NAME ______________________________ PD ___ Beowulf Movie Guide: Thinking Critically about Film Changes/Transformations: In the table provided below, track the changes between print text and film text. When translating text from print to film, consider what has been altered, what has been deleted and what has been added. You must provide examples of three changes; your three examples do not have to fall under different “types of changes.” 1. What changes were made between the print text and film text? Briefly describe the scene as depicted in the written text under “Written Text;” be sure to reference specific lines. Then, describe how the corresponding scene was depicted onscreen under “Film Text.” 2. What is the effect of the change on the audience? You may want to consider characterization, theme, plot, cultural influence, religious influence… Type of Change Example: Alterations (Please do not use this example unless you have a different interpretation under “effects of change.”) Alterations Deletions Additions Written Text “[Beowulf’s] hands/Alone shall fight for me, struggle for life/Against the monster” (ll. 267-269)…”Screams of the Almighty’s enemy sang/In the darkness, the horrible shrieks of pain/And defeat…/hell’s captive caught in the arms/Of him who of all the men on earth/Was the strongest” (ll. 360-365). Beowulf tears Grendel’s arm from his body. Film Text Beowulf has access to his sword when he fights Grendel; in fact, his sword can be viewed as a symbol of man and/or power. Beowulf doesn’t “arm wrestle” the monster. In fact, Beowulf finds Grendel’s weakness to be in his ears. Beowulf uses this weakness to make Grendel equal in physical stature. The door to the meadhall rips Grendel’s shoulder off (may revise once I view the film). Effect of Change (Analysis) The film version gives some plausible aspects to the story: once Beowulf brings Grendel down in size, he is able to beat the monster. Beowulf loses his sense of power in the film version (Though Grendel’s arm serves as a trophy in both versions, it is merely left behind in the film, not a symbol of Beowulf’s strength). Beowulf is more of a man, destined to commit manly sin and less of a hero who embodies the strength of the Almighty. English 3 Honors Miss Livesey Identify strengths and limitations of the print text and film text. Provide a brief rationale for each strength or limitation. Strengths Limitations Print Text Film Text In a paragraph, answer the question: what is lost and/or gained in translation? _____________________________________________________________________________________________________________________________ ___________________ ________________________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________ ___________________ ________________________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________ ___________________ ________________________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________ ___________________ ________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________ ___________________ ________________________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________ ___________________ ________________________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________ ___________________ ________________________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________ ___________________ _____________________________________________________________________________________________________________________________ ___________________ ________________________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________ ___________________ ________________________________________________________________________________________________________________________________________________ Golden, John. “Literature into Film (and Back Again): Another Look at an Old Dog.” English Journal 97.1 (2007): 24-30. _____/25 pts.