English 2316: Literature & Culture Tues & Thurs 11:30a-1p, Room T 120K Eva L. Foster / evalfoster@yahoo.com Office hrs: 3:30-4:30 Thurs & by appt / Office loc: 101c RG Cullen Bldg Course blog: www.engl2316.wordpress.com Required Texts: Stoker, Bram. Dracula. Ed. Glennis Byron. Petersborough: Broadview. 1998. ISBN 1-55111136-5. King, Stephen. Salem’s Lot. Pocket Books. ISBN 0671039741. Harris, Charlaine. Dead Until Dark. New York: Ace. 2001. ISBN 0441008534. Lindqvist, John Ajvide. Let the Right One In. New York: St. Martin's Press. 2004. ISBN 0312355297. All other assigned readings will be available either online or via packets handed out in class. For online readings, you must either print out a copy to bring to class or bring a laptop capable of accessing the readings to class on the day the readings are discussed. COURSE POLICIES Course Description This course will explore the evolution of the “Dracula” character and vampire figures in general both before and after Bram Stoker's classic novel Dracula. We will arrange our investigations chronologically, beginning with pre-Dracula mythology about vampires in cultures across the globe, with special attention to mythology that informed Stoker's creative process. The course will trace the evolution of mythology about vampires from oral tradition to our modern mythology of literature and film. It will also trace the symbolic importance of the vampire figure, paying close attention to the use of the vampire figure to process cultural anxieties and theories about the Other. More specifically, we will look at the vampire figure in Western literature and film and the way it – and the idea of the “monstrous” in general – is used to consider “transgressive” sexualities and genders and othered races and ethnicities. We will also examine whether the gradual change of the vampire figure from repugnant to largely admirable or even desirable in contemporary literature and film is part of a shift in social attitudes toward the Other, or whether the vampire figure has simply become a site for new anxieties and desires. Grading: Homework and quizzes Blog Paper 1 (4-5 pgs) Paper 2 (4-5 pgs) Paper 3 (5-6 pgs) Professionalism 5% 20% 15% 20% 30% 10% You must turn in all three papers to receive a passing grade in the course. Assignments Overview Blogs: o Each of you will have a blog on Wordpress.com, which you will create in the first week of class as part of your homework. The software is very easy to use. o Each week, you will respond to our readings with a post ranging from 300-600 words, published on your blog. Some weeks, I will leave the topic open and you can choose how to respond. Other weeks, I will use my own course blog (see address at top of this handout) to assign a topic for you to address in your weekly blog. The weekly post isn’t listed as homework on the syllabus, but it is required—so be careful not to forget about it! o You also have the option to use the blog as a place to hash out ideas for your essays, short creative works, collections of images related to the reading, and so on. Creativity on your blog and an effort to use it as a real space to conduct research for papers/work through the texts can help your blog grade at the end of the semester. Homework and Quizzes: o I may assign other short writing exercises as needed. These will be announced in class. o From time to time, I will give reading quizzes to encourage people to keep up with the reading. Papers o Paper 1 will be a response to one of a list of prompts I provide for you and will involve no outside reading. o Paper 2 will have a small research component and will also have a creative option. o Paper 3 will involve a significant research component. o More details about papers will be forthcoming on assignment sheets. Course Policies All assignments not completed in class should be typed, printed in black ink, in 11 or 12 point Times New Roman. All assignments must have student’s name, the date, and page numbers. Print must be dark enough to read easily. Assignments are accepted via Turnitin or hard copy (I will specify which). Assignments are not accepted via email. Assignments that don’t meet these standards run the risk of getting an automatic zero. Students must turn in all three essays to be eligible to pass the course. Failure to turn in all three essays is an automatic F in the course. Please turn in assigned work on time. Late essays will lose ten points for each class period they are late. Late homework will not be accepted at all unless you have an excused absence (see below). You are expected to attend class. Other than religious holidays, as detailed below, only University-sponsored activities count as excused absences. Religious holidays and university-sponsored activities are excused only if you submit a notice to me stating your intention in advance of the absence. Illness does not count as an excused absence under English department policies, even with a doctor’s note. However, you are allowed up to four unexcused absences (for illness or other reasons) without penalty. Any unexcused absences in excess of those four will result in your professionalism grade becoming an F. When you miss class, you are still responsible for what happens in class. Contact another student in your section to confirm your assignments for next time (the syllabus is subject to change, and I will announce changes in class) and to copy notes. I am glad to meet with you during office hours to go over your questions about what you missed, but I won’t send you a summary of my lecture and our activities via email. You are expected to do your own work. The University of Houston Academic Policies define and prohibit academic dishonesty as follows: “’Academic dishonesty’ means employing a method or technique or engaging in conduct in an academic endeavor that the student knows or should know is not permitted by the university or a course instructor to fulfill academic requirements” (Article 3.02; see Student Handbook URL www.uh.edu/dos/hdbk for further details). The primary concern in this course is plagiarism, again defined in the Academic Honesty Policy: “Representing as one’s own work the work of another without acknowledging the source.” Academic dishonesty can result in failure of the assignment or the course, and/or suspension from or expulsion from the University. You are responsible for saving copies of any work turned in for grading. Never give me your only copy! You are responsible for behaving professionally and in a way suitable for a classroom environment. Please see “Professionalism” section for details. Professionalism Classroom discussion should be civilized, respectful to everyone, and relevant to the topic we are discussing. Racist, sexist, ableist, lookist, ageist, homophobic, and any other discriminatory language and behavior will not be tolerated. It is possible to discuss all topics from any political point of view while adhering to this level of civility. Please be on time. If you’re not on time, come in quietly, and confirm at the end of class that I marked you as present. Laptops are welcome if you take notes best by typing or want to bring in drafts in that form. That said, if you are obviously surfing or if your laptop seems to be distracting you from book or discussion work, I will ask you to close your laptop. Come to class prepared. Being prepared means: o Reading the material before class and being ready to discuss it; o Bringing your book, notebook, and pens to every class, along with any other required materials (e.g., drafts of your paper on draft workshop days); o When you are absent, contacting another student in the class to find out what you missed so you can be prepared for the next class. Don’t start packing up until class is over. Class is over when I release the class. If you start packing up early, you may miss something important; you may keep someone else from hearing something important; or you may distract me, which hurts everyone else. Respect everyone’s right to a non-disruptive learning environment. This means the following: o Not talking to each other when I am talking or when another student is talking. If I have to ask you to stop doing this more than once in a given class, I may ask you to leave the class for the day, in which case that will count as one of your unexcused absences. o Turning off your cell phones in class. If you have a special reason your cell phone must be on, please discuss this with me before class begins to get my permission, and sit near the door so you can duck out if it does ring. o Any continued disruption of class will result in a report to the Dean of Students Office for a conduct code infraction. After one warning, if the disruption continues, you will be asked to leave the classroom for the remainder of class. Professionalism expectations extend beyond the classroom. Your actions (negative and positive) in office hours, email, instant messaging/chat/bulletin boards, listservs, and course blogs also affect your professionalism grade and count as part of your class participation. SYLLABUS Subject to change. Changes will be announced either in class or on the blog. You are responsible for all changes whether you are present or not when they are announced. Week 1 Tues 8/24—Introduction(s) HW: Mythology packet Thurs 8/26—Mythology lecture & discussion HW: Gothic period readings / vampire origins Mon 8/30 Last day to add a class Week 2 Tues 8/31—The Gothic as genre: lecture & discussion HW: Gothic period readings / vampire origins, cont. Thurs 9/2—Romantics, the Gothic, and vampire symbology HW: Victorian Vampires packet Mon 9/6 Labor Day holiday Week 3 Tues 9/7—Victorian vampires and foundations for Dracula HW: Dracula pgs 29-94 Wed 9/8 Official Reporting Day / 12th class day Last day to drop w/out grade or use of enrollment cap hrs Thurs 9/9—Dracula lecture & dicussion HW: Dracula pgs 95-153 Week 4 Tues 9/14—Dracula lecture & discussion HW: Dracula pgs 154-199 Thurs 9/16—Dracula lecture & discussion; discuss Nosferatu HW: Dracula pgs 200-256 Week 5 Tues 9/21—Dracula lecture & discussion HW: Dracula pgs 257-419 Thurs 9/23—Finish up Dracula discussion; discuss 1931 Dracula HW: Early 20th-century vampires packet Week 6 Tues 9/28—Early 20th-century vampires lecture & discussion; discuss 1958 Dracula HW: Mid-century vampires packet Thurs 9/30—Paper 1 Due Mid-century vampires lecture & discussion HW: Late-century vampires packet Week 7 Tues 10/5—Late-century vampires lecture & discussion; discuss Blade HW: Begin Salem's Lot (pages TBA) Thurs 10/7—Salem's Lot lecture & discussion HW: Salem's Lot (pages TBA) Week 8 Tues 10/12—Salem's Lot lecture & discussion HW: Salem's Lot (pages TBA) Thurs 10/14—Salem's Lot lecture & discussion; discuss Shadow of the Vampire HW: Finish Salem's Lot Week 9 Tues 10/19—Wrap up Salem's Lot; 21st-century vampires lecture HW: Dead Until Dark (pages TBA) Thurs 10/21—Dead Until Dark lecture & discussion; discuss Buffy episodes HW: Dead Until Dark Week 10 Tues 10/26—Dead Until Dark lecture & discussion HW: Finish Dead Until Dark Thurs 10/28—Paper 2 Due Wrap up Dead Until Dark; discuss True Blood episodes HW: LTROI Week 11 Tues 11/2—LTROI lecture & discussion HW: LTROI Wed 11/3 Last day to drop with a “W” Thurs 11/4—LTROI lecture & discussion; discuss 30 Days of Night HW: LTROI Week 12 Tues 11/9—LTROI lecture & discussion HW: LTROI Thurs 11/11—LTROI lecture & discussion; discuss Let the Right One In (film) HW: LTROI Week 13 Tues 11/16—LTROI wrapup; intro urban fantasy unit HW: urban fantasy packet 1 Thurs 11/18—Urban fantasy packet 1 lecture & discussion; discuss Daybreakers HW: urban fantasy packet 2 Week 14 Tues 11/23—Urban fantasy packet 2 lecture & discussion; discuss Twilight HW: Complete your essay! Wed 11/24 – Sat 11/27 Thxgiving holiday Thurs 11/25—NO CLASS Week 15 Tues 11/30—Essay 3 workshop HW: Revise your essay Thurs 12/2—Essay 3 due Course overview lecture: theories & genres of the vampire figure LAST CLASS DAY HW: Complete your blogs Week 16 Thurs 12/9: Blogs due, including all extra materials Sat 12/4 Last day of classes Wed 12/8 – Thurs 12/16 Final examination period Fri 12/17 Official closing of fall semester