THERENAffiSANCEE
1400-1600
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FORMS
-Mass
-Motet
-Hymn
RHYTHM
I
- Introduction of meter
-Syncopation used heavily
HARMONY
- No complete cadences used
- Harmony came from melody
- Mostly perfect octaves, perfect fifths and perfect
fourths
-Modal
- Harmony introduced during the era
TEXTURE
-Linear
- Either polyphonic or homophonic
SOUND
-Women added to songs
- Instruments added for accompaniment
MELODY
- Lots of notes used
- Used imitation including transposition, canon,
augmentation, diminution, retrograde and inversion
COMPOSERS
Byrd, Palestrina, Gesualdo, Garielli, Desprez,
Dowland, Gibbons
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He was born in 1564 and died in 1619.
He was born into a noble Neapolitan and eventually became Prince
ofVenosa.
He wrote both secular and sacred music.
In 1590, he murdered his guilty wife and her lover.
He published six volumes of madrigals and two books of motets.
A characteristic of his music is the use of extremely chromatic
harmony
The motet originated in the 13th century.
The name comes from either the Latinized version of
the French mot which
means "word" or "verbal
utterance" or the Latin motus "movement''
The term Motet is given to a number of varied choral
compositions.
It originally used words which were of a religious
nature and were in Latin.
It would have a tenor voice as its foundation with the
other parts often singing different, and sometimes,
unrelated tunes over it. They would also use different
words.
Over time it began to use French Secular texts.
A motet generally has between 4 and 6 voices.
Carlo Gesualdo
1564---1619
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lsorhythms were developed and introduced. An
isorhythm is a short repeating rhythm in one of more
voices.
During the Renaissance era, all the parts used the
same text.
Cover from one of Gesua/da's books of
Madrigals
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He was born in England in 1539 and died in 1623_
William Byrd is considered to be one of England's greatest
Renaissance composers.
His keyboard works are considered to mark the beginning of the
Baroque organ and harpsichord style.
Byrd wrote a great deal of sacred music including settings of the Mass
for 3, 4 or 5 voices.
He also wrote a number of secular works for voice and used a number
of different instruments as accompaniments.
He was the organist and member of the private religious
establishment, the Chapel Royal during the reign of the protestant
queen, Queen Elizabeth L
He remained a devout Roman Catholic despite this.
During the Renaissance era, vocal music was
more important than instrumental music.
Music was written by composers using
techniques to enhance the meaning of the
text
Word painting was a technique used to do this_
William Byrd
1539-1623
It is a musical representation of poetic images.
For example, the words rising to heaven might
be set to a rising melodic line and the act of
running might be heard with a series of rapid
notes_
In Renaissance music, emotion was usually
expressed in a moderate, balanced way, with
no extreme contrasts of dynamics, tone colour,
or rhythm_
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Example of written music from
the Renaissance era.
He was born in Palestrina, Italy in c.l525 and died in Rome, Italy in
1594.
He was primarily a composer of sacred music.
He did write some secular madrigals later in his life but was
'embarrassed' by them.
His music has been recognised as providing clarity and balance.
The way he combined the various high and low voices allowed him to
create various tone colours.
His sacred music is often considered to be "perfect" sacred music.
Renaissance composers would use a great deal of
polyphony in their music. Polyphonic music is
music with parts for several independent voices or
instruments.
A key device that they used to help create the
texture found in their music was imitation.
Imitation is where one voice introduces a musical
idea and then another voice imitates, or copies,
this idea.
Giovanni Pierluigi Da Palestrin
c.l525-1594
Pope Marcellus Mass
(1562-1563)
For example,
• This mass is considered
Palestrina's most famous.
to be
It was long thought that it convince the
Council of Trent that polyphonic
masses should be kept in Catholic
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•
desire for clear projection of sacred
text.
•
extract from Thomas Tallis: Anthem,
Heare the voyce and prayer of thy servants.
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The mass is written for an a
cappella choir of 6 voice parts:
soprano, alto, two tenors and two
basses.
INSTRUMENTS
OF THE
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Shawm
An ancestor of the oboe, the shawm was a
double reed instrument. It had a very brash,
reedy sound and finger holes like a recorder.
Recorder
A wooden instrument with finger holes, the
recorder has a conical bore and is gently
tapered towards the end.
The cornett was a curved instrument with finger
holes like a recorder, made of wood or ivory. It
used a mouthpiece similar to those used on
present day brass instruments and had a brash
trumpet-like sound.
Crumhorn
A double reed instrument which had a cap over
the reed, the crumhorn had a soft tone
produced by the player blowing into the cap. It
was shaped a little like a walking stick and had
finger holes similar to the recorder.
Sackbut
The sackbut was an early type of trombone. It
had a smaller bell than the modern trombone
and as a result it had quite a round and mellow
tone.
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Trumpet
The renaissance trumpet was a similar shape to
the modern trumpet It did not have any valves
and different notes were produced by changing
the lip pressure on the mouthpiece.
Viol
The Viol was the most important string
instrument family of the Renaissance period.
The instruments had six strings over a fretted
fingerboard
and a flat back with sloping
shoulders. They were played with a bow. The
smaller instruments were played upright on the
player's knees. The larger ones were played
upright between the player's knees, a little like
the modern cello.
Lute
The lute usually had 12 strings tuned in pairs
over a fretted fingerboard like a
mn.rl<>•rn guitar. The neck was bent back almost
right angles to the fret board and the body
had a pear shaped sound box.
Harpsichord
The harpsichord is a keyboard instrument
where the strings are plucked by a metal quill,
It generally has two rows of keys.
Virginal
The virginal was played in a similar way to a
harpsichord, but the strings ran parallel to the
keyboard. This allowed the instrument to be
smaller and to fit into the rooms of the period.
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