Early Medieval & Romanesque Art notes

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Early Medieval and Romanesque Art Notes

Read Discovering Art History pages 222-239

Early Medieval Art

Time Period : 500-1050 CE

Hiberno-Saxon Empire: 500-799 CE

Carolingian Empire: 700-899 CE

Key Ideas:

Early Medieval Vocabulary

•Celtic

Migratory period/ portable work

Hiberno-Saxons preferred abstract interlacing patterns

Carolingians revived ancient Roman style

•Cloisonné

•Cloister

•Codex

•Horror vacui

•Illumination

•Parchment

•Vellum

Saxon & Hiberno-Saxon Art to Know

Purse Cover from Sutton Hoo Book of Lindisfarne , c. 700, Book of Kells , c. 800, ink on

Ship Burial, 600-650, gold, garnet, enamels, British

Museum, London, England.

(p224) tempera on vellum, British

Museum, London, England.

(p222-223) vellum, Trinity College

Library, Dublin, Ireland.

Equestrian Statue of a

Carolingian Ruler , 9th c., bronze, Louvre, Paris, France.

Carolingian Art to Know

Odo of Metz, Palatine Chapel ,

792-805, Aachen, Germany.

(p224)

St. Matthew the Evangelist , c.

816-835, (from the Ebbo Gospels), ink and tempera on velum, c.10 x 8”,

Biblioteque Nationale, Paris, France,

(p226)

Romanesque Art

Time Period 1000-1150 CE

Romanesque Vocabulary

•Abbey

•Apse

•Archivolt

•Baptistry

•Buttress

•Campanile

•Cathedral

•Embroider

•Mandorla

•Reliquary

•Ribbed vault

•Secular

•Tapestry

•Tympanum

Key Ideas:

Increased pilgrimage traffic= ideas traffic

Return to large-scale architecture

Romanesque Architecture to Know

• Pisa Cathedral , begun 1063, Pisa, Italy. • Basilique Sainte-Madeleine , 1104-1132,

(p236) Vezelay, France. (p235)

Romanesque Sculpture to Know

• The Mission of the Apostles from the •Gislebertus, Last Judgment , 1120-1135, tympanum of Basilique Sainte-Madeleine , marble, St. Lazare, Autun, France. (p237)

1120-1132, limestone, Vezelay, France. (p233)

Romanesque Craft to Know

•Bayeux Tapestry, 1070-1080, wool and linen •

Chalice of Abbot Suger of Saint-Denis, c embroidery, 20” x 130’, Bayeux, France.

(p230, 238)

1140, sardonyx cup with gilded silver mounting, filgrees of stones, pearls, glass insets and opaque white glass pearls, 7 ½” high, National Gallery of Art, Washington DC.

(p230,

239)

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