by Oliver Stone. It is distributed by Warner Bros., A
Time Warner Entertainment Company.
NATURAL BORN KILLERS
page 10
NATURAL BORN KILLERS
By OLIVER STONE
When we set out to make "Natural Born Killers" in late 1992, it
was surreal. By the time it was finished in 1994, it had become
real. In that warped season, we saw Bobbitt, Menendez, Harding,
King, Buttafuoco and several other pseudo-celebrities grasp our
national attention span with stories of violence, revenge and
self-obsession. Each week America was deluged by the media with a
new soap opera, insuring ratings, money, and above all,
continuity of the hysteria.
When Tonya Harding finally made the front page of The New York
Times some five or six times, we must've all subconsciously
sensed that the Age of Absurdity would close out the American
Century. "The ancients had visions," Octavio Paz recently wrote,
"we have television.
But the civilization of the spectacle is
cruel. The spectators have no memory; because of that they also
lack remorse and true conscience... they quickly forget and
scarcely blink at the scenes of death and destruction of the
Persian Gulf War or at the curves of Madonna or Michael
Jackson... they await the Great Yawn, anonymous and universal,
which is the Apocalypse and Final Judgment of the society of
spectacle... we are condemned to this new vision of hell; those
who appear on the screen and those of us who watch. Is there an
escape? I don't know. One must seek it."
Tomorrow – tonight -- Mickey and Mallory Knox can happen, without
doubt. And they, too, would have their hour in the sun -- and, by
the next two issues of TV Guide, would give way to the next
predator in the ratings war, which, like the polls that monitor
the President's daily popularity or whether or not we should send
troops to Ruritania this month, become sort of the equivalent of
the "popularity contests" we all had to suffer through as kids.
The desserts, as I remember, never went to the deserving but to
the gossiped-about, which is more important to the American
psyche than to be perceived as an A student. The scientist, as we
learn in our culture, is unknown; Billy the Kid is not. Only the
Greeks created great victims in their dramaturgy -- Elektra,
Medea, Antigone and Oedipus we are not. But we are a race which
inflicts; we are people who do unto others -- Vietnam, sports,
lawsuits come immediately to mind.
Violence is salvational in the American epic tradition, at least
it was in Fenimore Cooper and Jack London and Hemingway, the law
of survival, the natural law, now perverted by the PC-PG access
of "family entertainment" safely preaching to us that violence is
NATURAL BORN KILLERS
page 11
incorrect. Is it? Or is it the way of a world where, under every
peaceful blade of grass, tiny yet feral bugs devour other bugs in
cycles of destruction and creation?
Eddie Vedder writes in his song "Footsteps," "In the days of old
suicide was enough... just to end their own suffering. Now
there's a need to see another suffer... as innocent as they once
were... as helpless as they are now.
We have created a
monster... a herd of monsters."
No legislation in Washington, no TV or movie censor boards are
going to prevent the merging virtual realities of media from
expanding.It is inevitable that with games, viewing glasses,
interactive buttonry, more and more "news" and what's-happeningevery-nanosecond shows, that the depiction of violence will
become more and more realistic.
As television and some movies
banalize their violence (no squibs, no blood, no shock to the act
of dying), the news shows will win the ratings war with carpet
coverage of murder. As there is now C-Span and the Court Channel,
an Execution Channel is inevitable for gassings, lethal
injections, "night before" and "last meal" dramatics. Crimes will
be exactly reproduced with new film science.
Note, of course, Robin Andersen's (of Fordham University's
Communications Department) observation that while TV's "reality
cops enjoy a success rate of 62 percent, FBI statistics indicate
only 18 percent of crimes are actually resolved. The plots, which
most often feature the restoration of justice through force, send
a clear message: Aggressive behavior by cops toward suspects is
necessary
to
protect
law-abiding
citizens
from
dangerous
minorities; we are empowered by it. When the police force their
way into a house, throwing the occupants down on the floor and
tackling "suspects," we feel a surge of excitement at the moment
of confrontation. We are on the side of state-sanctioned "power."
But we did not set out to do this in "Natural Born Killers" -- to
depict the violence naturalistically. I have done that in
"Platoon," "Born on the Fourth of July" and " JFK." And I have
seen the crime formula expertly drawn in films like "In Cold
Blood," "Henry: Portrait of a Serial Killer," "Reservoir Dogs"
and many others. I accept the overwhelming evidence of the
reality of crime around us (though statistics show that violent
crime has actually remained flat; Bureau of Justice statistics,
which I believe more accurate than FBI figures, reveal violent
crimes per 1000 people at 32.6% in 1973 and 32.1% in 1994).
But in accepting the post-"Clockwork Orange"/Sam Peckinpah
zeitgeist of dramatic crime around us, what I set out to do was
satirize the painful idea that crime has gotten so crazy, so far
NATURAL BORN KILLERS
page 12
out of hand, so numbing and so desensitizing that in this movie's
Beavis-and-Butt-head 1990s American crimescape, the subject
approaches the comedic, as does the media which so avariciously
covers it.
Our society is bloated, not just with crime, but with the media
coverage of it. But bloated also with the madness of selling more
and more armaments to the world, the madness of massive buildup
of prisons to house the "criminal subclass," an anti-crime fervor
that creates unusual sentencing such as "three strikes and you're
out,"
drug
laws
that
are
particularly
hypocritical
and
idiosyncratic state to state.
NATURAL BORN KILLERS
page 13
BIOGRAPHIES
About the cast
WOODY HARRELSON (Mickey Knox) most recently starred in "The
Cowboy Way." He was seen last year in the hit romantic drama
"Indecent Proposal," directed by Adrian Lyne with Robert Redford
and Demi Moore. His other film credits include a starring role in
Ron Sheldon's popular "White Men Can't Jump," "Doc Hollywood," a
cameo in "L.A. Story" and "Wildcats."
He costarred on the highly rated comedy series "Cheers" for eight
years, playing the affable bartender Woody Boyd, and received an
Emmy Award and an American Comedy Award for his performance.
Born in Midland, Texas, Harrelson spent his teenage years in
Lebanon, Ohio. He attended Hanover College in Indiana, where he
majored in theater arts and English.
Following graduation, Harrelson headed to New York City to try
his luck as an actor. After a year, he was ready to return home
when he landed a job as an understudy in Neil Simon's "Biloxi
Blues."
An accomplished theater actor, Harrelson returned this spring to
his alma mater, Hanover College, to star in a production of Jim
Leonard's drama "The Diviners." Last year he appeared on the Los
Angeles stage in "Furthest From the Sun," a drama which he both
wrote and directed. In 1991, he starred in "Brooklyn Laundry,"
directed by James L. Brooks and co-starring Glenn Close and Laura
Dern. Other theater credits include Edward Albee's "The Zoo
Story," the basketball-themed play "2 on 2" (which he also wrote)
the off-Broadway production of "The Boys Next Door," and a San
Francisco production of "Biloxi Blues."
Harrelson completed a critically acclaimed 1992 tour with his
band, Manly Moondog and the Three Kool Kats, as both a performer
and songwriter. He is currently in rehearsal with a new band,
Urban Masaya.
JULIETTE LEWIS (Mallory Knox) was born and raised in Southern
California, the daughter of a graphic artist and actor Geoffrey
Lewis.
She landed her first leading role at the age of 12 in the
Showtime Network mini-series, "Homefires, " then went on to star
in several motion pictures, including "National Lampoon's
Christmas Vacation" with Chevy Chase and "Crooked Hearts" with
NATURAL BORN KILLERS
page 14
Jennifer Jason Leigh. She guest-starred on several television
series and also starred in the critically acclaimed NBC movie-ofthe-week "Too Young to Die?," a controversial story of children
who commit violent crimes.
In 1991, Lewis received both Academy Award and Golden Globe
nominations for Best Supporting Actress for her performance in
Martin Scorsese's "Cape Fear," which starred Robert De Niro, Nick
Nolte and Jessica Lange. She was then cast in Woody Allen's
"Husbands and Wives" as a New York college student with a
penchant for older men.
In 1993, Lewis starred in "Kalifornia" opposite Brad Pitt; in
"What's Eating Gilbert Grape?" opposite Johnny Depp and Leonardo
Di Caprio and directed by Lasse Hallstrom; and in "Romeo is
Bleeding" for director Peter Medak opposite Gary Oldman and Lena
Olin.
Lewis recently completed filming the comedy "Lifesavers" for Nora
Ephron opposite Steve Martin and Rita Wilson and is presently at
work on "Strange Days" opposite Ralph Fiennes and Angela Bassett.
ROBERT DOWNEY, JR. (Wayne Gale) received an Academy Award
nomination as Best Actor for his performance in the title role in
Richard Attenborough's "Chaplin." Last year, he starred in Ron
Underwood's "Hearts & Souls" and hosted the documentary feature
"The Last Party."
Downey, Jr., the son of acclaimed filmmaker and writer Robert
Downey, made his acting debut in his father's film "Pound," and
has since appeared in several more features for his father,
including "Greaser's Palace," "Rented Lips" and "Too Much Sun."
His first starring role was opposite Molly Ringwald in "The PickUp Artist," which he followed with his role as Julian in "Less
Than Zero." His other films include "Soapdish" with
Sally Field and Kevin Kline; "True Believer" with James Woods;
"Firstborn," "Tuff Turf," "Weird Science," "Back to School,"
"Johnny Be Good" and "1969."
On television, he was a regular for one season on "Saturday Night
Live" and appeared in "Mussolini: The Untold Story."
He recently completed a film for Norman Jewison entitled "Only
You" and is currently in England filming a starring role in
"Restoration" opposite Meg Ryan and Hugh Grant under the
direction of Michael Hoffman.
NATURAL BORN KILLERS
page 15
TOMMY LEE JONES (McClusky) received an Academy Award and a Golden
Globe Award for his performance in Warner Bros.' smash hit
thriller, "The Fugitive." The prolific and versatile actor stars
this summer opposite Susan Sarandon in "The Client," directed by
Joel Schumacher, and opposite Jeff Bridges in "Blown Away." He
was recently seen in Oliver Stone's "Heaven and Earth" and just
completed a starring role in the biographical drama "Cobb,"
written and directed by Ron Shelton. He is currently directing
his first picture, a telefilm called "The Good Old Boys," in
which he also stars.
Born in San Saba, Texas, Jones worked briefly with his father in
the oil fields before entering Harvard University, where he
graduated cum laude with a degree in English.
Jones made his film debut in Arthur Hiller's "Love Story." He has
since starred in over 15 films, including three under the
direction of Andrew Davis:
"The Fugitive," "Under Siege" and
"The Package." His other film credits include "Coal Miner's
Daughter," "Jackson County Jail," "Rolling Thunder," "Back
Roads," "Fire Birds," "Eyes of Laura Mars," "Stormy Monday," "The
River Rats," "Blue Sky" and "House of Cards." In 1991, Jones was
nominated for an Academy Award for Best Supporting Actor for his
performance as Clay Shaw in Oliver Stone's "JFK."
On television, Jones won a Best Actor Emmy Award for his
portrayal of Gary Gilmore in "The Executioner's Song" and was
nominated for another Emmy as Best Actor for the mini-series
"Lonesome Dove." His many network and cable performances include
the title role in "The Amazing Howard Hughes," the Showtime
production of "Cat on a Hot Tin Roof," "The Rainmaker" for HBO,
the HBO/BBC Production of "Yuri Nosenko, KGB" and "April
Morning."
Jones has appeared in nine off-Broadway plays and made his
Broadway debut, shortly after graduation from Harvard, in John
Osborne's "A Patriot for Me." His other Broadway appearances
include "Four on a Garden," with Carol Channing and Sid Caesar,
and "Ulysses in Nighttown," with the late Zero Mostel.
TOM SIZEMORE (Jack Scagnetti) With three movies in release in
1993, and three highly anticipated films to come, Tom Sizemore is
rapidly emerging as one of Hollywood's most gifted and versatile
young actors.
Last seen in the Tony Scott feature "True Romance," Sizemore also
starred last year with Robert Downey, Jr., Charles Grodin and
NATURAL BORN KILLERS
page 16
Alfre Woodard in the spiritual and romantic comedy "Heart &
Souls," directed by Ron Underwood, and with Bruce Willis in the
psychological thriller "Striking Distance."
He currently appears as Bat Masterson in Lawrence Kasdan's epic
Western, "Wyatt Earp," and starred opposite Denzel Washington in
the upcoming "Devil In A Blue Dress," a period mystery directed
by Carl Franklin. Sizemore recently completed a starring role in
Kathryn Bigelow's futuristic thriller, "Strange Days," with Ralph
Fiennes and Angela Bassett.
Born and raised in Detroit, Sizemore earned a B.F.A. in acting
from Wayne State University and a Master's degree in theater from
Temple University. Moving to New York, he starred in numerous
regional and off-Broadway productions before landing his first
feature film role in "Born on the Fourth of July."
Sizemore's
other film credits include "Lock-Up," "Flight of the Intruder,"
"Guilty By Suspicion" and "Passenger 57."
On television, Sizemore gained a large following with an arc on
the Emmy Award-winning series "China Beach" and later starred as
a brain-damaged World War II vet in the Hallmark Hall of Fame "An
American Story."
RODNEY DANGERFIELD (Mallory's Dad) is one of the entertainment
world's best-known figures, as a stand-up comic and film actor.
Since 1963, Dangerfield has graced stages around the world,
influencing a whole generation of younger comics.
In addition to his countless television appearances, Dangerfield
made his feature debut in "The Projectionist"
before starring in such motion pictures as "Caddyshack," "Easy
Money" (which he also cowrote), "Back to School," "Moving" and
"Ladybugs." For the animated musical "Rover Dangerfield," he also
served as executive producer, screenwriter, co-composer of the
songs, and provided the voice for the title character.
RUSSELL MEANS (Indian) is one of the founders of AIM (American
Indian Movement), and a prominent political and cultural
activist. Recently, he has turned his attention to acting, making
his screen debut opposite Daniel Day Lewis in Michael Mann's hit
film version of James Fenimore Cooper's The Last of the Mohicans.
He has also recently completed a starring role in the feature
"Wind Runner." Means was born on the Pine Ridge Lakota Sioux
Reservation in South Dakota.
NATURAL BORN KILLERS
page 17
EDIE McCLURG (Mallory's Mom) has appeared in such features as "A
River Runs Through It," "Airborne," "Curly Sue," "Ferris
Bueller's Day Off," "The Little Mermaid" (as the voice of
Carlotta), "She's Having A Baby" and "Planes, Trains and
Automobiles."
Her first film role was in Brian De Palma's "Carrie"; other films
include "Elvira, Mistress of the Dark," "Back to School" (with
her "Natural Born Killers" husband, Rodney Dangerfield), "The
Longshot," "Mr. Mom," "Eating Raoul," "Oh, God! Book II" and, as
the voice of Miss Right, "The Secret of NIMH."
About the filmmakers
Cowriter/director OLIVER STONE's "Natural Born Killers" marks his
ninth since "Salvador" (1986). He has directed "Platoon" (1986),
"Wall Street" (1987), "Talk Radio" (1988), "Born on the Fourth of
July" (1990), "The Doors" (1991), "JFK" (1991) and "Heaven and
Earth" (1993).
Stone wrote "Midnight Express," "Scarface," "Platoon" and "Heaven
and Earth."
He co-wrote "Conan the Barbarian," "Year of the
Dragon," "Salvador," "Wall Street," "Talk Radio," "Born on the
Fourth of July," "The Doors," "JFK" and "Natural Born Killers."
JANE HAMSHER (Producer) was born in Fitchburg, Massachusetts and
grew up in Seattle, Washington. She attended Mills College in
Oakland, California as an English literature major and
began her career working as a reporter for the Bay Guardian and
as an editor of the punk music magazine Damage.
She earned a Master's degree in motion picture producing at USC
Film School's Peter Stark Program, where she met partner Don
Murphy. The two started their company, JD Productions, in 1990.
In addition to "Natural Born Killers," Hamsher and Murphy also
produced the movie "Double Dragon," based on the best-selling
video game of the same name, to be released this fall.
Hamsher and Murphy are continuing their relationship with Oliver
Stone that began with "Natural Born Killers" in the upcoming
"Planet of the Apes," which the three will produce, and with
"Elektra Assassin," based on the graphic novel by Frank Miller.
NATURAL BORN KILLERS
page 18
DON MURPHY (Producer) was born in Brooklyn, New York, and raised
in Hicksville, Long Island. He studied business administration at
Georgetown University before turning his attention to filmmaking,
earning a Master's degree in film production at USC. Murphy
directed and produced his first feature film, "Class of Fear," on
a $35,000 budget as his USC thesis project. The film, also known
as "Monday Morning," was released on video.
Murphy and partner Jane Hamsher have a number of feature projects
currently in development.
CLAYTON TOWNSEND (Producer) has been affiliated with Oliver Stone
on the director's past five motion pictures.
He served as
production manager on "Talk Radio," associate producer/production
manager on "Born on the Fourth of July," associate producer of
"The
Doors,"
coproducer/production
manager
on
"JFK"
and
coproducer/production manager on "Heaven and Earth."
Townsend, a native of Cleveland, Ohio, began his film career as a
location manager on such films as "A Chorus Line" and "9 1/2
Weeks." After serving as location manager/assistant
production manager on Alan Parker's "Angel Heart," Townsend took
on full production management duties on "The Money Pit," "A New
Life," "Three Men and a Baby" and " Jacob's Ladder."
DAVID VELOZ (Writer) was born in Los Angeles and graduated from
the USC Film School in 1991. "Natural Born Killers" represents
Veloz's first feature film writing credit, although he has two
more projects in development with producers Don Murphy and Jane
Hamsher.
RICHARD RUTOWSKI (Writer) has worked with Oliver Stone in various
capacities since 1977. Born in Los Angeles, Rutowski grew up in
White Sands/Las Cruces, New Mexico. Eschewing the traditional
college route, Rutowski instead chose to traverse the world,
becoming interested along the way in indigenous cultures and
belief systems.
Rutowski has worked on location with Stone on "The Doors," "JFK,"
and "Heaven and Earth." He acted as Death in "The Doors" and as
the fence shooter in "JFK." He has also written two original
screenplays for Oliver Stone.
NATURAL BORN KILLERS
page 19
QUENTIN TARANTINO (Writer - Story) generated a surge of critical
and popular attention with the 1992 release of his first feature
film, "Reservoir Dogs," which he wrote and directed as well as
appeared in as an actor. Most recently, Tarantino's "Pulp
Fiction," which he wrote and directed, received the Palme d'Or at
the Cannes Film Festival, confirming Tarantino's stature as a
filmmaker with an original and compelling voice.
Last year Tarantino's script for "True Romance" was filmed,
starring Christian Slater and Patricia Arquette, under Tony
Scott's direction. In addition, the filmmaker is currently
involved in writing, producing and developing several other
projects.
ARNON MILCHAN (Executive Producer) entered the motion picture
industry in the mid-1970s when he co-financed, with producer
Elliot Kastner, "The Medusa Touch" starring Richard Burton. He
then formed commercial production companies in France,
produced Roman Polanski's theatrical version of "Amadeus" and
produced, with Sydney Pollack, the landmark television series
"Masada."
The list of Milchan's films made in the 1980s includes three
cited by American critics as among the top 20 movies of that
Decade -- Martin Scorsese's "The King of Comedy," Terry Gilliam's
"Brazil" and Sergio Leone's "Once Upon A Time In America."
Among Milchan's more recent productions are Danny De Vito's "The
War of the Roses," Sidney Lumet's "Q & A," Garry Marshall's
"Pretty Woman" (the top-grossing film of 1990, which earned over
$400 million worldwide), "Guilty By Suspicion," Blake Edwards'
"Switch," Oliver Stone's "JFK," "The Mambo Kings," "The Power of
One," "Under Siege," Jon Amiel's "Sommersby," "That Night," Joel
Schumacher's "Falling Down," "Made In America," "Free Willy,"
this summer's "The Client" and the upcoming "Boys on the Side,"
"Willy 2: The Adventure Home" and "Cobb."
THOM MOUNT (Executive Producer) was born in Durham, North
Carolina, and educated at Bard College and the California
Institute of the Arts, from which he received an MFA degree. He
began his motion picture career working for Roger Corman and then
as an assistant to producer Daniel Selznick at MGM. He moved to
NATURAL BORN KILLERS
page 20
Universal Pictures under production executive Ned Tanen, and at
the age of 26 was named president and head of production at the
studio. During his 8-year tenure, Mount was responsible for the
development and production of more than 140 films.
As an independent filmmaker, Mount has produced such films as
"Can't Buy Me Love," Roman Polanski's "Frantic," Ron Shelton's
"Bull Durham," "Stealing Home," "Tequila Sunrise," "Roger
Corman's Frankenstein Unbound" and has executive produced
Polanski's "Pirates" and Sean Penn's "The Indian Runner."
For television, Mount produced the movie "Open Admissions" and
the mini-series about George Armstrong Custer, "Son of the
Morning Star." For the stage, Mount co-produced "Open Admissions"
and produced "Death and the Maiden."
ROBERT RICHARDSON (Director of Photography) received an Academy
Award
for
his
cinematography
of
Oliver
Stone's
"JFK."
Previously, Richardson received Oscar nominations for his work in
Stone's
"Platoon"
and
"Born
the
Fourth
of
July."
The
cinematographer also photographed Stone's "The Doors," "Talk
Radio," "Wall Street," "Salvador" and "Heaven and Earth."
Richardson's other credits include two films from John Sayles,
"City of Hope" and "Eight Men Out" and Rob Reiner's "A Few Good
Men."
VICTOR KEMPSTER (Production Designer) made his debut as
production designer on Oliver Stone's "JFK" and went on to work
in the same capacity on the filmmaker's "Heaven and Earth."
Kempster served as art director on a number of motion pictures.
They include "Driving Miss Daisy" (which brought him an Academy
Award nomination), "Born on the Fourth of July" and "Kindergarten
Cop." In addition, he served as the set decorator on the film
"Compromising Positions" and the mini-series "Chiefs."
Editor HANK CORWIN first worked with Oliver Stone when he
provided additional editing services to Stone's "JFK."
Editor
BRIAN BERDAN was raised in Pasadena, graduated from UC Berkeley
with a degree in English, and immediately got to work vacuuming
and getting lunch at a San Francisco film facility. After several
years as an assistant film editor with David Lynch, Berdan's
first feature editing break came when he served as an additional
NATURAL BORN KILLERS
page 21
editor on "Homeward Bound: The Incredible Journey." Berdan joined
Oliver Stone's crew as an associate editor on "Heaven and Earth."
RICHARD HORNUNG (Costume Designer) was born in Allentown,
Pennsylvania.
While studying English at Kutztown University in
Pennsylvania, he became interested in theater, and went on to
study costume design in the graduate program at the University of
Illinois.
Hornung spent 10 years in New York learning his art by assisting
such designers as Santo Loquasto, Patricia Zipprodt and Desmond
Heeley on- and off-Broadway. He also painted costumes for the
American Ballet Theatre, New York City Ballet and the Paul Taylor
Dance Company. He became a full-fledged costume designer on the
Circle-in-the-Square production of Shaw's "Candide" and the
Broadway musical "The News."
Hornung's first feature film as costume designer was Joel and
Ethan Coen's "Raising Arizona." He has also designed the costumes
for the Coens' "Miller's Crossing," "Barton Fink" (which brought
him an Oscar nomination) and "The Hudsucker
Proxy." Hornung's other features include "China Girl," "Less Than
Zero," "The Grifters," "Young Guns," "Sleeping With the Enemy,"
"Doc Hollywood," "Hero," "This Boy's Life" and "Dave."
Composer/performer/producer TRENT REZNOR is best-known as the
alternative musical entity Nine Inch Nails. For "Natural Born
Killers," Reznor's first film soundtrack, he used more than 25
different sources to produce the final multi-layered combination
of musical sounds and dialogue.
Born and raised in Pennsylvania, Reznor released his first album,
Pretty Hate Machine, in 1989. Its EP successor, Broken, earned a
Grammy Award for its track, Wish, and went platinum after
debuting in the #7 position on Billboard's Top 200 album chart.
Nine Inch Nails' current release, The Downward Spiral, debuted in
the #2 spot and is currently in the Top 50 on the charts. The
soundtrack for "Natural Born Killers" will be released on
Reznor's and John A. Malm, Jr.'s, own label, Nothing.
NATURAL BORN KILLERS
page 22
CREW
Unit Production Manager .................... LEEANN STONEBREAKER
First Assistant Director ............................ HERB GAINS
Second Assistant Director ........................ NOGA ISACKSON
Second Assistant Director ....................... SCOTT SENECHAL
Associate Producers ......................... RISA BRAMON GARCIA
RICHARD RUTOWSKI
Post Production Supervisor .......................... BILL BROWN
Executive Music Producer ............................. BUDD CARR
Controller ................................... BARBARA-ANN STEIN
Supervising Art Director ....................... ALAN R. TOMKINS
Art Director ................................... MARGERY ZWEIZIG
Set Decorator ................................. MERIDETH BOSWELL
Art Department Coordinator ......................... TANA BISHOP
2nd Unit Director .............................. PHILIP PFEIFFER
First Assistant Camera ......................... GREGOR TAVENNER
Second Assistant Camera ............................ AMY VINCENT
KEITH SMITH
Video Assist ...................................... MARTY KASSAB
Still Photographer .............................. SIDNEY BALDWIN
Key Grip ....................................... CHRIS CENTRELLA
Best Boy Grip ..................................... DEAN M. KING
Dolly Grip ............................................ BRAD REA
Rigging Key Grip .................................. SCOTT GILLIS
Best Boy Rigging Grip ........................... MICHAEL MENDEZ
Chief Lighting Technician ........... REINHART "RAYTEAM" PESCHKE
Assistant Chief Lighting Technician ............... EDDY MALONEY
Electrician ........................................ BRETT MABRY
Sound Mixer .................................... DAVID MACMILLAN
Boom Operator ................................... STEVE BOWERMAN
Stunt Coordinator ................................. PHIL NEILSON
Technical Advisor .............. CAPT. DALE DYE, U.S.M.C. (RET.)
Special Effects Coordinator ....................... MATT SWEENEY
Special Effects Foremen ............................. BOB STOKER
LARRY L. FUENTES
Special Effects ................................... STEVE LUPORT
FRANK L. POPE
JIM SCHWALM
LUCINDA STRUB
Construction Coordinator ....................... RODNEY ARMANINO
Lead Scenic Artist .................................. DALE HAUGO
Lead Set Painter .................................... JOHN KELLY
Standby Painter .................................... BILL DARROW
Special Effects Make-Up and Key Make-Up ...... MATTHEW W. MUNGLE
Make-Up Artist ................................. JOHN E. JACKSON
Special Effects Make-Up ........................ GORDON J. SMITH
NATURAL BORN KILLERS
page 23
Hair Designer ................................... CYDNEY CORNELL
Hairdresser ..................................... MELISSA YONKEY
Assistant Costume Designers ....................... MARK BRIDGES
MARY ZOPHRES
Costume Supervisor ........................... MICHELLE KURPASKA
Key Costumer ........................................ DAVID PAGE
Casting Associates ................................ MARY VERNIEU
SUZANNE SMITH
Casting Assistants ............................. MIKELLA KIEVMAN
LAUREL MILLER
Visual Effects by ......................... PACIFIC DATA IMAGES
Visual Effects Supervisor ........................ REBECCA MARIE
Visual Effects Producer ........................... DANIEL CHUBA
Lead Animator ..................................... WENDY ROGERS
Animator .......................................... CATHY WAGNER
Assistant Sound Editor ............................ PHIL MORRILL
ADR Editors .......................................... JOE MAYER
BILL VOIGTLANDER
ADR Mixer .................................... CHARLEEN RICHARDS
Foley Artists ............................ GARY "WRECKER" HECKER
DAN O'CONNEL
JOHN CUCCI
Foley Mixer ........................................ JIM ASHWILL
Additional Audio ..................................... KIM WAUGH
LON E. BENDER
Stock Footage Research .............................. RON TOWERY
Research & Clearance ........................... SUSAN G. REIFER
General Foreman .................................. ALAN ALLINGER
Standby Carpenter ..................... WENDELL A. "BUD" HILL II
Video Advisor ................................. PAUL STAJANOVICH
Transportation Coordinator ...................... DUSTY SAUNDERS
Transportation Captains ................... DANIEL W. BRIZENDINE
PETER CHITTELL
Transportation Captain - Chicago .............. RICHARD DEANGELO
Transportation Co-Captain - Chicago ................ CALVIN CHIN
Assistant to Mr. Stone ............................ AZITA ZENDEL
Assistant to Ms. Hamsher ........................... AMY TINDELL
Assistant to Mr. Murphy ......................... JUSTIN STANLEY
Assistant to Mr. Townsend ........................... MINDY COLE
Unit Publicist .................................. MICHAEL SINGER
Publicity ......................... M/S BILLINGS PUBLICITY, LTD.
THE POGACHEFSKY COMPANY
Producers' Representative ........................ ARTHUR MANSON
Dialogue Coach ................................... NADIA VENESSE
Production Physician ..................... CHRISTIAN RENNA, D.O.
Location Casting - Southwest ..................... SALLY JACKSON
Location Casting Assistant - Southwest ........... RONNIE HOLLIS
NATURAL BORN KILLERS
page 24
CAST
(In Order of Appearance)
Mabel ............................................... OLAN JONES
Mickey ......................................... WOODY HARRELSON
Mallory ......................................... JULIETTE LEWIS
Pinball Cowboy ........................................ ED WHITE
Sonny ......................................... RICHARD LINEBACK
Earl ............................................ LANNY FLAHERTY
Short Order Cook ........................... CAROL-RENEE MODRALL
Mallory's Dad ............................... RODNEY DANGERFIELD
Mallory's Mom ..................................... EDIE McCLURG
Kevin ............................................... SEAN STONE
Work Boss #1 ..................................... JERRY GARDNER
Work Boss #2 ...................................... JACK CAFFREY
Work Boss #3 .............................. LEON SKYHORSE THOMAS
Wayne Gale .................................. ROBERT DOWNEY, JR.
TV Mallory ....................................... COREY EVERSON
Dale Wrigley .......................................... DALE DYE
Gerald Nash ................................ EDDY "DOOGIE" CONNA
David ............................................. EVAN HANDLER
Roger .............................................. KIRK BALTZ
Julie ............................................... TERRY LENE
Deborah .......................................... MARIA PITILLO
Soundman .......................................... JOSH RICHMAN
Kid #1 ........................................... MATTHEW FABER
Kid #2 ........................................... JAMIE HERROLD
Kid #3 ............................................ JAKE BEECHAM
Japanese Kid #1 ................................. SAEMI NAKAMURA
Japanese Kid #2 .................................. SEIKO YOSHIDA
Antonia Chavez ................................... MELINDA RENNA
Smithy ............................................. JIM CARRANE
Napalatoni ............................................ BOB SWAN
Sparky .......................................... LOUIS LOMBARDI
WGN Newscaster ................................... ROBERT JORDAN
Stunt Double ................................. TIMOTHY P. TRELLA
Stunt Double ................................... JANET PAPARAZZO
ILLINOIS DEPARTMENT OF CORRECTIONS
Howard Peters, Director - Department of Corrections
Leo Meyer, Deputy Director of Adult Institutions
Salvador A. Godinez, Warden - Stateville Correctional Center
NATURAL BORN KILLERS
page 25
Keith Cooper, Warden - Joliet Correctional Center
SPECIAL THANK YOU
Stanley White; Phil Krone; Fred Wyche, Albuquerque Journal;
Howard Fabrick; WGN TV, Chicago; Avirex Corporation; Abilene
Boots; Anne Iverson, The Catalyst Group; Dean Nakano, Motorola;
Travelcorps; City of Winslow, Arizona; City of Gallup, New
Mexico; City of Chicago, Illinois; Navajo Nation.
"BLACK STRAIT JACKET"
from the United Artists motion picture The Caretakers
Composed and Conducted by ELMER BERNSTEIN
Courtesy of Metro-Goldwyn-Mayer Inc.
"LEADER OF THE PACK"
Written by George Morton, Jeff Barry & Ellie Greenwich
Performed by THE SHANGRI-LAS
Courtesy of Sun Entertainment Corp.
by arrangement with Celebrity Licensing, Inc.
"REBEL-ROUSER"
Written by Duane Eddy & Lee Hazlewood
Performed by DUANE EDDY
Courtesy of Jamie Record Co.
"ROCK & ROLL NIGGER"
Written by Patti Smith & Lenny Kaye
Performed by PATTI SMITH
Courtesy of Arista Records, Inc.
"ME AND HER OUTSIDE"
Poetry Written by Steven Jesse Bernstein
under license from Steven J. Bernstein Archives
Performed by STEVEN JESSE BERNSTEIN
Courtesy of Sub Pop Records, Ltd.
"SWEET JANE"
Written by Lou Reed
Performed by COWBOY JUNKIES
Courtesy of BMG Music Canada, Inc.
Various Selections
Courtesy of Associated Production Music
"WILD PLATE RUBS"
Written and Performed by SCOTT GRUSIN
Various Selections
Written and Performed by BRIAN BERDAN
NATURAL BORN KILLERS
page 26
"YOU BELONG TO ME"
Written by Pee Wee King, Redd Stewart & Chilton Price
Performed by BOB DYLAN
Production Supervised by Debbie Gold
Courtesy of Columbia Records
by arrangement with Sony Music Licensing
"THE TREMBLER"
Written by Duane Eddy & Ravi Shankar
Performed by DUANE EDDY
Courtesy of Capitol Records
under license from CEMA Special Markets
"CARTOONICIDE" and "B SWELL"
Written and Conducted by RICHARD GIBBS
"ON THE WRONG SIDE OF RELAXATION"
Written and Performed by BARRY ADAMSON
Courtesy of Mute Records
by arrangement with Warner Special Products
"UNDER WRAPS"
Written and Performed by BARRY ADAMSON
Courtesy of Mute Records
by arrangement with Warner Special Products
"THE HEAT"
"IN DOUBT"
Written and Performed by PETER GABRIEL
Courtesy of Peter Gabriel Ltd./Geffen Records
and Virgin Records Ltd.
"REED MY LIPS"
Written by Brent Lewis
Performed by BRENT LEWIS & RICHARD HARDY
Courtesy of Ikauma Records
"EARTH"
Written and Performed by PETER KATER & R. CARLOS NAKAI
Courtesy of Silver Wave Records
Excerpts from CARMINA BURANA
Written by Carl Orff
Performed by PRAGUE FESTIVAL ORCHESTRA & CHORUS
Courtesy of Delta Music Inc.
NATURAL BORN KILLERS
page 27
"THESE BOOTS ARE MADE FOR WALKIN"
Written by Lee Hazlewood
Performed by JULIETTE LEWIS
"CHECKPOINT CHARLIE"
Written and Performed by BARRY ADAMSON
Courtesy of Mute Records
by arrangement with Warner Special Products
"JUDGEMENT DAY"
"VENA CAVA"
Written and Performed by DIAMANDA GALAS
Courtesy of Mute Records
by arrangement with Warner Special Products
"THE VIOLATION OF EXPECTATION"
Written and Performed by BARRY ADAMSON
Courtesy of Mute Records
by arrangement with Warner Special Products
"THE DAY THE NIGGAZ TOOK-OVER"
Written by Dr. Dre, Snoop, Daz, Toni C. & RBX
Performed by DR. DRE
Courtesy of Interscope Records
by arrangement with Warner Special Products
and Jive Records
"A NIGHT ON THE BARE MOUNTAIN"
Written by Modest Mussorgsky
Performed by BUDAPEST PHILHARMONIC ORCHESTRA, J. SANDOR
Courtesy of Delta Music Inc.
"A WARM PLACE"
Written by Trent Reznor
Performed by NINE INCH NAILS
Courtesy of Interscope Records
by arrangement with Warner Special Products and TVT Records
"ALLAH, MOHAMMED, CHAR, YAAR"
Written by Nusrat Fateh Ali Khan
Performed by NUSRAT FATEH ALI KHAN QAWWAL & PARTY
Courtesy of Real World Records Ltd./Virgin Records Ltd.
"NUSRAT 1083/NUSRAT"
Written and Performed by NUSRAT FATEH ALI KHAN
Courtesy of Real World Records Ltd./Virgin Records Ltd.
NATURAL BORN KILLERS
page 28
"OVERLAY"
Written by David Bridie, John Phillips, Rowan McKinnon Russel
Bradley, James Southall and Tim Cole
Performed by NOT DROWNING, WAVING
Courtesy of Reprise Records
by arrangement with Warner Special Products
"ANTHEM"
Written and Performed by LEONARD COHEN
Courtesy of Columbia Records
by arrangment with Sony Music Licensing
Selections by Capitol/Ole Georg Music
"SOBAMA MOON"
Written by Leonard Eto
Performed by Kodo
Courtesy of Sony Music Entertainment (Japan) Inc.
by arrangement with Sony Music Licensing
"THE FUTURE"
Written and Performed by LEONARD COHEN
Courtesy of Columbia Records
by arrangement with Sony Music Licensing
SOUNDTRACK ALBUM ON NOTHING/INTERSCOPE RECORDS