THEHERITAGE CANADAFOUNDATION Window Display by StuartLazear Windows are a retgilerts most effective and least expensive form They introduce of advertising. the retailer to the consumer, creating a first impression that often guides buying behaviour. Window displays are directed primarily at impulse purchases by the pedestrian (who spends no more than 10 seconds, on average, passing a store). Eye appeal is responsible for gOt of impulse sales, consequently an understanding of the principles of display and their attentiongetting qualities can contribute to increased sales and profits. The speeial advantages of window display include: r round-the-clock eoverage (particularly if display window lights are left on at night); o realism (display windows feature actual merchandise, in full colour, rather than pictures of it); o immediacy (the display and the merchandise are in close proximity; and interested passers-by ean aet immediately); o relatively low cost (effective displays can be created using merehandise and inexpensive props). This article will discuss the steps and techniques for a suceessful window display and will be of use to anyone attemping to improve their sales. The steps include: 1. choosing a theme; 2. composing a display; 3. using colour effectively; 4. acquiring and making props to reinforee your theme, composition and colours; 5 . lighting the display; 6 . using backdrops to highlight merchandise; using signs effectively; 8 . rotating your merchandise; 9 . maintaining the frnished display in frrst-rate order. A pholo enlargementof maplelrees being tappedfor syrup was providedto slores along Perth'sMain Street by the Main Streel coordinator.The slores then developedindividualdisplaysaroundtheir "Feslivalof Maples". t ,Tnoqmq Success stories show that sales are increased with windows that The theme are theme-oriented. captivates the customerrs thoughts and directs them to logieal reasons for a purchase. Inspiration for a window theme can be taken from many areas: New Yearts Day, New Yearrs resolutions; Heritage Day (national); April Fool's Day; Victoria Day; Oktoberfest; Christmas; Senior Citizens' Days; Art; Sports; Gardening; and so on. The general theme is a departure point for further creativity: What type of merchandise captures the essence of the theme? What props and colours would be appropriate? What slogans are suggested by the theme? TECHNOTENO. 14: WINDOWDISPLAY 32.00 ': Special Events Keeping abreast of special events may present unusual opportunities for cooperative theme presentations. The arrival of a carnival, for example, could inspire the following coordinated effort: the jewellery store Ring l/laster has frcrowd-pleasingrr specials; the toy shop Lion Tamer is offering ltwhip crackingrt prices on stuffed animals; the bicycle shop 'rspins the wheelr of fortunes. Sales Promotions The Sales Promotion theme can include: r a general store-wide sale, in January or August; o a promotional sale for overstocked products; o a promotional sale for a specific line of merchandise for Fall, Spring or Summer. To attract attention to the sale. mannequins could be draped in sale signs or wear large garment bags instead of clothes. 2 Gomposition Arrangements and design stimulate and draw the viewerrs eye to a specific centre of interest, creating 'remphasis" or impact, through line, shape, colour, props and the merchandise itself. One effective way of balancing props in a window is to use a pyramid arrangement. This ensures that the observerts eye does not travel upward and out of the window. Other display arrangements include: o step (placing objects at different heights to give the effect of stairs); o zigzag (a variation of step); o alternation; o progression (of similar items in varying sizes for a step-like arrangement). If there is sufficient depth in the window, a circular flmr Iayout with some objects in the foreground and others in the background will allow the viewerts eye to move into the display. 3 Colour Colour is one of the most versatile and inexpensive elements available to accomplish a desired mood, create drama, or develop impact in presenting merchandise. Blue is cool. It makes people think of sky and water and has a soothing effect. Deep blues are also associated with sophistication and royalty. A rich blue is one of the most effective backdrops for crystal and silverware displays. 6 I L I o radiation (the viewerts gaze starts from a central point and radiates out to a variety of points ) ; o repetition (of similarsized items spaced equally apart); _U N z O z 3 I @ A pyramidalcompositioncombined wilh simplerustic propscrealesan effectivewindowdisplayfor men's apparel. 2 ll,xl intn -()'- *--+ --+, o I simplicity. The best arrangements usually employ one or two main colours and one or two accent colours. D'D [-, lf you want a colour harmony, use colours adjacent on the colour wheel. ll you want contrast, use colours widely separatedon the wheel. Harmonious and complemenlary combinations can be used together, but the elfect is only successful if one combination is dominant over the other. Reproduced wilh permission lrom Slore Design and Display for Sales, p.9. Red is warm. People associate red with action and energy. For this reason it is a popular accent for sporting goods, Too many warm accents can overwhelm a display and divert the customerts eye from the merchandise. Yellow, orange or orange-red can enhance the appeal of warm-weather merchandise by involving the customer in a warm, cheerful, tropical experience. Merchandise that is similar in colour can be grouped together, or entire windows can be dedicated to shades of one particular hue. The number of colour combinations available to vrork with are almost Effective displaY limitless. calls for restraint and Main Colour/Accenls (trom Barbara Sexton, "Wlndow Displsy Tachnlcal Manual" p. 9) Blue, Brcwn/ Red & whita Rust & craam Pink & white Red & cream Blue & shades ot blue Mauve & cream Gold & white Other shades ol brown Violel, green & white Blacu Yellow, white & red Red & white Rod, Yellow, gold & white Yellow E white Bright grcen & white Aqua & white Aqua, white & light yellow Boyal blue & white Salmon & cream Grssn, Shades ot grey Bright green, blue & white Bright green & black Red Grey & white Bust E cream The Colour Wheel The colour wheel shows the colours of the spectrum in relationship to each other. Colour wheels are available at most graphic supply outlets. Colours which fall side by side on the wheel (for example, red, orange and yellow) are referred to as analagous or blending colours. Colours opposite each other on the wheel are called complementary and will be intensified when placed side by side (e.g. red and green, or blue and orange, or yellow and violet). The impact of complementary colours can be thought of in natural terms when you look at a wheat field against a blue sky or red berries against green holly. Complementary colours are vibrant and, if used in equal proportions, will produce a combination that can be irritating or shocking. However, if they are used in proportions where one colour dominates the other. the effect is more successful. Complementary colours can also be used in small areas as accents to draw customer attention, for example, in signage and graphics. Experimenting with colour combinations and observing those which appeal to you and your customers will help you develop an effective use of eolour in display. 4 Props There are three main types of props used in windows: mannequins or body forms; decorative props used to establish a mood or setting; and structural props which change the organization of the window. Mannequins Mannequins present a lifestyle approach to display. Customers TECHNOTENO. 14: WINDOWDISPLAY stand at the window and see lVhen a themselves reflected. mannequin display leads to sales, it is because customers have had a chance encounter with themselves. Nlannequins in a window display are often most effective when grouped to portray an event or story. Existing mannequins can be given a fresh image with new paint or make-up and a new wig. Professional mannequin refinishers can be located through your local display suppliers listed under Second-hand "display fixturestt. mannequins can often be purchased from large department stores which change their props more frequently than smaller stores. Decorative Props It is possible to add variety to a window display by using a decorative prop which does not directly relate to the merehandise. Sometimes antiques are placed in clothing windows or sculptures in jewellery windows. The association between unrelated objects somehow makes both more attractive. Inexpensive props are everywhere to be found: wooden bins or packing crates; fabric remnants; In the old pieces of furniture. Fall you could borrow a few rakes, suspend them upside down from the ceiling and hang outfits on them. Pumpkins, gourds and FalI leaves on the floor could cornplete this simple display. At Christmas, an old-fashioned festive theme could be created using antique furniture, skates, sleds, trunks, quilts and canisters. A large picture of Santa mounted on foamcore (see 'rNlaterialsrr)could be placed among the props. A brief list of seasonalprops could include: Fall: baskets,leaves,rakes,sprays,babiesbreath, bulrushes, banners, geese, decoys, pumpkins. Winler: trees, garlands, lights, gitt boxes, balls, fabric on dowels, poinsettas, stockings, candy canes, wreaths, styrotoam snowflakes, snow fences. Springi flowers/greenery,sailing-related items, birds,sun glasses,umbrellas,tennis rackets,oars. Soft-sculptured figures, vegetables, animals, plants and a variety of other items can be constructed using canvas or felt stuffed with cotton, styrofoam chips or paper. Silk flowers and dried foliage can be placed in vases, baskets and sprays tied with ribbons. They can be used in their natural state one season and dyed or spray painted in another. Posters and photographic blow-ups can be particularly effective props. Borrowing items f'rom other merchants is a way of cutting costs. The price for the loan is usually a simple acknowledgement in the form of a courtesy card placed in the window. Structural Props Risers are an easily-constructed, effective way of balancing merchandise and giving height to a They are ideal display window. for store windows featuring jewellery, cosmetics, hardware, If the window food and hobbies. is large, it is advisable to use more than one group of risers. Risers can be made out of many materials: wood; glass; plastic; covered styrofoam; eovered cardboard trsona tubestt; wooden crates; merchandise boxes which relate to the product being displayed; wrapped gift boxes; logs. 1986. trFoamcoretr'consistsof a 3/8 inch layer of polyurethane foam sandwiched between white paper. It is easily cut and scored with a matt knife and can be painted. The cost is approximately $23.00 for a 4 by 8 foot sheet and it is available from graphic and plastic suppliers. Foamcore (or foamboard) is available in colour at approximately $40.00 for a 4 by 8 foot sheet. rrGatorboardtf is similar to foamcore but it is thicker (Il2 to 1 inch) and finished with a harder plastic finish in either brown or white. It can be cut with a table saw or a small electric power saw. It is available from plastic and some display suppliers at approximately $72.00 for a 4 by 8 foot sheet (1/2 inch thick). tfStyrofoamrr, particularly high density foam, can be used for a variety of purposes. Letters, logos, snowflakes and many other shapes are now available from suppliers across Canada. When styrofoam is melted, toxic fumes are emitted. therefore extreme care should be taken if you are cutting out shapes yourself with a hot wire. rfCor-a-plasttr ressembles corrugated cardboard but it is plastic. It is available in many colours and has the same advantages as foamcore. It is available from graphic and plastic suppliers at approximately $20.00 fora4bySfootsheet. 5 Lighting Suspension Suspended articles help to close in a large window, aid in centralizing the focal point of the display and lift small merchandise off the floor of the display window, Display items can be suspended using a light-weight hobby wire or clear plastic filament (fishing line) attached to the ceiling or running diagonally across the display from anchor points on the walls. Materials Several materials which are particularly useful in the construction of props, background panels and signage include: trfoam boards'r such as gatorboard and foamcore; cor-a-plast; Prices quoted are and styrofoam. from Ottawa suppliers in October TECHNOTE NO. 14: WINDOW DISPLAY ,,1 Lighting in a window should create a desired mood, co-ordinate parts of the total window and promote the appearance of the merchandise. The major light source in the window should come from the top and as close to the window as possible. It should be directed in toward the merchandise, not outward, toward the passerby. When lighting mannequins in a window, a spotlight should be aimed at the waist to throw light above and below the garment, with another to highlight the face. If therers a special detail about the garment which justifies highlighting, a third spot could be used for that purpose. The advantages of incandescent lighting are many: it most closely approximates natural sunlight; it gives merchandise the same appearance and colour rendition it will get in the customerts home; it radiates a concentrated beam of 3 light which casts shadows and enhances merchandise. 4 c z E Incandescent spot lights can radiate a great deal of heat. Low voltage, limited-distance spots that give off very little heat are available. Long-life lamps, however, sacrifice light output for The intensity of the longevity. light (measured in candlepower) should be considered, together with longevity, in selecting lamps. Ths tollowlng data trom Vbual Morchandldng (Ocrober, .1986) compares candlepower for lamps which have 2,0@ hours ot life. Lamp 90 watt PARspot 90 wail PARFlood 120Watt ER 150Watt R Flood 150Watt R Spot 150Watt PARFlood 150WatrPARSpor 13,000 4,200 2.900 1,040 5,400 4,000 11,500 Beam (in degrees) 30 75 120 50 60 30 The 90 W PAR Spot casls an intonse and narrowbeam which ls suitable tor accent lighting. From a distance of 6 tset the 90 W PAR Spot wlll lllumlnal€ an area 3 teet in diameterwhilo the 120W ER lamp would illuminatoan area 9 feet In diametsr, suitable lor general,widespread illumination. Spotlights mounted on trtracks'r are particularly suited to enhanced flexibility in display lighting. The track costs approximately $10.00 per foot and the lights vary between $20.00 to $60.00 per The lights should be allunit. metal to avoid risk of fire after prolonged use. Window display lights should be left on all day and night, to take advantage of round-the-clock Effective windows: advertising. may entice people strolling the streets after business hours to return during store hours the next day. If fluorescent lighting exists in the window it can be replaced or supplemented with incandescent Bare fluorescent spotlights. bulbs can be screened from view bY using commercial plastic diffuser panels. 6 Baekdrops Panels made of fabric, plexiglas, wood, foamcore, 4 composition board and many other materials can be used as backdrops for display merchandise. The panels can also separate the display from surrounding materials and the interior of the store. Neutral colours like white, beige or grey are particularly appropriate for backdrops because they do not compete with more colourful merchandise. If bright colours are used, they must harmonize with the merchandise to be displayed. Creative use can be made of shutters, vertical and horizontal blinds and curtains. 7 Signs I Maintenance All the effort spent on making an attractive window display will be of limited effect if the display windows are dirty or covered with posters. Floors and backgrounds should be kept clean of dust, cobwebs, dead insects, pins and staples. A good time for a thorough cleaning is at change-over time when the window is temporarily cleared of merchandise. References Signs in a display window usually announce sales, prices, and give extra information relating to display items (the designer, the manufacturer, the material, etc). Signs should be legible, brief and should not compete with display merchandise by overpowering it in size or visual appeal. Using ready-made lettering (e. g. letraset, letrasign, enlarged typing, typesetting) or the hiring of a professional signmaker is preferable to amateur hand lettering. The professional approach is surprisingly inexpensive -- and creates a better impression. I lights to cool down before touching them. Changeovers In addition to regular changeovers of merchandise and props, frequent small changes such as a new item here, altered lighting there, can be effective in drawing renewed attention to the window. Regular display changes can: o introduce potential customers to the full range of merchandise available in the store; o co-ordinate support for other promotional initiatives such as media advertising of special sales: o protect display items from fading, dirt and other forms of deterioration. Display changes should be carried out as quickly as possible -preferably in off hours. Replacement props and merchandise should be assembled and ready to go to keep unsightly change-over time to a minimum. Lights can also be checked, cleaned and replaced at this time, but remember to allow time for the Cahan, Linda & Joseph A. Robinson Practieal Guide to Visual l\tlerchandising John Wiley and Son Inc., 1984. Colborne. Robert Fundamentals of l4erchandise Presentation The Signs of the Times Publishing Company, 407 Gilbert Avenue, Cincinnati, Ohio, 1982. Retail Council of Canada Store Design and Display for Sales 210 Dundas Street West, Ste. 210, Toronto, Ontario, 1986. Sexton, Barbara Window Display Technical Manual Main Street Canada, The Heritage Canada Foundation, Ottawa, Ontario 1985 (manuscript). nVisual Merchandising and Store f)esign. 'r Sign of the Times Publishing Co., 407 Gilbert Ave., Cincinnati, Ohio. Stuart Lazear is a professional planner with extensive experience in downtown revitalization and He was the heritage planning. Heritage Canada Foundation Nlain Street Coordinator in l\4ooseJaw, Saskatchewan. He has worked in display in Ottawa and Halifax and conducted a seminar in effective merchandising for the merchants of Prescott, Ontario. Feb.1987 Main Street Canadais a programmeof The Heritage CanadaFoundation, P . O .B o x 1 3 5 8 ,S l n . B , O t t a w a .O n t a r i o .K 1 P 5 R 4 T e l : ( 6 . 1 32)3 7 - 1 0 6 6 . I t i s d e d i c a t e dt o b o t h t h e e c o n o m i ca n d l f d o w n t o w nC a n a d a .M a i n a r c h i t e c t u r arle v i v a o S t r e e tp r o g r a m m ea c t i v i t i e sa r e m a d e p o s s i b l e , i n p a r t ,b y a t e n - y e a cr o n t r i b u t i o nf r o m t h e f e d e r a lD e p a r t m e not f R e g i o n a lI n d u s t r i a l Expansion. TECHNOTENO. 14: WINDOW DISPLAY