SIOUX FALLS SCHOOL DISTRICT AMERICAN FILM HISTORY JUNE 2009 COURSE DESCRIPTION: In this semester-long course students will compare and contrast 20th century American films with society and its history; trace technological advancements that affected filmmaking; develop critical thinking skills; and organize and execute analytical papers and critical reviews using the writing process. COURSE GUIDE: ASSIGNMENTS 1ST QUARTER Films through the 1950s should be covered A minimum of 2 written assignments should be assigned during the quarter Weekly reviews Tests and quizzes at the instructor’s discretion SUGGESTED VIEWING SUGGESTED WRITING SIGNIFICANT TASKS Curriculum Services 2ND QUARTER Films beyond the 1950’s should be covered A minimum of 2 written assignments should be assigned One written assignment may be replaced with an oral presentation at the instructor’s discretion Weekly reviews Tests and quizzes at the instructor’s discretion Weekly reports on films viewed outside of class Weekly reports may be oral presentations Comparison/contrast essays Analytical essays Expository essays 1ST QUARTER Analytical essay: After watching Casablanca and High Noon, students will explore a theme depicted in one of the films. Citizen Kane paper: After watching Citizen Kane, students will explain the importance of "rosebud,” focusing on the meaning it may have had in the life of Charles Foster Kane. Or students will note the film's use of certain cinematic techniques to write an expository essay. 1 FILMS The Birth of a Nation Intolerance The Gold Rush King Kong – 1933 It Happened One Night Stagecoach Gone With the Wind Fantasia Citizen Kane Casablanca Sunset Blvd Singing in the Rain High Noon Rebel Without A Cause Some Like it Hot Ben Hur North by Northwest Psycho – 1960 Dr. Strangelove Bonnie & Clyde In the Heat of the Night Butch Cassidy and the Sundance Kid 2001: A Space Odyssey MASH The Poseidon Adventure – 1972 American Graffiti Young Frankenstein Star Wars: A New Hope Close Encounters of the Third Kind 2ND QUARTER 1960s film essay: Students will compose a four- to six-paragraph analytical essay discussing the radical content or lack thereof in a 1960s film. Students will complete a project designed around one of the films of the ‘70’s viewed in class, and will present the project to the class. VOCABULARY COMMON ASSESSMENT Curriculum Services In context within genres or historical time periods Sioux Falls School District 6+1 writing trait rubric ‘70’s project rubric 2 AMERICAN FILM HISTORY CURRICULUM CONTENT STANDARD 12.R.5.1 Student can synthesize information from multiple sources to analyze issues to make decisions for research ESSENTIAL QUESTIONS How does one's ability to recognize symbolic meaning and thematic elements allow the analytical thinker to formulate research questions? Curriculum Services ENDURING UNDERSTANDING Synthesize information from textual, subtextual, and contextual messages Make connections between synthesized information and one's purpose or need in researching and writing IMPORTANT TO KNOW AND DO How to clarify purpose, analyze information, extrapolate themes, and recognize supporting details WORTH BEING FAMILIAR WITH How to organize a paper into an introduction, body, and conclusion, formulate a thesis statement, identify topic sentences, and build supporting evidence VOCABULAR Y Clarity of purpose Coherence Cohesion Context Controlling idea Thesis statement Outline Compare / contrast Literary analysis Research Voice Parallelism Symbolism 3 TEXT SUPPORTIN G MATERIALS Birth of a Nation Gold Rush Casablanca Citizen Kane RKO 281: Battle Over Citizen Kane High Noon Singing in the Rain Rebel Without a Cause North by Northwest Some Like SIGNIFICANT TASKS Analytical essay Citizen Kane paper 1960s film essay 1970s film project COMMON ASSESSMEN T Sioux Falls School District 6+1 writing trait rubric 1970s film project presentation rubric 9.W.1.1 Students can write a thesis statement for an expository or persuasive document How does developing a clear focus improve organization and effective writing? Curriculum Services Understand the importance of a controlling idea in communicatin g through the written word, the direction a thesis statement gives to both the writer and the reader, the correct placement of a thesis statement, and the need for a thesis statement to announce a topic while providing a preview of the body of a paper How to specify a topic, develop the body of a paper, compose an introduction, and adhere to a controlling idea Clarity of purpose Topic Introduction Body Controlling idea Thesis statement Previewing point Topic sentences Expository Persuasive How to communicate effectively with the written word, write for specific purposes and audiences, and follow the writing process 4 It Hot Ben Hur Psycho Dr. Strangelove In the Heat of the Night 2001: A Space Odyssey Butch Cassidy and the Sundance Kid Reel Radicals MASH Poseidon Adventure American Graffiti Young Frankenstei n Close Encounters Analytical essay Citizen Kane paper 1960s film essay Sioux Falls School District 6+1 writing trait rubric 10.W.1.1 Students can write text using problem / solution and cause / effect organizational patterns How does the development of logical organizational patterns such as problem / solution and cause / effect reflect one's thinking process and how does their effective utilization enhance the communicatio n process? Curriculum Services Recognize that one often views one's world in terms of problem / solution and cause / effect relationships and the inevitable need to clearly communicat e in writing one's thoughts concerning these relationships Recognize the practicality and effectivenes s of utilizing problem / solution and cause / effect organizational patterns to achieve one's purpose How to think critically and logically, construct a persuasive argument, and execute a well-written essay. Chronological Order of importance Problem / Solution Cause / Effect How to organize a paper into an introduction, body, and conclusion, formulate a thesis statement, identify topic sentences, and build supporting evidence, follow the writing process 5 of the Third Kind Star Wars: Episode IV A New Hope Analytical essay Citizen Kane paper 1960s film essay Sioux Falls School District 6+1 writing trait rubric 11.W.1.1 Students can write text using comparison / contrast organizational patterns How does the development of a comparison / contrast organizational pattern reflect one's thinking process and how does its effective utilization enhance the communicatio n process? 11.W.1.2 Students can write a document analyzing how a work of literature mirrors the themes and issues of its historical period How is a writer influenced by his or her society during the creative process and how does he or she use symbolism and thematic elements to encode a significant statement? Curriculum Services Recognize that one often views one's world in terms of comparisons and contrasts and the inevitable need to clearly communicat e in writing one's thoughts concerning these relationships Recognize the practicality and effectivenes s of utilizing a comparison / contrast organizational pattern to achieve one's purpose Recognize that social and cultural influences impact an author or director’s writing and filmmaking How to compare cinematic elements between films within a time period and between time periods through a comparison / contrast essay How to select major points of comparison in an essay How to recognize trends and similarities within the points of comparison / contrast Comparison / contrast organizational pattern Analytical essay Citizen Kane paper 1960s film essay Sioux Falls School District 6+1 writing trait rubric Know how cultural values impact a filmmaker and films during specific time periods in American history How to "read" cultural influences in a film Cultural expression Cultural influence Belief system Thesis Universal theme Analytical essay Citizen Kane paper 1960s film essay Sioux Falls School District 6+1 writing trait rubric 6 12.W.1.2 Students can write a research document that will defend a position or recommend a plan of action 12.W.2.1 Students can edit a document for all conventions How does the critical thinker / persuasive writer effectively develop and support a proposal through a clearly stated thesis, strategically selected organizational pattern, and purposefully submitted evidence to logically and emotionally support one's proposal? How does the writer's adherence to the conventions of writing enhance written communication? Curriculum Services Recognize the contextual and textual aspects within cinematic art and the viewer's responsibility to view art critically, leading to his or her ability to formulate a position and a need to support it Know how to research contextual influences and how to "read" textual and subtextual messages within a film How to conduct research, organize a paper into an introduction, body, and conclusion, formulate a thesis statement, identify topic sentences, build supporting evidence, and follow the writing process Cultural expression Cultural influence Belief system Thesis Universal theme Works cited Symbolism 1960s film essay Sioux Falls School District 6+1 writing trait rubric Recognize how written communicatio n is enhanced through the adherence to the conventions of writing Know the conventions of writing The writing process, especially editing and the need for multiple proofreaders Analytical essay Citizen Kane paper 1960s film essay Sioux Falls School District 6+1 writing trait rubric Edit Revise Focus Organizatio n Paragraph Content Voice Sentence structure Sentence variety Word choice Grammar Usage Punctuation 7 10.LVS.1.3 Students can analyze how verbal and nonverbal communicatio n can influence the interpretation of the message How do speakers / performers enhance effective communicatio n through means of vocal range/quality and facial/physical expression? Recognize how performers communicate via verbal and nonverbal performance and how this type of communicatio n is conveyed through film Ability to compare / contrast performances of silent film and sound films D.W. Griffith Charlie Chaplin Orson Welles Intranarrative vs. internarrativ e 10.LVS.1.6 Students can evaluate the relationship among purpose, audience, and content of speeches or presentations How does the dynamic process of encoding a message specifically for the purpose of being decoded by an audience require teachable skills by the encoding speaker / presenter and the decoding audience? To what extent does one's use of a specific medium reflect societal influences and, in turn, to what extent can society be influenced by a presenter's strategic use of a medium? Recognize how filmmakers communicate worldviews via film and cinema Ability to identify the impact of a filmmaker's worldview on the content of a film Film's ability to communicate textual, subtextual, and contextual influences and social / political / philosophical views Recognize how films both reflect and impact American society during various time periods Be able to identify connections between significant American films and their historical context Changes in the American culture during the 20th century and major American historical events 12.LVS.1.2 Students can evaluate the interactions between society and media Curriculum Services Cultural expression Cultural influence "Talkies" Intranarrative Internarrative Montage, Mise en scene Types of "shots" Depth of focus Camera angles Cultural expression Cultural influence Philosophical assumption Universal theme Cultural expression Cultural influence Sociocultural context 8 1970s film project 1970s film project presentation rubric Analytical essay Citizen Kane paper 1960s film essay 1970s film project Sioux Falls School District 6+1 writing trait rubric 1970s film project presentation rubric 9-12.CP.1.1 collaborate with external peers, experts, and others by using technology to compile, synthesize, produce, and disseminate information, models, and other creative works How has technology made information readily accessible through easy access to films, historical research and criticism? 9-12.SI.2.2 Compare and contrast society’s influence on technology and technology’s influence on society How has technology changed the way filmmakers create cinema and how audiences consume cinematic art? Curriculum Services Recognize the advantages and disadvantages of technological advancements in the entertainment industry as well as in the compilation, synthesis, production, and dissemination of information Recognize how technology has been at work throughout film history and will inevitably change in the future and how technological advancements and human's subsequent dependency have spawned their own film genre Be aware of the means through which films and information can be readily accessed, be able to utilize the technology available, and be cautious of the wrongful use thereof Film Web sites DVD technology Internet broadcastin g Satellite broadcastin g Be aware of the technological advancements in audio and visual aspects of filmmaking and the role that computers now play in filmmaking Transition from silent to "talkies" Development of color and "technicolor" Advancements in visual effects in the 70s and the future of digitalization Talkies Technicolor Depth of focus Types of shots and transitions 9 1970s film project 1970s film project presentation rubric 1970s film project 1970s film project presentation rubric AMERICAN FILM HISTORY SIGNIFICANT TASKS 1ST QUARTER ANALYTICAL ESSAY DESCRIPTION After watching Casablanca, students will explore one of two themes depicted in the film. In the first theme – that which one will do for love – students will examine the choices one or more of the characters make that are influenced by love for another or by loyalty for a cause. In the second theme – that which one or a country must do for the cause – students will examine the symbolism of Rick’s character as the American who chooses to get involved in Victor’s cause. Students will expand the analysis to a discussion of the film’s potential influence in promoting support for America’s involvement in WWII. OR After watching High Noon, students will explore one of two themes depicted in the film. In the first theme – that which one will do for what one believes – students will examine the choice one must make that pits one against one’s morals and values: the choice of doing the right thing versus the easy thing. Students will focus the analysis on the fate and choices of Will Kane. In the second theme – that which one can find un-American – students will investigate the film as a political statement against the American way. Students will analyze the possible criticism of the American hero, the American democratic process, and/or the American judicial system. PROCESS Students will approach the essay as an analytical essay – not a summary of the plot. The paper will include an introductory paragraph, two or three paragraphs of analysis in the body of the paper, and a concluding paragraph. The paper will be typed. STANDARDS 12.R.5.1 Students can synthesize information from multiple sources to analyze issues to make decisions for research 9.W.1.1 Students can write a thesis statement for an expository or persuasive document 10.W.1.1 Students can write text using problem/solution and cause/effect organizational patterns 10.W.1.3 Students can write a research document that cites sources to support a thesis 11.W.1.1 Students can write text using comparison/contrast organizational patterns 11.W.1.2 Students can write a document analyzing how a work of literature mirrors the themes and issues of its historical period 12.LVS.1.2 Students can evaluate the interactions between society and media 1ST QUARTER CITIZEN KANE PAPER DESCRIPTION Throughout the film Citizen Kane the reporter seeks the meaning of Charles Foster Kane's final word: rosebud. Ironically, as the film ends, the reporter walks away having failed in his search while the viewer is shown "rosebud.” Students will do that which the reporter can not: Explain the importance of "rosebud,” focusing on the meaning it may have had in the life of Charles Foster Kane. PROCESS Students will compose their articles in the voice of a newspaper reporter. Students should remember they have the scoop other reporters have been searching for. Curriculum Services 10 Students will include details taken from the film in their articles such as names, places, episodes in Kane’s life, and statements made by Kane or about Kane. Students will propose psychological theories regarding Kane’s mental state. The finished article should be typed and between 1½ and two pages in length. STANDARDS 12.R.5.1 Student can synthesize information from multiple sources to analyze issues to make decisions for research 9.W.1.1 Students can write a thesis statement for an expository or persuasive document 10.W.1.1 Students can write text using problem/solution and cause/effect organizational patterns OR DESCRIPTION While watching Citizen Kane, students will note the film's use of the following cinematic techniques to write an expository essay: Montage – transitional devices in splicing scenes together Mise en scene – use of depth of focus and camera angles Lighting – bright versus dark, shadows Sound – use in setting mood and pace PROCESS Students will choose two cinematic techniques around which their expository essay will be structured. Students will concentrate on the points they can support with specific examples taken from the film. If students choose to write about depth of focus, for example, they should describe a scene in which the action is strategically shown in the foreground, middle ground, and background of the shot. Students will organize their essays with an introduction, body and conclusion. The finished essay should be typed and between 1½ and two pages in length. STANDARDS 12.R.5.1 Student can synthesize information from multiple sources to analyze issues to make decisions for research 9.W.1.1 Students can write a thesis statement for an expository or persuasive document 10.W.1.1 Students can write text using problem/solution and cause/effect organizational patterns 2ND QUARTER 1960S FILM ESSAY DESCRIPTION Students will compose a four- to six-paragraph analytical essay discussing the radical content or lack thereof in a 1960s film. PROCESS Students will be given a list of 1960s films. Students will choose one film or – depending on the title – two. Students will view the film repeatedly. Students will read the script/screenplay if available online at www.filmsite.org Students will develop a clear thesis statement. The body of the paper should consist of two points of analysis. STANDARDS 12.R.5.1 Student can synthesize information from multiple sources to analyze issues to make decisions for research 9.W.1.1 Students can write a thesis statement for an expository or persuasive document Curriculum Services 11 10.W.1.1 Students can write text using problem/solution and cause/effect organizational patterns 10.W.1.3 Students can write a research document that cites sources to support a thesis 11.W.1.1 Students can write text using comparison/contrast organizational patterns 11.W.1.2 Students can write a document analyzing how a work of literature mirrors the themes and issues of its historical period 12.LVS.1.2 Students can evaluate the interactions between society and media 2ND QUARTER 1970S FILMS OF THE 70’S PROJECT ASSIGNMENT 1) Each student will be placed in a group of four to five students and allowed to choose one of the six 70’s films for their project assignment. 2) Each group must decide how it wishes to approach its assignment following the criteria below: All presentations, through whatever means (oral, video, PowerPoint, puppet), must be educational first, and engaging second. Each group will be assigned a four day schedule during which its film will be shown to the class along with the group’s “bonus features”/ presentations. Each group will submit twenty questions over its film’s content and the information to be shared through their presentations. (20 points) Each group will submit a group outline the day prior to its four day schedule outlining the group’s plan for the four days. (10 points) Each member of the group will submit his/her own outline the day he/she presents outlining either the information to be shared and/or his/her contributions to the group’s collaborative efforts. (10 points) Each member’s presentation or contribution should amount to four to six minutes of class time and will be assessed on a 100 point scale as follows: Educational (relevant and accurate) 50 points Engaging (eye contact and enthusiasm) 25 points Enough (four to six minutes and tight) 25 points SUGGESTED TOPICS FOR GROUP PRESENTATIONSM*A*S*H- Viet Nam and/or Korean conflict. The cast, the director Robert Altman, Comparison/contrasts to TV show/The T.V. show’s success, Mobile Army Surgical Hospitals. Conflict during the making of the film. “Radical” content of the film. Battle over the rating. Popularization of the theme song in a film (“Suicide is Painless”). Poseidon Adventure- Cast consisting of many past Academy Award winners, The score composed by the great John Williams, The cruise liner’s design similarities to the luxury liner The Queen Mary, the disaster film genre, The mythology of “Poseidon.” The occurrence of underwater earthquake-produced tidal waves and tsunamis. Popularization of the featured song in a film (“The Morning After”). American Graffiti- Wolfman Jack and the soundtrack, The all-star cast, the director George Lucas, Comparison/contrast to “Happy Days”/The success of “Happy Days” T.V. show. The history of drag racing and/or the nostalgia of 50’s cars. Comparison/contrast to A Rebel without a Cause and other “teen” movies. Young Frankenstein- The cast, the director Mel Brooks, the original Frankenstein and the Bride of Frankenstein, the history of B horror movies. History of genetic research/studies on regeneration of dead tissue. Comparison/contrast to satirical genre. Close Encounters- The cast, the director Steven Speilberg ,UFO’s/ different “kinds” of encounters. Devil’s Tower. Comparison/contrast to science fiction/space fiction genre. The score composed by the great John Williams. Curriculum Services 12 Star Wars- The cast, the director George Lucas, the original trilogy and beyond, mythological symbolism/character analysis, box office success/marketing strategies. Advancements in film technology/special effects. The score composed by the great John Williams. 1) Example of Group Outline: Day One- Watch film Day Two- Watch film, Johnny’s “John William” presentation and Suzy’s “George Lucas” presentation. Day Three- Watch film, Jimmy’s “trilogy and beyond” presentation and Sally’s “box office and marketing” presentation Day Four- Finish film and administer quiz 2) Each member’s individual outline should be patterned after his/her outline expectations in his/her speech/debate class. 3) Each member is expected to contribute four to five questions for the twenty questions to be used for the quiz. Each quiz question should be patterned after the many quizzes taken over the films of the 50’s and 60’s. 4) If the group elects to do a collaborate effort on the somewhat creative side, please discuss your ideas with me and I will explain how the “outline” assignment will be adjusted to a “my contributions to the project” written report and how your individual presentations will be assessed for 100 points based on your effectiveness in supporting the group’s mission of achieving an educational, engaging 12 to 20 minute video, puppet show, panel discussion, role playing performance, or whatever else your combined creativity can conceive. 9.LVS.1.2 students can implement organizational methods for informative presentations 9.LVS.1.4 Students can support a presentation with audio/visual aids and technology considering audience and purpose 10.LVS.1.6 Students can evaluate the relationship among purpose, audience, and content of speeches or presentations. 12.R.5.1 Student can synthesize information from multiple sources to analyze issues to make decisions for research Curriculum Services 13 AMERICAN FILM HISTORY COMMON ASSESSMENTS 1940’S/50’S ANALYTICAL ESSAY RUBRIC 1ST QUARTER SIGNIFICANT TASK Essays will be graded using the Sioux Falls School District 6+1 writing trait rubric. CITIZEN KANE PAPER RUBRIC 2ND QUARTER SIGNIFICANT TASK Papers will be graded using the Sioux Falls School District 6+1 writing trait rubric. 1960S FILMS PAPER RUBRIC 2ND QUARTER SIGNIFICANT TASK Papers will be graded using the Sioux Falls School District 6+1 writing trait rubric. 1970S FILM PROJECT PRESENTATION RUBRIC 2ND QUARTER SIGNIFICANT TASK EDUCATIONAL 50 Degree of accuracy Extent of analysis Establishment of relevancy 45 40 35 30 ENGAGING 25 Enthusiasm in delivery Eye contact Effective use of visual aid 23 20 17 15 ENOUGH 25 Length of presentation Pacing of presentation 23 20 17 15 Curriculum Services 14 25 20