Hamlet: Quotation Analysis Name_________________ Your analysis of several important quotes from Hamlet should follow these steps: 1. 2. 3. 4. Identify the character who is speaking and the character(s) being spoken to. Paraphrase the quotation. Return to that segment of the play and re-read; provide context as needed. Interpret the quote. How does it relate to the theme(s) of the play? Identify and explain any literary device(s) that relate to the quote. Quote: Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: “But in the gross and scope of my opinion, This bodes some strange eruption to our state” (1.1.80-81). Horatio is speaking to Marcellus and Bernardo. In Horatio’s opinion, the appearance of the ghost indicates that something is terribly wrong within their country. Since the ghost of Denmark’s dead king has shown up near the castle for three nights straight, this suggests that all is not well within their country. It is also the first instance of the play’s recurring theme—namely that of a seemingly healthy exterior concealing an inward sickness. Foreshadowing: The ghost’s revelation to Hamlet of his untimely murder and Claudius’s secret treachery. “These indeed seem, For they are actions that a man might play; But I have that within which passeth show— These but the trappings and the suits of woe” (1.2.85-88). Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: Character(s): “Something is rotten in the state of Denmark” (1.4.100). Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: “The time is out of joint; O cursed spite, That ever I was born to set it right.” (1.5.207-208). Quote: “No, my good lord, but, as you did command, I did repel his letters and denied His access to me” (2.1.118-120). Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: “…for there is nothing either good or bad but thinking makes it so” (2.2.262-263). Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: “I’ll have grounds More relative than this. The play’s the thing Wherein I’ll catch the conscience of the King” (2.2.610-612) . Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: “…To die—to sleep. To sleep—perchance to dream: ay there’s the rub!” (3.1.72-73). Quote: “My words fly up, my thoughts remain below; Words without thoughts never to heaven go” (3.3.100-101). Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: “O, speak to me no more; These words like daggers enter mine ears” (3.4.104-105). Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide, And mermaid-like awhile they bore her up… …But long it could not be Till that her garments, heavy with their drink, Pulled the poor wretch from her melodious lay To muddy death” (4.7.199-208). Quote: “But I am very sorry, good Horatio, That to Laertes I forgot myself; For, by the image of my cause I see The portraiture of his” (5.2.80-83). Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: “…we defy augury. There’s a special providence in the fall of a sparrow. If it be now, ‘tis not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all. Since no man has aught of what he leaves, what is’t to leave betimes? Let be” (5.2.212-217). Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Quote: “Let four captains Bear Hamlet like a soldier to the stage, For he was likely, had he been put on, To have proved most royal; and for his passage, The soldier’s music and the rite of war Speak loudly for him” (5.2.441-446). Character(s): Paraphrase: Interpretation: Literary Elements/Techniques/ Dramatic Devices: Vocabulary: trappings: decoration or dress woe: sorrow perchance: maybe rub: obstacle, problem augury; a sign or omen providence: divine guidance aught: anything betimes: early