F 7.2 Session: F Parallel Session: 7.2 Research Domain: Reshaping Student Experiences Anne Hollinshead, Carol Tomlin University of Wolverhampton, West Midlands, United Kingdom Never mind Educating Rita – what about educating Princes, Comfort & Muriel? Is higher education a transforming experience for mature, West Indian /Jamaican, female students? In the 1970’s the concept of ‘Educating Rita’ provided hopeful optimism, through its antidote to the oppressiveness of fixed identities, because the liberation of Rita from social class idealised her personal changes in identity through higher education. Higher Education was represented, in this context, as an undoubtedly transformative tool, whereby transformation was seen as occurring with the transference of forms of capital between different spheres and the acquisition of power through the study of specific discourse. That was 30 years ago. Today higher education professionals are required, as part of the widening participation agenda, to work (with little or no guidance and support) with students from a variety of backgrounds identified as ‘non-traditional’. In many cases these students exhibit a principally instrumentalist approach towards their studies; and appear to be unable or unwilling to ‘trade capital’ (Ball 2000) in a HE context. In this paper we focus on distinct but growing group of overseas, fee-paying students – mature, female and West Indian/Jamaican. As black & white academics in a ‘New University’ we have been examining our relationships with this group of students and the subsequent opportunities such students have to be ‘transformed’ by the HE experience. Our work has looked at: The degree to which these students become legitimate participants in a culture that values certain forms of thought and patterns of practice Communication patterns within our specific discourse community – particularly the differences between the approaches of black & white lecturers. For example: the ways in which we (white lecturers) often allow these students to avoid using the formal language of the academic/discourse community for fear of being seen as pathologising them / cultural insensitivity / fear of vexatious accusations of racism.