SAN FRANCISCO STATE UNIVERSITY History Department Spring 2014 HISTORY 300.4 Seminar in Historical Analysis: Science 268 Seminar Room T-Th:14.10 – 15.25 Prof. Julyana Peard Office hours: T-TH: 11- 12:30; and by appointment Office: Science 223. jpeard@sfsu.edu COURSE OBJECTIVES: The purpose of this course is not to learn about the history of a particular time and place but to introduce you to the world of working historians – how historians research, explain, analyze, and revise interpretations of the past. There are three basic areas of inquiry for the course: • • • What is history? (What is it good for? What does it try to do? Why do we do it? Why are we here?) How do historians do it? (What types of history can we write? How do historians find sources? How do historians use sources? How do we write?) What makes a successful student of history? (How do I “gut” an article? How do I use primary and secondary sources effectively? How do I write a primary source research paper?) We will address the above by: 1) by discussing the evolution of the discipline of history with special emphasis on issues and debates that have emerged in the recent past, 2) by exploring the practical issues of research methods and historical interpretation, and 3) by completing a research project from primary (original) sources. There is a very strong emphasis on writing, re-writing, and editing your final papers. REQUIRED READING MATERIALS: Anthony Brundage, Going to the Sources: A Guide to Historical Research and Writing, 4th ed. Mary Lynn Rampolla, A Pocket Guide to the Writing of History, 6th ed. E-reserve materials (access through iLearn) Recommended reading: On writing: William Strunk and E.B. White, The Elements of Style (4th Edition) William Kelleher Storey, Writing History: A Guide for Students (3rd Edition) On history: David Cannadine, ed. What is History Now (2002) John Tosh, The Pursuit of History (2010) 2 RESEARCH PROJECT: During much of the semester you will be working on a research project using primary sources. You may choose any topic that interests you within certain parameters. These are that your paper must relate to some aspect of Latin American history, U.S. history, or modern European history, and -most important- that your paper be based on the use of primary sources. I will be giving you a handout with suggestions about topics with accessible sources and we will be discussing how to find sources in much more detail in class. The result of this project will be a paper of 1012 pages and a short oral class presentation. CLASS MEETINGS AND ASSIGNMENTS: This class will be conducted in seminar-style, that is, as a discussion rather than a lecture class. That means, first, that reading, research, and writing assignments must be completed before class, and that, second, you should be prepared to discuss the material for that day when you come to class. The intellectual quality of a seminar depends largely on the commitment of its members, so the usefulness of our class sessions will depend on you. You will be graded on both attendance and participation. If, because of a real emergency, you cannot make class, please let me know in advance (if possible) and bring documentation of the reason for your absence. As well as the class meetings, we will schedule several individual meetings to discuss your specific research. You will get the most benefit from this course if you make sure you get criticism and feedback on your work throughout the semester. GRADING: The grading system is designed to reward you for completing assignments on time and proceeding through the research and writing process step-by-step, and deadlines are set to help you accomplish this. Grading scale: 94-96 A; 90-93 A- ; 87-89 B+ etc. All written assignments should be typed (12 pt font) and double-spaced with sensible margins. If more than one page, staple pages together in the upper-left-hand corner. Assignments will be penalized for every day they are late (e.g. from an A to an A- if one day late, etc.). Work later than one week will not be accepted. If you find yourself unable to finish the course requirements by the end of the semester, it is your responsibility to withdraw from the course. I will issue no instructor-initiated withdrawals or incompletes. Student-initiated incompletes are reserved for serious medical excuses and other natural disasters with documentation within the last three weeks of the semester. Attendance: Regular attendance is considered part of participation. Poor attendance will be reflected in your participation grade. Class attendance also means you turn up for all of the final presentations. A note on plagiarism and cheating: Since our goal is to seek truth, academic honesty is absolutely essential. Plagiarism and cheating, which strike at the core of the university’s mission, will not be tolerated. If you have any 3 questions about what constitutes plagiarism or cheating, please ask. In addition, we will discuss this in class. SCHEDULE OF ASSIGNMENTS DATE Every week ASSIGNMENT Class participation % 25 Feb 6 What is history? 2.5 Feb 11 Central thesis of “Contact” 2.5 Feb 18 Kevin Reilly’s thesis “Overseas Expansion” 2.5 Feb 25 Description of a data base source (participation) Mar 6 Complete OASIS (library requirement) (participation) Mar 11 Women and change Proposal and thesis 7.5 Mar 20 Book review 7.5 Apr 3 Proposal and thesis statement (participation) Apr 8 Historiographical paper 7.5 Apr 8 Annotated bibliography (participation) Apr 15, 17, 22, 24 First draft of research paper (online) (participation) Mon May 6 Second draft of paper (online) 10 Apr 29, May 1, 6, 8, 13, 15 Oral presentations (ALL must attend) (participation) May 20 Final paper (hard copy in my mail box) 35 TOTAL 100 4 CLASS OUTLINE Week 1 Tues Introduction to the course Jan 28 Discussion: Does history consist of everything that has ever happened? Why are we here? What do you like about history? When and why did you become interested in the subject? What do you hope to gain from it? Jan 30 Primary Sources Read: 1. Brundage, Chap 2, “The Nature and Variety of Historical Sources” 2. Rampolla, Chap 2, “Working with Sources; Chap 3, “Reading and Writing.” Discussion: Sources and writing: “Raw materials” in history”? What is the difference between a primary source and a secondary source? How do historians find sources and topics? How do they write about them? Sign up: for an appointment to discuss your topic with me. By Week 5 you should have all met with me individually at least once. Week 2 Feb 4 What is history? The nature of an ever-changing field Read: 1. Brundage, Preface and Chap 1: “The Ever-Changing Shape and Textures of the Past” 2. Rampolla, Chap 1: “Introduction: Why Study History?” 3. e-reserve, E.H. Carr, “What is History?” in Carr, What is History (1961) 4. e-reserve, Fernandez Armesto, “What is History Now?” in David Cannadine, What is History Now?(2002) 5. e-reserve, Richard Evans, “What is History Now?” in David Cannadine, What is History Now?(2002) Discussion on historiography: What is history? What is historiography? Is “objective” history possible? What is revisionism? What is political history? What is intellectual history? What is social history? What other kinds of history did you read about for today? Which one most interests you? Why does history change? Does history have a purpose? How has history changed since E.H. Carr? Feb 6 Primary Sources (cont.) Further discussion and examples of primary sources. Beginning to narrow interests and consider what is possible for your paper topic. #1 Write: a two-page, double spaced paper explaining what Richard Evans 5 says history is now. How does he update and respond to E.H. Carr’s ideas about what history is? Hand this in on Tuesday. Week 3 Feb 11 Changing interpretations Read: 1. e-reserve, “Contact: After the Fact: The Art of Historical detection,” James W. Davidson and Mark H. Lytle, After the Fact (2010), pp. 1-30. Discussion on e-reserve reading: What kinds of sources do the authors use in “Contact”? What interpretations have historians made previously? How do new questions arise? What are some of the historical debates? What new answers do we have today? Is this a resolved historical issue now? How has the notion of why history matters changed? #2 Write: a one-page, double-spaced paper describing Davidson and Lytle’s central thesis (argument) in the chapter “Contact.” Week 4 Feb 13 Individual meetings Feb 18 More changing interpretations e-reserve, Worlds of History: A Comparative Reader: “Overseas Expansion in the Early Modern Period, China and Europe,” 1400-1600, Kevin Reilly, (2007), 1-41. Discussion of e-reserve reading: What kinds of sources do the authors and other historians use here? What conclusions do they draw? What do you agree with? What disagree with? What inferences do you draw from the primary sources presented? #3 Write: a one-pag,e double-spaced paper on what you thinks is the most important argument Kevin Reilly makes in the reading “Overseas Expansion….” How does he use his evidence to back up his argument? Week 5 Feb 20 Individual meetings Feb 25 Finding primary sources Read: 1. Brundage, Chap 3: “Finding Your Sources: The Library Catalogue and Beyond.” Discussion: As well as discussing questions raised in readings, we will talk 6 about the use of paintings and photographs as sources. What do these documents tell us? Who is producing them and why? a) Write: a one-page double-spaced description of a full text primary source (or sources) in the “American Memory” collection from the Library of Congress. (Sometimes I find it easier to get in through Google) a) Look at Brundage’s Appendix A, p. 123-24. Browse the Guide edited by Mary Beth Norton in the area of history you are thinking of working on. Then choose one more title in the Appendix and browse. Be prepared to report on your findings in class. b) Browse ONE of the following websites from the list below and be prepared to describe it in class. What kinds of sources are available on the site? What kinds of research could you do with them? -Sources and general Resources on Latin America http://www.oberlin.edu/faculty/svolk/latinam.htm -Online Archive of California http://www.oac.cdlib.org/ -Bancroft Library Sources http://bancroft.berkeley.edu/ -Duke University Library http://library.duke.edu/digitalcollections/ Week 6 Feb 27 This is a “catch-up session” either for individual meetings, if needed, or to cover material for which we had little time. Mar 4 Using and interpreting primary sources Read: e-reserve, “Tales of Captivity and redemption: North American Captivity Narratives,” Victoria Bissell Brown & Timothy J. Shannon, Going to the Source, Vol. 1 (2012), pp. 25-44. Discussion on reading: What can narratives on captivity tell us? Prepare to use the questions in the checklist on p. 31 of the reading as the basis of our class discussion. Mar 6 Library and history workshop I Meet in Library 285 at 2:10. Please be PUNCTUAL How to search for history sources Read: 7 Same as previous week: Brundage, Chap 3, “Finding Your Sources: The Library Catalogue and Beyond.” This is the first of two presentations by Kendra Van Cleave, the research librarian for history. The focus will be on secondary sources. Kendra is also available throughout the research process to give you individual help. Contact her at: kendra@sfsu.edu. Complete: The University library requirement (OASIS tutorial at http://oasis.sfsu.edu) I will check online to make sure it is completed. Make sure you have decided on a relevant book for your book review due next week, and COLLECT THE HANDOUT with instructions for book review to be handed in before the spring recess Week 7 Mar 11 Using and interpreting primary sources (cont.) Read: “Organizing Their Lives: Women, Work, and Family, 1950-2000,” Victoria Bissell Brown & Timothy J. Shannon, Going to the Source, Vol. 2 (2012), pp. 316-350. #4 Write: a two-page paper answering the following question: What story about women and social change emerges from the primary source documents in today’s reading? Mar 13 Library and history workshop II Meet in Library 285 at 2:10. Please be PUNCTUAL (From now on all your written assignments are related to your paper) Read: Brundage, Chap 4: “Getting the Most Out of History Books: Critical reading and Assessment.” This is the second presentation by Kendra, the research librarian for history. The focus will be on primary sources. As you know, Kendra is available throughout the research process to give you individual help. Contact her at: kendra@sfsu.edu. Week 8 Mar 18 The Mechanics of Writing We will discuss issues relating to writing, bibliography, presentation formats, and other topics that make for good, clear writing styles. Mar 20 The Labor Archives Catherine Powell will give a presentation on some materials held in the 8 Labor Archives and Research Center J. Paul Leonard Library, 4th Floor, Room 460 Please be PUNCTUAL Hand in: a two-three page book review. The book must be chosen for its relevance to your research paper. See my handout, and Rampolla, pp. 26-28 Spring Recess March 24-29 Week Apr 9 1 More on approaches to history: cultural, gender, and postcolonial history Read: 1. e-reserve, Robert Darnton, “Workers Revolt: The Great Cat Massacre of the Rue Saint-Séverin,” Robert Darnton, The Great Cat Massacre and other Episodes in French Cultural History (New York: Vintage, 1985), 75-104. 2. e-reserve, John Tosh, “Gender History and Postcolonial History,” in John Tosh, The Pursuit of History (Pearson, 2010), 275-302. Discussion and presentation of articles: What makes Darnton’s piece an example of cultural history? From which other disciplines does cultural history borrow? What is the difference between cultural history and social history? And cultural history and intellectual history? What is gender history? What is postcolonial history? Apr 3 Writing: The Historiographic Essay 1. Brundage, Chap 5: “Exploring Changing Interpretations: The Historiographic Essay.” 2. Rampolla, Chap 3: “Reading and Writing in History.” Especially focus on pp. 32-34, “Historiographic essays.” Write: 1-2 pp. proposal for your research paper with the following elements: 1) Description of topic with a thesis statement (even if tentative); 2) a description/list of the main primary sources you have found so far (scope, size, where located), whether you have actually read them or not. Indicate how you think they will help answer the questions you are asking in your paper; 3) secondary sources you have found so far, whether you have actually read them or not; 4) how much historical scholarship has already been done on this topic; 5) why the topic is significant. 9 Week Apr 10 8-10 Writing and Research Roundtable I will assign half the class for Monday and the other half for Wednesday cont/… Read: 1. Brundage, Chap 6: “Engaging with Primary Sources: The Research Paper” 2. Rampolla, chap 5: “Writing a Research Paper,” chap 6: “Plagiarism,” and chap 7: “Quoting and documenting.” The writing process: Elements of a research paper; quoting, documenting, and avoiding plagiarism. We will look at examples of poor writing and good writing. We will discuss theses statements? What are effective methods of paper organization? How will you incorporate the work of other historians in your paper? How will you begin your paper? Research discussion: Students will talk about their research topic and process and discuss where they are so far. You will discuss your primary sources, secondary sources, and historiography (what historians have written and debated) of your topic. How easy has it been to find your sources? In what ways, if any, did you find your ideas about your original topic changing? You are all expected to brainstorm the topic and contribute ideas and suggestions to help sharpen your colleague’s final paper. Write: a two-page, double-spaced paper discussing some of the historiographical debates surrounding your topic; that is, what has been written on your topic by previous historians. Write: an annotated bibliography for your research paper. This is a bibliography which, in addition to the publication data, includes a one or two sentence comment on the subject, argument, or usefulness of the book or article. This bibliography must be in Chicago documentation style (see Rampolla, chap 7). Divide the bibliography into primary and secondary sources; you only need annotation for the secondary sources. You should have about a half dozen secondary sources. Include topic title. Week Apr 11 15 Apr 17 Individual meetings These are to discuss the first draft of your paper. You must schedule a time to meet with me and e-mail me your draft NO LATER THAN Friday, April 11 by 10 A.M. Individual meetings These are to discuss the first draft of your paper. You must schedule a time to meet with me and e-mail me your draft NO LATER THAN Monday, April 14 by 10 A. M. 10 Week Apr 12 22 Apr 24 Week Apr 13 29 Individual meetings These are to discuss the first draft of your paper. You must schedule a time to meet with me and e-mail me your draft NO LATER THAN Friday, April 18 by 10 A.M. Individual meetings These are to discuss the first draft of your paper. You must schedule a time to meet with me and e-mail me your draft NO LATER THAN Monday, April 21 by 10 A. M. Paper presentations May Paper presentations 1 Week May Paper presentations 14 6 ALL DRAFTS (second drafts) MUST BE E-MAILED TO ME AS AN ATTACHMENT BY 4 p.m. on Monday 28 Your second draft should have an introduction, body, and a conclusion, and it should include endnotes and a full bibliography. You will be graded on completeness May Paper presentations continue 8 Week May Paper presentations continue 15 13 May Paper presentations conclude 15 _________________________________________________________________ FINAL PAPERS DUE on by Tuesday, May 20 by NOON Week May Place hard copy in my mail box in the History Department office. 16 20 Hard copies only please May Return of papers 22