SUBJECT: The title of this poem refers to the Second Coming of Jesus as described in The Book of Revelations; however, rather then the messiah returning, the speaker sees something more dangerous and apocalyptic arriving. KEY IDEAS: Yeats wrote this poem post-WWI; and it details his fears that the death and destruction of the Great War is to continue as evidenced in the Irish Civil War. He is offering a warning using the language of apocalypse from the Bible, while also expressing his worries and concerns for the future of his world. IMAGERY & SYMBOLISM: “gyre” – whirling, vortex, spiral (OED) In Yeats’s writings, the gyre is a symbol of two alternating historical cycles. The first of order and growth and the second of chaos and decay. It is similar to the philosophy represented in the Chinese Yin Yang symbol . “THE SECOND COMING” – W.B YEATS Turning and turning in the widening gyre IMAGERY & SYMBOLISM: Falconing was a popular past time during the Middle Ages in which a falconer would use a trained falcon to hunt. Yeats use of this image implies that the falconer has lost control of his bird. The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, LANGUAGE/ IMAGERY: The words are ritualistic, the phrasing short and deliberate. (These are some of the most famous lines in poetry). It continues the image of a vortex spinning out of control (think of the destruction caused by a twister or cyclone.) The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned ; The best lack all conviction, while the worst Are full of passionate intensity. STRUCTURE: Yeats employs a regular metre, with short phrases and regular pauses mid-line (caesura) for emphasis. The first verse employs a series of metaphoric images to evaluate the state of the world as Yeats’s sees it. It acts like a list of evidence. Page 1 of 3 IMAGERY/ LANGUAGE: Again Yeats’s chooses apocalyptic imagery to describe the death and destruction wrought by the Great War. LANGUAGE/ REPETITION: “loosed” – ‘unleashed’ or ‘let free’(OED). Implies that something violent and unwanted has been let free into the world. IMAGERY/ SYMBOLISM: This is a description of a sphinx (half-man and half-lion). The ancient Egyptians built a statue of a sphinx near the pyramids. It is also a biblical symbol that functions in three ways. Firstly, it reminds the reader of the bondage of the Israelites in Egypt during the book of Exodus. Secondly, in the Book of Revelations, creatures of the devil are mismatched combinations of real animals. Thirdly, Jesus was tempted by Satan in the desert. Effectively, Yeats is saying that devil’s home is in the desert where he causes death and destruction as evidenced in the description of the scavenging birds. REPETITION/ LANGUAGE: Deliberate repetition and word choice of “Surely” connotes uncertainty. It also highlights the presence of the narrator. SUBJECT/ KEY IDEAS: The narrator thinks that Second Coming is near, but is uncertain as to what expect. Will it be the return of the Messiah or something more apocalyptic as foreshadowed in WWI? Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of SPIRITUS MUNDI IMAGERY & SYMBOLISM: For Yeats, “Spiritus Mundi” is a dream world of visions that only poets, artists and prophets have access too. These visions can herald the future. Troubles MY sight: somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it FIRST-PERSON SPEAKER is now present. Reel shadows of the indignant desert birds. Page 2 of 3 SPEAKER: Firstperson visionary narrator who speaks like a prophet/ sage. LANGUAGE/IMAGERY: Yeats’s gives the image of the Second Coming, a sinister ‘twist’ by describing it as a “rough beast” that “slouches”. The darkness drops again; but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle , IMAGERY/ LANGUAGE: Yeat’s employs the image of a sleeping infant to describe the period between the First and Second Coming The choice of the word “stony” implies a long, fixed sleep (“twenty centuries”) where nightmarish dreams are the only things to fear. And what rough beast , its hour come round at last, SYMBOLISM: This is a biblical reference as Christ was born in Bethlehem and; hence is the appropriate place for the birth of the Second Coming. Page 3 of 3 Slouches towards BETHLEHEM to be born? RHETORICAL QUESTION/ STRUCTURE: Yeats is asking us to agree with the argument of his first person narrator that an apocalypse could be nigh. The first stanza is effectively a list of evidence to support this view. The second stanza is where the prophet/sage like speaker predicts a troubled future.