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Art History Exam Study Guide: Cubism, Impressionism & More

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Arts final
1. Cubism
- Cubism emerged from Cézanne's approach to art, where he used geometric
shapes to represent nature, moved away from traditional perspective, showed
objects from multiple angles at once, and highlighted the flatness of the
canvas.
- The use of collage marked the beginning of the synthetic phase of Cubism.
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Unlike Analytic Cubism, which breaks down forms, this approach focuses on
building up and highlighting the shape of the object.
2. Pablo Picaso
- Picasso’s first major artistic phase has been called his Blue Period - This work
uses blue tones, stretches the human body, and shows sad, poor people, often
alone or doing simple tasks.
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After Picasso's Blue Period, his Rose Period featured lighter colors and
moods.
During the Spanish Civil War Picasso protested its brutality and inhumanity
through highly emotional works such as Guernica.
3. Main comparison between impresionism, postimpresionism and expresionism
and write one representative artist for each
- Impressionism: Claude Monet
- Post-Impressionism: Vincent van Gogh
- Expressionism: Edvard Munch
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Impressionism captures the fleeting effects of light and color in the real
world.
Post-Impressionism extends these ideas but adds more emphasis on form
and emotion.
Expressionism moves further to prioritize emotional expression, often
distorting reality to achieve it.
4. Parc de la Villette
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The site of La Villette during the 18th century, became an obligatory point
of transit for goods being transported
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In 1979, the Public Body for the Parc de la Villette was set up and assigned
the task of redeveloping the site to create a city park, open to everyone,
which would link up a national museum of science and technology and a
concert hall.
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Bernard Tschumi - Winner of the design competition in 1983.
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The Project involved the design and construction of over 25 buildings,
promenades, covered walkways, bridges, and landscaped gardens over a
period of fifteen years.
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Tschumi laid down three geometries: points, lines and curves.
5. The Rennaisance and the Baroque
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The Last Supper - Fresco painting for the dining hall of a Milan monastery.
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The condition of the work is poor because of Leonardo’s experimental
fresco technique.
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The composition is organized through the use of one-point linear
perspective.
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Solid volumes are constructed from a masterful contrast of light and
shadow.
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strict rules of perspective and graceful balance of motion and restraint
6. Distinction between Rennaisance and Baroque
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Renaissance: Focused on balance, harmony, and realism. It emphasized
humanism, scientific perspective, and the study of nature.
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Baroque: Focused on drama, movement, and emotional intensity, often
serving religious or political purposes. It emphasized dynamic compositions,
theatricality, and ornate detail.
7. Romanesque Art
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communities began to replace their small wooden chapels with large stone
churches
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A long rectangular building with a central nave and two aisles – one on
either side.
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The aisles were separated from the nave by an arcade consisting of a row of
pillars and arches.
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Later on as Romanesque architecture developed, towers and other such
features were added.
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Stone was cut into wedge shapes blocks called voussoirs - These were built
up to form a vault.
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Romanesque builders made the walls extra thick to compensate for this
pressure – 2 to 3 meters in thickness - were very dark inside.
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Romanesque sculpture had two functions: Sculptures were used to decorate
the church – placed in prominent positions. Sculpture were used tell the
stories of the Bible to the ordinary people.
8. Why during romanesque and gotic art we had so many religious paintings and
scluptures?
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At that time there were very few books in existence as they has to be written
by hand. Almost all the population with the exception of the clergy could
not read or write. These sculptures were used by the church to teach the
bible.
9. Example of Islamic architecture
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The Alhambra palatine complex is situated on the Sabika hill forming part
of the city of Granada.
It includes a series of royal palaces and a complex system of towers,
defensive walls and military fortresses, together with water infrastructure
and a rich variety of gardens
Nature and design are both strong parts of the cultural identity of the
Alhambra - the Alhambra architecture offers a good precedent for
understanding how design can functionally and beautifully connect people
with nature.
10. Gotic structural elements
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Gothic Architecture developed out of Romanesque –more light in the
interior.
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The walls of these new buildings were not fortress like, they were full of
glass – coloured glass.
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Miraculous appearance - rising up to extraordinary heights.
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Three key developments in Gothic Architecture:
-Pointed arches
-Ribbed Vaults
-Flying buttresses
11. Inovtive techniques of Roman architecture
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Rome’s unique contribution to the arts—realism
Made wax death masks of their loved ones and kept them around the house
The walls of Roman domestic dwellings were decorated with frescoes and
mosaics
They introduced several innovations in building design - the arch, and after
the second century, the use of concrete to replace cut stone.
12. Classic style of Greek scluptures
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Early Classical - Balance between motion and stability, between emotion
and restraint
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The artist has “idealized” the athletic figure— that is, made it more perfect
and more beautiful
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the entire body is equal in height to eight heads
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Tension and relaxation of the limbs are balanced across the body diagonally.
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The weight-shift principle - The athlete rests his weight on the right leg,
which is planted firmly on the ground - counterbalanced by a relaxed left leg
bent at the knee and a tensed left arm bent at the elbow.
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Late Classical - More humanistic and naturalistic style, with emphasis on
the expression of emotion. Muscularity of the was replaced by a more
sensuality and graceful proportions.
13. Doric orders
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The Doric order was the earliest, simplest, and most commonly used.
14. What are Greek orders?
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Three styles - orders, in Greek architecture: the Doric, Ionic, and Corinthian
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The more ornate Ionic order was introduced by architects from Asia Minor
and was generally reserved for smaller temples.
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The Corinthian order, differentiated from the Ionic by its intricate column
capital, was not used widely in Greece but became a favourite design of
Roman architects
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