Appendix 3 IB Diploma Programme Course Outlines The following points should be addressed when preparing course outlines for each IB Diploma Programme subject to be taught. Please be sure to use IBO nomenclature throughout. Name of the course: For example, English A1, HL. English A1, HL Course description: In two to three paragraphs, describe the course in terms of focus, purpose, aims and objectives, the inclusion of internationalism, the proposed process, and expected assessment. This should be a summary. Tates Creek High School Language A1 program will be a rigorous study of multi-cultural literature including novels, plays, poetry, and nonfiction prose. Students will engage in analysis of text to not only understand varied writer’s techniques, but to broaden their appreciation of the common human experience. The focus of the literary study will be development of student critical thinking skills and development of student abilities to communicate individual thoughts in both written and oral formats. Works selected will challenge students both intellectually and ideologically to gain a global perspective of life. Through a comparative study of many literary genres from authors of various nationalities and philosophies, students will identify commonalities and differences in theme and how writing style effects readers. Inquiry based learning will enhance the study of all texts. Assessment will reflect student levels of understanding and ability to express their interpretation and response to studied text. Originality will be valued in this course, as well as student application to the standards of IB assessments in oral commentary, comparative essay, research-based writing and on demand essay. Emphasis will be upon student interpretation and their ability to support or qualify their interpretation. Successful candidates will value the artistic merit of the written word and provide insightful, relevant commentary on any work in the English language. Topics: In narrative or outline form, list what you will cover in your course to meet the IB syllabus requirements. In addition, if IB courses are going to be combined with AP or other curriculums, outlines should address additional non-IB topics to be covered. Part One: World Literature (works from translation & listed on PWL) Theme: Family & Class Structure 3. Spring Semester – Junior year Required Works: 1. Tartuffe by Moliere (France) - 1669 genre: play 2. Ghosts by Ibsen (Norway) - 1840 genre: play Black Rain by Ibuse (Japan) - 1965 genre: novel Alternative: House of Spirits by Allende (Chile) genre: novel Assessments: 1. Comparative paper on 2-3 works (1000-1500 words) externally assessed (10%) 2. See *Note regarding World Literature paper Part Two: Detailed Study (1-2 Shakespeare works + 2-3 other genres/works on PBL) Theme: Race Issues Fall Semester – Senior year Required Works: 1. Merchant of Venice by Shakespeare (Britain) –1590-1600 genre: play 2. Othello by Shakespeare (Britain) – 1590-1600 genre: play 3. A Testament of Hope:The Essential Writings and Speeches Of Martin Luther King , Jr. (James Washington, editor) - 1960 genre: non-fiction 4. American Poetry (R. Frost, L. Hughes, W. Whitman, T. S. Eliot) genre: poetry Assessment: 1. Individual Oral Commentary internally assessed (15%) 15 minute oral commentary of an extracted passage from the works studied. Part Three: Groups of Works/ One Genre/Novel (must be on PBL) Theme: Struggle for Individuality Spring semester – Senior year Required Works: 1. 1984 by Orwell (Britain) - 1948 2. The Awakening by Chopin (US) - 1890 3. The Color Purple by Walker (US) - 1960 4. The Story of Zahra by Al-shaykh (Lebanon) - 1990 - Possible choice for World Lit paper. (This novel could be taught junior year so it could be a World Lit paper option. Then reviewed senior year.) Assessment: 1. Paper 2/On-demand essay question – May exam (2 hours) externally assessed (25%) Students choose between two genre specific questions or four essay questions of a general nature on which at least two of the works in Part 3 must be referenced. Part Four: Free Choice Theme: Causes & Effects of War Fall Semester – Junior year Required Works: 1. All Quiet on the Western Front by Remarque (France) - 1920 - also choice for World Lit paper 2. Lord of the Flies by Golding (Britain) - 1950 3. The Things They Carried by O’Brien (United States) - 1980 4. Things Fall Apart by Achebe (Nigerian) Assessments: 1. Individual Oral Presentation (10-15 min.) internally assessed (15%) 2. See *Note regarding World Literature paper assessed *Note: World Literature paper (10%) externally Prepare Spring of Junior Year Students prepare the World Literature Paper using any World Literature works from Part 1 and Part 4. The World Literature selection from Part 3 may be taught, time permitting, during junior year so students have all their World Literature selections from which to choose when accomplishing this assessment. Students may choose one of the three following written approaches: a. b. c. Comparative study of one WL work and one Language A1 work Imaginative or creative piece of writing based on one WL work or a combination of a WL work and a Language A1 work Detailed study based on one of the WL works studied in Part 1, 3 or 4 Final Assessment – Paper 1/On Demand essay ( 2 hours) externally assessed (25%) May of senior year Written commentary based on unseen poetry or text to which techniques of literary criticism can be applied. Assessment: Knowledge of IBO-required assessments and descriptors should be evident. All parts of IB assessment should be addressed, both internal and external. In addition, examples of non-IB monitoring should be given, if they are part of the course. PART 1 – World Literature (works from translation & listed on PWL) 1. Comparative paper on 2-3 works (1000-1500 words) externally assessed (10%) 2. **World Literature paper externally assessed (10%) Prepare Spring of Junior Year Students prepare the World Literature Paper using any World Literature works from Part 1 and Part 44 of th 4. The World Literature selection from Part 3 may be taught, time permitting, during the junior year so year so students will have studied all World Literature selections from which they may choose when accompl accompishing this assessment. Students may choose one of the three following written approaches: a. Comparative study of one WL work and one Language A1 work b. Imaginative or creative piece of writing based on one WL work or a combination of a WL work and a Language A1 work c. Detailed study based on one of the WL works studied in Part 1, 3 or 4 PART 2 – Detailed Study (1-2 Shakespeare work + 2-3 genres/works from PBL) Individual Oral Commentary internally assessed (15%) 15 minute oral commentary of an extracted passage from the works studied. PART 3 – Groups of Works/One Genre/Novel (must be on PBL) Paper 2/On-demand essay question – May exam (2 hours) externally assessed (25%) Students choose between two genre specific questions or four essay questions of a general nature on which at least two of the works in Part 3 must be referenced. PART 4 – Free Choice 1. Individual Oral Presentation (10-15 min.) assessed (15%) 2. **See World Literature paper under PART 1 assessed FINAL ASSESSMENT– Paper 1/On Demand essay ( 2 hours) (25%) May of senior year internally externally Written commentary based on unseen poetry or text to which techniques of literary criticism can be applied. Resources: List the books and other resource materials and software that will be used in the course. Information should include what is currently available as well as what is being ordered. International Baccalaureate English Secondary Sources prepared by Tates Creek media specialist – Wanda Jaquith (A check mark denotes TCHS holding; a circle FCPS Union holding; a square entries from Gale Literature Resource Center database from the Lexington Public Library. Other titles are recommended purchases) Tartuffe Moliere Bloom’s Modern Critical Views Approaches to Teaching Moliere’s Tartuffe and Other Plays { The McGraw Hill Guide to World Literature { Moliere: A Collection of Critical Essays { Moliere (Twayne’s World Authors) Gale Literature Resource Center (Lexington Public Library) Ghosts Ibsen Bloom’s Modern Critical Views Bloom’s Major Dramatists { The Making of Modern Drama: A Study of Buchner, Ibsen, Strindberg, Chechov, Pirandello, Brecht, Beckett, Handke { Reality and Heroic Pattern: The Last Plays of Ibsen, Shakespeare, and Sophocles { Ibsen: The Man and His Work { Ibsen (Masters of World Literature Series) { Ibsen: A Collection of Critical Essays { The Modern World: Ten Great Writers Gale Literature Resource Center (Lexington Public Library) Black Rain Ibuse Gale Literature Resource Center (Lexington Public Library) House of Spirits Allende Bloom’s Modern Critical Views Isabel Allende (World Authors Series) 9 Novels for Students 9 Literature and its Times { Latin American Writers Gale Literature Resource Center (Lexington Public Library) Merchant of Venice Shakespeare Bloom’s Modern Critical Interpretations Bloom’s Major Dramatists 9 Shakespeare for Students 9 Literature and its Times { Merchant of Venice Notes { Twentieth Century Interpretations of The Merchant of Venice { The Merchant of Venice (Twayne’s New Critical Introduction to Shakespeare) { The Merchant of Venice (Shakespeare for Everyone Series) Gale Literature Resource Center (Lexington Public Library) Othello Shakespeare Bloom’s Modern Critical Interpretations Bloom’s Major Dramatists Bloom’s Notes Approaches to Teaching Shakespeare’s Othello 9 Shakespeare for Students 9 Literature and its Times { Shakespearean Tragedy: Hamlet, Othello, King Lear, Macbeth { Shakespeare’s Tragic Heroes: Slaves of Passion { Understanding Othello: A Student Casebook to Issues, Sources, and Historical Documents { Shakespeare’s Tragedies Notes { Teaching Othello (Videorecording) Gale Literature Resource Center (Lexington Public Library) American Poetry (Frost, Hughes, Whitman, Eliot) Bloom’s BioCritiques Bloom’s Major Poets Approaches to Teaching Whitman’s Leaves of Grass 9 Robert Frost (Twayne’s United States Authors Series) 9 American Writers 9 British Writers 9 Approaches to Teaching Eliot’s Poetry and Plays 9 T. S. Eliot (Twayne’s United States Authors Series) 9 T.S Eliot (Modern Critical Views) 9 T.S. Eliot’s The Wasteland (Modern Critical Interpretations) { Robert Frost (Modern Literature Monographs) { Robert Frost (Modern Critical Views) { Robert Frost: The Critical Reception { Robert Frost: A Collection of Critical Essays (Twentieth Century Views) { Critical Essays on Robert Frost { The Major Themes of Robert Frost { Robert Frost: The Trial by Existence { Poetry for Students { Poetry Criticism: Excerpts from Criticism of the Works of the Most Significant and Widely Studied Poets of World Literature { Dictionary of Literary Biography Documentary Series: An Illustrated Chronicle African American Poets: Phyllis Wheatley through Melvin B. Tolson Modern Black Poets: A Collection of Critical Essays { Black Poets of the United States { Langston Hughes (Twayne’s United States Authors Series) { Langston Hughes (Modern Critical Views) { The Art and Imagination of Langston Hughes { Voices and Visions Program 6 (Videorecording) { Critical Approaches to American Literature { The Americanness of Walt Whitman { American Poetry: The Puritans Through Walt Whitman { Walt Whitman (Modern Critical Views) { Walt Whitman (Twayne’s United States Authors Series) { The Modern World: Ten Great Writers { Twentieth Century Interpretations: A Collection of Critical Essays on “The Wasteland” { T. S. Eliot (Modern Literature Series) { A Student’s Guide to the Selected Poems of T.S. Eliot { T.S. Eliot (Modern Critical Views) Gale Literature Resource Center (Lexington Public Library) { { 1984 Orwell Bloom’s Modern Critical Views Bloom’s Guides 9 George Orwell and the Origins of 1984 9 British Writers { George Orwell’s Nineteen Eighty-Four (Modern Critical Interpretations) { On Nineteen Eighty-Four { Nineteen Eight-Four: Past, Present, and Future { George Orwell: the road to Nineteen Eighty-Four Gale Literature Resource Center (Lexington Public Library) The Awakening Chopin 9 9 9 9 9 Kate Chopin (Modern Critical Views) Kate Chopin’s The Awakening (Bloom’s Notes) The Awakening: A Novel of Beginnings (Twayne’s Masterwork Studies) Kate Chopin (Twyane’s American Authors Series) Approaches to Teaching Chopin’s The Awakening Gale Literature Resource Center (Lexington Public Library) The Color Purple Walker Bloom’s Modern Critical Interpretations Bloom’s Modern Critical Views 9 Literature and Its Times { Alice Walker, Author of The Color Purple Gale Literature Resource Center (Lexington Public Library) The Story of Zahara Al-shaykh Gale Literature Resource Center (Lexington Public Library) All Quiet on the Western Front Remarque Bloom’s Modern Critical Interpretations 9 All Quiet on the Western Front: Literary Analysis and Cultural Contest (Twayne’s Masterwork Studies) 9 Literature and Its Times Gale Literature Resource Center (Lexington Public Library) Lord of the Flies Golding 9 9 9 9 Novels for Students Bloom’s Guide William Golding (Twayne’s English Authors Series) William Golding’s Lord of the Flies (Bloom’s Notes) Lord of the Flies Study Guide { Lord of the Flies” Fathers and Sons (Twayne’s Masterworks Series) { Lord of the Flies (Modern Critical Interpretations) { William Golding’s Lord of the Flies: Text, Notes, and Criticism Gale Literature Resource Center (Lexington Public Library) The Things They Carried O’Brien Bloom’s Guide Gale Literature Resource Center (Lexington Public Library) Things Fall Apart Achebe Bloom’s Modern Critical Interpretations 9 Approaches to Teaching Achebe’s Things Fall Apart 9 Novels for Students 9 Literature and its Times { Things Fall Apart: A Unit Plan { Things Fall Apart, No Longer at Ease: Chinua Achebe Curriculum Unit { Things Fall Apart and Related Readings { Chinua Achebe (Videorecording) Gale Literature Resource Center (Lexington Public Library) The following are holdings of the Tates Creek English Department which can contribute to the study of selected works or be companion study: The Awakening Chopin The Bluest Eye Morrison Brave New World Huxley Cry, the Beloved Country Paton Cyrano de Bergerac Rostand Death of a Salesman Miller Dr. Jekyll and Mr. Hyde Stevenson Approximate # of copies 100 60 120 100 60 100 75 Farewell to Manzanar Wakatsuki & Houston 60 Frankenstein Shelley 75 The Great Gatsby Fitzgerald 150 Hamlet Shakespeare 100 Heart of Darkness Conrad 80 Hiroshima Hersey 10 The House on Mango Street Cisneros 10 The Importance of Being Earnest Wilde 50 Jane Eyre Bronte The Joy Luck Club Tan Lord of the Flies Golding Midsummer Night’s Dream/Merchant of Venice 1984 Orwell 60 Othello Shakespeare 40 The Scarlet Letter Hawthorne 150 A Separate Peace Knowles 40 The Shipping News Proulx 30 Snow Falling on Cedars Guterson Taming of the Shrew Shakespeare Their Eyes Were Watching God Hurston The Things They Carried O’Brien 30 40 120 50 30 60 60 60 **Textbooks: Prentice Hall Literature – World Masterpieces 100 Prentice Hall Literature – The American Experience 100 Prentice Hall Literature – The English Tradition 100 Elements of Writing, Third Course 100 Elements of Writing, Fifth Course 100 Writer’s Choice, Comp and Grammar/Grade 12 100 Writer’s Inc. 50 Perrine’s Sound and Sense: An Introduction to Poetry 50 **Please note this is a textbook adoption year for the English Department. Purchases will be determined Spring 2006. Teaching time: List all classroom teaching hours for each HL and SL course. HL/SL course Teaching hours English A1 - HL 135 instructional hours per year/ 270 total instructional hours (add rows as necessary) In addition: For group 1 subjects: 4. Does the course provide adequate preparation in oral and written expression and in analytical and critical thought? 5. List the works for language A1 and explain how these works reinforce internationalism. 6. Does your list of works reflect the requirements of both “genres” and “periods”, as explained in the language A1 syllabus and in the prescribed booklist (PBL) for your language A1? 7. Are there adequate materials, particularly in literature, criticism, and literary history? *Throughout the 2 year study of Language A1 students will engage in activities to strengthen critical and analytical thinking. Both formal and informal debates will be used to stimulate oral skills necessary to support an individual’s interpretation of works studied. The Socratic method of questioning and discussion will be practiced. Students will read and study published critical analysis. To assist students while reading anticipation guides, literary circles, journaling and oral presentations will used. The Kentucky Writing Assessment all students must satisfy includes a component of analytic and technical writing in which students broaden literary analysis skills. *Internationalism is supported through the selection of works selected representing 5 different cultures and 7 different countries. Consideration of the make up of our school population led to the inclusion of an Arab and Asian piece. Inclusion of African-American works- the writings of Marthin Luther King, Jr. and Alice Walker’sThe Color Purple - are also important to represent a portion of our school population. *The following summary of works selected shows that the criteria of “genres” and “periods” was met: Genres: novels – 9 plays – 4 poetry – 1 nonfiction – 1 (Total=15) Authors: male – 12 female – 3 Cultures: North America – 5 Europe – 7 (Norway, France, Britain) Japan – 1 Lebanon – 1 Africa – 1 Period: (Total=15) (Total=15) pre 1800s – 3 1800s – 2 poetry works 1800-1960 - 1 1900s – 9 (Total=15) *The Resource List section is extensive and would support the study of each text. Additional access to the Public Library databases from our school further expands our resources.