Supplemento al N. 8 / 2015 di Export Magazine - Spedizione in abbonamento Postale - D.L. 353/2003 (conv. in L. 27/02/2004 n. 46) art. 1, comma 1, DCB - Modena SPECIAL REPORT ON THE MIDDLE EAST FRAGRANCE MARKET 1 2 3 EM_sommario MIDDLE EAST_000_BD8_07_Mastro 15/10/15 07:53 Pagina 4 Advertisers’ index 6-8 10-11 12-13 14-15 16-17 24-25 INTERVIEW Ajmal Perfumes: A. Ajmal Arabian Oud: I. Ezzat Hilal Perfumes: M. Hilal Paris Gallery: M. A. Rahim Al Fahim Clarins: O. Rinno Expressions Parfumées: T. Fleurichamp 18 19 22-23 27 28 LAUNCH Ferragamo - Tuscan Soul Thierry Mugler Alien Oud Majestueux Versace Amouroud by Perfumer’s Workshop Parfums Pergolèse Paris On the cover: Ajmal, a vast portfolio of the finest and most captivating fragrances SUPPLEMENTO AL N. 8 ANNO XXXV OCTOBER / NOVEMBER 2015 OTTOBRE / NOVEMBRE 2015 BIMONTHLY DIRETTORE RESPONSABILE GIUSEPPE TIRABASSO Autorizzazione del Tribunale di Milano n. 85 del 16/02/1991 Spedizione in abbonamento postale 45% art. 2 comma 20/B Legge 662/96 Poste Italiane Filiale di Modena - Italy - Tassa riscossa Taxe Perçue - aut. fil. E.P.I. Modena Printing: Caleidograf - Osnago (LC) Art Director Teresa Tibaldi Published by M.T.E. EDIZIONI srl Via Romolo Gessi, 28 - 20146 MILANO Italy Tel. 02/48.95.23.05 Telefax 02/41.23.405 E-mail: mteedizi@mteedizioni.it Managing Editor Giuseppe Tirabasso Editor-in-chief Claudia Stagno E-mail: export.magazine@mteedizioni.it Consultants Annalisa Aita - Judy Bloom - Roberto Cimarosa Rebecca Lazzari - Daniela Patané Joan Rundo - Simona Verga - Catherine Wrenn P.R. Promotion Italy: M.T.E. Edizioni USA: DT Publisher's Representative, Don Timmel, Los Angeles 3705 Greenfield Ave. #4, CA 90034-7030 Los Angeles, Tel. +1/310-838-3484 Email: jepub@att.net ARTISTIC PERFUMERY 20 26 30 LAUNCH Alysonoldoini Histoires De Parfums Moresque Parfum Cover 2-3 31 29 IV 9 Ajmal Perfumes Arabian Oud Beautyworld Middle East Parfums Pergolèse Paris Paris Gallery Fragrance Foundation Arabia MIDDLE EAST: A MARKET IN EVOLUTION ditoria The Middle East has always been extremely important for the fragrance market. Most of the large multinational companies, which for years have been present in what is known as the MENA region, have an office in Dubai, chosen for its strategic position in the Gulf and to be considered a trendsetter and a showcase for the neighbouring countries. However, consumption concerning fragrance is not limited to the big brands, even though they represent a large slice of the pie; there are brands which have the Middle East as their first market and, above all, the local brands, commonly defined “Arabic oriental”, are increasingly to the fore. They are fragrances which draw on Arabic culture and traditions, they are persistent and enveloping, their packaging is precious and refined and they come in boxes of great value, ready to be offered as gifts on special occasions and on religious festivals, or simply for personal gratification. They are sold directly in the boutiques of the individual brands, or in the prestigious chains of perfumeries. The magic of these perfumes passes through the word “Oud”, on which whole volumes could be written. We will limit ourselves to recalling its sillage, the signature that underlines the appeal and mystery expressed by these small pieces of burnt wood. Alongside oud, there are amber and jasmine, rose, iris and musk and many other precious raw materials. A third universe has joined these two worlds of Western and Middle Eastern fragrances: “artistic perfumery”. In just a few years, it has occupied an important space on the shelves, more often then not in an area dedicated to this category. They are made for particular consumers, more interested in the fragrance than in the brand, and above all who want to wear something that is unique and absolutely precious. Names of various origin converge here, some of which have reached such large turnovers, in the Middle East and in the whole world, as to have become appetizing for some large groups. The recent acquisitions of some brands of reference are evidence of this. In order not to miss new opportunities, some important brands have also launched their own “private collections” and we cannot forget “Middle Eastern perfumery” which has always been specialized in offering unique and exclusive fragrances. The perfumery market, in the Middle East but also in the rest of the world, is wondering…. Nothing is as defined as in the past any more, the local brands are looking beyond their borders, they have discovered that their fragrances are also appreciated by an international clientele. The international brands are developing ad hoc fragrances where the “Oud” theme dominates, even though it is interpreted in a different way. We are seeing a real melting pot, both at the level of the offer and the consumers. In all this, the essence houses are not just watching... new opportunities are appearing for them as well. And Dubai is the ideal window to study ideas for the GCC area and also for countries further afield, India, Iran and Pakistan, to mention only a few. The challenge is on, and it could be positive for everyone, the geopolitical situation permitting! 5 AJMAL PERFUMES Arabic perfumery premium player, now crafting memories internationally Interview with Abdulla Ajmal General Manager - Sales & Marketing EXPORT MAGAZINE: The world of fragrances has changed a lot. Fashion and renowned brands are still being chosen by customers, therefore another trend is coming up, focusing on what are known as “artistic fragrances”. How do you perceive the market according to today’s consumers’ attitudes? ABDULLA AJMAL: In all aspects, I think the trend is changing dramatically: the brands with their huge marketing expenses, used to dominate but this is now changing. That’s why in the past five years we have seen a huge emergence of niche brands, although there is not only niche, there are also the fashion brands that have their own selective collection, etc. First of all, consumers are tired of “the same over and over again”, secondly, thanks to the Internet, more and more people know what’s going on in the world. 6 That’s why niche products are emerging, people want quality, perfumes that have not been discovered before. The latest figures report that in the world of global fragrances 20% is now occupied by niche. Everybody is looking for niche, proof of this is that 10/15 years ago we would never have been available in the kind of retail shops where we are today, primarily because the niche arena is growing and people are asking for fragrances that are not the usual ones. They want super luxury, uber luxury! There is an increasing demand for this kind of product and more and more people are enjoying luxury. Luxury in a way has become very common, concerning fragrances. Then the big multinational companies have started buying up the most successful niche brands. At Ajmal, our products include a hyper luxury line called “Eternal”: we consider it to be niche because it’s really selective, produced in limited numbers and available in a restricted number of doors. It’s not only the product itself that allows this definition, but the whole process, from the craftsmanship of the project – our bottles are handcrafted in pure crystal with 24 carat gold plating - to the story behind it, a true story that people love, to the kind of fragrance juice, Our company can reach this edge because of our heritage and our many years of experience. Our craftsmanship creates true masterpieces. Talking about oud, now there’s “oud mania”, but when it comes to oud, few brands can compete with us. We have built up the product and the knowledge… the fact that we have patents of artificial inoculation of oud and we have plantations of over a million trees of our own in North Eastern India, which is where the best quality is. We have done a lot of research on oud, and today we have patents in some countries on the artificial inoculation of oud. We can prove the sustainability of the commodity. Once again, knowledge is uber luxury. EM: The Middle East has always been a market leader regarding perfume consumption. Do you think that today is important to follow it more carefully in order to answer the specific needs of each single country? AA: Everywhere, segmentation is increasing in the world of perfumery. It’s true that Middle Eastern people understand fragrances very well and they use them, creating a very high consumption. Even though the populations are very small in these countries, a large proportion of inspiration comes from them. More and more large and middle brands are launching fragrances to meet the taste of the Middle East. In the short term, this is a good game, in the long term, there’s good knowledge to be learnt. Arab consumers give a lot of insight about the culture of fragrance and more and more international consumers now accept the harshness, the strength and the complexity of oud-based fragrances. The Middle East is providing a lot of information, influence, and know-how. There is far less resistance to innovation. The”oriental trend” will only grow, and international brands have to pay attention to this region, which is the only region that is actually growing: I specially refer to Saudi Arabia where there is a constant growth, this year of 20%. Regarding international fragrances that have been created for our markets, I would say that only very few are doing rather well, also thanks to the intense advertising campaigns. AJMAL PERFUMES Ajmal, in its over 64 year history of creating fragrances, has mastered the art of perfume-making and occupies a unique niche in the world of perfumery in the Middle East. Today, Ajmal is a regional corporate entity with a vast portfolio of the finest and most captivating fragrances available in the region. Ajmal has established a strong retail presence with over 158 retail outlets across the GCC. Ajmal also exports to over 30 countries across the globe. They may have affected our local brands in the short term, what is certain is that in the long term they are opening up the world of oriental fragrances for us. In a way, these brands have opened up the exposure for international clientele to other things.... Our expansion has perhaps been faster because of the influence and acceptance of the “oriental trend”, whoever created it. The Arab consumer wants a blend of oud. We have now been challenged to make oud more international, which was not possible before since there were not so many takers available. Now that we have so many perfumers working on so many interesting variations of oud, it’s possible to get much more inspiration. Oud is the symbol of Arab knowledge. At Ajmal, in the category of oud sprays, we have been a market leader for 12 years now with “Shams”; then we wanted something more sophisticated and we launched a new oud called Arzan, which is doing really well. Regarding our consumer profile, luckily we have confirmed our strategy of relying on a stable clientele, made up of local people and expats. EM: In which countries does your company develop its business? Will you be considering other areas in the future as well? AA: We have more than 158 stores in GCC. Saudi Arabia is our no.1 market, followed by the U.A.E. In Saudi we are registering an aggressive expansion: from 50 existing stores our plan is to add 10/15 stores every year. As for our expansion to other markets, we are doing well in Iran, which has an enormous purchasing capacity and a great appetite for consumption. We are expanding very fast in India, our “big ticket” for the next five years. A good part of the younger generations now has more disposable income and they have started getting into the world of higher toiletries and grooming products. As Ajmal, we have our own counters and have created a specific range for this country, priced in the mid-segment. We are growing fast in Pakistan, becoming a strong brand. In Thailand we have just signed a second store and we are looking for a third one. We are investing in those areas where we can be successful with the retail format, where we have the expertise. We prefer to deal directly with our consumers, without intermediaries. We are in the CIS countries, and we are particularly successful in Kazakhstan, Armenia, Azerbaijan and we also have a good presence in Turkey and Egypt. Inshallah... next year we hope to be available in Europe, with some very interesting Developments. 7 On one hand, we are investing with a partner to have a retail presence in some countries, on the other hand we’ll be entering some alliances to get strategic distribution. Our future plans also concern Latin America and America, where we’ve already got good business partners. EM: What about olfactory trends? Are fragrances created in the Middle East for local consumers also suitable for European and overseas customers? AA: Ajmal wishes for sure to go internationally, without forgetting our heritage and our roots. We have brought in four different experts, all with long and distinguished careers in design, to create our image and packaging, so that we can address international consumers while retaining our authenticity. We create fragrances for both Arabic consumers and Western consumers. Our first objective is always to retain the best quality; we give large budgets to the perfumers we work with, so our products are expensive to us and expensive to consumers, but they get excellent quality. EM: What about your presence in the duty free channel? AA: In the recent past, travel retail business was never a profitable business. However, 2014 and 2015 have been quite good to the extent that at the moment we are 30% over last year. I believe that it will become profitable and, in any case, it represents a very good exposure on the international front, and a great opportunity to get a new clientele. 8 This is why we are putting more beauty advisors at the counters, to give the maximum information on our products. The existing accounts and the new ones are doing well: Dubai Duty Free, Abu Dhabi Duty Free, Cyprus Duty Free, Tourvest Inflight Retail, Oman Air and some budget airlines. We have been introducing some travel retail exclusives, both in single units and packs. Tax Free Cannes will be the best moment to show them to the duty-free operators. We are currently producing some limited editions, like the one we did last year for the 30th Anniversary of Dubai Duty Free, where we produced 300 units of a special fragrance. Again in 2014, for the National Day of Dec. 2nd, we created 5 fragrances with the colour of our flag, available only for 45 days. Hence our focus on TR & Duty Free is to provide bespoke offerings to the travellers both for gifting and personal use purposes. C.S. office@fragrancefoundationarabia.org USA AUSTRALIA FRANCE www.fragrancefoundationarabia.org GERMANY ITALY JAPAN RUSSIA UK 9 ARABIAN OUD a global retail success story Ihab Ezzat, Overseas Business and projects Development Manager of Arabian Oud, talked to Export Magazine about the brand that has over thirty years of experience EXPORT MAGAZINE: The world of fragrances has changed a lot. Fashion and renowned brands are still being chosen by customers, therefore another trend is coming up, focusing on what are known as “artistic fragrances”. How do you perceive the market according to today’s consumers’ attitudes? 10 IHAB EZZAT: As the world of fragrances has changed a lot, with a new trend focusing on artistic fragrances, our products present the rich Arabian heritage and present it in a modern way that show a great success and great consumer demand. On the other hand we do offer exclusive customized perfumes as we study the clients’ requirements and specifically identify the right ingredients, then finalize a unique perfume that is only produced for our clients and are not reproduced. Arabian Oud is actually creating a new benchmark in Perfume trends globally, as for a few years now the trend is Oud and the Middle Eastern taste in Fragrances and as a market leader in the region we clearly set the trends. EM: Which countries are developing fastest? IE: Saudi Arabia is expected to benefit from a further marked rise in tourist arrivals during the forecast period, with a CAGR of 13% in terms of incoming tourist numbers. The government is keen to encourage growth in travel and tourism, and will thus continue to invest in infrastructure, aiming to offer tourists an enjoyable stay. As well, the Saudi Commission for Tourism and Antiquities (SCTA) is working to launch several campaigns to encourage local residents to invest in domestic tourism through the wide promotion of new developments in the Kingdom such as the Saudi rail project, infrastructure upgrade and building of hundreds of hotels and a major shopping mall, which will also attract many tourists seeking luxury shopping. EM: The Middle East has always been a market leader regarding perfume consumption. Do you think that today is important to follow it more carefully in order to answer to the specific needs of every single country? IE: As a Market Leader Arabian Oud takes on the responsibility of introducing the Brand globally. According to Euro monitor, Arabian Oud is the No 1 best-selling perfume brand in the Middle East and is rated No 11 worldwide. And clearly, as an award winner of the Fragrance Foundation Arabia for the years 2010-2011, 2012-2013, 2014, Arabian Oud stamps its signs of excellence worldwide. Arabian Oud is looking for global Partners to share its success and global expansion plans. Arabian Oud has more than 800 stores based in Riyadh, Saudi Arabia, and the major cities of the Middle East, (Dubai, Abu Dhabi, Kuwait, Qatar, Oman, Bahrain, Amman, Cairo, Sudan) In Europe, we have a store on the Champs Elysées in Paris and in London in Oxford Street and at Westfield Stratford. Arabian Oud has reached the top position locally and globally as it is rated No 1 Retail perfume of the Middle East, holding 36% of the value share of the market and No 11 Worldwide company in global premium fragrances sales in 2012. It won awards from the prestigious Fragrance Foundation Arabia for the years 2010-2011, 2012-2013, 2014. We also offer franchising and export opportunities worldwide. EM: What about olfactive trends? Are fragrances created in the Middle East for local consumers also suitable for European and overseas customers? IE: Arabian Oud defines traditional Saudi fragrances for many consumers, and is a clear leader in fragrances throughout the Gulf region. The company accounted for a 36% value share in 2014, an increase of two percentage points in value share over the previous year. Arabian Oud benefits from its history and strong premium image. It also benefits from diversification, offering a widening range of gender-specific and Western-style fragrances, whilst continuing to retain its credibility within premium Arabic fragrances and simultaneously offering discount promotions to allow all income levels to experience its products. C.S. ARABIAN OUD incense, natural oils, finest blends and high quality spray perfumes. Arabian Oud, with its retail chain of over 500 stores worldwide, sells over 400 luxurious and unique fragrances. Its product portfolio comprises Pure Oils of oud, musk, amber and Taif rose, Oil Blends, mixed with oud oil, musk, amber and floral essences and fragrance sprays for men and women in specially designed bottles. With a pledge to precision and a commitment to excellence, Arabian Oud carries out the mission of combining heritage and originality to create products that go far beyond expectations. Arabian Oud is the first Arab company to be a member of Fragrance Foundation UK and is also the first and only Arab company to be registered in the Michael Edwards Fragrances World Book. Its vision is to proudly sell the finest products that still embrace its Arabic heritage. It strives to reach excellence in all its creations by selecting the most expensive aromatic raw materials in the world and it aims to target a broad scale of clients whilst remaining firmly attached to its Arabic roots. 11 HILAL PERFUMES the scent of Emirati experience Interview with Mohamed Hilal, Hilal Perfumes CEO EXPORT MAGAZINE: What is your philosophical approach, regarding your business and, as a consequence, your life? MOHAMED HILAL: My philosophy is that if you don’t enjoy what you do, you will never get the best from what you can do. When I was younger, I was looking for happiness; I used to be a pilot for our national airline, I liked to fly but I didn’t like it as a job. I tried different kind of businesses to find joy, including building, and finally I decided to start with perfumes. I just followed my instinct; I remember I used to carry a small bottle of perfume in my pocket, and smell it. I liked to smell good scents... Perfumery wasn’t new to me, it’s something in our Arabic culture. 12 Most Arab people, myself included, and I would say more than others, we know how to listen to the sensations coming from a fragrance. As I highlighted before, joy is my first priority in choosing a career, which represents what I always say “I job my love.” EM: The Middle East region has always been a market leader regarding perfume consumption. Do you think that today is important to follow it more carefully in order to answer to the specific needs of each single country? MH: From the very beginning of our activity, our concept was emotional; I was telling the true story that I lived, creating a bond between the brand and those to whom we “wish well-being”, as we don’t like to call them simply consumers. Business is an important part of my life and I wanted it to be real, to create products expressing relationships, emotion, interaction. Our philosophy is clearly to find joy with real things; our clients are well educated, and they want us to give them our reality, and they will love it and decide to live their own dreams... I went into the world of fragrances, and also of fashion, food and other activities at a later time, because I’m convinced that my mission is to represent our culture. Through our business, we have a responsibility, to fill a gap that exists between our country which has one of the best infrastructures in the world, and the lifestyle of the population. After we satisfy our country’s responsibility, fully emotionally charged, it becomes our further responsibility to give something to the world and to our international clientele. We want to convey to our customers, no matter where they are from, our good values; if we love these values, we’ll always love our customers, and they will do the same. “Milas” is a slang word that we pronounce when we receive a guest at home...and we give him the best we have, the best piece of oud, the best food, music, and everything to make him happy. Similarly, a brand should always find more and beyond what consumers emotionally need; they are the artists that interpret our humble creations. Our objective is very human, caring, ethical, and at the end of the day no matter how much money you make, what is important is when you can rely on a team around you that shares the pleasure of always giving the market something better. EM: What about olfactory trends? Are fragrances created in the Middle East for local consumers also suitable for European and overseas customers? And, on the other hand, what do you think of the fact that the most important brands are launching fragrances influenced by Middle East taste, selling them not only in the Middle East, but in the West as well? MH: Olfactory sensations and scents are related to perception. A scent is a language that everybody understands. The language that I selected to communicate without words to express our culture, our emotions, is a very common language. The challenge to me is to find scents that seem not to be accepted by international consumers and use the right information, the right emotion, to make it acceptable, to change their aversion into love. Do you agree with me that hate and love have a similar intensity with different aspects? Let’s take “oud” for example: you can accept this smell or not, depending on how it is presented to you. I have met many people who say they hated it, and then, after a few months, they started to like it, and use it on some social occasions, where they received enthusiastic comments about the fragrance they were wearing. I strongly believe that trends are created when leaders are clear about their vision and their ability to change people’s perception. Communication is important, it takes time and the right communication to convey to our clients what we are presenting to them in our boutique: the expression of our culture. We deliver our information not through marketing, but with a true experience of our fragrances, telling the story behind each one. Our slogan in the company is: “Yes, we think different”. According to this philosophy, our 2015 is also characterized by a second statement: “today is a better day”. And when we talk about the day, it’s not only that, we define a certain strategy, your attitude, your performance, your communication, during working hours, with your friends, for whatever you decide to do. Regarding international brands going towards oriental fragrances, and proposing them on our markets as well, I believe that when the vision dies, competition starts. These big international brands are coming to our markets and bringing their experience. We can learn from them, we can share some experiences with them and give something better to the market, our market, overseas markets. What is mainly important is not where brands buy the ingredients to make a perfume. At Halil Perfumes, we of course use the best ingredients offered by raw material companies, coming from all over the world, but, mainly, we ask our perfumers to simply interpret our emotions and thoughts. This is our true signature, on a creation that originated in the place where the brain was active at that specific moment. EM: In which countries does your company develop its business? Will you be considering other areas in the future as well? MH: We sell our perfumes through our own points of sale, plus multi-brand stores and the international chains in the U.A.E., Saudi Arabia and some GCC countries. Talking about going international, I’ll say once again that our main objective is to fulfil our clients’ wishes; we are not working hard to go outside: we work super hard to create the product that “the outside” wants to come for it. Once they discover our fragrances, they can take them away with them. Everybody at our company is working to make our brand different, it’s a very clear direction that can cross many borders. We like to inspire everybody, to make people think about the Emirates, to create an echo. So far, we have three perfume brands, three food and beverage brands, and in the pipeline another six perfume brands that will be ready by the end of the year, two leather goods and two chocolate brands. We will create a global hub for the Group to become in a few years the biggest local brand. We also submitted to our Government a special project for Expo Dubai 2020, something that, if accepted, everybody will not forget about for hundreds and hundreds of years. C.S. HILAL PERFUMES: INSPIRED BY PASSION Hilal Perfumes was founded by former airline pilot Mohamed Hilal who decided to pursue his passion for perfumes. The Hind Al Oud brand is the result of this passion and obsession with perfumery. Its engaging fragrances are designed for men and women who know what they want and have always achieved it. The brand targets the high end to exclusive segment. Flagship boutiques are present in the most prestigious sections of the best malls in the Gulf Region, from the UAE to Qatar from Kuwait to Saudi Arabia. Anfasic Dokhoon is a modern concept of contemporary oriental fragrances focusing primarily on incense, in different forms for personal use and home scenting. Luxurious yet affordable, Anfasic Dokhoon targets the mid to high segment. The collection also includes scented massage candles, body lotions, body scrubs, incenses and accessories. The Khaltat brand represents love, feeling, emotions and personal attachment, with a selection of modern fragrances body lotions and gift sets. Artlandi is an original and versatile concept: one case with six interchangeable scent cushions, with fragrances composed by the Italian perfumer Arturo Landi. 13 PARIS GALLERY “the Middle East is a global hub of trendsetting perfume” THE CEO OF THE PARIS GALLERY GROUP OF COMPANIES SHARES HIS IDEAS ON FRAGRANCE IN THE MIDDLE EAST TODAY Mohammed Abdul Rahim Al Fahim, the CEO The CEO of the Paris Gallery Group of Companies is Mohammed Abdul Rahim Al Fahim, a member of the Al Fahim family who founded and owns the group. He has played an active role in developing the group’s overall strategic plans, helping it take its first steps into the luxury retail sector as well as being instrumental in restructuring the management and increasing company foothold in the market and building brand value. An advocate of corporate governance that promotes innovation, supports creative thinking, and nurtures the creative spirit of the employee, he avidly shares his experiences and expertise on the subject at business forums worldwide. This family man, now settled in Dubai, is a keen reader, socializer and soccer player. 14 EXPORT MAGAZINE: The world of fragrances has changed a lot. Fashion and renowned brands are still being chosen by customers, therefore another trend is coming up, focusing on what are known as “artistic fragrances”. How do you perceive the market according to today’s consumers’ attitudes? MOHAMMED ABDUL RAHIM AL FAHIM: Artistic or niche fragrances have grown very popular in this region. They cater to the needs of a specific audience, His achievements Under Mohammed Abdul Rahim Al Fahim, Paris Gallery has evolved into a dynamic and diverse enterprise with a growing portfolio of iconic brands. The company’s culture of excellence has created an environment where technology, operational excellence and excellent customer service continue to play a role in the company’s growing success. Thanks to Paris Gallery successes in introducing, promoting and selling high-end niche perfumes, an audience that has a need to express their individuality and personal style. Such niche fragrances become essential to complement that need. Artistic or niche perfumery is becoming increasingly popular, especially in this market. They differ from designer fragrances in that they focus more on the originality of the scent than just the packaging. Higher concentrations of perfume extracts and more natural ingredients that tend to last longer are used in the creation of these perfumes. many elite perfumeries have been tempted to open in-store boutiques in Paris Gallery retail stores. Under Mohammed Abdul Rahim Al Fahim’s leadership, the Group departed from the conventional command and control model of a family business to a governance structure that empowered people to become leaders. His strategy, the implementation of which has led to strong customer loyalty, was to create a customer-centric organization with a new position as a luxury retailer dedicated to providing And because there is a huge demand for these scents, key fragrance houses are now producing exclusive collections to meet this demand. In the Middle East, where the perfume culture is significantly strong, consumers are willing to pay for anything that expresses their own individuality. EM: The Middle East has always been a market leader regarding perfume consumption. Do you think that today is important to follow it more carefully in order customers with unique and exclusive luxury products. In just six years, Paris Gallery increased its market foothold through effective marketing and a growing number of retail stores in all the major cities of the UAE and GCC. It has grown to a commanding position over nearly half the luxury retail market in the UAE. Mr. Al Fahim and Paris Gallery have received numerous international awards, including the 2013 CEO Middle East award and the Global Award for Perfection respectively. to answer to the specific needs of each single country? MARF: The Middle East has a legendary taste for fine fragrances and exotic ouds. In fact, the Middle East is now being established as a global hub of trendsetting perfume creations. International fragrance houses are setting up bases in this region to understand and better interact with customers. And we know for sure that the sector is growing by 5 - 6 percent annually, which means there is a lot happening in this region in the fragrances sector. This is our experience with tourists from other countries. They tend to fall in love with them instantly. It is obvious that international brands are launching fragrances inspired by the Middle East’s rich perfume heritage. This trend has been ongoing for quite some time and is still strong. The reason these brands do so is because they are aware that the Middle East market (along with other emerging markets such as China & Russia) are responsible for the industry’s surge in sales. C.S. PARIS GALLERY: WHERE LUXURY IS AT HOME The Paris Gallery Group of Companies is a privately held business group in the Middle East with core interests in beauty and lifestyle products and services. The group has almost become synonymous with luxury itself. From a single shop, the Paris Gallery Group of Companies now owns a retail chain of over 85 stores across the Middle East. Paris Gallery, the leading luxury retailer in the Middle East, is the eponymous flagship brand of the group. With over 50 stores in prime retail addresses in the UAE, Saudi Arabia, Qatar and Bahrain, these stores offer a premium collection of over 600 international brands across several product categories. The opulent shopping environments, innovative retail concepts, service standards and signature Arabic hospitality practices makes the brand a unique shopping and gifting destination in the Middle East. EM: What about olfactory trends? Are fragrances created in the Middle East for local consumers also suitable for European and overseas customers? And, on the other hand, what do you think of the fact that the most important international brands are launching fragrances influenced by Middle Eastern taste, selling them not only in the Middle East but in the West as well? MARF: Contrary to what many people believe, fragrances that are created exclusively for local consumers are also suited for Western tastes. 15 CLARINS Interview with Osama Rinno, Clarins Middle East CEO This doesn’t mean that the normal fragrances that all the big brands, including us, offer are not wanted anymore. In fact, the masses today still want the well-known fragrance names and we are doing a very good business. EXPORT MAGAZINE: The world of fragrances has changed a lot. Fashion and renowned brands are still being chosen by customers, therefore another trend is coming up, focusing on what are known as “artistic fragrances”. How do you perceive the market according to today’s consumers’ attitudes? OSAMA RINNO: Today there is a very good business for the known brand, nevertheless, there is a new trend that is called niche fragrances which targets consumers with very high disposable income and that are looking for uncommon fragrances. They are looking for fragrances that are unique, that not many people can afford (since they are mostly expensive), and that will distinguish them from their friends. 16 EM: The Middle East has always been a market leader regarding perfume consumption. Do you think that today is important to follow it more carefully in order to answer to the specific needs of each single country? OR: We can identify two or three different tastes in the Middle East. Not every country has its own different need or taste. The taste in the Gulf is more towards Oriental Middle-Eastern fragrances. This category is not well-liked in Lebanon or Levant, where consumer tastes are more similar to European. I would also categorize Iran separately where it is a mix between European and Gulf taste. Having said that, we have to admit that sometimes tastes are intersecting, although for a minority of the total consumers. When we talk about oud, we mean the whole range of “Oriental Fragrances”, including rose, amber, musk and other typical ingredients. I feel it’s more of a term that is used now to distinguish the Oriental or GCC - specific developments. In my opinion, people in general like this new trend of “fragrances”, even if sometimes companies experiment with scents that fail with the end - consumer, once launched. EM: What about olfactory trends? Are fragrances created in the Middle East for local consumers also suitable for European and overseas customers? And, on the other hand, what do you think of the fact that the most important international brands are launching fragrances influenced by the Middle East taste, selling them not only in the region, but in the West as well? OR: What we define as “oud” is definitely developed for the Middle East taste and specifically, for the GCC. Nevertheless, very slowly, Westerners and Levant expatriates living in the GCC are adapting to this taste. A few years ago it was not acceptable for them, today more and more ladies from Levant and even Europe are starting to wear them. A nice phenomenon that we just witnessed in Dubai is that many Brazilian clients bought our newly launched, Alien Oud Majestueux, a product that has been accepted and well liked both by local and non-local consumers. I think that the European and the Middle Eastern taste is adapting to those fragrances and our Alien Oud Majestueux, with its “oriental touch” is well liked by local consumers, Middle Eastern Expatriates and even Europeans because of the fact that we are not talking about “pure oud”, but an “international oud”. The fact that European taste is changing is proven by the outstanding success, a few years ago, of our “Miroir de Volupté” by Thierry Mugler. It was our first oriental oud and it’s selling very well in GCC countries, Levant and several European countries, especially in the UK. Nowadays, what is developed in the Middle East by some important local brands, is sold in many countries around the Globe. They have their own shops and they are increasingly successful. EM: Does the Dubai office also deal with duty free? OR: Yes, it represents one-third of our business. The biggest part comes from Dubai Duty Free, Qatar, Lebanon, Egypt and Abu Dhabi Duty Free. We are on board with Emirates Airline, Saudi Arabian Airlines, Middle East Airlines and Egypt Air. SOME MORE QUESTIONS AND ANSWERS ABOUT CLARINS MIDDLE EAST EM: Let’s talk about Clarins Group Middle East also regarding the other categories of products... OR: Besides fragrances, of course, we have Clarins skincare and make up. Within Clarins, skincare represents 75% of our sales and 25% is make-up. As a Total Company, 60% of our turnover is made with Clarins and 40% with our brands of fragrances, Thierry Mugler and Azzaro. Mugler is sold in A+ perfumeries and department stores while Azzaro in A & B perfumeries. Mugler is more than 90% sold to women and Azzaro more than 90% sold to men. EM: Do you adapt the make-up you sell in the Middle East to consumers’ tastes? OR: We didn’t in the past, but now, as for fragrances, if you want to be successful in make-up, then you have to work on the local taste. In Europe, consumers prefer light or natural make-up. In the Middle East, they like strong make-up, with dark eyeshadows and heavy colours. That’s why, even if we are leaders in skincare, we are still working very hard to build up our make-up pillar within this region. We have an army of well-trained beauty consultants and they are make-up experts, ready to give the best advice to our clients. We also have local and regional make-up artists who are in constant contact with end consumer, guiding them and educating them on what is best suitable for them. Our ambitious target is to be in the top 5 Make-up brands by 2017. We can reach this objective, only by giving the consumers what they really like. EM: Do you also have specific products for your skincare products? OR: Our skincare needs are the same as the rest of the world. Nevertheless, we have a whitening line, developed specifically for the Middle East and Asia needs. This is not a common concern for the European consumers but is very specific for Asia and the Middle East. C.S. To be able to sell, make-up brands have to adapt and develop make-up suitable for the region. This is what we have been doing in the past few years, and we are still continuously doing. Make-up, in this region, is the second most important category after fragrances. 17 LAUNCH FERRAGAMO AND TUSCANY a love story in two special collections Tuscan Soul Quintessential Collection and Tuscan Scent Quintessential Collection have been created to highlight the values of the fashion house The Italian region of Tuscany has always been a source of creativity and vision for Salvatore Ferragamo and was the place where his dreams came true. Two special collections of fragrances by the brand pay tribute to this idyllic area: Tuscan Soul Quintessential Collection and Tuscan Scent Quintessential Collection. Tuscan Soul Quintessential Collection Tuscan Soul Quintessential Collection emphasizes the values of a timeless fragrance and attention to detail. These values are accentuated in the iconic bottle which expresses the authenticity of this one of a kind collection. The clear bottle displays the colours of each fragrance highlighting the strength and pureness of each essence. The ash wood cap gives the bottle an extra touch of elegance. The outer packaging consists of a precious white “leather-like” paper box, with a built-in ash wood framed base that acts as a podium for the fragrance. The contrast of the white box and the dark wood give the packaging an extra-refined touch. 18 The newest fragrance in the collection is La Corte that will be on shelf from April 2016. It joins Bianco Di Carrara, Vendemmia, Viola Essenziale, Convivio, Punta Ala and Terra Rossa. La Corte is inspired by the dynasty o the Medici, the powerful family that ruled over Florence and Tuscany and played an undisputable role in the Renaissance and the flourishing of the arts. It was their support of the arts and humanities that made Florence the cradle of the Renaissance with the Court of the Medici at its heart. As a homage to the grandeur of Tuscan history, La Corte is an olfactory creation exuding all the enlightenment and liveliness of the Italian Renaissance. Tuscan Scent Quintessential Collection This sumptuous collection comprises fragrances that explore an olfactory and sensory path through the most intense scents of Tuscany. Their luxurious black bottles, enhanced with a handmade cap made from the finest Tuscan briar root wood, encodes roughness yet refinement, making each piece unique. The renowned Gancino, embedded on the cap, glows in luminous gold, matching the precious lettering, while contrasting with the elegant black of the bottle. A sophisticated black box, with a leather-like touch, holds the fragrance and is enriched by a shiny gold frame which acts as a podium for the bottle. The newest addition to the collection is Leather Rose that will be on shelf from April 2016. It joins White Mimosa, Golden Acacia and Incense Suede. Leather Rose is composed around an exclusive and extraordinary ingredient, the rose. It is a fragrance of contrasts, where the floral richness of roses is in harmony with the most vigorous and enthralling notes of leather. Both collections are available worldwide in the Salvatore Ferragamo Boutiques and Galeries Lafayette, Harrod’s, Saks Fifth Avenue, Tsum and other selected department stores. THIERRY MUGLER ALIEN OUD MAJESTUEUX the new and refined version of Alien LAUNCH With inspiration from a sensual and spellbinding vision of the Orient Thierry Mugler imagined the luminous universe of Alien ten years ago: now it is imbued by the spirit of the Orient and its splendour, mystery and wealth. Oud, a rare, precious and enigmatic ingredient, has been used in perfumery for centuries and continues to be prized, especially in the Middle East for its uncommon opulence. Alien Oud Majestueux has been created in close collaboration with the House of IFF perfumers based in Dubai, to benefit from their expertise in composing a fragrance as close as possible to local preferences and as faithful as possible to the temperament of the most sought-after fragrances in the Middle East. This “woody amber floral” has been built around three revelations: a saffron revelation, which differentiates this fragrance from the original Alien, as its first notes pulsate with the freshness of cardamom and the flamboyance of saffron; an oud revelation, with solar and floral sambac jasmine at the heart of the fragrance, where it meets cashmeran wood, the original Alien signature. The accord is enhanced by the voluptuous and exhilarating aromas of the oud accord. Finally, as in the emblematic Alien wake, white amber brings comforting, enveloping warmth, joined by musk for an infinitely seductive fragrance trail. Alien Oud Majestueux comes in shimmering gold colours. Precious glints cast a benevolent sheen on the pure design of the bottle, faceted like a gem, which holds the amber-tinted fragrance. The box is pyramidal and gold, lined with mirrors to reflect it ad infinitum. 19 LAUNCH ARTISTIC PERFUMERY CRYSTAL OUD A sensual and unique fragrance from Alysonoldoini Collection The 20 ml format Crystal Oud 20 The unique scent Crystal Oud created by Benoist Lapouza belongs to a woody aromatic, fern olfactive family. The focus notes are Vetiver and Oud with Truffle. The Vetiver is the indispensable instrument and the reflection of the masculine essence and an intense attraction for the femine universe. The Oud balsam is captivating and embraces the Vetiver under a new light. The white Truffle gives a tipycal and exclusive connotation calling “Artistic Fragrance”. Crystal Oud with its superb formula was introduced by the expert Michael Edwards at Esxence 2015 in his talk on “Have the west fall in love with oud”. Crystal Oud simbolically represents the point of connection between the West and the Middle East. The quest for the unexpected and innovation enchains the mystic culture of the Middle East. ARTISTIC PERFUMERY LAUNCH Crystal Oud e. r univers minine dwards, autho fe e h t r E s l t fo e n n a e s h io pre Mic tract e xper t t that re t. ense at The int hasized by the rld, like a scen nd Middle Eas p o a t m W s e e e t h t n W e f n c o wee The s Fragrances ion bet of the int of connect o p the Crystal Oud means the passage of this evolution. The name “Crystal” represents the Ovest side of the perfume introducing the olfactive journey throught out a new landscape of magnificences lost in the mood of the sensual Oud. A new concept is discovered to awaken in high feeling of the senses in an unique sensorial journey. Micheal Edwards is the creator and author of Fragrances of the World, universally regarded as the “Bible” of perfumery. It is independent and impartial, unsurpassed in both its research and scope, the definitive reference trusted by perfumes, executives, journalits, retailers, collectors and shoppers worldwide. Now in its thirty-first annual edition, he created this annual guide to help perfume retailers advise their customers. It organized perfumes into 14 fragrance families – including woods, oriental, floreal, fruity and citrus – and evev more subfamilies from which to choose. Refreshed weekly the online databank provides current and up to date details on new launches, while the annual guide book is in iconic sales tool with current and historic references at your fingertips. The thirty-first edition, fully revised and updated, was launched in February this year. In this edition is mentioned for the first time the 8 exclusive fragrances of ALYSONOLDOINI. He describes Crystal Oud how it is “mystical, sensual, unique. 21 LAUNCH VERSACE Eros Pour Femme, a fragrance for passionate women The absolute expression of power and seduction Donatella Versace herself greatly wanted this fragrance: a creation that explodes with passion and an invitation to give in to desire! Eros Pour Femme is a radiant and sensual essence that expresses strength, character and seduction. The bottle is unmistakably Versace: modelled on the mythological codes of the Versace DNA. The Medusa in relief in the centre and the Greek key on the contour infuse their personality on the creation. The back and the cap are in harmony with the front, the first with the decoration of the Greek key in golden metal on the contour and the second with the Medusa in relief on the top. 22 The Eau de Parfum comes in a fine deluxe box, with an elegant drawer-like opening, typical of prestige jewellery. Attraction, desire and passion have been bottled in this alchemy of seductive, luminous and feminine notes. It is a refined accord of lemon and jasmine, sublimated by soft and sensual woods. The top notes correspond to attraction, with precious and vibrant Sicilian lemon and Calabrian bergamot attracting by their radiance, Delicious and inviting pomegranate seeds surprise and seduce. Desire is embodied by two varieties of jasmine: the infusion and the absolute Sambac express authentic and timeless femininity. Peony petals give velvety aspects whilst the luminous touch of lemon blossom exalts the floral accords and evokes the tradition and homeland of Versace. The drydown reveals passion, in mysterious and profound ambrox, accompanied by an accord of sensual woods, sandalwood and musk, creating intense and enthralling notes. The myth comes to life in the new advertising campaign featuring Lara Stone and Brian Shimansky. Eros, the eternal god of love, meets an unknown but all-consuming passion in the figure of a mermaid born out of the water. The attraction is instantaneous, skilfully captured by the directors Mert Alas and Marcus Piggott, under the artistic direction of Donatella Versace. LAUNCH VERSACE POUR HOMME OUD NOIR for lovers of oriental fragrances An intense and regal composition based on one of the finest ingredients of perfumery craftsmanship The new oriental woody fragrance, Versace Pour Homme Oud Noir, has all the seduction of a desert sunset, like a warm breeze in the air giving a feeling of well-being. Sensual and heady, its aroma is almost aphrodisiacal. Crafted with one of the finest ingredients used in perfumery since time immemorial, oud, this fragrance is for lovers of oriental fragrances, a man with a strong personality. Spicy and with a deep scent of leather, the debut is characterized by zesty notes of bitter orange blended with fresh and sparkling scents of neroli and a virile touch of black pepper. Spicy cardamom and saffron, enriched by resinous notes of olibanum, create a burning and remarkable heart. Intensely dark oud notes enrich the fragrance, wrapped by an elegant duo of earthy patchouli and textural leatherwood, unveiling the hypnotic strength of an addictive contrast. The fragrance comes in the original Versace Pour Homme bottle, resembling a facet cut gemstone. This time the flacon is elegantly black, fading out gently at the top of the bottle and enriched with gold accents for an opulent look. 23 EXPRESSIONS PARFUMÉES Export Magazine met THIERRY FLEURICHAMP, HEAD OF THE DUBAI OFFICE OF EXPRESSIONS PARFUMéES, TO TALK ABOUT THE CHALLENGES AND SATISFACTIONS OF THE MIDDLE EAST EXPORT MAGAZINE: The world of fragrances has changed a lot. Fashion and renowned brands are still being chosen by customers, therefore another trend is coming up, focusing on what are known as “artistic fragrances”. How do you perceive the market according to today’s consumers’ attitudes? THIERRY FLEURICHAMP: Today we have to adapt to this new demand which emerged a few years ago when the MENA market was full of new brands produced within the region. This flood of new brands led to a great change in customers’ minds, who looked for increasingly rare, very rich and very exclusive fragrances. It is now the time for niche or artistic brands to lead the market. New scents using unique and expensive raw materials. inspired by international brands which were the first to succeed in the Middle East (such as Tom Ford), are showing the way... EM: The Middle East has always been a market leader regarding perfume consumption. Do you think that today is important to follow it more carefully in order to answer to the specific needs of each single country? TF: It is more a tradition in the Middle East than a trend. Of course, consumption here is more important than in many other countries. We do not have such a long-standing tradition in the West and the needs are very different and depend more on economic factors rather than tradition. In this period of financial and political instability, the consumption of perfumes in Middle East is only moderately affected, which means this is where there is still consumption and of course international brands must adapt their offers to this market specifically. These are and will become the most important countries in terms of consumption in the coming years. The Middle East is now the focus of international brands and a source of inspiration. EM: Which countries are developing the fastest? TF: Iran, and African countries are where the rates of development are the highest. EM: What about olfactory trends? Are fragrances created in the Middle East for local consumers also suitable for European and overseas customers? TF: Not at all. In Europe the artistic brands find echo only and mainly in the Middle East. Although the trends change slowly, the European market resists in term of olfactory change with a very classic ranking which has remained the same over the past few years. A new office in Dubai for this French company based in the capital of fragrance, Grasse With an international outlook and to develop its potential in the Middle East in particular, last year Expressions Parfumées opened an office in Dubai under the management of Thierry Fleurichamp, to better meet the needs of this important region, showing great development in all the individual countries. The team is soon to be completed by the arrival of an expert perfumeur. However, even though a tiny part of consumers is looking for exclusive perfumes, this doesn’t mean that European habits of consumption are changing. EM: And, on the other hand, what do you think of the fact that the most important international brands are launching fragrances influenced by Middle Eastern taste, selling them not only in the Middle East but in the West as well? TF: It is a question of adapting and keeping market shares. The local brands cover the market with well adapted scents while the international brands remain very classic. The international brands did not want to lose their market shares and decided to adapt their fragrances to the Middle East market. Now, surprisingly, every major brand is launching their private collection using Middle Eastern raw materials and following Middle Eastern trends. Even the international mastige brands are developing deodorant and shampoos.... following the same concept. EM: Expressions Parfumées opened an office in Dubai a year ago and you are the General Manager. Is it a commercial office or do you also develop projects from this location? TF: Almost ten years ago we opened our first office in Sharjah. And at the time it was just a marketing and commercial office. Almost three years ago, we moved to Dubai and opened a technical lab in order to service our customers faster. Our future development and creation will now be done directly in Dubai allowing us to get closer to our customers. EM: How is this office organized and how many countries does it look after? TF: This office operates as a hub for all Middle Eastern and Asian markets: the GCC countries, East Africa, Iran and India. C.S. 24 EXPRESSIONS PARFUMÉES: EXPERT KNOW-HOW TO CREATE FRAGRANCES OF SUPERB QUALITY Expressions Parfumées can produce creations to meet its customers’ desires and market trends, with great emotional potential. The company also works in the areas of cosmetics, home fragrances, personal hygiene and soaps and detergents for the industrial sector. Claude Broggi and Jacques Lions, co-founders of Expressions Parfumées Expressions Parfumées was founded in 1982 by three perfume manufacturers who were motivated by the desire to practise their profession following a particular vision: the desire to have a short and highly reactive decision chain which adapts to all projects in the field of fragrance creation. Its success is the result of expert knowhow: responsiveness to market trends, well-controlled delivery lead-times, and cutting edge equipment ensuring a constantly high level of quality. The company is based in Grasse, home to the fields of jasmine and roses which are used in the finest fragrances and capital of the fragrance world, and works in the purest local tradition of the perfumery industry. Its offer of fine fragrances extends to luxury perfumery and mass retail. The company has as its mission to create perfumes which not only offer irreproachable aesthetics and are perfectly adapted to customers’ supports, but also preserve health and respect the environment, animals and plant species. 25 COMPANY ARTISTIC PERFUMERY luxury fragrances in the best of French tradition HISTOIRES DE PARFUMS Gérald Ghislain, a self-admitted epicurean, founded Histoires de Parfums in 2000 making an old dream come true. With Histoires de Parfum, Gérald Ghislain aims to perpetuate the French expertise in perfumery, choosing ingredients, packaging and communication only of the highest quality. Histoires de Parfum is unabashedly a luxury brand, with very selective distribution in only the most prestigious perfumeries and leading department stores. The collections created by Histoires de Parfums began with those inspired by famous people who inspired their generation, with their years of birth giving the perfume’s name, such as 1899, which is a tribute to Hemingway, or 1725, when Casanova, the master of seduction came into the world. The Opera collection exalts fragrances and women. Like the notes of music, fragrances are intangible, yet they can be unforgettable as they linger in the air and the memory. Both ephemeral in nature, music (and opera in particular) and fragrance share several elements: they both require great attention and skill to be successful, they share the same vocabulary of notes and accords. It was this analogy that inspired Gérald Ghislain, an opera aficionado, to create his new collection for Histoires de Parfum. He wanted to fix the totality of this 26 art, based on experiences for all the senses, in fragrances: the five fragrances inspired by five female protagonists of well-loved operas are the result, exalting both women and music. Which operas have inspired these creations? Turandot, 1926, with an air of Eastern nobility; Norma, 1831, a tribute to classic French perfumery; Madame Butterfly, 1904, passion in a delicate wrapping and the sensuality of the Orient; Carmen, 1875, a solar fragrance with fiery charm and Queen of Spades, 1890, the fragrance of the Slavic soul and an all-consuming passion. Created in the tradition of the greatest classics of perfumery, each fragrance comes in a bottle of its own, made by master glassmakers Waltersperger using original moulds from the 1930s, Art Deco masterpieces contrasting with the current trend of sleek design. Magnetic red wooden boxes house these gems and here again there is a link with music: the box is in fact a music box which plays the opera melody inspiring the fragrance. After the success of the musical box, Opera fragrances are now available in a more accessible edition to allow increasing numbers of women to be exalted by Histoires de Parfum Opera fragrances. LAUNCH The New York-based company presents promotional gondola exclusively for travel retail AMOUROUD BY PERFUMER’S WORKSHOP a collection of olfactory memories Perfumer’s Workshop, founded in New York in 1970 as a private company by Donald Bauchner who is still at its helm, continues to dedicate itself to the niche fragrance category with its oud-inspired Amouroud range which is now given a special promotional unit for travel retail. Amouroud was launched this time last year and has attracted great attention, in line with the growing trend for niche fragrances. The collection contains a wide range of new and innovative fragrances, all with a strong character and great persistence and several of which are pure oud-based: Miel Sauvage, dark orchid, Modnigth Rose, Oud du Jour, Silk Route, Agarwood Noir, Bois d’Orient, Santal des Indes, Oud After Dark and Safran Rare. The fragrances are presented in opulent and striking black and gold packaging. With the growth of the niche fragrance sector, travel retail is also dedicating greater space to this category. The new Amouroud promotional gondola will easily attract the attention of passing travellers. It is decorated in the same rich black and gold as the fragrance packaging and the compact unit allows numerous SKUs and gives potential customers the chance to experience the wide range of innovative fragrances. It has already received requests for customizable units for line introductions, proving that the niche category is definitely gaining support. Perfumer’s Workshop is currently in talks with numerous Middle Eastern shops and there is a possibility in Europe. 27 LAUNCH chic and timeless, luxury and lightness… Parfums Pergolèse paris Parfums Pergolèse Paris is also a classic range of oriental scents: Ottomane inspired by the poetic landscapes offered by the romantic “Golden Horn”, which evokes the flavours of the Orient. An intense yet delicate exotic fragrance, it combines warm and sensual notes of fruit and flowers. French marigold, Damask rose, jasmine, Japanese gardenia and lilac open the composition. The heart features coconut, honey and peach wrapped up with a spicy base of patchouli and sandalwood. Parfums Pergolèse Paris has created a new men’s fragrance, Rue Pergolèse Bullit pour Homme, inspired by the timeless elegance and atmosphere of Paris. The fragrance captures the spirit of Paris with its top notes of mint, lavender and bergamot. The heart opens with spicy notes of cinnamon and cumin, accentuated by orange blossom. Vanilla, Tonka bean, sandalwood and cedar-wood provide the framework for the background of this oriental fragrance. It has all the strength of a fresh aromatic thanks to artemisia, rosemary and mint, punctuated with woody effects of vetiver, softened in contact with musk. The base rests on a particularly strong patchouli structure. It is a fern woody Oriental. 28 PHOTOS: Dominique SILBERSTEIN P. MAG CREATION / PARFUMS PERGOLESE PARIS 59, Rue de Miromesnil 75008 – PARIS CONTACTS: Mr. Patrick MAGAUD, C.E.O Ms. Djeylane RUFAS, Business Development Manager + 33(0)6.87.74.49.04 + 33(0)6.79.14.26.69 29 LAUNCH ARTISTIC PERFUMERY MORESQUE parfum a tribute to the legacy of Arabic art The splendour of Moorish civilization is the inspiration for a new brand rich in meaning Moresque Parfum is a new brand on the niche perfumery scene that combines Italian creativity and quality with the reminiscence of “Oriental scents” in products of subtle luxury, style and distinction. Only rare and precious raw materials of the highest quality are used in these genderless Eau de parfums, seven to date and divided into the Black, White and Art Collections. The Black Collection has three audacious and intense creations. Emiro is a tribute to the monarchs and those in command. It is a floral-leather perfume that sues geranium Pantelleria supported by contemporary and exotic Patchouli from Indonesia. Al-Andalus recalls the vibrancy and the blazing sun of Andalusia in a fiery and seductive Oriental scent which diffuses the blazing sun of Andalusia and the warmth of Oud from Jakarta. Rand is a homage to the “Desert Flower”, a floral-oriental olfactory blend rooted in powdery iris from Florence. 30 The White Collection is ethereal and refined with Diadema, a gourmand fragrance that celebrates sovereignty and nobility through the sweetness of caramel. Moreta, which takes its name from the Spanish word for a stunning woman of ravishing femininity, is a fruity-floral, woody jus, led by sensual Caribbean ylang-ylang that expresses voluptuousness, charm and natural charisma. Tamima is an olfactory allegory of the princess and poetess Tamima, wife of the Almoravid Sultan Ali ibn Yusuf of Morocco. The floral-woody composition is boosted by notes of Cashmeran. The Art Collection currently features one Eau de Parfum, Aristoqrati, a woody-spicy fragrance sublimed by Madagascar Vetiver, that embodies the spirit of the aristocratic dynasties of the Middle East and hints at a special bond between the sense of nobility and the arts. Alongside the Collections of Eau de Parfums, Moresque has also created Esprit de Parfum, in a desire to perpetuate the tradition of scented oils, which have their roots in Arabic perfumery culture. Neither an Eau de Parfum or an Extrait de Parfum, Esprit de Parfum is a highly concentrated scented oil that explores the “spirit” and key essences of the brand’s perfumes. Encapsulated in sumptuous crystal flacons, they embody the essential expression of the Eau de Parfum Tamima (White Collection), Al-Andalus (Black Collection) and Aristoqrati (Art Collection). To recreate an oriental atmosphere in the home, Moresque also offers a range of perfumed candles made from mineral and plant waxes. The candles, which burn for 40 hours, come in the compelling scents of Tamima, Al-Andalus and Aristoqrati. The Largest International Trade Fair for Beauty Products, Hair, Fragrances and Wellbeing in the Middle East May 15 – 17, 2016 Dubai International Convention and Exhibition Centre, UAE The business of looking good is looking great! Ensure your participation at Beautyworld Middle East, the largest trade show of its kind in the Middle East, and secure your success in 2016! Book your stand now! www.beautyworldME.com Messe Frankfurt Middle East GmbH P.O. Box 26761, Dubai, UAE Tel: +9714 389 45 00 Fax: +9714 358 55 22 beautyworld@uae.messefrankfurt.com 31 32