Welcome to Bronco Drama’s open audition for the winter play THE DIARY OF ANNE FRANK. The following information will be helpful for you in this process: Auditions will take place on Tuesday, January 27th from 3:00 – 6:00 pm in the Clovis North Drama Room. It is recommended that all auditioning are familiar with the play. Copies of the play are available for check out in the Drama Room 702. Scenes from the play will be given out at the audition. There are no monologues to prepare. All Clovis North and Granite Ridge students are encouraged to audition. It is possible if you are cast in Granite Ridge’s production of Willy Wonka and the Chocolate Factory I will be able to work around that schedule. It will be on a case by case basis. If you are needed for a callback, the callback list will be posted online at www.broncodrama.com as well as on the drama room door Wednesday morning, January 28th before school. The callback will take place from 3:00-6:00 p.m. in the Clovis North drama room on the 28th. Scenes will be provided at the callback. For the callback there will be nothing to prepare Rehearsals will begin on Monday, February 2nd. See attached schedule for full details. Performances will be March 19, 20, 21, 26, 27 & 28, 2015 at the Dan Pessano Theatre. Casting notification will be posted online Thursday morning January 29th by 7:00a.m. All cast members and at least 1 (one) parent MUST attend the Parent Meeting, Monday, February, 2nd from 6:00-7:00 p.m. in the Drama Room immediately following Monday’s first rehearsal. Have fun! Break legs!!! ______________________________________________________________________________________ PLOT SUMMARY: The Diary of Anne Frank is the dramatic true story of eight peoples' time in hiding in Amsterdam during World War II as told thru the eyes and words of the eloquent and buoyant, Anne. The play begins the morning the Franks go into hiding and it chronicles the next two years' events in the tiny annex. Through the journey taken by these people, we experience hope and despair and everything in between. It is a story of humanity, the best of it, and the worst. SEE ATTACHED FOR CHARACTER BREAKDOWNS: THE DIARY OF ANNE FRANK Character Breakdowns/Casting Requirements ANNE FRANK: (13-15) Anne is extraordinary in her hope, passion, and belief in the good in the world. At the start of the show she is innocent, precocious and does not hesitate to speak her mid. As she matures thru her time in hiding she becomes introspective, compassionate and ultimately, eager and hopeful for a more accepting future for everyone. She does not feel close to her mother, but idolizes her father. She is compelled to write, documenting every moment and feeling experienced in the annex. OTTO FRANK: (50-55) Anne's father, very much the patriarch of the Annex. He leads with love and strength in all he does. Unlike young Anne, Otto is even tempered and strives for peace in every situation. At 53 years old, he has the resilience of a younger man but the experience to recognize the reality of the world around him. EDITH FRANK: (40-45) Anne's mother. She is reserved and soft-spoken. Constantly worried about her family and their fate. Closer with her older daughter, Margot, she longs for a deeper connection with Anne. Although quiet, she has a bit of Anne's fortitude and when pushed, will make her mind known. MARGOT FRANK : (16-18) Anne's older sister. Quiet like her mother. More mature and intellectual than her sister. Margot feels alone and unsure of her place in the annex. She is reserved and respectful of others. Very close with her mother and although they are opposites, she loves and admires her little sister. She longs for a deeper connections to others, but does not know how to achieve them. MR. VAN DAAN: (40-50) The head of the Van Daans. Struggling to find his place as second in command. He is intelligent and pragmatic if a bit harsh. He wishes to make his wife happy but on his terms. Wants to teach his son to be more outgoing and to toughen him up during their time in the annex. Is grateful to Otto for welcoming his family into the Annex without question. MRS. VAN DAAN (40-50) Not ready to give up her lifestyle. She tries to view the annex as simply a new locale, rather than a necessity for survival. She can be a flirt and Anne even goes so far as to call her frivolous. She clings to her fur coast like one clings to their very identity. She hides her fear of the unknown by worrying about trite things such as Anne and Peter's growing friendship of which she is jealous. PETER VAN DAAN (16-18) The Van Daans' only son. At the beginning he is annoyed with Anne, but later confesses to admiring her spirit. They become good friends during their time in hiding. He is trying to find his place, not only in the annex, but in himself. Not sure of who he will become of if he will be given the chance to find out. He has a good heart and is protective of those he loves. MIEP GIES (30-35) A kind, Dutch secretary from the office of Otto Frank. She helps hide the Franks, Van Daans, and Mr. Dussel. Miep is their connection to the outside world as she keeps them informed and stocked with food, books, and the occasional treat. She is kind and worried but determined to protect them. It is Miep who would find Anne's diary and save it until after the war, delivering it to Otto upon his return. MR. KRALER (40-45) Otto Frank's business partner. He helps to hide the members of the annex. Like Miep, he never questions his obligations to the Franks and to doing what is right/ A dignified man, at a loss for the world around him. MR. DUSSEL (50-55) A fussy dentist. He is the only one in the annex without family, having left behind his live in girlfriend who is Christian. More than anyone in the annex, he puts himself first at every turn. He has little patience for his roommate, Anne, and is skeptical of their future. NAZI OFFICER AND TWO DUTCH COLLABORATORS (male or female) Although these three roles do not come in until the end of the show, they are exceedingly important roles. The actors who play these parts will be given a very flexible rehearsal schedule, but time will be spent on character development and scene breakdowns. Audition #___________ Grade Level__________ Audition Form THE DIARY OF ANNE FRANK Full Name: ______________________________________________________________________ Address: _______________________________________________________________________ City: _______________________________________State___________Zip__________________ Email: _________________________________________________________________________ Phone: (H)________________________________ Cell__________________________________ Role(s) Auditioning for: ____________________________________________________________ Will you accept any other role if cast? Y / N ___________________________________________ Are you available to attend a callback Wednesday, January 28th from 3 to 6 p.m. if needed? Y / N I am auditioning for EXPERIENCE ONLY : YES NO (circle one) If NOT cast in the production would you be willing to work on the Stage Crew? Yes No (circle one) ***Please thoroughly read the production information sheet provided and list any and ALL conflicts on the attached Production Calendar. Understand that excessive conflicts may prohibit you from being cast in this production. Conflicts: Please list any Theater experience, most recent first, on the back of this sheet OR attach resume: DO NOT WRITE BELOW THIS LINE Callback: Y / N Role(s)_____________________________________________________________ NOTES: Production Schedule THE DIARY OF ANNE FRANK January 1/27/15 1/28/15 Tuesday Wednesday 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. Auditions Callbacks Space 702 Space 702 February 2/2/15 Monday 2/3/15 2/4/15 2/5/15 2/6/15 Tuesday Wednesday Thursday Friday 3:00 – 6:00 p.m. 6:00 – 7:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. Concept/Read-through Mandatory Parent’s Meeting History/Character Work Character Work Blocking/Exploration Blocking/Exploration Space 702 Space 702 Space 702 Space 702 Space 702 Space 702 2/915 2/10/15 2/11/15 2/12/15 2/13/15 Monday Tuesday Wednesday Thursday Friday NO REHEARSAL 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. Blocking Blocking Blocking Stumble-through Space 702 Space 702 Space 702 Space 702 2/1615 2/17/15 2/18/15 2/19/15 2/20/15 Monday Tuesday Wednesday Thursday Friday NO REHEARSAL 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. Run/Work Run/Work Run/Work Run/Work Space 702 Space 702 Space 702 Space 702 2/2315 2/24/15 2/25/15 2/26/15 2/27/15 Monday Tuesday Wednesday Thursday Friday 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. Run Act 1-OFF BOOK Run Act 2-OFF BOOK Run-through Run-through Run-through Space 702 Space 702 Space 702 Space 702 Space 702 March 3/2/15 3/3/15 3/4/15 3/5/15 3/6/15 Monday Tuesday Wednesday Thursday Friday 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 5:30 p.m. Work Act 1/Staging on set Work Act 2/Staging on set Run-through Run-through Run-through Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre 3/9/15 3/10/15 3/11/15 3/12/15 3/13/15 Monday Tuesday Wednesday Thursday Friday 3:00 – 5:30 p.m. 3:00 – 5:30 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. 3:00 – 6:00 p.m. Run-through Run-through HOLD-Dry Tech TECH TECH Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre 3/16/15 3/17/15 3/18/15 3/19/15 3/20/15 3/21/15 Monday Tuesday Wednesday Thursday Friday Saturday 5:00 – 10:00 p.m. TECH 5:00 – 10:00 p.m. TECH 5:00 – 10:00 p.m. FINAL DRESS 6:00p.m. Call/7:30 p.m. Curtain 6:00p.m. Call/7:30 p.m. Curtain 12:30p.m. Call/2:00 p.m. Curtain 6:00p.m. Call/7:30 p.m. Curtain Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre 3/26/15 3/27/15 3/28/15 Thursday Friday Saturday 6:00p.m. Call/7:30 p.m. Curtain 6:00p.m. Call/7:30 p.m. Curtain 12:30p.m. Call/2:00 p.m. Curtain 6:00p.m. Call/7:30 p.m. Curtain STRIKE immediately following the performance Dan Pessano Theatre Dan Pessano Theatre Dan Pessano Theatre