Characteristics
In Renaissance music, rhythm is more a
gentle flow than a sharply defined beat
Each melodic line has great rhythmic
independence
Pitch patterns in Renaissance melodies
are easy to sing, usually they move
along a scale with few large leaps
Sacred Music
The two main forms of sacred
Renaissance music are the motet and
the mass
Both forms are similar in style, but a
mass is a longer composition
The Motet
The Renaissance motet is a polyphonic
choral work set to a sacred Latin text
other than the ordinary of the mass
The composer that was most famous for
the motet is Josquin Desprez
Deprez lived from 1440-1521
He was a master of Renaissance music
The Motet
Desprez was born in the province of
Hainaut, which is part of Belgium
He sepent most of his life in Italy,
serving in dukes’ private chapels and in
the papal choir at Rome
In his later years he worked for Louis XII
of France and held several church posts
in his native land
The Motet
Desprez’s compositions included
masses, motets, and secular vocal
music
All his compositions strongly influenced
other composers and were praised
enthusiastically by music lovers
The Mass
The Renaissance mass is a polyphonic
choral composition made up of five
sections: Kyrie, Gloria, Credo, Sanctus,
and Agnus Dei
The main composer for the mass during
this time period is Giovanni Pierluigi da
Palestrina
Palestrina was from Italy
The Mass
Palestrina lived from about 1525 to 1594
He devoted himself to music for the
Catholic Church
His career was centered in Rome,
where he held important church
positions, including that of music director
for St. Peter’s cathedral
Palestrina’s music includes 104 masses
and about 450 other sacred works
The Mass
The Jesuit order (1540) and the
convening of the Council of Trent (15451563) attacked church music
The arguement was that it used secular
tunes, noisy instruments, and theatrical
singing
Some complained that complex
polyphony made it impossible to
understand the sacred texts
The Mass
The council wanted only monophonic
music, Gregorian chant, for the mass
The council finally decreed that church
music should be composed to inspire
religious contemplation, not to please
the ear
The restraint and serenity of Palestrina’s
works reflect this emphasis on a more
spiritual music