[Tuesday]
SEASON
FIFTY-FIRST
SYMPHONY HALL
POPS
ORCHESTRA OF
SYMPHONY MUSICIANS
85
ARTHUR
FIEDLER, Conductor
OPENING NIGHT— WEDNESDAY, MAY
6
Programme
FESTIVAL
MARCH
OVERTURE
to
Herbert
Thomas
"Mignon"
ANDALUCIA
Lecuona
(Arranged by Morton Gould)
BALLET SUITE
from "Aida"
Verdi
Sacred Dance of the Priestesses
—Dance of the Little Black Slaves—
Ballabile
DIVERTISSEMENT
.
.
.
.
\
~
'
'
Ibert
—Cortege—Nocturne—Valse— Parade— Finale
IRISH TUNE from County Derry
Arranged
Grander
Arran
S ed bv
W Percvy danger
"MOLLY ON THE SHORE"
Introduction
)
\
OVERTURE
to
L
erc
'
Wagner
"Tannhauser"
FRIML FAVORITES
"ON THE BEAUTIFUL BLUE DANUBE,"
SAILOR'S DANCE from "The Red Poppy"
FIRST
Arranged by Ferdie Grofe*
Strauss
Waltzes
SUNDAY CONCERT, May
Soloist, Heinrich
....
10
Gebhard, Piano
Gliere
SYMPHONY HALL, BOSTON
HUNTING ION AND MASSACHUSETTS AVENUES
Branch Exchange Telephone, Ticket and Administration
FIFTY-FIFTH SEASON,
Offices,
Com. 1492
1935-1936
Boston Symphony Orchestra
INCORPORATED
Dr.
SERGE KOUSSEVITZKY,
Conductor
Richard Burgin, Assistant Conductor
Concert Bulletin of the
Sixth Concert
TUESDAY AFTERNOON,
April
28
with historical and descriptive notes
By John N. Burk
COPYRIGHT, 1936, BY BOSTON SYMPHONY ORCHESTRA, Inc.
The OFFICERS and TRUSTEES
of the
BOSTON SYMPHONY ORCHESTRA,
Inc.
Bentley W. Warren
Henry
B.
Ernest B.
B.
Ernest B.
Vice-President
Dane
Treasurer
Allston Burr
Henry
President
Sawyer
Roger I. Lee
William Phillips
Henry B. Sawyer
Cabot
Dane
N. Penrose Hallowell
M. A. De Wolfe Howe
Pierpont L. Stackpol*
Edward
Bentley W. Warren
G. E. Judd, Manager
C.
W.
A.
Taft
Spalding,
Assistant
Managei
I
>
J
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oi
mid>
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comAanw
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to &&
(obfodeb ab (oocecato-?
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^Jwibtee <w ab
and a
zytlanu ueawb c£ exAewience
cemmete cwaanvxatwn
enaMe
icient
ab to
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and Awmdd
bewwce.
Old Colony
Trust Company
17
^Allied with
[2
j
COURT STREET, BOSTON
The First National Bank
of Boston
Boston Symphony Orchestra
[Fifty-fifth Season,
Dr.
1935-1936]
SERGE KOUSSEVITZKY,
Conductor
Personnel
Violins
BURGIN,
ELCUS,
R.
Concert-master
THEODOROWICZ, J.
HANSEN,
gundersen,
MARIOTTI,
E.
LEIBOVICI,
G.
R.
LAUGA, N.
KASSMAN, N.
FEDOROVSKY,
LEVEEN, P.
V.
PINFIELD, C
J.
CNUDSON, C.
MAYER, P.
ZUNG, M.
DIAMOND,
BRYANT, M.
MURRAY, J.
S
SAUVLET, H.
CHERKASSKY,
BEALE, M.
DEL SORDO,
STONESTREET, L.
erkelens, h.
RESNIKOFF,
TAPLEY,
P.
KRIPS,
R.
A.
GORODETZKY,
FIEDLER,
R.
1
EISLER, D
P.
MESSINA
S.
seiniger ,
S.
I
B.
Violas
LEFRANC,
FOUREL,
J.
BERNARD,
G.
CAUHAPE,
1RTIERES, L.
AVIERINO, N.
DEANE,
GERHARDT,
JACOB,
S.
GROVER, H.
A.
VAN WYNBERGEN,
J.
WERNER, H.
C.
HUMPHREY,
C.
G.
R.
Violoncellos
LANGENDOEN,
SEDETTI, J.
CIGHERA, A.
BARTH,
CHARDON, Y.
DROEGHMANS,
J.
C.
STOCKBRIDGE,
WARNKE,
H.
C.
FABRIZIO,
E.
MARJOLLET,
ZIMBLER, J.
J.
I
Basses
&UNZE, M.
VONDRAK, A.
LEMAIRE,
MOLEUX,
GILLET, F.
DEVERGIE,
G.
VMERENA,
P.
Horn
SPEYER,
Horns
J.
STANISLAUS, H.
English
Piccolo
MADSEN, G.
BOETTCHER,
G.
Oboes
Flutes
LAURENT, G.
BLADET,
LUDWIG, O.
FRANKEL, I.
J.
G.
VALKENIER, W.
LANNOYE,
SINGER,
M
J.
LORBEER, H.
Bass Clarinet
Tuba
ADAM,
E.
Organ
WOW,
A*
ZIGHERA,
P.
Trumpets
Bassoon
LAUS, A.
ALLARD,
PANENKA
PILLER,
>
B.
Trombones
L.
VOISIN, R. L.
LILLEBACK,
w
VOISIN, R.
ADAM,
G.
t
Contra-Bassoon
RAICHMAN,
HANSOTTE,
MAGER,
J.
E.
J.
Timpani
CAUGHEY,
E.
SZULC, R.
POLSTER, M.
Piano
SANROMA,
J,
FIEDLER, A.
B.
V.
L.
LAFOSSE, M.
MANN,
Harps
JUHT,
G.
Clarinets
POLATSCHEK,
VALERIO, M.
MAZZEO, R.
Eh Clarinet
MIMART,
L.
Horns
MACDONALD, W.
VALKENIER, W.
GEBHARDT, W.
GIRARD, H.
DUFRESNE,
Celesta
Percussion
STERNBURG,
WHITE, L.
AROERI, E.
S.
Librarian
ROGERS,
I-
J
[31
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TUESDAY AFTERNOON, APRIL
28,
1936
Svendsen's "The Carnival in Paris" and Grieg's
Concerto
Sibelius'
will
be conducted by Richard Burgin.
Second Symphony by Dr. Serge
Koussevitzky.
SYMPHONY HALL, BOSTON
Boston Symphony Orchestra
Dr.
SERGE KOUSSEVITZKY,
CLOSING CONCERT
Conductor
of the
TUESDAY AFTERNOON SERIES
TUESDAY AFTERNOON,
April
28, at 3.00 o'clock
Programme
"The Carnival
Svendsen
Grieg
in Paris," Episode,
Concerto for Pianoforte in
I.
II.
III.
Op. 9
A
minor, Op. 16
D
major, Op. 43
Allegro molto moderato
Adagio
Allegro moderato molto e marcato
INTERMISSION
Symphony No.
Sibelius
I.
II.
2 in
Allegretto
Tempo
andante
ma
rubato
III.
Vivacissimo. Lento e suave
IV.
Finale: Allegro
moderato
SOLOIST
JESUS
MARfA SANROMA
STEINWAY PIANO
Paintings by Zuloaga, lent by The Honorable Alvan T. Fuller, also music,
autographs, and pictures of the composers whose works are in the Orchestra's
current repertory, may be seen in the Huntington Avenue Foyer.
{See page 36)
C 5 3
"THE CARNIVAL AT
PARIS," Episode for Orchestra, Op. 9
By JOHAN SVENDSEN
Born
at
Svendsen,
Christiania, Norway, September 30,
June 14, 1911
the
Norwegian
composer, dweller in
violinist
many
1840;
and wind
cities,
died at Copenhagen,
player, conductor
and
lingered in Paris from 1868 until
where he played in more than one orchestra,
made successful orchestral arrangements, and wrote a violin concerto.
Again, in 1878, he returned to Paris for a short period. In 1871 he met
the outbreak of the war,
both Liszt and Wagner, staying with the latter at Bayreuth. According to Carl Siewers, he composed his "Carnaval a Paris" at Bayreuth.
made
upon which
Philip Hale, discussing this work,
istic
vein about the carnival
these remarks in character-
the music
written:
is
"The
Carnival at Paris has for some years been described as 'lugubre, bite,
suranne.'
The two
chief features are the procession of the bceuf gras
and the
ball at the Opera.
in 1715.
The
These balls, by the way, were established
Carnival in the earlier days was often reproached for its
malicious and licentious character. Henry III with his mignons went
about the streets, tormenting and insulting the citizens. Louis XIII
viewed the sports with sour
eyes.
Under Louis XIV
there were striking
and masks. The Republic chilled the
processions, tableaux,
OLIVER DITSON COMPANY,
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m
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but in 1799 there was a revival of
Empire military
"The Carnival
and
frolic
license.
During
balls distinguished the Carnival.
at Venice,
Rome, Vienna, has furnished
subjects for
dramatic and orchestral composers, but the Carnival at Paris has
ceived scanty attention.
How
was Svendsen's attention drawn
re-
to it?"
Johan Svendsen grew up in the tradition of band music, for his
band master at Christiana. At fifteen, Johan enlisted in the army and soon had a band of his own. Before he left the
army, he learned to play the flute, clarinet, and violin with some skill.
He soon embarked upon the career of an itinerant musician, concentrating upon the violin until a paralysis in the hand compelled him to
give up his playing for composition. He graduated from the Conservatory at Leipzig in 1867, and for the remainder of his life dwelt in many
parts of Europe, playing in orchestras, conducting and composing.
father was a military
For
—
— he
conducted the Musical Association at
conduct the Gewandhaus Orchestra
more than once, and was also heard on more than one occasion as
conductor of his own music and the music of others in London and
in Paris. He wrote two symphonies, a violin and a violoncello concerto, the Overture to Bjornson's "Sigurd Slem.be/' two Norwegian
five
years
1872-77
Christiania.
He
rhapsodies,
chamber and occasional works.
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[«]
CONCERTO
A MINOR FOR PIANOFORTE,
IN
Op. 16
By Edvard Hagerup Grieg
Born
at Bergen,
wrote
Grieg
Norway, June
15, 1843;
died at Bergen, September
concerto in his 25th year, during a
this
4,
1907
summer
vaca-
Denmark. The composer at first dedicated the score to
Rikard Nordraak, a Norwegian composer whom he had met four years
before and who, it is said, turned him "from following in the footsteps of Gade, who had followed in those of Mendelssohn; disclosed
to him the treasure-house of folk-song, and persuaded him that it was
his duty to express in music the true national spirit and life." The
second edition of the Concerto was dedicated to Edmund Neupert, a
fellow countryman of Grieg who was the soloist at the first performance of the piece in Copenhagen in 1869. What were probably the
tion in
first
performances in
this
country were given by the orchestra of
Theodore Thomas, with F. Boscowitz
28, 1874, and in New York, November
as soloist, in Boston,
7,
1874.
The
October
following pianists
have played in this concerto at concerts of the Boston Symphony
Orchestra: William H. Sherwood, October 29, 1881; Fanny BloomfieldZeisler,
December
2,
1899;
Augusta Cottlow, March
COATS
29, 1902;
Cornelius
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IN
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BOSTON
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BOYLSTON
BOSTON
116
STREET
New England's Headquarters for
SHEET MUSIC
MUSIC BOOKS
-
MUSICAL INSTRUMENTS
Near Colonial Theatre
do]
-
RECORDS
HANcock 1561
Riibner, March 25, 1905; Olga Samarofl, April 21, 1906; Katharine
Goodson, January 19, 1907; Olga Samaroff, November 22, 1918; Heinrich Gebhard, March 12, 1920.
Franz Liszt wrote encouraging
letters to Grieg in i8(>8, cordially
piano
sonata,
commending his
and inviting him to visit Weimar.
Grieg did indeed visit Liszt at Rome, and was careful to take with
him
the manuscript of his pianoforte concerto. Grieg describes the
meeting in a letter which is quoted by Henry T. Finck in his "Grieg
and
his Music":
had fortunately
"I
manuscript of
just received the
concerto from Leipzig, and
I
took
it
my
pianoforte
with me. Beside myself there
were present Winding, Sgambati and a German Lisztite, whose name
I do not know, but who goes so far in the aping of his idol that he
even wears the gown of an abbe; add to these a Chevalier de Concilium, and some young ladies of the kind that would like to eat
Liszt, skin, hair
and
I
at sight.
you
and
their adulation
all,
were very anxious
I,
for
my
is simply comical.
he would really play
to see if
part, considered
it
.
.
.
Winding
my
concerto
impossible; not so Liszt. 'Will
he asked, and I made haste to reply: 'No, I cannot' (you
have never practised it). Then Liszt took the manuscript,
play?'
know
I
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went
to the piano,
and
said to the assembled guests, with his charac-
I will show you that I also cannot.'
admit that he took the first part of the concerto
too fast, and the beginning sounded helter-skelter; but later on, when
I had a chance to indicate the tempo, he played as only he can play.
It is significant that he played the cadenza, the most difficult part,
best of all. His demeanor is worth any price to see. Not content with
playing, he, at the same time, converses and makes comments, addressing a bright remark now to one, now to another of the assembled
guests, nodding significantly to the right or left, particularly when
something pleases him. In the Adagio, and still more in the Finale,
he reached a climax both as to his playing, and the praise he had
teristic smile,
With
'Very well, then,
that he began.
I
to bestow.
"A
really divine episode I
Finale the second theme
is,
must not forget. Toward the end of the
as you may remember, repeated in a
mighty fortissimo. In the very last measures, when in the first triplets
the first tone is changed in the orchestra from G-sharp to G, while
the piano part, in a mighty scale passage, rushes wildly through the
whole reach of the keyboard, he suddenly stopped, rose up to his full
height, left the piano, and with big, theatric strides and arms uplifted
walked across the large cloister hall, at the same time literally roaring
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the theme. When he got to the G in question he stretched out his arms
imperiously and exclaimed G, G, not G-sharp! Splendid! That is the
real Swedish Banko!' to which he added very softly, as in a par-
me a sample the other day.* He went back to
the piano, repeated the whole strophe, and finished. In conclusion,
enthesis: 'Smetana sent
me
he handed
and
the manuscript,
said in a peculiarly cordial tone:
Ihnen, Sie haben das Zeug dazu, und - lassen
Sie sich nicht abschrecken!' ('Keep steadily on: I tell you, you have the
capability, and— do not let them intimidate you!')
"This final admonition was of tremendous importance to me; there
"Fahren Sie
fort, ich sage
was something in it that seemed to give it an air of sanctification. At
when disappointment and bitterness are in store for me, I shall
recall his words, and the remembrance of that hour will have a wonderful power to uphold me in days of adversity."
times,
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WALLACE GOODRICH,
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FREDERICK
S.
CONVERSE, Dean
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DINNER
JESUS MARIA
Maria
Sanroma
was born in
Jesus
SANROMA
1903, in Puerto Rico, of Catasent to this country in 1917 by the Puerto
Rican Government to complete his musical education at the New
England Conservatory of Music. Graduating, he won the Mason &
lonian parents.
He was
Hamlin prize, and subsequently studied with Mme. Antoinette
Szumowska. He gave local recitals and orchestral appearances, and in
1926 became official pianist with the Boston Symphony Orchestra.
Sanroma then went abroad, studied with Artur Schnabel in Berlin
and Alfred Cortot in Paris. He also gave recitals in Berlin, Vienna,
London, Paris, Madrid, and Barcelona (making two tours of Spain).
Besides recent recitals and appearances in festivals in America, he
has appeared with the Boston Symphony Orchestra in the first American performances of Toch's Concerto, Stravinsky's Capriccio, Ravel's
Concerto, Honegger's Concertino, and Hill's Concertino.
At the Friday and Saturday concerts, in addition to the works named
above, he appeared in de Falla's "Nights in the Gardens of Spain"
(February 21, 1930), Lambert's "The Rio Grande," and other numbers with piano solo.
In the Tuesday afternoon series, Mr. Sanroma played excerpts from
Schumann's "Carnival" (January 5, 1926), the Concerto No. 1 in
E-flat of Liszt (March 7, 1933), and Schumann's Concerto (March 5,
1935)-
In the
No.
2
in
Monday
C minor
evening series, he played Rachmaninoff's Concerto
(January 25, 1926).
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FRIENDS OF THE BOSTON SYMPHONY ORCHESTRA
Members
Preliminary List of
1935-1936
for the Season
April
193ft
7,
Boston Members
Miss Mary Adams
Miss Dora L. Adler
Mrs. Louis Baer
Miss Alice H. Bailey
Miss Frances M. Baker
Dr. Franklin G. Balch
Prof, and Mrs. Edward
Ballantine
Mrs. Hugh Bancroft
Miss Edith Bangs
Mrs. George W. Barber
Mr. John Barker, Jr.
Miss Phyllis F. Barker
Mr. Emil Ahlborn
Mrs. Talbot Aldrich
Mrs. William T. Aldrich
Miss Martha A. Alford
Mr. R. S. Barlow
Mr. William L. Barnard
Mrs. Joel M. Barnes
Mr. John S. Barnet
Miss Annie E. Allen
Mrs. E. L. Allen
In
Miss Margaret E. Allen
Mrs. Thomas Allen
Miss Carolyn E. Ailing
Mrs. Hobart Ames
Dr. and Mrs. John L. Ames
Mrs. John S. Ames
Mrs. J. Dellinger Barney
Dr. Joseph S. Barr
Mr. John M. Abbot
Mr. and Mrs. Charles
C.
Abbott
Mr. and Mrs. Gordon Abbott
Miss Esther Abrams
Mr. T. Adamowski
Mr. and Mrs. A. A. Adams, Jr.
Miss Clara A. Adams
Miss Katharine F. Adams
Mrs. C.
S.
Amory
Anderson
(Worcester)
Miss Katharine H. Andrews
Miss Margaret Anthony
Mrs. Charles R. Apted
Mr. Hervey F. Armington
Mrs. Harold G. Arnold
Mr. and Mrs. Randolph
Ashton
Mrs. E. H. Atherton
Mrs. Edwin F. Atkins
Mr. Edward W. Atkinson
Mr. William G. Aurelio
Mrs. Charles F. Ayer
Mrs. Francis Wayland Ayer
Mrs. James B. Ayer
Mr. and Mrs. Courtlandt
Babcock
Mrs. R. W. Babson
Mr. and Mrs. Charles E.
W
Bacon
Mr. and Mrs. Paul V. Bacon
Dr. and Mrs.
George
S.
C.
Badger
of
Sara H. Barnet
Mr. and Mrs. John W. Ames
Miss Muriel Ames
Mrs. William H. Ames
Mrs. Charles B.
Memory
Miss Katharine E. BanMiss Laura M. Barr
Mr. William J. Barry
Miss Ellen H. Bartlett
Miss Grace E. Bartlett
Mrs. Henry Bartlett
Mrs. Matthew Bartlett
Mrs. Nelson S. Bartlett
Mrs. E. F. W. Bartol
(Lancaster)
Mrs. John W. Bartol
Dr. Alice H. Bassett
Miss Josephine B. Bates
Miss Eva M. Bath
Miss Katharine F. Baxter
Mrs. E. B. Bayley
Ruth D. Beals
Mrs. Horace L. Bearse
Mrs. G. W. Becker
Mrs. H. W. Becker
Mrs.
Miss
Miss
Mrs.
Mrs.
Beebe
Sylenda Beebe
Arthur W. Bell
Leslie
Jaffray
de
Hauteville
Bell
Mr. Alan C.
Bemis
Mrs. A. F. Bemis
Miss Frances Z. T. Benner
Mrs. Arthur Gardner
Bennett
Mr. H. S. Bennett
Mrs. Frank W. Benson
and Mrs.
Harold Berry
Mrs. Jacob Berwin
Mrs. Henry L. Beveridge
Prof,
C.
Elizabeth Biddlecomf
Eleanor Bigelow
Gladys M. Bigelou
Henry B. Bigelow
Mary C. Bigelow
Amos Binney
Anna Child Bird
Charles S. Bird
Mr. and Mrs. Charles S.
Miss
Miss
Miss
Mrs.
Miss
Mrs.
Miss
Mrs.
Bird, Jr.
Mrs. Frances A. M. Bird
Mrs. Francis W. Bird
Mr. Francis W. Bird
Miss Mary R. Bird
Miss Ernestine Birnbaum
Miss Amy F. Bishop
Miss Elizabeth Blake
Mr. and Mrs.
A. Lowell Blake
J.
Miss Marian L. Blake
Miss Elizabeth Blaney
Miss Emily F. Blaney
Mr. Henry W. Bliss
Mr. S. A. Block
Mr. Edwin J. Boardman
Miss Catherine M. Bolster
Mrs. Stanley M. Bolster
Mr. Richard
P.
Borden
(Fall River)
Mrs. C. Christian Born
Mrs. John T. Bottomlcv
Mrs. Herbert L. Bowden
Mr. and Mrs.
William B. Bowers, and
Mr. Charles Bovden
Miss
Miss
Mrs.
Mrs.
Mrs.
Miss
Miss
Mrs.
Mrs.
Miss
Mary
L.
Boyden
Bradford
Bradford
Frederick J. Bradlee
Reginald Bradlee
S. C. Bradlee
Susan B. Bradlee
Gardner Bradlev
T.
Ralph Bradlev
Elizabeth
Gamaliel
Anna W.
Bralev
(Fall River)
Mrs. Charles Brandegee
Mrs. E. D. Brandegee
f
15]
FRIENDS
OF
THE
Mr. Robert C. Bray
BOSTON
SYMPHONY
ORCHESTRA
Mrs. J. L. Bremer
Miss Sarah F. Bremer
Miss Fannie R. Brewer
Mr. Robert D. Brewer
Miss Rhoda C. Brickett
Miss Helen S. Briggs
Mrs. Clifford Brigham
Mrs. D. S. Brigham
Mrs. F. Gorham Brigham
Mr. Robert O. Brigham
Mrs. Alice M. Brooks
Mrs. Arthur H. Brooks
Mrs. Gorham Brooks
Miss Mary M. Brooks
Miss Phyllis Brooks
Mrs. Henry M. Channing
Miss Edith B. Brown
Miss Mabel H. Chapin
Mrs. Edwin P. Brown
Miss Annie B. Chapman
Miss Ethel F. Brown
Miss Emily D. Chapman
Winthrop
Brown
Mrs, G.
Mr. and Mrs. George A.
Mrs. Howard W. Brown
Chapman
Mrs. Theodore E. Brown
Mrs. Walter G. Chard
Miss Elizabeth B. Bryant
Miss Dorothy Charlton
Mrs. Walter S. Bucklin
Mrs. Earle P. Charlton
Miss A. E. E. Buff
Mrs. Arthur I. Charron
Miss Ellen T. Bullard
Mrs. Frederick Chase
Burbank
Mrs. Harry T.
Mrs. Philip P. Chase
Miss Lillian Burdakin
Miss Alice Cheever
Mrs. George Sargent Burgess
Mrs. David Cheever
Miss M. F. Burleigh
Miss Helen Cheever
Miss Helen C. Burnham
Miss Alice M. Cheney
Mrs. Henry D. Burnham
Miss Ada E. Chevalier
Miss M. C. Burnham
Miss Ruth L. S. Child
Miss Nina H. Burnham
Mrs. Katharine S. Choate
Mrs. W. A. Burnham
Miss Elizabeth C. Church
Mr. and Mrs. Allston Burr
Mrs. James E. Church
Mrs. Heman M. Burr
Dr. Anna Q. Churchill
Mr. I. Tucker Burr
Dr. and Mrs.
Miss Elsie A. Burrage
Edward D. Churchill
Mrs. George D. Burrage
Mr. F. S. Churchill
Miss Margaret C. Burrage
Mrs. James L. Chute
Mrs. Ethel M. Burton
Miss Margaret
S.
Mr. George E. Cabot
Mrs. Henry B. Cabot
Mr. and Mrs. Henry B. Cabot
Dr. Richard C. Cabot
Mr. Stephen P. Cabot
Mr. and Mrs.
Thomas D. Cabot
Mr. Walter M. Cabot
Dr. C. Macfie Campbell
Mrs.
Miss
Miss
Mrs.
Philip G. Carleton
Florence L. Carpenter
Cornelia P. Carr
John
[16]
P.
Carr
(Osterville)
Bush
Miss Amy W. Cabot
Mrs. Arthur T. Cabot
(continued)
Mrs. Albert P. Carter
Miss Ruby H. Cole
Mrs. Hubert L. Carter
Mrs. Charles Collens
Mr. and Mrs. Morris Carter Mrs. George W. Collier
Mr. and Mrs.
Mr. and Mr. James D.Colt
Richard B. Carter
Dr. James B. Conant
Mrs. Magda Carstensen
Mrs. Costello C. Converse
Carstein
Mrs. Howard P. Converse
Miss Louisa W. Case
Mrs. Algernon Coolidge
Miss Mary S. Case
Mrs. Elizabeth S. Coolidge
Miss Dorothy Castle
Miss Elsie W. Coolidge
Mrs. Charles Caverly
Mrs. Harold Jefferson
Miss Mary Chamberlain
Coolidge
Miss Mary Isabel
Mrs. J. T. Coolidge, Jr.
Chamberlin
Mrs. John S. Cooke
Miss Margaret W. Cooper
Mrs. George P. Champlin
Miss Barbara Clapp
Mrs. B. Preston Clark
Mrs. Henry Cannon Clark
Mr. and Mrs. Philip M. Clark
Mrs.
Miss
Miss
Miss
Mrs.
Miss
W. Irving Clark
(Worcester)
Mary E. Clarke
M. Emma Clarke
Margaret Clement
F. Roland Clough
Ramelle Frost
Cochrane
Miss Lucia Coit
Miss Florence Colby
Miss Alice R. Cole
Mrs. William
Adams
Copeland
Mr. and Mrs. Charles J.
Cormick
Mr. Charles E. Cotting
Miss Rachel E. Cotton
Miss Edna Wheeler Coult
and Mrs.
John A. Cousens
Mr. Guy W. Cox
Mrs. Ralph Adams Cram
Dr.
Mrs. Charles Cranford
Miss Lucy C. Crehore
Mr. and Mrs.
Gordon K. Creighton
Mr. Douglas Crocker
Mrs.
Miss
Mrs.
Mrs.
Miss
(Fitchburg)
G. Glover Crocker
Muriel Crosby
S. V. R. Crosby
F. B. Crowninshield
Gertrude Cumings
Mr. and Mrs. Charles K.
Cummings
Mr. Francis H. Cummings
Miss Margaret Cummings
Miss Mary Cunningham
Mrs. Guy W. Currier
Mrs. Florence G. Cnrtis
Miss Frances G. Curtis
Mrs. Louis Curtis
Miss Mary Curtis
Mr. and Mrs.
Frederic H. Curtiss
Miss Fanny E. Cushing
Mrs. H. W. Cushing
Miss Susan T. Cushing
Mrs. W. E. Cushing
Mrs. C. H. Cutler
Miss Elisabeth A. Cutler
Mr. and Mrs.
G. Ripley Cutler
Mrs. Harold G. Cutler
FRIENDS
OF
THE
Mrs. Leslie B. Cutler
Mr. Robert Cutler
Mrs. Edward L. Cutter
Mr. R. Ammi Cutter
BOSTON
SYMPHONY
Mr. and Mrs. George B.
Dabney
Edwin J. Dreyfus
Mrs. William R. Driver
Miss Geraldine F. Droppers
(Williamstown)
Miss Marian Drury
Mrs. Duncan
Mrs. Samuel Dach
Mrs. Philip S. Dalton
Mr. and Mrs.
Reginald A. Daly
Miss Dorothy Dalzell
Miss Kate N. Dana
Mrs. Ernest B. Dane
Mr. and Mrs. Edward Dane
Dr. and Mrs. John Dane
Miss Jennie P. Daniell
Miss Mabel Daniels
Mrs. George H. Davenport
Dr. Richard W. Dwight
In Memory of C. S. D.
Mr. Arthur Edward Davis,
Mrs. Clara S. Da\is
Miss Mabel T. Eager
Mrs. Edward H. Earle
Jr.
Mrs. Edward K. Davis
Miss Isabel W. Davis
Mrs. Livingston Davis
Mr. and Mrs.
Miss
Mrs.
Mrs.
Mrs.
Stephen B. Davol
Mary B. Davoll
Frank A. Day
Frank A. Day, Jr.
Henry
B.
ORCHESTRA
Mrs. Cutler B. Downer
Mrs. Irving G. Downing
Mrs. W. B. H. Dowse
Miss Louisa L. Dresel
Mr. and Mrs. Carl Dreyfus
In Memory of
Day
Mr. F. W. Dean
Mr. and Mrs. James Dean
Miss Dorothea Dean
Mrs. John Dearborn
Mr. Benjamin A. Delano
Mrs. D. C. Dennett
Miss Emily G. Denny
Mrs. Henry
M. Dunham
Dunne Company
Mr. Cyrus W. Durgin
F. L.
Miss Catherine H. Dwight
Misses L. S. and M. L. Earle
Mrs. Melville Eastham
Miss Blanche E. Eaton
Mrs. Henry C. Eaton
Mr. Louis Ehrlich
Mr. and Mrs. Julius Eisemann
In Memory of
Mrs. Ludwig Eiseman
In Memory of
Selma W. Eiseman
Mr. and Mrs. William Ellery
Mr. E. Raymond Ellis
Miss
Miss
Miss
Miss
Mrs.
Floience G. Elms
Augusta C. Ely
Elizabeth
B.
Ely
Emerson
Mrs. Philip Y. DeNormandie
Woodward Emery
Mr. Frederic J. DeVeau
Mr. and Mrs.
Miss Rose L. Dexter
H. Wendell Endicott
Mrs. Stanley Dexter
Mr. S. C. Endicott
Mr. and Mrs. William Dexter Mrs. L. Joseph Eno
Mrs. Florence F. Dibble
(Newburyport)
Mr. George P. Dike
Mrs William H. Dimick
Mrs. Robert Brewer Dixon
Miss Ethel
Mrs. Henry
Mrs. Edwin
Dodd
W. Dodd
S.
Dodge
Mr. and Mrs.
Robert G. Dodge
Mrs.
Mrs.
Mrs.
Mrs.
Miss
Mrs.
Mrs.
Malcolm Donald
Elena H. Donaldson
Alfred Donovan, Jr.
Dana
F.
Dow
Elizabeth P. Douglass
William T. Dowling
Frederick O. Downes
Mabel
E.
(Bradford)
Mrs. Harold C. Ernst
Mr. and Mrs.
Gustavus J. Esselen
Miss Edith M. Esterbrook
Mrs. Clarence H. Esty
In
Memory of
Rosamond
Mrs. David
J.
Claire Esty
Evans
Mr. Jarvis Farley
Dr. and Mrs.
John W. Farlow
Mrs. Frank A. Farnham
Mrs. George E. Farrington
Mr. A. D. Fay
Mrs. D. B. Fay
Mrs. Henry H. Fay
(continued)
Mrs. Richard D. Fay
Mrs. S. Prescott Fay
Mrs. Henry H. Faxon
Mr. Thomas Fenno
Miss Myra Ferguson
In Memory of Johanna Fiedlei
Mr. Fred T. Field
Miss Margaret A. Fish
Miss Edith S. Fisher
Miss Frances B. Fisher
Mrs. Richard T. Fisher
Miss Sara L. Fisher
The Rev. George Stanley
Fiske
Miss Carrie T. Fitch
Mrs. Alfred W. Fitz
The Hon. and Mrs.
John
F. Fitzgerald
W. Fletcher
Richmond Fletcher
Mrs. Arthur
Mr.
F.
Mrs. Charles H. Flood
Miss Elizabeth G. Fogg
Mr. Arthur Foote
Mr. George L. Foote
Mr. Allyn B. Forbes
Mr Edward W. Forbes
-
Mrs. Ralph E. Forbes
Miss Jessie W. Ford
Mrs. Arthur A. Forness
Mr. and Mrs. William O.
Forssell
Mrs Leonard Fowle
Miss Edith M. Fox
Mr. Isador Fox
Mrs. L. S. Fox (Lowell)
Mr. Walter S. Fox, Jr.
Mrs.
Mrs.
Mrs.
Mrs.
Miss
Corabelle G. Francis
Allen French
Charles S. French
Hollis French
Katharine French
Mr. Richard Frederic French
Mr. Harry A. Friedland
Mr. and Mrs. N. H. Friedman
Mrs. Max Friedman
The Misses Friedman
A Friend
Miss Louisa H. Fries
Mr. and Mrs.
Donald McKay Frost
Miss Evelyn P. Frost
Mrs. Harold L. Frost
Mr. Horace W. Frost
Mrs. Langdon Frothingham
Mrs. Louis A. Frothingham
Mr. William C. Fry
Hon. and Mrs.
Alvan T. Fuller
[17]
FRIENDS
OF
THE
Miss Marjorie Fuller
Mrs. William E. Fuller,
(Fall River)
Miss Laura Furness
Miss Rebekah Furness
Jr.
Homer Gage
Mrs.
(Worcester)
Mr. and Mrs. William W.
Gallagher
Mr. R. H. Ives Gammell
Mr. Seth T. Gano
Mr. Franklin W. Ganse
Mrs. Harry Ganz
Mr. Stanley S. Ganz
Mrs. George K. Gardner
Miss Mary A. Gardner
(Fall River)
Miss Annette Garel
Mr. and Mrs. James Garfield
Miss Elizabeth M. Garritt
Mr. Heinrich Gebhard
Mr. L. N. Gebhard
Mrs. K. H. Gibson
Mrs. W. S. Gierasch
Mrs. Carleton S. Gifford
Miss Rosamond Gifford
Miss Helen C. Gilbert
Miss Ellen A. Gilman
Miss Margaret E. Gilman
Mrs. G. L. Gilmore
Mrs. M. Francesca G. Ginn
Mr. and Mrs.
William H. Glover
(Lawrence)
Mr. Asa E. Goddard
Miss
Miss
Miss
Mrs.
Mrs.
Miss
Ruth Goddard
Susan Godoy
Margaret W. Golding
W. N. Goodnow
Aaron Goodrich
Constance Goodrich
Mr. and Mrs.
Wallace Goodrich
Mrs. Joseph H. Goodspeed
Mr. and Mrs.
Frederic
S.
Goodwin
Mr. and Mrs.
Harry M. Goodwin
Mrs. C. Lane Goss
(Worcester)
Miss Camelia Gould
Miss Eleanore P. Gould
Mrs. E. S. Goulston, Jr.
Mr. Martin Grabau
Dr. and Mrs.
G. Philip Grabfield
Miss Isabella Grandin
[18]
BOSTON
SYMPHONY
ORCHESTRA
Mrs. Arthur E. Grannis
Mrs. Edward C. Graves
Mrs. Gerald Gray
Mr. Reginald Gray
Mrs. Russell Gray
Miss Emma Grebe
Mr. and Mrs.
Louis M. Greeley
Miss Dorothy Bradford Green
Dr. and Mrs.
Robert M. Green
Mr. David H. Greenberg
Miss Alma L. Greene
Mr. Henry Copley Greene
Mr. John Gardner Greene
and Mrs.
Chester N. Greenough
Mrs. H. V. Greenough
Mrs. Robert B. Greenough
Mrs. Allen Greenwood
Mr. F. A. Gregg
Prof,
(Northampton)
Mr. and Mrs. Robert E. Gregg
Mr. Henry S. Grew
Miss Josephine Griffith
Mrs. Paul Gring
Miss Kate D. Griswold
Miss Eleanor F. Grose
Mrs. Frances L. Grover
(continued)
Mrs. Walter Leslie Harris
Mrs. Orrin C. Hart
Mrs. Edward T. Hartman
Mr. Alfred S. Hartwell
Miss Mary A. Hartwell
Miss Maud Appleton
Hartwell
Mrs. Carroll S. Harvey
Mrs. Frederic S. Harvey
(Lowell)
Mrs.
Mrs.
Mrs.
Miss
Mrs.
Mrs.
Miss
John H. Harwood
Sydney Harwood
Clarence G. Haskell
Marian R. Haskell
Charles H. Haskins
Francis Hastings
Ellen R. Hathaway
(New Bedford)
Miss Alison Haughton
Mrs. M. G. Haughton
In Memory of
V.
W. Haughwout
Mrs. E. A. Grozier
Mrs. Alida Carey Gulick
Mr. Parkman B. Haven
Mrs. George Hawley
Miss Christine Hayes
Miss Emily H. Hayward
Mrs. Harry T. Hayward
Miss Olivia Bowditch
Hazelton
Mr. William C. Heilman
Mrs. Franklin C. Henderson
Mr. Albert Haertlein
Mr. and Mrs. William
Miss Laura Henry
Mrs. Joseph M. Herman
Mr. Robert F. Herrick
,
J.
Hajek
"Philip Hale" (from Mrs.
Philip Hale)
In Memory of Philip and
Mr. James Herron
Mrs. William H. Herron
Mrs. A. H. Hersey
Mrs. Joseph Hewett
Mrs. R. K. Hale
Mrs. Richard W. Hale
Mrs. Frederick G. Hall
Mr. Gordon Rexford Hall
Mrs. H. S. Hall
Mrs. Harry Warren Hall
Mr. Reuben Hall
Miss Charlotte B. Hallowell
Mr. and Mrs. N. Penrose
Hallowell
Mrs. Chester D. Heywood
Mrs. John W. Higgins
(Worcester)
Mr. Charles Higginson
Mrs. Thomas W. Higginson
Miss Dorothy E. Hildreth
Mrs. Stanley B. Hildreth
Miss Grace G. Hiler
Mrs. Alfred S. Hill
Mr. Arthur D. Hill
Prof, and Mrs. Edward B.
Mrs. Parker Hamilton
Miss Jenny L. Hamlin
Mrs. Edward C. Hammond
Miss Elizabeth M. Hammond
Mrs. John F. Hill
Mrs. George E. Hills
Mrs. Samuel Hoar
Edward Hale
Mr. Emor H. Harding
Mrs. W. E. Harding
Miss Mary Caroline Hardy
Miss Lilian Harmon
Mrs. Helen Knight Harris
Hill
Mr. Richard B. Hobart
Mrs.
Miss
Mrs.
Mrs.
Franklin Warren Hobbs
Dorothy M. Hobson
George Henry Hobson
H. D. Hodgkinson
FRIENDS
OF
THE
Miss Edith C. Holbrook
Miss Alice Marion Holmes
Mr. and Mrs.
Edward J. Holmes
Miss Holmes
Mrs. Hector M. Holmes
Miss Katharine A. Homans
Miss Marian J. Homans
Mrs. W. P. Homans
Mrs. Joseph W. Homer
Mr. James R. Hooper, 3d
Miss Mary F. Hooper
Mr. and Mrs.
Roland G. Hopkins
Mrs. Charles Hopkinson
Mr. and Mrs. Henry
Hornblower
Mrs. Mabel A. Home
Miss Phoebe Lee Hosmer
(Orange)
Mrs. Sidney Hosmer
Mrs. C. T. Hough
Mrs. Lydia A. Hough
Mrs. Clement S. Houghton
Mrs. H. M. Houser
Mr. James C.
Howe
Murray Howe
Mr. M. A. DeWolfe Howe
Miss M. Louise Howland
Mrs.
J.
Mr. Alexander E. Hoyle
Mrs. Eliot Hubbard, Sr.
Miss Amy M. Hughes
Mr.
J.
Mrs. E.
P.
J.
Hughes
V. Huiginn
Mr. and Mrs.
Miss
Mrs.
Mrs.
Miss
Miss
Chester B. Humphrey
Ida Hunneman
Arnold W. Hunnewell
Henry S. Hunnewell
Mary
E.
Hunt
Emily J. Hurd
Mr. Frank O. Hurter
Mrs. Charles P. Hutchins
Mrs. Edward W. Hutchins
Miss Marion Hutchinson
Mrs. Maynard Hutchinson
Dr. and Mrs. Edwin E. Jack
Dr. Frederick L. Jack
Miss Clara W. Jackson
Dr. Henry Jackson
Mrs. Henry B. Jackson
Mr. and Mrs. James Jackson
Miss Marian C. Jackson
Mr. Robert A. Jackson
Mr. and Mrs. Eldon R. James
Mrs. William James
Miss Helen M. Jameson
BOSTON
Mrs. A.
SYMPHONY
ORCHESTRA
Jenney
Mr. and Mrs. T. E. Jewell
In
S.
{continued)
Kopf
Mr. John (». Kiihus
Mrs. B.
Memory
Mrs.
of Howard
Clifton Jewett, M.D.
R. Jewett
Mr. and Mrs. Arthur
J.
S.
Mrs.
Mrs.
Miss
Miss
Mrs.
Alexander H. Ladd
Horatio A. Lamb
Alice
Lamprey
Johnson
Winnetta Lamson
Professor Edith C.
Gardiner M. Lane
Johnson
Miss Katharine W. Lane
Miss Edith Morse Johnson
Mr. Malcolm Lang
Mrs. George F. Johnson
Miss Margaret Ruthven Lang
Miss Harriet E. Johnson
Mrs. Henry G. Lapham
Mr. Stowell F. Johnson
Mrs. Chester W. Lasell
Miss Winifred H. Johnstone
(Whitinsville)
Miss Ethel G. Jones
Miss Kathrine Jones
Miss Margaret H. Jones
Mrs. Carl J. Kaffenburgh
Mrs. Benjamin A. Kaiser
Mr. and Mrs.
Stuart B. Kaiser
Miss Bessie Kaufman
In Memory of
Mitchell B. Kaufman
Mr. and Mrs.
Carl F. Kaufmann
Mrs. L. M. Keeler
(Whitinsville)
Mr. and Mrs.
Keenan
J. H.
Mr. and Mrs.
Carl Tilden Keller
Mrs. Edward L. Kent
Mrs. Everett E. Kent
Mr. Walter A. Kernan
Mrs. Kenneth D. Ketchum
Mr. Phillips Ketchum
Mrs. Charles W. Keyes
Mrs. J. Brooks Keyes
Mr. I. S. Kibrick
Miss Barbara Kidder
Mrs. C. W. Kidder
Dr. Eleanor B. Kilham
Mrs. Paul Killiam
Mrs. P. B. Kincaid
Mr. Charles A. King
Mr. Franklin King
Mrs. Henry P. King
Misses King
Mr. Alan D. Kinsley
Mrs. William Abbot Kins-
The
man
(Newburyport)
Miss Jessie E. Kloseman
Miss Anita E. Knight
Mrs. Henry F. Knight
Dr. and Mrs.
Serge Koussevitzky
Mrs. George D. Latimer
Mr. and Mrs.
Henry A. Laughlin
Mrs. Charles E. Lauriat, Jr.
Mr. F. A. Laws
Mrs. Herbert Lawton
Miss Bertha Lee
Mrs. George Lee
Mrs. Halfdan Lee
Miss Helene G. Lee
Mrs. John C. Lee
Mr. and Mrs. Joseph Lee
Mrs. Nelson B. Lee
Dr. and Mrs. Roger
Miss Sylvia Lee
I.
Lee
Henry Lefavour
Mr. William A. Lefavour
Miss Helen A. Legate
Miss Francesca Leighton
Miss Elizabeth C. Leland
Mrs. Russell H. Leonard
Mrs. William G. Lennox
Mrs. H. Frederick Lesh
Mrs. Coleman Levin
Mrs. George Lewis
Mr. and Mrs. Leo Rich
Lewis
Mrs. George Lewis
Mr. and Mrs.
George Lewis, Jr.
Mr. Alexander Lincoln
Mrs. E. P. Lindsay
Dr.
Miss Esther Lissner
Miss Lucy Littell
Mrs. David M. Little
Mr. and Mrs. Harry B.
Little
Mr.
Lovell Little
J.
Mrs. J. Lovell Little
Mrs. C. S. Livingstone
Mrs. H. deForest Lockwood
Mrs. George Wood Logan
(Lowell)
Mrs. Laurence M.
Lombard
[19]
FRIENDS OF THE BOSTON
Percival H.
Mrs.
Mrs.
Mrs.
Miss
Miss
Mrs.
Lombard
Alfred L. Loomis
W. H. Lord
Marjorie C. Loring
Miriam Loring
O. L. Loring
Mrs. Arthur E. Lothrop
Miss Mary B. Lothrop
W.
H. Lothrop
Mr. Winslow H. Loveland
Miss Lucy Lowell
Miss Mariana Lowell
Mr. Stephen B. Luce
Miss Alma Lutz
Mrs. Arthur Lyman
Mr. Herbert Lyman
Mrs. Ronald T. Lyman
Mrs. George Armstrong Lyon
Mrs.
S.
Mr. Alden H. Maclntyre
Mr. Edward F. MacNichol
Mr. John R. Macomber
Mrs. W. N. Magoun
Mrs. Emily M. Maguire
Miss Alice A. Main
Mr. and Mrs. Earl G.
Manning
Mrs. D. E. Manson
Miss Anna Theresa Marble
(Worcester)
Mrs. F. P. Marble (Lowell)
Miss Helen C. Marble
Mr. Philip S. Marden
Prof. E. L.
Miss
Mrs.
Miss
Miss
Mark
Marsh
Alice F.
Mary P. Marsh
Fanny P. Mason
H. Florence Mason
Mr. Harold F. Mason
Mrs. Sydney R. Mason
Miss Anna R. Maxwell
Miss A. Louise Messer
Mrs. George Putnam Metcalf
Mr. and Mrs.
Thomas N. Metcalf
Mr. and Mrs. G. W. Metcalfe
Miss Margaret Ogden Miller
Miss Mildred A. Miller
Mr. Arthur N. Milliken
Mrs. Charles F. Mills
Mr. and Mrs.
George A. Mirick
Mr. Stewart Mitchell
In Memory of Mrs. John Moir
Mrs. Lester H. Monks
Mr. Arthur E. Monroe
Mrs. Hugh Montgomery
Mrs. Edward C. Moore
Mr. and Mrs.
Arthur
W. Moors
Mrs. Edwin Morey
and Mrs.
Samuel Eliot Morison
Mrs. Albert G. Morse
Mrs. Arthur H. Morse
Miss Blanche L. Morse
Miss Charlotte G. S. Morse
Mrs. James F. Morse
Jeska Swartz Morse
Miss Jessie G. Morse
Miss Leonice S. Morse
Miss Marion B. Morse
Miss Marjory Morse
Dr. and Mrs.
William I. Morse
Mrs. Henry A. Morss
Mr. Henry A. Morss, Jr.
Prof,
McLean
Norman McLeod
Mrs. F. S. Moseley
Mrs. E. Preble Motley, Sr.
Mrs. M. I. Motte
Mr. and Mrs. Penfield Mower
Mrs. George S. Mumford
Mrs. George S. Mumford, Jr.
Mrs. Harold Murdock
Mrs. S. C. Murfitt
Mrs. T. F. Murfitt
Miss Helen A. Murphy
Mrs. H. Dudley Murphy
Miss Grace E. Murray
Mr. Denys P. Myers, Jr.
L. G. McMichael
Frederick S. Mead
Mr.
Mrs. Maude A. May
Mrs. Eliot B. Mayo
Mrs. Charles W. McConnel
Mrs. Stanley Dexter
McCormick
Mrs.
Mrs.
Mrs.
Miss
Miss
Mrs.
Mrs.
Mrs.
Mrs.
SYMPHONY ORCHESTRA (continued)
Mrs. George Merrill
Mrs. Roger B. Merriman
Mr. Nestor Merritt
S. McCreary
Henry McGoodwin
Lewis
Allyn B. Mclntire
Emily W. McKibbin
Nathalie
George Melcher
Mr. and Mrs.
C. H. S. Merrill
Miss Elinor Merrill
[20]
Thacher Nelson
Mrs.
Miss
Mrs.
Mrs.
Miss
Mrs.
Alice B. Newell
James W. Newell
Walter H. Newey
Gertrude E. Newhall
Samuel J. Newman
Mr. and Mrs.
Edwin M. Newton
Mrs. Henry G. Nichols
Miss Ruth Nicholson
Mrs. Roland Nickerson
Mrs. John T. Nightingale
Mrs. F. O. North
Miss E. G. Norton
Miss Annie Endicott Nourse
Miss Annie Anthony Noyes
Mrs. James B. Noyes
A Friend
Mr. George R. Nutter
Mrs. Francis J. Oakes,
Miss Mary E. OBrion
Miss Mary Elizabeth
Jr.
O'Connor
Mr. Otto Oldenberg
Miss Margaret Olmsted
Mrs. Leonard Opdycke
Mrs. Robert B. Osgood
, [r
;
^
j^ rs
i;
g q^ s
Miss Louise Packard
Rev. George L. Paine
Mr. John B. Paine, Jr.
Misses J. G. and E. M.
Paine
Mr. and Mrs.
Richard C. Paine
Russell Sturgis Paine
(Worcester)
Mr. and Mrs. R. T. Paine,
Mrs.
2nd
Mrs. Stephen Paine
Mrs. Charles Palache
Mr. Charles Henry Parker
Miss E. M. Parker
Mr. and Mrs.
Philip S. Parker
Mrs. Robert B. Parker
Mrs. Willam Stanley Parker
Mrs. Henry Parkman
Miss Alice R. Pattee
Mrs. C. Campbell
Patterson, Jr.
H. Nash
Mrs. Maude dishing Nash
Mrs. J. A. Neal
Mrs. Samuel C. Payson
Miss Anne P. Peabody
Mrs. Endicott Peabody
Mrs. Albert B. Neill
Mrs. W. LaCoste Neilson
Mrs.
F.
Mr. Robert E. Peabody
W. Rodman Peabody
.
FRIENDS OF THE BOSTON
W.
Pearse
Annie J. Pecker
Frank S. Pecker
Alice Foster Peirce
Hilary Penhallow
Gino L. Perera
E. G. Perry
Prof. Ralph Barton Perry
Mrs. Franklin T. Pfaelzer
Mrs. John C. Phillips
The Hon. and Mrs.
Miss
Miss
Mrs.
Miss
Miss
Mrs.
Mrs.
Alice
William Phillips
(Washington)
Mrs. Cadis Phipps
Mr. C. M. Pickett, Jr.
Mr. Dudley L. Pickman
Mr. Dudley L. Pickman, Jr.
Mrs. Edgar Pierce
Mrs. George W. Pierce
Miss Helen C. Pierce
Mr. Henry L. Pierce
Miss
Mrs.
Mrs.
Mrs.
Mrs.
Rosamond
Pierce
Charles G. Pike
Benjamin F. Pitman
Harold A. Pitman
Bacon Pleasonton
Mr. Frederick Plummer
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Mrs.
Henry K. Porter
John R. Post
Brooks Potter
John Briggs Potter
Murray A. Potter
W. H.
Potter
E. B. Powell
Samuel L. Powers
Miss Betty Prather
Mrs. Frederick S. Pratt
Dr. and Mrs. Henry N. Pratt
Mrs. Louis Mortimer Pratt
Miss Julia C. Prendergast
Mrs. Elwyn G. Preston
SYMPHONY ORCHESTRA (continued)
Mrs. Neal Rantoul
"A. E. R."
Mr. and Mrs.
Franklin F. Raymond
Miss Mary A. Rea
Mrs. S. W. Sabine
Mrs. Alex D. Salingef
Miss Elizabeth Saltonstall
Mrs. Robert Saltonstall
Mrs. Robert deW. Sampson
Mr. and Mrs.
Miss Mary E. Reilly
Ashton Sanborn
(Lowell)
Mr. H. C. Sanborn
Miss Edith Remick
Miss Ruth D. Sanderson
Mrs. Frank W. Remick
Miss Gertrude S. Sands
Mrs. Albert W. Rice
Mrs. George P. Sanger
Mrs. John C. Rice
Mr. Sabin P. Sanger
Mrs. William E. Rice
Mr. Porter Sargent
(Worcester)
Mrs. Florence W. Saunders
Mrs. William Foster Rice
Mrs. William Saville
Mrs. C. F. Rich
Mr. and Mrs.
Mrs. J. L. Richards
Henry B. Sawyer
Mrs. Theodore W. Richards Mr. and Mrs.
Mrs. Charles F. Richardson
Robert W. Sayles
Mrs. John Richardson, Sr.
Miss Martha McLeod
Mrs. Mark W. Richardson
Schenck
Miss Ruth K. Richardson
Mrs. Erwin H. Schell
Mr. W. K. Richardson
Mrs. Arthur M. Schlesinger
(Islington)
Miss Emma Richter
Mrs. Charles F. Richmond
Mr.
W. Douglas Richmond
Miss Mabel Louise Riley
Mrs. R. Sanford Riley
Mrs. Wellington Rindge
Mr. Alfred L. Ripley
Mrs. Philip F. Ripley
Miss Alice Marie Ritz
Mrs. Russell Robb, Sr.
Mrs. Royal E. Robbins
Miss Jane L. Roberts
Miss Gertrude Robinson
Mr. Dwight
P. Robinson, Jr.
Friend
Miss Katherine Robinson
Miss Bertha F. Rogers
Miss Miriam Rome
Miss A. Rebecca Romkey
Mr. and Mrs. William M.
Mrs. Caroline Ropes
Preston
Mr. Walter Bigelow Rosen
Mrs. Edward W. Pride
Mrs. Eugene Rosenthal
Mrs. Charles A. Proctor
Mr. and Mrs. Lewis I. Prouty Mrs. Louis Rosenthal
Mrs. Morris Rosenthal
Mrs. F. Delano Putnam
Mrs. Adolph Rossbach
Miss Louisa H. Putnam
Mr. Bernard J. Roth well
Mr. Richard S. Russell
Mrs. Felix Rackemann
Mrs. William A. Russell
Miss Bertha Ramseyer
Miss Mary S. Rousmaniere
Miss Minna L. Ramseyer
Mr. and Mrs.
Prof, and Mrs. E. K. Rand
C. Adrian Rubel
Miss Frieda Rand
Mr. Philip Rubenstein
Mr. and Mrs.
Mr. George L. Ruffin
Harry Seaton Rand
Miss Helen M. Ranney
Miss Mary L. Sabine
The Misses Rantoul
A
Miss Elizabeth Schneider
(Methuen)
Miss Alice A. Schultz
Mr. and Mrs. Franklin
\\
Scott
Miss Muriel Headley Scott
Mrs. Wallace M. Scudder
Mr. Wallace M. Scudder, Jr.
Miss Evelyn G. Sears
Mrs. Francis B. Sears
Mrs. Henry F. Sears
Miss Jean S. Sears
Mr. Richard D. Sears
Miss Rosamond Sears
Mrs. Samuel P. Sears
Miss Esther Isabel Seaver
Mr. Llewellyn D. Seaver
Mrs. Charles L. Seavev
Mr. and Mrs. H. P. Seha
Mrs. Arthur J. Seaverns
Mrs. J. B. Sewall
Mrs. Benjamin Sharp
Miss Alice Shattuck
Dr. and Mrs.
George C. Shattuck
Mr. Henry L. Shattuck
Miss Lillian Shattuck
Mr. and Mrs.
Arthur Hunnewell Shaw
Mrs. Edward L. Shaw
Mr. Louis Agassiz Shaw. 2nd
Miss Miriam Shaw
Mrs. Sohier Shaw
Dr. Thomas B. Shaw
(Worcester)
OF
FRIENDS
Mrs. T. Mott
THE
Shaw
"A Music Lover"
Mrs. Frank M. Sheldon
Mrs. Henry B. Shepard
Miss
Mrs.
Miss
Miss
Miss
Miss
Miss
K. F. Sherwood
John
Shillito
Lizzie C. Shirley
Gertrude H. Shurtleff
Katharine H. Shute
Martha G. Sias
Kathleen Sibley
Mr. Samuel Sigilman
Miss Olive Simes
Mrs. Charles Lewis Slattery
Mr. and Mrs.
Howard Slayman
Mr. William H. Slocum
Mrs. Winfield S. Slocum, Sr,
Mr. Herbert Small
Miss A. Marguerite Smith
Miss Alice M. Smith
Mr. and Mrs. Arthur Thad
Smith
Mr. Carroll Smith
Mrs. Charles Gaston Smith
Mr. Charles Lyman Smith
Mr. and Mrs.
F. Morton Smith
Miss Elizabeth H. Smith
Mr. and Mrs. F. C.
Smith, Jr.
Mrs. Henry A. Smith
Mrs. Henry F. Smith
Mrs. M. N. Smith-Petersen
Mr. and Mrs. P. A. Sorokin
Mrs. Alvin F. Sortwell
Prof,
and Mrs.
Walter R. Spalding
Mrs. William A. Spalding
Mrs. Philip R. Spaulding
Mrs. Henry
M. Spelman
BOSTON
Pierpont L. Stackpole
Miss Lena M. Stadtmiller
Mrs. Daniel Staniford
Mrs. Francis M. Stanwood
Miss Alice K. Stearns
Miss Elsie R. Stearns
Mr. and Mrs. Philip Morris
Stearns
Miss Frances E. Stebbins
Mrs. Alexander Steinert
Mr. Moses T. Stevens
Mrs. S. W. Stevens
[22]
ORCHESTRA
Mr.
J.
H. Strauss
Mrs. Louis Strauss
Miss Mary Strickland
Dr. Richard P. Strong
Miss Frances C. Sturgis
Miss Grace May Stutsman
Mrs. T. Russell Sullivan
Mrs. Charles P. Sumner
(Haverhill)
Mrs. Ralph D. Sutherland
(Athol)
Mrs. E. Kent Swift
(Whitinsville)
Mrs. George H. Swift
Mrs. John B. Swift, Jr.
Miss Lucy W. Swift
The Rev. Grieg Taber
Mr. and Mrs.
Edward A. Taft
Mrs. Charles W. Taintor
Miss Alice P. Tapley
Professor F. W. Taussig
Miss Abigail F. Taylor
Miss Millicent J. Taylor
Mrs. William O. Taylor
Miss Elisabeth B. Thacher
Mr. Louis B. Thacher
Miss M. H. Thacher
Miss M. Thacher
(Yarmouth Port)
Mr. Thomas C. Thacher
Mrs. Edward Thaw
Mrs. W. H. Thayer
Dr. and Mrs.
Augustus Thorndike
Mrs. Guilford L. Spencer
Mrs. Charles Sprague
Miss Alice Stackpole
Mr. and Mrs.
SYMPHONY
Mrs. Robert H. Stevenson
Mr. and Mrs. Frank H. Stewart
Mrs. Philip Stockton
Mrs. Frederic M. Stone
Mrs. Galen L. Stone
Mrs. James J. Storrow
Mrs.
Ward Thoron
Miss Isabelle L. Tice
Miss Ruth F. Tinkham
Dr. and Mis. Coleman
Mrs.
Miss
Miss
Mrs.
Tousey
Abner
J.
Tower
Florence E. Tower
Annie R. Townsend
Alfred M. Tozzer
Mr. Mahlon E. Trayler
Mrs. George W. Treat
Miss Miriam Trowbridge
Mrs. J. Alfred Tucker
Mr. Luther Tucker
Mrs. Philip M. Tucker
Mrs. William J. Tucker
(continued)
Mrs. L. S. Tuckerman
Mrs. George T. Tuttle
Mrs. Royal W. Tyler
Mr. A. Ullman
Mrs. Kenneth Shaw Usher
Mrs. Samuel Usher
Miss Sophia A. Underwood
Mrs. George W. Vaillant
Miss Grace S. Varney
Miss Bertha H. Vaughan
Mrs. R. G. Vickery
In Memory of
Miss Alice M. Vinton
Mrs. William D. Vogel
Mrs. Winthrop H.
Wade
Mrs. Alexander F. Wadsworth
Mrs. Eliot
Wadsworth
Mrs. William Wadsworth
Mrs. Robert Walcott
Miss Alice S. Wales
Mrs. Nathaniel Wales
Dr. D. H. Walker
Miss Esther M. Walker
Mr. and Mrs.
Joseph T. Walker, Jr.
Mrs. George R. Wallace
Miss Anne Walmsley
Miss Sarah Walmsley
Dr. J. Raymond Walsh
Mrs. W. A. Walter
Miss Alice Walton
Miss Harriet E. Walworth
Mr. and Mrs. Adolf Walz
Miss Anita S. Ward
Miss Edith Ward
(Worcester)
Mrs. Sheldon E. Wardwell
Mr. Henry Ware
Miss Mary Lee Ware
Mrs. Guy Waring
Mrs. Arthur M. Warren
Mr. and Mrs.
Bentley W. Warren
Mrs. George E. Warren
Miss Gertrude Warren
Miss Miriam E. Warren
Mr. H. B. Washburn
Mrs. Richard P. Waters
Mr. Charles Hadley Watkins
Mrs. George H. Watson
Mrs. Lester Watson
Miss Sylvia H. Watson
Mrs. Thomas R. Watson
Miss Jenny C. Watts
FRIENDS OF THE BOSTON
Mr. Murray M. Waxman,
Miss Grace C. Waymouth
Mr. C. A. Weatherby
Mr. and Mrs.
Edwin S. Webster
Prof. K. G. T. Webster
Mr. and Mrs.
Albert H. Wechsler
Mr. and Mrs.
Robert S. Weeks
Mr. Leo Weidhorn
Dr. Joseph Weinrebe
Jr.
Miss Lucy M. Welch
Mr. and Mrs. E. Sohier Welch
Mrs. Bernard C. Weld
Mrs. C. Minot Weld
Mrs. Charles G. Weld
Mr. Raynor G. Wellington
Mr. J. Cheney Wells
(Southbridge)
Miss Louisa A. Wells
Mrs. Barrett Wendell
Mrs. Alonzo A. West
Mrs. George S. West
Mrs. Frederic A. Wetherbee
Miss Martha Wetherbee
In Memory of
Emma
M. Wethern
Mr. Edward C. Wheeler,
Jr.
SYMPHONY ORCHESTRA (continued)
Miss Eunice Wheeler
(Worcester)
Miss Mary Wheeler
Mrs. G. W. Wheelwright
Mr. Frank W. Whitcher
Miss Gertrude F. Whitcomb
Miss Esther White
Mrs. Franklin K. White
Miss Gertrude R. White
Mr. Huntington White
Mr. Robert W. White
Mrs. Alexander Whiteside
Mrs. G. Marston Whitin
(Whitinsville)
Mrs. Edmund A. Whitman
Mrs. Charles F. Whitney
Mrs. Matthew John Whittall
Miss Louise Adams
Whittemore
Mary Emerson
Whittemore
Mrs. Wyman Whittemore
Miss Patience B. Widger
Mr. Arthur M. Wiggin
Mrs. Edward F. Wilder
Mr. Alexander W. Williams
Mrs. Arthur Williams
Mr. Moses Williams
Mrs. Ralph B. Williams
Miss
.Mrs.
Miss
Miss
Miss
Mr.
Miss
Mrs.
William C. Williams
Clara A. Williamson
Margaret
Williamson
Clara L. Willis
Donald B. Willson
Florence B. Windom
Charles F. Wing
Mr. and Mrs.
Hobart W. Winkley
Mrs. Samuel E. Winslow
(Leicester)
Mrs. Henry A. Withington
Mrs. Henry Wolcott
Mr. and Mrs. Roger Wolcott
Miss Charlotte Wood
Miss Mary E. Wood
Wood
Woodman
Dr. Nathaniel K.
The
Misses
Mrs. Kennard
Mrs.
Edith
Woodworth
Christiana
Woolley
Miss Katharine Wormelle
Mr. Philip W. Wrenn
Mrs. Walter P. Wright
Mrs. William B. Yates
Mr.
S.
Zemurray
Mrs. Louis Ziegel
April
Members
in
Mrs. William Ackerman — Towners, N.Y.
Mr. and Mrs. Alfred L. Aiken — New York
City
Mrs. Arthur M. Allen — Providence, R.L
Mr. and Mrs. Howard L. Anthony — Providence, R.I.
Mr. George C. Arvedson
— New
York City
Miss Caroline C. AtLee — New York City
Mrs. Charles T. Barney — New York City
Miss Lydia M. Barwood — Brooklyn, N.Y.
Mr. Emil J. Baumann — Hartsdale, N. Y.
Miss Clara S. Beach — White Plains, N.Y.
Mr. Gerald F. Beal - New York City
Mrs. Daniel Beckwith — Providence, R.I.
Miss Frieda Behr — Brooklyn, N.Y.
Mr. Elliot S. Benedict — New York City
Mr. Henry J. Bernheim — New York City
Miss Dorothy L. Betts — Brooklyn, N.Y.
Mrs. A. W. Bingham, Jr. — New York City
Major Theodore Bitterman — Mt. Vernon,
N.Y.
Miss Louise Blake — Brooklyn, N.Y.
Misses Ada and Janet Blinkhorn — Providence, R.I.
Other
7.
1936
Cities
Miss Mattie Blogg — New York City
Miss Susan S. Boice — New York City
Mrs. Raymond Brooks — Greenwich, Conn.
Mr. Herbert S. Brussel — New York City
Mrs. Cecilia Buek — Brooklyn, N.Y.
Mrs. F. H. Cabot — New York City
Miss Florance Carr — New York City
Miss Martha Casamajor — Brooklyn, N.Y.
Mrs. B. D. Chambers — Roxbury, Va.
Mr. William P. Chapman,
Jr.
— New
York
City
Mrs. Prescott O. Clarke — Providence, R.I.
Mrs. Henry E. Cobb — Bronxville. N.Y.
Mr. James C. Collins — Providence, R.L
Miss H. A. Colton - Brooklyn, N.Y.
Mrs. G. Maurice Congdon — Providence R.I.
Mrs. W. P. Conklin, Jr. — Farmington. Conn.
Miss Luna B. Converse — Woodstock, \'t.
Mrs. F. S. Crofts - New York City
Mrs. Gammell Cross — Providence. R.L
Mr. W. W. Dempster — Providence. R.I.
Mrs. William S. Dennett - New York City
Miss Margaret de Schweinitz — Poughkeepsie,
N.Y.
1=3]
THE
OF
FRIENDS
symphony
BOSTON
Miss Emily Diman — Providence, R.I.
Miss Madeleine I. Dinsmore — Staatsburghon-Hudson, N.Y.
Mrs. Charles W. Dodge — Rochester, N.Y.
Mr. Charles Dreifus, Jr.— New York City
Mr. and Mrs. H. W. Dutch -Glen Ridge,
Mrs. Henry
NJ.
Miss Helen S. Eaton — New York City
Mrs. Walter H. Eddy -New York City
Mr. and Mrs. William H. Edwards — Providence, R.I.
Mrs. Albert Eiseman — Scarsdale, N.Y.
Mrs. Lewis A. Eldridge — Great Neck, N.Y.
Miss H. Wilhelmina Ericsson — Brooklyn,
N.Y.
Mrs. Henry Evans — New York City
Mr. J. R. Fast — New York City
Mrs. Morris Fatman — New York City
W. Rodman Fay — New York City
Dana H. Ferrin — Scarsdale, N.Y.
Mrs.
Mrs.
Mr. and Mrs. Mansfield Ferry
— New
Mr. Arthur L. Friedman
Ives
Gammell
York City
N.Y.
— Providence,
R.I.
Miss Marion A. Gardner — New York City
Mrs. Otto Goepel — Brooklyn, N.Y.
Mr.
Mr.
Edwin Goldwasser — New
William B. Goodwin — New
I.
York City
York City
Mrs. William Bates Greenough — Providence, R.I.
Mr. and Mrs. N. Penrose Hallowell —New
York City
Mrs. F. M. G. Hardy — Reading, Conn.
Miss Louise Harris — Providence, R.I.
Mr. and Mrs. Norman L. Hatch — Exeter,
N.H.
Mrs. Harold B.
Hayden
— Plattsburgh,
N.Y.
Mr. Irving Heidell — New York City
Mr. Clarence H. Hill — New York City
Mr. Thomas D. Hinshaw — Ann Arbor,
Mich.
Miss Katherine I. Hodgdon — Brooklyn,
N.Y.
Mrs. H.
Hoermann —
Montclair, N.J.
— New York City
Emma Ingles — Brooklyn, N. Y.
Arthur Ingraham — Little Compton,
Mr. Henry Homes
Miss
Mrs.
R.I.
Mr. and Mrs. Robert E. Jacobson
— Provi-
dence, R.I.
Miss Amy Jaeger — New York City
Mr. Sidney Jarcho — New York City
Mrs. Edward L. Johnson — Providence, R.I.
Miss Loraine Johnson — Providence, R.I.
Mrs. Edouard Jonas
[24]
— New
S.
Lanpher — Providence,
R.I.
Mrs. Austin T. Levy — Harrisville, R.I.
Mrs. Frank L. Locke — Newfields, N.H.
Mrs. Edward Loomis — New York City
Mrs. Alfred L. Lustig — Providence, R.I.
Mr. Hugh F. MacColl — Providence, R.I.
Mr. Harry Mack
— New
York City
Anne Bush MacLear — Mt. Vernon,
Miss
N.Y.
Mrs.
George
Compton,
B.
H.
Macomber — Little
R.I.
Miss Margaret E. Maltby — New York City
Mr. and Mrs. Everett Martine — Palisades,
Mr. and Mrs. Newell O. Mason
— Hoboken,
N.J.
W. Frothingham — Tarrytown,
Robert
Mrs.
— New
(continued)
N.Y.
York
City
Miss E.
orchestra
Mr. E. S. Wells Kerr -Exeter, N.H.
Miss Elena H. Klasky — New York City
Mr. Charles Klingenstein — New York City
Miss Edith Kneeland — New York City
Mr. Alfred A. Knopf — New York City
Mr. Arthur Landers — Exeter, N.H.
York City
Miss Mabel K. McCue — Brooklyn, N.Y,
Dr. Charles A. McDonald — Providence,
R.I.
Mrs. G. Pierce Metcalf — Providence, R.I.
Mrs. Houghton P. Metcalf — Providence, R.I.
Mrs. I. Harris Metcalf — Providence, R.I.
Mrs. Jesse H. Metcalf — Providence, R.I.
Mrs. N. F. Milne — Manchester, N.H.
Mr. E. Montchyk — New York City
Mrs. David P. Moulton — Providence, R.I.
Mr. Walter W. Naumburg — New York City
Mrs. Charles Neave — New Yoik City
Miss Francis I. Neill — New York City
Miss K. B. Neilson — Darien, Conn.
Dr. Harold Neuhof — New York City
Mr. John S. Newberry, Jr. — Detroit, Mich.
Mr. Acosta Nichols, Jr. — Oyster Bay, N.Y.
Miss Marjorie L. Nickerson — Brooklyn, N.Y.
Mr. Gouverneur H. Nixon — Flushing, N.Y.
Mrs. Theodore Obermeyer — New York City
Mr. Gabriel Paitchadze — Paris, France
Mrs. Joseph Parsons — Lakeville, Conn.
Mrs. C. E. Perkins — Brooklyn, N.Y.
Mr. Francis D. Perkins — New York City
Dr. Lewis Perry — Exeter, N.H.
The Hon. and Mrs. William Phillips
Washington, D.C.
Mrs. Paul J. W. Pigors — Rochester, N.Y.
—
Miss Eliza H. Pigot - Brooklyn, N.Y.
Mr. Robert H. Pitney — Mendham, N.J.
Mr. Joseph M. Price — New York City
Mrs. Joseph K. Priest — Nashua, N.H.
Mr. Robert I. Raiman — Hollis, N.Y.
Miss Hetta Randerbrock — New York City
The
Misses
Ray — Brooklyn, N.Y.
FRIENDS
Miss
Miss
Miss
Mrs.
Mrs.
Mrs.
OF
THE
BOSTON
SYMPHONY
Edith Rice — New York City
Louise Rickard — Brooklyn, N.Y.
Helen C. Robertson — Providence, R.I.
John Rogers, Jr. — New York City
West Roosevelt — New York City
J.
Kate C. Ropkins — Hartford, Conn.
Mr. Warren L. Russell
— Queens
Village,
N.Y.
Mrs. Herbert L. Satterlee — New York City
Mrs. F. R. Schepmoes — Brooklyn, N.Y.
Mrs. Gustave Schirmer — New York City
Miss Alice A. Schultz — West Hartford,
Conn.
— New York City
Mr. Clifford Seasongood — New York City
Miss Ellen D. Sharpe — Providence, R.I.
Mrs. Henry D. Sharpe — Providence, R.I.
Mrs. Henry S. Shaw — Exeter, N.H.
Mrs. George St. J. Sheffield — Providence,
Miss Edith Scoville
R.I.
Dr. Olga Sitchevska
— New
York City
Miss Louise Smith — New York City
Mr. William Sidney Smith — Brooklyn, N.Y.
Mr. Joseph H. Spafford — New York City
Mrs. Huntley Nowell Spaulding — Rochester,
ORCHESTRA
(concluded)
Mrs. Henry A. Stimson
Mrs. M. B. Stower
Mrs. Sol
—
— New
M. Stroock - New York
Mrs. Cyrus L. Sulzbeiger
— New
City
York City
Mr. Thornton C. Thayer — Brooklyn, N.Y.
Miss Mabel Thuillard — Jamaica, N.Y.
Mr. Stirling Tomkins — New York City
Mr. Howard M. Trueblood — New York City
Mr. Albert W. von Lilienthal — Yonkers,
N.Y.
Mr. Allen Wardwell — New York City
Mrs. George H. Webb — Providence, R.I.
Miss Cora A. Week — Fieldston, N.Y.
Mr. Robert C. Weinberg — Scarsdale, N.Y.
Mrs. Francis Welch — New York City
Miss Frances E. White — Brooklyn, N.Y.
Miss H. H. White - Brooklyn, N.Y.
Miss Rosa White — Larchmont, N.Y.
Mrs. Matthew John Whittall — Washington,
D.C.
Mrs. George N. Whittlesey
—
Brooklyn, N.Y.
Van Wyck Wickes-Rye, N.Y.
Miss Elin Wikander — Brooklyn, N.Y.
Mrs. H.
— Jamaica,
Miss Josephine D. Wilkin
N.H.
Mrs. Foster Stearns — Hancock, N.H.
Mrs. Frederick T. Steinway — New York City
York City
Providence, R.I.
Mrs. Kenneth F.
Mr. Wilfred
J.
Wood —
N.Y.
Providence, R.I.
Worcester -
New York
To enroll as a Friend of the Orchestra, kindly make
cheque payable to Boston Symphony Orchestra, for
whatever amount you care to contribute, and mail it to
E. B. Dane, Esquire, Treasurer, 6 Beacon Street. Boston.
Gifts to the Orchestra are deductible donations under
the Federal Income Tax Law.
[2ol
Citv
SYMPHONY NO.
2,
D MAJOR,
IN
Op. 43*
By Jean Sibelius
Born December
8,
1865, at Tavastehus, Finland; living at Jarvenpaa, Finland
Second Symphony, probably more than any other of
The
Sibelius,
up verbal images from many writers. Georg Schneevoigt,
including the work upon his programme when he conducted the
Boston Symphony Orchestra, March 7 and 8, 1924, then told Mr.
has called
Hale that
as
an intimate friend of Sibelius he could vouch
composer's intention of depicting in this work varying
Finnish people
in
Sibelius,
— pastoral,
moods
for the
of the
timid, aspiring, insurrectionary.
an interview given
to
Walter Legge in the London
Daily Telegraph last December, directly contradicts these assertions:
"Since Beethoven's time
all
the so-called symphonies, except Brahms's,
have been symphonic poems. In
many
cases the
composers have told
symphony, composed in 1901-02, and first performed at Helsingfors on March 8 of
under the composer's direction, had its first performance in this country by the
Chicago Symphony Orchestra, Theodore Thomas, Conductor, January 2, 1904. Wilhelm
Gericke introduced it at the Boston Symphony Concerts on March 11 of the same year.
Subsequent performances have been given December 31, 1909; January 6, 1911; March 10,
1916; November 11, 1921; March 7, 1924; October 18, 1929; January 15, 1932; November
25, 1932; October 20, 1933. It was performed under the direction of Dr. Koussevi*.zky (as
guest) by the Stadtorchester at Helsingfors, September 13, 1935. "Tapiola" and the Seventh
Symphony were also played.
* This
1902,
^
*0
?$6
STOCKBRIDGE, MASS.
FOR RENT FURNISHED
held. Excellent
Summer
FOR SALE:
distinctive Georgian residence, 23 rooms,
Stockbridge where Berkshire Symphonic Festival is
Theatre. Golf course and boat club. For full information on other
elevator, heat. Situated center
or
of
historic
property write.
SOUTHERN BERKSHIRE REAL ESTATE
Stockbridge, Mass.
Box
[26
1
161.
CO.
us or, at
is
least,
indicated the programs they had in mind; in others
it
plain that there has been some story or landscape or set of images
that the composer has set himself to depict or illustrate.
"That
is
not
my
My
idea of a symphony.
symphonies are music
conceived and worked out in terms of music and with no literary
basis. I am not a literary musician; for me music begins where words
cease.
A
drama in words; a
and last music. Of course, it has happened
quite unbidden, some mental image has established itself in
scene can be expressed in painting, a
symphony should be
that,
my mind
first
movement
I have been writing, but
symphonies have been solely
musical. When I set out to write symphonic poems it is another matter.
'Tapiola,' Tohjola's Daughter,' 'Lemminkainen,' 'The Swan of
Tuonela,' were suggested to me by our national poetry, but I do not
pretend that they are symphonies."
The composer, in the same interview, attributed the allegation of
a Tchaikovskyan strain in the first two symphonies to "a wilful over-
the
in connection with a
germ and the
fertilization of
my
loading of sentimentality" on the part of conductors.
mind and my methods
cannot think,
way, and
it is
"My
musical
are the very antithesis of Tchaikovsky's.
I
have never been able to think, the Tchaikovskyan
the conductors who are to blame if the public thinks
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my
works a Tchaikovsky an influence. That I admire
but I have never written in his style. All I ask
of the conductors who play my music is that they should obey my
markings implicitly, neither hurrying nor dragging, and to remember
it
sees in
Tchaikovsky
that
my
early
is
true,
my dynamic
and
scoring
indications are intentional."
In a newly published description and analysis of the seven symphonies,* Cecil Gray adds considerably and notably to his book on
He
Sibelius.
vance on
Second Symphony: "Written three years after
many respects a remarkable adWhile the First Symphony, one may say, is the
says of the
the First, in 1902,
constitutes in
it
the. latter.
archetype of the romantic, picturesque symphony of the latter part
of the nineteenth century, the Second strikes out a
gether.
is
The
First
is
new path
alto-
a conclusion, the last of a dynasty; the Second
the beginning of a
fruitful developments.
new
line,
containing the germs of great and
In outward appearance the Second Symphony
four-movement formula of
but the internal organization of
the movements reveals many important innovations, amounting at
would seem
to
conform
to the traditional
allegro , andante, scherzo,
* Cecil
and
finale,
Gray: "Sibelius: the Symphonies" ("The Musical Pilgrim"
series,
Oxford University
Press, 1935).
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:
and particularly in the first movement, to veritable revoluand to the introduction of an entirely new principle into
symphonic form.
times,
tion,
"The nature
of this innovation can be best described by saying
symphony of Sibelius's immediate predecessors
and contemporaries the thematic material generally consists of definite
melodic entities which propagate by means of the method called by
biologists binary fission, by splitting up and disintegrating into several
thematic personalities, each bar of the original organism becoming a
theme in the development, in the mature symphonic writing of
that whereas in the
method
Sibelius the
is
precisely the opposite
— namely,
he introduces
thematic fragments and proceeds to unite them in the development.
Instead of presenting definite, clear-cut, melodic personalities in the
them to pieces, dissecting and analysing them in
and putting them together again in a recapituroughly speaking the method of most nineteenth-
exposition, taking
a development section,
lation,
which
is
century practitioners of symphonic form, Sibelius inverts the process,
introducing thematic fragments in the exposition, building them up
an organic whole in the development section, then dissolving
and dispersing the material back into its primary constituents in a
brief recapitulation. The peculiar strength and attraction of this
into
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1936
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[29]
method
of construction consists in the fact that
nature and of
life itself; Sibelius's
born, develop, and die, like
The
all
is
the
method
of
living things."
following analysis by Cecil Gray
phonies")
it is
most characteristic movements are
somewhat abbreviated,
(from "Sibelius: the Sym-
in part by the necessity of omitting
themes in notation:
Movement:
First
allegretto
In the First Symphony, as
definite first
and second
— poco
we have
allegro.
movement is built up on
none in the accepted conventional
seen, the initial
subjects; here there are
sense of the words. The movement begins with a kind of introduction. Firstly there
comes a simple rising figure for the strings alone, upon which is then superimposed a pastoral-like theme for wood-wind, punctuated by phrases for the horns
echoing in augmentation the final clause of the melody. The tempo then changes
from six-four to common time, and a seemingly somewhat inconsequent episode
takes place, initiated by a curious passage for two bassoons in thirds over a roll
for the kettle-drums, then a tremolo for flutes, then a longish rhapsodical passage
for the violins alone.
.
.
.
An
arresting passage for strings pizzicato leads to the
and to the announcement over the rising string figure with which the
movement opened of what would in ordinary parlance, no doubt, be called the
"first subject," for it is probably on the whole the most important one. On this
its first appearance, however, it seems completely unimportant, and even positively
allegro,
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[30]
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insignificant
- merely
a perfunctory kind of flourish to accompany the mounting
which has already appeared. On its second presentation, however, it already begins to impress itself on one's attention;
and when it enters
for the third time, at the beginning of what would ordinarily be called the
development section, slightly altered, in the minor, for the oboe alone, and is then
completed by a pendant for the bassoon, it seems suddenly to grow in stature
before our eyes, or rather, our ears. And so on, with each repetition or variation
figure in the strings
develops and expands until in the end
it overshadows all.
Nothing, from a purely technical point of view, is more remarkable in the
entire range of symphonic literature than the way in which the composer, having
presented in the exposition a handful of seemingly disconnected and meaningless
scraps of melody, proceeds in the development section to breathe life into them
and bring them into relation with one another.
The remainder of the movement, as already suggested, consists of a recapitulation in which the thematic
it
.
material
resolved back, as
is
it
.
.
were, into the elements from which
it
took
rise,
yet never with a sense of anti-climax, but always with a logical inevitability that
holds our attention to the end, which
— the
is
practically identical with the beginning
simple rising figure for the strings alone.
Second Movement: tempo andante,
ma
rubato
— allegro — andante
sostenuto.
This second movement
The
is
also
highly individual both in form and content.
familiar principle of the contrast between a chief lyrical subject and a
more
here intensified into an epic conflict, involving several
groups of thematic protagonists. It begins with a roll on the kettle-drums, and a
long mysterious pizzicato passage shared by basses and 'cellos, over which is
virile
second subject
is
BOUND VOLUMES
of the
Boston Symphony Orchestra
Concert Bulletins
Containing
analytical and descriptive notes by Mr.
John N. Burk, on all works performed
during the season.
"A Musical Education in One Volume"
"Boston's Remarkable Book of Knowledge"
Lawrence Gilman in the
N. Y. Herald and Tribune
Price $6.00 per
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volume
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[SO
eventually given out a melancholy reflective theme for the bassoons in octaves,
continued by oboes and clarinets.
This section concludes with sombre, threatening harmonies for the brass, after which the tempo quietens down, and a second
lyrical subject is
.
.
adumbrated in the
.
alone at
strings,
first,
and then
to a liquid
running accompaniment in thirds for flutes and bassoons. This is followed by a
sequel of exquisite beauty — one of Sibelius's happiest melodic inventions — for
oboe and clarinets. This also generates an angry, threatening reply from the
and
'cellos
basses, after
which a reversion is made to the first subject, which is
field by an enhanced repetition of the first strenuous
once more driven from the
The second
passage.
on the part
The
lyrical
subject then recurs and, despite a vigorous attempt
of the hostile forces to dislodge
sequel to this second lyrical subject
is
it,
continues unperturbed on
its
way.
then worked up to a passionate and
Ormuzd and Ahriman conflict between the forces
and darkness the latter gain the day and have the last word. The movement closes on a sombre note, with fragmentary references to the two lyrical subjects, and a strange and sinister episode characterized by trills and tremolos for
the wood-wind, and a furious demi-semiquaver passage for the strings.
exultant climax, but in this
of light
Third Movement:
vivacissimo.
In spite of the indication "with the utmost vivacity" and the major tonality
(B
flat),
the
mood and
general atmosphere of the third
movement
is
restless
and
uneasy rather than cheerful.
The
followed in orthodox fashion by a trio, lento e suave,
oboe of which the poignant loveliness is something of a
mystery, seeing that it consists almost entirely of one note, which is repeated no
fewer than nine times at the very outset. Both scherzo and trio are then repeated,
not note for note, but so far as thematic substance and general treatment are concerned, and then a tumultuous bridge passage leads directly without a break into
built
scherzo section
on a theme
is
for the
the finale.
Fourth Movement:
allegro moderato.
the simplest and most
is
symphony, and the least in need of thematic
analysis or explanation of any kind. The first chief theme is that with which it
starts, for the violins.
The second main subject is first heard in the woodwind, over a running figure of accompaniment in the violas and 'cellos.
After the thematic material has been thus set forth a kind of working-out
section ensues. ... It is worked to a climax, culminating in the triumphant
restatement of the first section of the movement. The second subject is then
resumed and developed at greater length than on the occasion of its first appearance, in a long, exciting crescendo in which the theme rises higher and higher
Formally, and in every other sense as well, this
straightforward
movement
.
with each repetition.
.
in the
.
The movement
concludes with a magnificent peroration for
the full orchestra, in which the heavy brass plays the leading part.
[32]
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[33]
TUESDAY'S CHILD
FULL OF GRACE
IS
Achievement of the Tuesday
When
Series
Serge Koussevitzky had been conductor of the Boston Sym-
phony Orchestra a single year, he bethought himself of a kind of
concert which up to that time had not been provided. There was a
growing realization that there must be also another type of listener,
who liked music but had little or no experience of it in its larger
forms, who required some sort of introduction to the art of symphonic
music, and to whom a "bird's-eye view" would be a little less than a
godsend.
The
needs of these particular listeners could be met by presenting
the living experience of the masterpieces of the ages, rather than by
the offering of actual instruction, by lectures, "courses," all the devices of the educational world.
The
our conservatories and
by the extension lectures established
colleges,
by the Commonwealth, and
language by talking about
it
it
was already provided by
latter
would be
easier to
(rather than talking
it).
teach a foreign
The
of the classroom, the lecture hall, the studio, could reach
instruction
its
objective
upon
method by the establishment of the Tuesday Concerts, concerts
which would fulfill these requirements and yet maintain every enjoyment which the term "Boston Symphony Concert" has come to imply.
It is now eleven years since the Tuesday concerts, planned according
only in the concert hall. Conductor and Trustees decided to enter
this
to these aims,
have been inaugurated. Every great name in the history
from precontemporary composers
like Prokofieff, Honegger and Sessions. Few composers have been included whose works have not become "classics." When an exception
has been made, there has been good and sufficient reason, an historic
niche to be filled in or a telling contrast to be provided.
Eleven seasons have confined themselves to forty-six composers. Repe-
of orchestral music, every period has been fully represented,
Bachians like Monteverde and Purcell
to the
thorough acquaintance
with thirty-three performances, and all the Beethoven symphonies have been heard at these
concerts, five of his overtures, and three concertos. Wagner is next, with
tition has thus
with
many
been frequent enough
twenty-seven performances.
works each; Bach
The
first
to assure
a great work. Beethoven comes
six;
first,
Schumann and Brahms have had seven
Schubert and Strauss
year, in a free historical survey
five.
from Bach
and Stravinsky, twenty-four composers had a hearing.
[34]
to
The
Honegger
pattern for
another season was that of programme-making by nationalities. In this
scheme a whole afternoon or half an afternoon was given to the composers of one country. Beginning with 1927, the most frequent pattern
that the conductor has used has been that of presenting great masterpieces from various periods and countries, without following too closely
any other scheme than those of catholicity of choice and interest in
programme-making. The season 1930-31 began a period of greater specialization.
The
composer, rather than the period or the country or the
Wagner and Beethoven each
had a whole afternoon. Mozart, Berlioz, Tchaikovsky and Sibelius each
had a half afternoon. This tendency toward providing closer acindividual work, was having his turn.
quaintance with individual composers reached
its
culmination in the
and 1934—35. The former of these two years brought
the Beethoven cycle, in which all the symphonies were heard; which
years 1933-34
included also such comparative
Egmont, the
rarities
music
the
as
and
triple concerto for piano, violin
overture to Leonore, and the overture to the ballet,
to
'cello,
The
Goethe's
the second
Creatures of
The
year 1934-35 brought the Romantic Cycle, with the
composers Schubert, Schumann and Brahms. It included all the sym-
Prometheus.
phonies of Brahms and Schumann,
one of the
as well as
earlier sym-
phonies of Schubert and excerpts from another; overtures, concertos
and
ballet
music variously. This year the groups have been German,
Russian, French, Italian and Scandinavian. In the
posers listed were Italians
— Monteverde,
concert of the
fifth
current season, the most recent of the series (April
Scarlatti,
7,
1936), all
com-
Vivaldi, Rossini,
Respighi.
The
It
response has proved the existence of the need for these concerts.
has been as wide as
students within our
all
own
New
gates,
England.
has come not only from the
not only from our suburban community,
— it
has come from delegations
Vermont. The Tuesday concerts immediately found
not only from our neighboring States
as far distant as
It
and maintained their own public. The public in turn justified the faith
and the vision of these concerts, which as yet remain unique in the
chronicles of music-making in America.
After eleven years, hosts of listeners
orchestra
who
first
joined hands with the
and conductor through the Tuesday channels
find themselves
marvellously well prepared for a broader cycle of music.
are
now
series.
transferring their interests to the longer Friday
So long
there can be
as
new musical
no question
aspirants rise
up
Mam
of these
and Saturday
to take their places,
as to the value of Dr. Koussevitzkv's idea.
[35]
PAINTINGS BY ZULOAGA
The
The Honorable Alvah T.
Huntington
Avenue Foyer:—
the
following paintings, loaned by
Fuller, are
on exhibition
Ignacio Zuloaga,
in
1870 —
(Left to Right)
Ma
Cousine Candida.
Painted as if standing on a hilltop with the city of Segovia as a
background. Purchased by the present owner direct from the artist
while visiting Zuloaga at his home in Zumaya, Spain, in 1929.
Toledo.
Portrait of Mrs.
Martha Fuller Halsey.
Painted in Paris.
Angustias La Gitana.
Painted by Zuloaga as a wedding present to his daughter to
antique frame.
Gypsy Dance,
fit
the
Sevilla.
An
interesting comparison often made is between "Gypsy Dance,
Sevilla," and the painting "Uncle Daniel and His Family," at the
Boston Museum of Fine Arts.
Basque Peasant.
Zuloaga considers
this his masterpiece.
EVYLYN
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Medical references
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[36]
133-135
BOYLSTON STREET
Kenmore 2718
SYMPHONY HALL
FIFTY-SIXTH SEASON
1
9 3 6
-
1
9 3 7
Six
TUESDAY AFTERNOON
Concerts
BY THE
Boston Symphony Orchestra
Dr.
SERGE KOUSSEVITZKY,
MARCH
NOVEMBER 3
DECEMBER 29
FEBRUARY 2
This
year's
Conductor
subscribers for
the
series
16
APRIL
6
APRIL
27
of Six
Afternoon Concerts have an option until
May
Tuesday
15th to
retain their seats for the following season of 1936-1937.
be made by October
(Payment
to
Renewal
subscription cards for signature were mailed
April
to all present season ticket holders.
13,
Tuesday
subscribers,
who may be
Afternoon, Saturday Evening, or
1.)
interested in the Friday
Monday Evening
Series,
are invited to inquire for particulars at the subscription
office,
Symphony
Hall.
G. E.
JUDD, Manager.
[37]
WORKS
LIST OF
Performed at the Tuesday Afternoon Concerts
DURING THE SEASON
First
1935-1936
German Programme: November
G
Haydn
Symphony
in
Mozart
Symphony
in E-flat
....
Beethoven
Symphony No.
5
major, No. 88
7 in
major
A
(B.
& H. No.
13)
(Koechel No. 543)
major, Op. 92
Second German Programme: December
17
Wagner
Prelude to "Die Meistersinger von Niirnberg"
Prelude to "Lohengrin"
Prelude and "Liebestod" from "Tristan und Isolde"
Strauss
"Ein Heldenleben," Tone Poem, Op. 40
Russian Programme: February
Prokofieff
....
Rimsky-Korsakov
Tchaikovsky
.
.
.
....
7
Symphony, Op. 25
Classical
"Night on Mount Triglav," Act III of the Of era
Ballet "Mlada," arranged in concert form
Symphony No.
5,
in
E minor, Op.
64
French Programme: February 25
(Conductor: Richard Burgin)
Rameau
Berlioz
Ballet Suite
(Edited by Felix Mottl)
Excerpts from
Minuet of the Will-o'-the-Wisps
Roussel
Saint-Saens
....
Symphony No.
Dance
3
in
G
of Faust"
of the Sylphs '
minor, Op. 42
Concerto for Violoncello No.
(Soloist:
1
in
A
minor, Op. 33
Jean Bedetti)
"La Valse," Choreographic Poem
Ravel
Italian Programme:
Monteverde
"The Damnation
....
April 7
*Sinfonie and Ritornelli from "L'Orfeo"
Sonatas arranged
Vincenzo Tommasini
Scarlatti
Five
Vivaldi
Concerto in
(After the Ballet,
D
an orchestral suite by
as
"The Good-Humored
minor
Ladies")
for Orchestra with
(Edited by A.
Organ
Siloti)
Rossini
Overture to "William Tell"
Respighi
Symphonic Poem, "The Pines
of
Rome"
Scandinavian Programme: April 28
Svendsen
"The Carnival
Grieg
Concerto for Pianoforte in
(Soloist: Jesus
Sibelius
A
minor, Op. 16
Maria Sanroma)
Symphony No.
*First performance
[38]
in Paris," Episode, Op. 9
by
2
in
D
major, Op. 43
this Orchestra.
II l«ll llll
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ARY DULFER
STUDIO OF VIOLIN PLAYING
207
NEWBURY STREET
BOSTON
MARIE
MURRAY
CONTRALTO
Guest Soloist with the Boston Symphony Orchestra for the past three seasons
Address WEST ROXBURY, MASSACHUSETTS
Phone Par. 4651
Teacher of Voice Call Registrar, N. E. Conservatory of Music. Ken. 8660
JULES WOLFFERS,
Pianist
HARRIETTE ELKIND WOLFFERS,
STUDIO
470
AND
RECITAL SALON
COMMONWEALTH AVENUE
Mme. MARIA
Violinist
Commonwealth 3368
PARDO CALVARESI
SOPRANO SOLOIST AND TEACHER
RADIO
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54 WESTLAND AVENUE
Telephone Com. 0151
Mrs. Charles Adams White
TEACHER OF SINGING
105
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Tel. Capitol 6745
JANE RUSSELL COLPITT
PIANIST
AND TEACHER
MATTHAY
PRINCIPLES OF PIANOFORTE
YORKE-TROTTER PRINCIPLES OF "MUSICIANSHIP"
TOBIAS
280
DARTMOUTH STREET
ISABEL
SOPRANO
Studio: 22
Telephone Kenmore 1283
FRENCH
TEACHER OF SINGING
Embankment Road (Near
Charles Street Subway)
Telephone Lafayette 3930
[39]
MUSICAL INSTRUCTION
LAMBERT MURPHY
TEACHER
TENOR
In Boston on
STUDIO,
For appointments write
to
725
OF SINGING
Mondays
BOYLSTON STREET
above address or phone Kenmo?e 3122 on Mondays
CLARA SHEAR
Soprano
Teacher of Singing
12
STEINERT BUILDING,
162
BOYLSTO\ STREET
Mondays, Tuesdays, Wednesdays
GLADYS AVERY LEBERT
Soprano
TEACHER OF VOICE AT WELLESLEY COLLEGE
In Boston, Wednesday Afternoons
Address: 346
CRAFTS STREET, NEWTONVILLE, MASS.
Telephone:
Newton North 0102
MARY
SHAW SWAIN
PIANOFORTE TEACHER
Former Member
of Faculty of the Felix
Fox School
of Pianoforte Playing
ACCOMPANIST AND COACH
74
THE FENWAY
COMmonwealth
0054
^TLDadmun
ITM
Hoston
&eri/ Thursdaii andcFriday^
Studio 89 Charles Street • Telephone Capitol OQQS
<S?n
CHARLES
REPPER
Piano:
COMPOSER
PIANIST
\
TEACHER
Harmony: Ear
Adult beginners
welcome: andsingers learning their own accompaniments. Thematic booklet of piano pieces onrequest.
Kenmorc 6S20 Trinity Court Boston
training.
—
—
Mrs. Mabel
Pupil of
Mann
SILVESTRI,
Jordan
Naples,
Italy
Teacher of
MANDOLIN, GUITAR, BANJO
and
UKULELE
Foreign and American Instruments for sale
206
COMMONWEALTH
AVE., Boston
Commonwealth 8908
ELIZABETH
GERTRUDE FOGLER
FRENCH AND ENGLISH DICTION
SIEDHOFF
— INSTRUCTOR
PIANIST
"I
am very pleased with her work."
MATTHAY
543 Boylston Street
Concerts: Lecture
Studio:
Tel. Ken. 3700
Mme. Zoe Lassagne Mercier, Muc.B.
ARTIST ACCOMPANIST— COACH
French Diction and Interpretation
In Songs and Opera
134 Brattle St., Cambridge, Mass., Tro.6220
Weds. 30 Huntington Ave., Room 520
—
[40]
in
London
— Piano Recitals
HOTEL CANTERBURY
Kenmore 7714
Boston
.
GENEROUS TERMS ON THE
?
X
\J
Steinway Grand
V
AT ONLY
ft
V
$
V
885
8
SIZE— 5'
PRIC
\f
E
1" to
-
fit tfie
to fit the
last you can own the In-
distinguished
new model
.
.
The
quality
changed.
.
.
and take your time paying for
it! Steinway has announced a
.
.
.
is
X
absolutely un-
We
.
will be glad
to arrange convenient terms of
payment. You can pay a small
and pay the balsum down
.
.
$
I*
.
ance over a period mutually
from the
Steinway of Hofmann, Pade-
agreed upon.
rewski and Rachmaninoff.
and talk
differing only in size
V
throughout
I
strument of the Immortals
1
modern budget
Q U A L TY — Steinway
At
\f
modern room
it
Come
in
today
over!
ft
$\
|
*J
Q
THE INSTRUMENT OF THE IMMORTALS
M.
STEINERT & SONS
A New England
162
Institution Since 1860
8
BOYLSTON STREET, BOSTON
DO
CHOOSE YOUR PIANO AS THE
ARTISTS
^jamoUi<^>Lnqz%i
For
the singer, the tone of the
.
DO
.
Baldwin
represents a sure source of inspiration,
and never
fails to blend
harmoniously
with the voice.
The Baldwin has
that rare quality of
tone which blends so successfully with
the voice of the singer.
The tonal quality of the new Baldwin
makes it a great pleasure and genuine
satisfaction to sing with this noble
instrument.
Baldwin Piano Warerooms,
150 Boylston Street
M. N. LEVY,
Pres.
and
Treas.
Inc.