HS Prof. Borgmeier “The Strange Worlds of Shakespeare's Wooden O” WS 2007/08
Henry V, As You Like It, King Lear, The Tempest
Bibliography
Please note: If in the following bibliography there is no explicit mentioning of where an article or a certain book
is located, they are available in the university or departmental library and can be found in the OPAC.
The Folder is in Room 339.
1 Bibliographies and Encyclopaedias ................................................................................... 1
2 Journals and Yearbooks ..................................................................................................... 1
3 General Works on Shakespeare and the Elizabethan (St)Age ........................................... 2
4 General Works on Shakespeare's Histories ........................................................................ 3
5 General Works on Shakespeare's Tragedies....................................................................... 4
6 Henry V. ............................................................................................................................. 4
7 As You Like It ..................................................................................................................... 7
8 King Lear............................................................................................................................ 8
9 The Tempest...................................................................................................................... 13
1
Bibliographies and Encyclopaedias
Berman, Ronald (1969): A Reader's Guide to Shakespeare's Plays: A Discoursive
Bibliography. Chicago: Scott, Forseman & Co.
KS 742
Campbell, Ascar James (ed.) (1974): A Shakespeare Encyclopaedia(Nachdruck). London:
Methuen.
KS 875
Crystal, David; Crystal, Ben (eds.) (2002): Shakespeare's Words. A Glossary and Language
Companion. London: Penguin.
KS 810
Dobson, Michael (ed.) (2005): The Oxford Companion to Shakespeare. Oxford: Oxford UP.
FH ang Cs 2.34
Grazia, Margreta de (ed.) (2002): The Cambridge Companion to Shakespeare. Cambridge:
Cambridge UP.
KS DEG
Hodgdon, Barbara; Worthen, W. B. (eds.) (2005): A Companion to Shakespeare and
Performance. Malden: Blackwell.
KS 823
Kullmann, Thomas (2005): William Shakespeare: eine Einführung. Berlin: Schmidt.
UB: FH ang Cs 2.33
Spevack, Marvin (1968): A Complete and Systematic Concordance to the Works of William
Shakespeare. Hildesheim: Georg Olms.
ang Cs 1/1
Wells, Stanley (ed.) (1990): Shakespeare: A Bibliographical Guide. Oxford: Clarendon P.
KS 745
Wells, Stanley (ed.) (2002): The Cambridge Companion to Shakespeare on Stage.
Cambridge: Cambridge UP.
KS WEL 6
Wells, Stanley (ed.) (2003): Shakespeare: An Oxford Guide. Oxford: Oxford UP. KS 830/2
2
Journals and Yearbooks
Borrowers and Lenders: The Journal of Shakespeare and Appropriation. Athens: U of
Georgia. Online access via: <http://lachesis.english.uga.edu/cocoon/borrowers/>
Shakespeare Bulletin. Easton, PA: Lafayette College.
Shakespeare Quarterly. Ed. Shakespeare Association of America, Folger Shakespeare Library
New York.
Z 103
1
Shakespeare Studies. An Annual Gathering of Research, Criticism, and Reviews. Ed. J. Leeds
Barroll, Cincinatti.
Z 105
Shakespeare Survey. An Annual Survey of Shakespeare Studies and Production. Cambridge.
Z 102
Shakespeare-Jahrbuch West. Hg. im Auftrag der Deutschen Shakespeare-Gesellschaft West.
Z 101
Shakespeare-Jahrbuch. Published by the Deutsche Shakespeare-Gesellschaft Weimar. Z 100
3
General Works on Shakespeare and the Elizabethan (St)Age
Alvis, John (ed.) (1981): Shakespeare as Political Thinker. Durham, NC: Carolina Acad. P.
KS Alv
Aronson, Alex (1972): Psyche and Symbol in Shakespeare. Bloomington, London: Indiana
UP.
KS Aro
Brennan, Anthony (1986): Shakespeare's Dramatic Structures. London, Boston, Henley:
Routledge & Kegan Paul. KS Bre
Chapman, Gerald W. (ed.) (1965): Essays on Shakespeare. Princeton: Princeton UP.
KS Cha II
Clemen, Wolfgang (1977): The Development of Shakespeare's Imagery. London: Methuen.
KS Cle
Dale, Vera K. G. (2003): Shakespeare and the Age That Made Him. Stuttgart: Klett.
E UF 2003/4
Elizabethan Theatre. (Stratford-Upon-Avon-Studies 9). London: Arnold, 1966. Z 106
Evans, Malcom (1986): Signifying Nothing: Truth's Time. Contents in Shakespeare's Text.
Brighton, Sussex: Harvester Press.
KS Eva VI
Garber, Marjorie B. (1987): Shakespeare's Ghost Writers: Literature as Uncanny Casuality.
New York: Methuen.
KS Gar 3
Greenblatt, Stephen (1990): Verhandlungen mit Shakespeare. Berlin: Wagenbach.
ang Cs 2/21
Gurr, Andrew (1989): "The State of Shakepeare's Audiences." Shakespeare and the Sense of
Performance. Eds. Marvin and Ruth Thompson Newark, London: University of
Delaware Press. 162-179. folder
Harris, Laurie Lanzen and Mark W. Scott (eds.) (1986): Shakespearean Criticism. Detroit:
Gale Research Company.
KS 883
Holland, Peter (ed.) (2001): Shakespeare and Religions. Cambridge: Cambridge UP. Z 102/54
Laroque, François (1994): Shakespeare: Abenteuer Geschichte. Wiss. Bearb. Raimund
Borgmeier. Ravensburg: Maier.
KS Lar
Matthews, Honor (1969): Character and Symbol in Shakespeare's Plays. A Study in Certain
Christian and Prechristian Elements in Their Structure and Imagery. London: Chatto
& Windus.
KS Mat
Naumann, Walter (1978): Die Dramen Shakespeare's Darmstadt: Wiss. Buchgesellschaft.
KS Nau
Orgel, Stephen (2002): The Authentiv Shakespeare and Other Problems of the Early Modern
Stage. New York: Routledge.
KS ORG
Paster, Gail Kern (2004): Humoring the Body: Emotions and the Shakespearean Stage.
Chicago: University of Chicago Press.
Sted BM
Rutter, Carol Chillington (2001): Enter the Body: Women and Representation on
Shakespeare's Stage. London: Routledge.
KS RUT 1
Ryan, Kiernan (2002): Shakespeare. 3rd ed. Basingstoke: Palgrave.
KS RYA
Schabert, Ina (1972): Shakespeare Handbuch. Stuttgart: Kröner.
KS 805&865
2
Suerbaum, Ulrich (1985): Shakespeares Dramen. Düsseldorf: Bagel.
KS Sue
Suerbaum, Ulrich (1989): Das elisabethanische Zeitalter. Stuttgart: Reclam.
F KA 1157
Tillyard, E. M. W. (1943): The Elizabethan World Picture. London: Chatto & Windus.
F KA 621
Wells, Stanley (ed.) (1987): The Cambridge Companion to Shakespeare Studies. Cambridge:
Cambridge UP.
KS Wel 3
4
General Works on Shakespeare's Histories
Campbell, Lily Bess (1977): Shakespeare's Histories : Mirrors of Elizabethan Policy.
London: Methuen.
KS CAM 3
Geisen, Herbert. (1974): Die Dimension des Metaphysischen in Shakespeares Historien.
Frankfurt am Main : Akad. Verl.-Ges.
KS GEI
Hattaway, Michael (ed.) (2004): The Cambridge Companion to Shakespeare's History Plays.
Cambridge: Cambridge UP.
KS HAT 2004/1
Holderness, Graham (ed.) (1992): Shakespeare's History Plays: Richard II to Henry V.
Basingstoke [u.a.] : Macmillan.
KS 1012/4
Iser, Wolfgang (1988): Shakespeares Historien : Genesis u. Geltung. Konstanz : Univ.-Verl.
Konstanz.
KS ISE
Jardine, Lisa (1996): Reading Shakespeare Historically. London [u.a.] : Routledge.
KS JAR II (*F BL-N 1243+)
Joseph, Bertram Leon (1971): Shakespeare's Eden : the Commonwealth of England 15581629. London : Blandford Press.
KS JOS II
Krippendorff, Ekkehart (1992): Politik in Shakespeares Dramen : Historien, Römerdramen,
Tragödien. 1. Aufl. Frankfurt am Main : Suhrkamp.
(UB) FH ang Cs 1.34.
Leggatt, Alexander (1994): Shakespeare's Political Drama : The History Plays and the
Roman Plays. Repr.. - London [u.a.] : Routledge.
KS LEG 3, 2. Ex.
Manheim, Michael (1973): The Weak King Dilemma in the Shakespearean History Play.
Syracuse, NY : Syracuse Univ. Press.
KS MAN
Moseley, Charles W. R. D. (1988): Shakespeare's History Plays : Richard II to Henry V ; The
Making of a King. London [u.a.] : Penguin Books.
(UB) FH ang Cs 1.26
Ornstein, Robert (1972): A Kingdom for a Stage : The Achievement of Shakespeare's History
Plays. Cambridge, Mass.: Harvard Univ. Press.
KS ORN 2
Pearlman, Elihu H. (1992): William Shakespeare: The History Plays. New York [u.a.]:
Twayne Publ.
KS PEA
Pierce, Robert B. (1971): Shakespeare's History Plays : The Family and the State. Columbus:
Ohio State Univ. Press.
KS PIE
Schoenfeld, Kerstin (1996): Königtum im Blickpunkt : der multiperspektivische Ansatz in
Shakespeares Historienspielen Richard II und Henry IV. Frankfurt am Main [u.a.] :
Lang.
(UB) FH ang Cs 3.26
Velz, John W. (ed.) (1996): Shakespeare's English Histories : A Quest for Form and Genre.
Binghamton, NY : Medieval & Renaissance Texts & Studies.
KS VEL II
Watson, Donald G. (1990): Shakespeare's Early History Plays : Politics at Play on the
Elizabethan Stage. London [u.a.] : MacMillan.
KS WAT IV
Wilders, John (1978): The Lost Garden : A View of Shakespeare's English and Roman History
Plays. London : Macmillan.
KS WIL V, 1.u.2.Ex.
3
5
General Works on Shakespeare's Tragedies
Battenhouse, Roy W. (1969): Shakespearean Tragedy: Its Art and its Christian Premises.
Bloomington: Indiana UP.
KS Bat
Charlton, H. B. (1961): Shakespearean Tragedy. Cambridge: Cambridge UP.
KS Cha III 3
Frye, Northrop. (1967): Fools of Time: Study in Shakespearean Tragedy. Ontario: University
of Ontario Press.
KS Fry II
Harbage, Alfred (ed.) (1964): Shakespeare: The Tragedies. A Collection of Critical Essays.
Eaglewood Cliffs, NJ: Prentice Hall.
KS Har 3
Harrison, G. B. (1961): Shakespeare's Tragedies. London: Routledge & Paul. KS Har III 2
Jorgensen, Paul A. (1985): William Shakespeare: The Tragedies. Boston: Twayne.
KS Jor 4
Leech, Clifford (ed.) (1965): Shakespeare: The Tragedies. A Collection of Critical Essays.
Chicago: University of Chicago Press.
KS Lee II 2
Lerner, Laurence (1968): Shakespeare's Tragedies: An Anthology of Modern Criticism.
Harmondsworth: Penguin.
KS Ler
McDonald, Russ (ed.) (1994): Shakespeare Reread: The Texts in New Contexts. Ithaca:
Cornell UP
ordered
McEachern, Claire (ed.) (2002): The Cambridge Companion to Shakespearean Tragedy.
Cambridge: Cambridge UP.
KS MCE
Marsh, Derick, R. C. (1976): Passion Lends Them Power: A Study of Shakespeare's Love
Tragedies. Manchester: Manchester UP.
KS Mar IV
Mehl, Dieter. (1986): Shakespeare's Tragedies: An Introduction. Cambridge: Cambridge UP.
KS Meh
Mucciolo, John M., Steven J. Doloff, Edward A. Rauchut, and Angus Fletcher (eds.) (1996):
Shakespeare's Universe: Renaissance Ideas and Conventions. Hants: Scolar.
Ramm, Dieter (1974): Die Phasenstruktur der Shakespeareschen Tragödien. Frankfurt: Akad.
Verlagsgesellschaft.
KS Ram
Reynolds, Peter (1991): "Unlocking the Box: Shakespeare on Film and Video." Shakespeare
in the Changing Curriculum. Eds. Lesley Aers and Nigel Wheale. London and New
York: Routledge. 189-203.
folder
Ribner, Irving (1963): Patterns in Shakespearean Tragedy. Toronto: University of Toronto
Press.
KS Will II
Sternberg, Doug (1994): "Tom's a-cold: Transformation and Redemption in King Lear and the
Fisher King." Literature-Film Quarterly 22. 3. 160-169.
folder
Susan Zimmerman (ed.) (1998): Shakespeare's Tragedies. New York: St Martin's.
6
Henry V
Aaron, Melissa D. (2000): "The Globe and Henry V as Business Document." SEL: Studies in
English Literature, 1500-1900 (SEL) 40. 2. 277-292.
ordered
Baldo, Jonathan (1996): "Wars of Memory in Henry V." Shakespeare Quarterly (SQ) 47. 2.
132-159.
ordered
Banerjee, Rita (2006): “The Common Good and the Necessity of War: Emergent Republican
Ideals in Shakespeare’s Henry V and Coriolanus.” Comparative Drama. 40.1. 29-49.
FH lit Z
Berger, Harry Jr. (2003): “Harrying the Stage: Henry V in the Tetralogical Echo Chamber.”
Graham Bradshaw et. al. (eds.): Where Are We Now in Shakespearean Studies? III.
Aldershot: Ashgate. 131-155.
folder
4
Bohrer, Karl Heinz (2004): “Kriegsgewinnler Literatur: Homer, Shakespeare, Kleist.”
Merkur: Deutsche Zeitschrift für Europäisches Denken. 58. 1 [657]. 1-16. FH all Z
Calderwood, James L. (1979): Metadrama in Shakespeare's Henriad : Richard II to Henry V.
Berkeley [a.o.] : Univ. of California Press.
KS CAL 2
Clegg, Cyndia Susan (2003): “Feared and Loved: Henry V and Machiavelli’s Use of History.”
Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James and Charles. 10.
179-207.
folder
Crunelle Vanrigh, Anny (2007): “Henry V as a Royal Entry.” SEL: Studies in English
Literature,
1500-1900.
47.2.
355-377.
Access
online
via
<http://muse.jhu.edu/journals/studies_in_english_literature/v047/47.2crunellevanrigh.html> (21.11.2007)
Davies, Michael (2005): “Falstaff’s Lateness: Calvinism and the Protestant Hero in Henry
IV.” Review of English Studies: The Leading Journal of English Literature and the
English
Language.
56.
225.
351-378.
Access
online
via
<http://res.oxfordjournals.org/cgi/reprint/56/225/351> (21.11.2007)
Dawson, Anthony B. (1999): "The Arithmetic of Memory: Shakespeare's Theatre and the
National Past." Shakespeare Survey: An Annual Survey of Shakespeare Studies and
Production (ShS) 52. 54-67.
Z102
Deats, Sara Munson (2004): “Henry V at War: Christian King or Model Machiavel.” Sara
Munson Deats, Lagretta Tallent Lenker and Merry G. Perry (eds.): War and Words:
Horror and Heroism in the Literature of Warfare. Lanham: Lexington. 83-101.
folder
Dente-Baschiera, Carla (1995): "The Spaces of History: Henry V." Merope 7. 15. 5-18.
ordered
Gurr, Andrew (2005): “The Transforming of Henry V.” Graham Bradshaw et. al. (eds.): The
Shakespearean International Yearbook, Volume 5: Special Section Shakespeare and the
Bonds of Service. Aldershot: Ashgate. 303-313.
folder
Gurr, Andrew (ed.) (2005): King Henry V. Cambridge: Cambridge University Press. ordered
Han, Yongjae (2004): “Henry’s Justifications of War: Violence and Nation in Henry V.”
Journal of Classic and English Renaissance Literature. 13. 1. 25-51. folder (ordered)
Hand, Richard J. (2004): “Shakespeare, Soccer, and Spin-Doctors: Staging a Contemporary
Henry V; Henry V at Chapter Arts Centre, Cardiff, Wales, UK, November 2002.” College
Literature.
31.
4.
60-71.
Access
online
via
<http://muse.jhu.edu/journals/college_literature/v031/31.4hand.html> (21.11.2007)
Hapgood, Robert (2004): “Shakespeare’s Thematic Modes of Speech: Richard II to Henry V.”
Catherine M. S. Alexander (ed.): Shakespeare and Language. Cambridge: Cambridge
University Press. 139-150.
folder (ordered)
Harmon, A.G. (2005): “Shakespeare’s Carved Saints.” SEL: Studies in English Literature,
1500-1900.
45.
2.
315-331.
Access
online
via
<http://muse.jhu.edu/journals/studies_in_english_literature/v045/45.2harmon.html>
(21.11.2007)
Hedrick, Donald (2003): “Advantage, Affect, History, Henry V.” PMLA: Publications of the
Modern Language Association of America. 118. 3. 470-487. Access online via
<http://www.mlajournals.org/doi/pdf/10.1632/003081203X47778> (21.11.2007)
Hedrick, Donald K. (2003): “War Is Mud: Branagh’s Dirty Harry V and the Types of Political
Ambiguity.” Richard Burt and Lynda E. Boose (eds.): Shakespeare, the Movie II:
Popularizing the Plays on Film, TV, Video, and DVD. London: Routledge. 213-230.
folder
Hoenselaars, Ton (2003): “‘Out-Ranting the Enemy Leader’: Henry V and/as World War II
Propaganda.” Theo D’haen et. al. (eds.): Configuring Romanticism. New York:
Rodopi. 215-234.
folder
5
Hoenselaars, Ton (2005): “Shooting the Hero: The Cinematic Career of Henry V from
Laurence Olivier to Philip Purser.” Sonia Massai (ed.): World-wide Shakespeares:
Local Appropriations in Film and Performance. London: Routledge. 80-87. folder
Hopkins, Lisa (1999): "The Iliad and the Henriad: Epics and Brothers." Classical and
Modern Literature: A Quarterly (CML) 19.2. 149-171. folder
Jensen, Pamela K: "The Famous Victories of William Shakespeare: The Life of Henry the
Fifth." ordered
Joseph M. Knippenberg and Peter Augustine Lawler (eds.) (1996): Poets, Princes, and
Private Citizens: Literary Alternatives to Postmodern Politics. Lanham, MD : Rowman &
Littlefield. 235-269. ordered
Kilpatrick, Jacquelyn (1998): "Kenneth Branagh's Henry V." Creative Screenwriting (CrSc)
5.2. 24-29. ordered
Lane, Robert (1994): "'When Blood Is Their Argument': Class, Character, and Historymaking
in Shakespeare's and Branagh's Henry V." ELH (ELH) 61.1. 27-52. ordered
Leahy, William (2003): “‘Thy Hunger-Starved Men’: Shakespeare’s Henry Plays and the
Contemporary Lot of the Common Soldier.” Parergon: Journal of the Australian and New
Zealand Association for Medieval and Early Modern Studies. 20. 2. 119-134. folder
Loehlin, James N. (1999): "On Your Imaginary Forces Work: Shakespeare in Practice." Milla
Cozart Riggio and Michael Kahn (eds.). Teaching Shakespeare through Performance.
New York: Modern Language Association of America. 286-294. ordered
McAlindon, Tom (2003): “Natural Closure in Henry V.” Graham Bradshaw et. al. (eds.):
Where Are We Now in Shakespearean Studies? III. Aldershot: Ashgate. 156-171. folder
McInelly, Brett C. (2004): “Shakespeare Teaches Writing: Persuasive Speeches in Henry V.”
Patricia M. Gantt and Lynn Langer Meeks (eds.): Teaching Ideas for 7-12 English
Language Arts: What Really Works. Norwood: Christopher-Gordon. 83-94. folder
(ordered)
Mebane, John S. (2007): “‘Impious War’: Religion and the Ideology of Warfare in Henry V.”
Studies
in
Philology.
104.
2.
250-266.
Access
online
via
<http://muse.jhu.edu/journals/studies_in_philology/v104/104.2mebane.pdf> (21.11.2007)
Mittelbach, Jens (1999): "Die Figur des Königs in Shakespeares Henry V: Der Mensch als
Herrscher und der Herrscher als Mensch." Baumann, Uwe (ed.). Basileus und Tyrann:
Herrscherbilder und Bilder von Herrschaft in der Englischen Renaissance. Frankfurt,
Germany : Peter Lang. 329-346. folder
Plaw, Avery (2005): “Prince Harry: Shakespeare’s Critique of Machiavelli.” Interpretation: A
Journal of Political Philosophy. 33. 1. 19-43. folder
Rackin, Phyllis (2003): “English History Plays.” Stanley Wells and Lena Cowlin Orlin (eds.):
An Oxford Guide to Shakespeare. Oxford: Oxford University Press. 193-211. KS 830/2
Reynolds, Peter. "Shakespeare and Image Theater: Henry V." ordered
Ross, A. Elizabeth (1996): "Hand Me Down Heroics: Shakespeare's Retrospective of Popular
Elizabethan Heroical Drama in Henry V." John W. Velz (ed.). Shakespeare's English
Histories: A Quest for Form and Genre. Binghamton, NY : Medieval & Renaissance
Texts & Studies. 171-203. ordered
Scott-Kilvert, Ian (1975): Shakespeare: Henry V. London : British Council. KS SCO
Shaughnessy, Robert (1998): "The Last Post: Henry V, War Culture and the Postmodern
Shakespeare." Theatre Survey: The Journal of the American Society for Theatre Research
(ThS) 39.1. 41-61. ordered
Tracy, Thomas (2004): “Order, Authority, Shakespearean History, and Jonsonian Comedy.”
Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James and Charles. 11.
103-119.
folder
6
van Oort, Richard (2006): “Shakespeare and the Idea of the Modern.” New Literary History:
A Journal of Theory and Interpretation.” 37. 2. 319-339. Access online via
<http://muse.jhu.edu/journals/new_literary_history/v037/37.2oort.html> (21.11.2007)
Walch, Günter (2004): “Henry V as Working-House of Ideology.” Catherine M. S. Alexander
(ed.): Shakespeare and Politics. Cambridge: Cambridge University Press. 198-205. folder
Wood, Andelys (1998): "Henry V at the Globe, 1599/1997." Kentucky Philological Review
(KPR) 13. 49-53. ordered
7
As You Like It
Alulis, Joseph (1996): "Fathers and Children: Matter, Mirth, and Melancholy in As You Like
It." Shakespeare's Political Pageant: Essays in Literature and Politics. Ed. Joseph
Alulis et al. Lanham, MD: Rowman & Littlefield. 37-60.
folder
Barnaby, Andrew (1996): "The Political Conscious of Shakespeare's As You Like It." Studies
in English Literature 36.2. 373-395.
folder
Barber, C.L. (1988): "The Alliance of Seriousness and Levity in As You Like It". William
Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea.5-21.
Ordner
Bono, Barbara (1988): "Mixed Gender, Mixed Genre in Shakespeare's As You Like It".
William Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea. 131148.
folder
Brown, John Russell (1970): Shakespeare's Dramatic Style: Romeo and Juliet, As You Like
It, Julius Caesar, Twelfth Night, Macbeth. London: Heinemann.
KS BRO IV 4
Carlson, Susan (1987): "Women in As You Like It: Community, Change, and Choice". Essays
in Literature 14.2. 151-169.
folder
Clarke, Kate and Elizabeth Goodman (1996): "Reading As You Like It ." Shakespeare, Aphra
Behn and the Canon. Eds. W. R. Owens and Lizbeth Goodman. London: Routledge.
F BG 1241
Colie, Rosalie (1988): "Perspectives on Pastoral: Romance, Comic and Tragic". William
Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea. 47-62. Ordner
Daley, Stuart A. (1994): "Calling and Commonwealth in As You Like It: A Late Elizabethan
Political Play". Upstart Crow 14. 28-46.
folder
Dusinberre, Juliet (1993): "As Who Liked It?". Shakespeare Survey 46. 9-21.
Z 102
Dusinberre, Juliet (2003): “Rival Poets in the Forest of Arden.” Shakespeare-Jahrbuch. 139.
71-83.
Z 101
Erickson, Peter (1988): "Sexual Politics and Social Structure in As You Like It". William
Shakespeare's As You Like It. Ed. Harold Bloom. New York: Chelsea. 113-130. folder
Fendt, Gene (1995): "Resolution, Catharsis, Culture: As You Like It". Philosophy and
Literature 19.2. 248-260.
folder
Ford, John R. (1998): "The Condition of My Estate: Conjuring Identity and Estrangement in
As You Like It. Upstart Crow 18. 56-66.
bestellt
Gay, Penny (1999): As You Like It. Plymouth: Northcote House.
KS GAY 2
Hopkins, Lisa (2002): “Orlando and the Golden World: The Old World and the New in As
You Like It.” Early Modern Studies: A Journal of Sixteenth- and Seventeenth-Century
English Literature. 8.2. Access online via <http://extra.shu.ac.uk/emls/08-2/082toc.htm>
Ikeda, Mayumi (1982): "The Language of Shakespeare's Comedy: His Art of Characterization
in As You Like It". Hiroshima Studies in English Language and Literature 27. 75-76.
folder
Jackson, Russell (2005): “Filming As You Like It: A Playful Comedy Becomes a Problem.”
Pierre Kapitaniak und Yves Peyré (Hg.): Shakespeare et le jeu: Actes du Congrès.
Paris : Société Francaise Shakespeare. 61-74.
ordered, but not available
7
Marshall, Cynthia (ed.) (2004): As You Like It. Cambridge: Cambridge University Press.
ordered
McFarland, Thomas (1988): "For Other Than for Dancing Measures: The Complications of
As You Like It". William Shakespeare's As You Like It. Ed. Harold Bloom. New York:
Chelsea. 23-45.
folder
Montrose, Louis Adrian (1988): "'The Place of a Brother' in As You Like It: Social Process
and Comic Form". William Shakespeare's As You Like It. Ed. Harold Bloom. New
York: Chelsea. 81-112.
folder
Nevo, Ruth (1988): "Existence in Arden". William Shakespeare's As You Like It. Ed. Harold
Bloom. New York: Chelsea. 63-79.
folder
Parry, P.H. (1998):"Visible Art and Visible Artists: Reflexivity and Metatheatricality in As
You Like It." Forum for Modern Language Studies 34-2. 1-15.
ZZ 97/121
Reynolds, Peter (1988): William Shakespeare: As You Like It: A Dramatic Commentary.
London [u.a.]: Penguin.
UB: FH ang Cs 3.12
Song, Hong-han (1992): "Shakespearian Comic Catharsis in As You Like It and Twelfth
Night". The Journal of English Language and Literature 38.4. 767-781.
Z8
Tvordi, Jessica (1999): "Female Alliance and the Construction of Homoeroticism in As You
Like It and Twelfth Night". Maids and Mistresses, Cousins and Queens: Women's
Alliances in Early Modern England. Ed. Susan Frye et al. New York: Oxford Up. 114130.
folder
Waddington , Raymond B. (1982): "Moralizing the Spectacle: Dramatic Emblems in As You
Like It". Shakespeare Quarterly 33.2. 155-163.
Z 103
Watson, Robert N. (2003): “As You Liken It: Simile in the Wilderness.” Shakespeare Survey:
An Annual Survey of Shakespeare Studies and Production. 56. 79-92.
Z 102 / 56
Whall, Helen M. "As You Like It: The Play of Analogy". Huntington Library Quarterly 47.1
(1984): 33-46.
Woodbridge, Linda (2004): “Country Matters: As You Like It and the Pastoral-Bashing
Impulse.” Evelyn Gajowski (Hg.): Re-Visions of Shakespeare: Essays in Honor of
Robert Ornstein. Newark: University of Delaware Press. 189-214.
folder
8
King Lear
Adelman, Janet (ed.) (1978): Twentieth Century Interpretations of King Lear: A Collection of
Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
KS ADE
Aggeler, Geoffrey (1993): "'Good Pity' in King Lear: The Progress of Edgar." Neophilologus
77.2. 321-331.
Aldama, Frederick Luis (2006): “Race, Cognition, and Emotion: Shakespeare on Film.”
College Literature. 33.1. 197-213.
Access online via
<http://muse.jhu.edu/journals/college_literature/toc/lit33.1.html> (08.10.2007).
Armstrong, Philip (1995): "Spheres of Influence: Cartography and the Gaze in Shakespearean
Tragedy and History." Shakespeare Studies, Cranbury 23. 146-186.
Z105
Armstrong, Philip (1994): "Uncanny Spectacles: Psychoanalysis and the Texts of King Lear."
Textual Practice 8.3. 414-434.
folder
Bartlett, Bruce R. (1999) "Bearing the 'Waight': Double-Entendre in Richard III, Othello, and
King Lear." Shakespeare Newsletter 49.1.240. 7-8.
folder
Bell, Millicent (2004): “Naked Lear.” Raritan: A Quarterly Review. 23.4. 55-70.
folder
Bennett, Susan (1998): "Godard and Lear: Trashing the Can(N)non." Theatre Survey: A
Journal of the American Society for Theatre Research 39.1. 7-19.
folder
8
Berger, Thomas L. (1999) "The (Play) Text's the Thing: Teaching the Blinding of Gloucester
in King Lear." Teaching Shakespeare through Performance. Eds. Milla Cozart Riggio
and Michael Kahn. New York: MLA. 196-219.
folder
Bergeron, David M. (1993): "Deadly Letters in King Lear." Philological Quarterly 72.2. 157176.
Berley, Marc (Hg.) (2003): “The 'Idea' of King Lear.” Reading the Renaissance: Ideas and
Idioms from Shakespeare to Milton. Pittsburgh, PA: Duquesne UP. 27-56.
folder
Boose, Lynda E. and Richard Burt (eds.) (1997): Shakespeare, the Movie: Popularizing the
Plays on Film. London: Routledge.
folder
Breen, John. "Gloucester's Proclamation." Notes and Queries 41.239.4 (239): 493-494.
Broehrer, Bruce Thomas (1990): "King Lear and the Royal Progress: Social Display in
Shakespearean Tragedy." Renaissance Drama 39.1. 42-46.
Brönnimann, Werner (2003): „Der gestiefelte König und die Spuren des Autors in King
Lear.“ Shakespeare-Jahrbuch. 139. 101-115.
Z101
Cantor, Paul (1996): "Nature and Convention in King Lear." Poets, Princes, and Private
Citizens. Eds. Joseph M Knippenberg and Peter Augustine Lawler. Lanham et. al.:
Rowman & Littlefield. 213-233.
Carpenter, Peter (1991): "King Lear, Macbeth, and the Use of Memory." Critical Survey 3.2.
194-207.
ordered
Cavanagh, Dermot (1991): "'Bereaved Sense': Problems of Definition in King Lear." Critical
Survey 3.2. 157-162.
ordered
Collington, Philip D. (2006): “Sans Wife: Sexual Anxiety and the Old Man in Shakespeare.”
Campbell, Erin (ed.): Growing Old in Early Modern Europe: Cultural
Representations. Aldershot, England: Ashgate.
folder
Collins, Michael J. (1997): "Teaching King Lear." Teaching Shakespeare into the TwentyFirst Century. Eds. Ronald E. Salomone and James Davis. Athens, OH: Ohio UP. 166171.
ordered
Cootey, Jason (2003): “Walking Off the Dover Cliff.” Journal of the Wooden O Symposium.
3. 112-123.
folder (ordered)
Crane, Mary Thomas (2004): “The Physics of King Lear: Cognition in a Void.” 3-23 IN:
Bradshaw, Graham (ed. and preface), Bishop, Tom (ed.), Turner, Mark (ed.), Elton,
W. R. (founding ed.), Mucciolo, John M. (founding ed.); Shakespeare Studies Today.
Aldershot: Ashgate. 3-23.
folder
Cox, Catherine S. (1998): "'An Excellent Thing in Woman': Virgo and Viragos in King Lear."
Modern Philology: A Journal Devoted to Research in Medieval and Modern
Literature 96.2. 143-157.
de Grazia, Margreta (1998): "The Ideology of Superfluous Things: King Lear as Period
Piece." Shakespeare's Tragedies. Ed. Susan Zimmerman. New York: St Martin's. 255284.
Dodd, William (1999): "Impossible Worlds: What Happens in King Lear, Act 1, Scene 1?"
Shakespeare Quarterly 50.4. 477-507.
Doloff, Steven (1994): "Foolish Death in King Lear." English Language Notes 32.2. 17-19.
Dubrow, Heather (2007): “’They Took from Me the Use of Mine Own House’: Land Law in
Shakespeare's Lear and Shakespeare's Culture.” Kezar, Dennis (ed. and introd.),
Nabers, Deak (epilogue): Solon and Thespis: Law and Theater in the English
Renaissance. Notre Dame: U of Notre Dame P. 81-98. folder
Foakes, R. A. (1996): "French Leave, or Lear and the King of France." Shakespeare Survey:
An Annual Survey of Shakespeare Studies and Production 49. 217-223.
Foakes, R. A. (2005): “Performance and Text: King Lear.” Medieval and Renaissance Drama
in England: An Annual Gathering of Research, Criticism and Reviews. 17. 86-98.
folder
9
Graham, Kenneth. "'Without the Form of Justice': Plainness and the Performance of Love in
King Lear." Shakespeare Quarterly 42.2 (1991): 438-461.
Greer, David. "'Sleepest or Walkest Thou Iolly Shepard'." Shakespeare Quarterly 43.2
(1992): 224-226.
Guilfoyle, Cherrell. "The Redemption of King Lear." Comparative Drama 23.1 (1989): 5069.
Gulstad, William. "Mock Trial or Witch Trial in King Lear." Notes and Queries 41.239.4
(1994): 494-497.
Halio, Jay. "Gloucester's Blinding." Shakespeare Quarterly 43.2 (1992): 221-223.
Halio, Jay L. (Hg.). The Tragedy of King Lear. Cambridge: Cambridge UP,2005. KS 278
Hallett, Charles A. (2006): “King Lear, Act 3: Storming the Stage.” Nelsen, Paul (ed. and
introd.), Schlueter, June (ed. and introd.): Acts of Criticism: Performance Matters in
Shakespeare and His Contemporaries: Essays in Honor of James P. Lusardi.
Madison, NJ: Fairleigh Dickinson UP. 126-143. folder
Halter, Peter. "The Endings of King Lear." On Strangeness. Ed. Margaret Bridges. Tübingen:
Narr, 1990. 85-98.
Hammond, Paul. "James I's Homosexuality and the Revision of the Folio of King Lear."
Notes and Queries 44.242.1 (1997): 62-64.
Hasenberg, Peter. By what you see them act: Probleme der Handlung in Shakespeares
Macbeth, Othello und King Lear. Amsterdam: Gruener, 1981. KS HAS
Hawthorne, Nigel (2003): “King Lear.“ Smallwood, Robert (ed. and introd.): Players of
Shakespeare 5. Cambridge: Cambridge UP. 178-191.
Heinemann, Margot. "'Demystifying the Mystery of State': The Maternal Subtext Tying
Sydney's Arcadia to Shakespreare's King Lear." Shakespeare Survey 44 (1992): 85-90.
Hicks, Penelope. "Did Goneril Look 'Black,' or 'Blank' upon Her Father?" Notes and Queries
42.240.3 (1995): 322.
Höfele, Andreas (2006): “Bestarium Humanum: Lear's Animal Kingdom.” Jansohn, Christa
(ed. and introd.): German Shakespeare Studies at the Turn of the Twenty-First
Century. Newark, DE: U of Delaware P. 84-98. folder
Holahan, Michael. "'Look, Her Lips': Softness of Voice, Construction of Character in King
Lear." Shakespeare Quarterly 48.4 (1997): 406-431. FB
Holderness, Graham and Naomi Carter. "The King's Two Bodies: Text and Genre in King
Lear." English: The Journal of the English Association 45.181 (1996): 1-31. folder
Holland, Peter (ed.). King Lear and Its Afterlife. Cambridge: Cambridge UP, 2002. Z 102/55
Hopkins, Lisa. "'Lear, Lear, Lear!' Marlowe, Shakespeare, and the Third." Upstart Crow 16
(1996): 108-123. folder
House, Ian W. O. "'I Know Thee Well Enough': The Two Plots of King Lear." English: The
Journal of the English-Association 41.170 (1992): 97-112. folder
Ioppolo, Grace (2005): “King Lear since 1606.”Jansohn, Christa (ed. and preface): In the
Footsteps of William Shakespeare. Münster: LIT. 177-190. KS JAN
Ioppolo, Grace. William Shakespeare’s King Lear. London, Routledge, 2005. ordered
Kennedy, Thomas C. "Lear: Olot and Theme." Studia Neophilologica: A Journal of Germanic
and Romanic Languages and Literature 71.1 (1999): 51-61.
Kermode, Frank (ed.). Shakespeare: King Lear: A Casebook. Basingstoke, Hampshire [u.a.]:
Macmillan, 1992. KS 1010/7
Kershaw, Baz. "King Real's King Lear: Radical Shakespeare for the Nuclear Age." Critical
Survey 3.3 (1991): 249-259. ordered
Koch, Mark. "The Shaking of the Superflux: King Lear, Charity, Value, and the Tyranny of
Equivalence." The Upstart Crow 10 (1990): 86-100. ordered
Lawrence, Sean (2005): “The Difficulty of Dying in King Lear.” English Studies in Canada.
31.4. 35-52. folder
10
Lawrence, Seán. “'Gods That We Adore': The Divine in King Lear.” Renascence: Essays on
Values in Literature. 56.3 (2004): 143-59. 000 ZZ 80 / 225
Loomba, Ania and Martin Orkin (eds.). Post-Colonial Shakespeares. London: Routledge,
1998. ordered
Lynch, Jack. „King Lear and 'the Taste of the Age,' 1681-1838.” 1650-1850: Ideas,
Aesthetics, and Inquiries in the Early Modern Era.10 (2004): 285-303. folder
Mack, Peter. “Rhetoric, Ethics and Reading in the Renaissance.” Renaissance Studies:
Journal of the Society for Renaissance Studies. 19.1 (2005): 1-21. folder
Markels, Julian. "King Lear, Revolution, and the New Historicism." Modern Language
Studies 21.2 (1991): 11-26. folder
McCoy, Richard C. (2003): “’Look upon Me, Sir’: Relationships in King Lear.”
Representations. 81. 46-60.
folder
Miola, Robert S. "New Comedy in King Lear." Philogical Quarterly 73.3 (1994): 329-346.
Mitchell, Juliet. "From King Lear to Anna O and Beyond: Some Speculative Theses on
Hysteria and the Traditionless Self." The Yale Journal of Criticism: Interpretation in
the Humanities 5.2 (1992): 91-107. folder
Moore, Peter R. (2006): “The Nature of King Lear.” English Studies: A Journal of English
Language and Literature, 2006 87.2. 169-190. Access online via
<http://www.informaworld.com/smpp/content~content=a747818053~db=all~order=pa
ge> (08.10.2007).
Muir, Kenneth. "The Rehabilitation of King Lear and Troilus and Cressida." Shakespeare's
Universe: Renaissance Ideas and Conventions. Eds. John M. Mucciolo, Steven J.
Doloff, Edward A. Rauchut, and Angus Fletcher. Hants: Scolar, 1996. 253-257.
Neely, Carol Thomas. "'Documents in Madness': Reading Madness and Gender in
Shakespeare's Tragedies and Early Modern Culture." Shakespearean Tragedy and
Gender. Eds. Shirley Nelson Garner and Madelon Sprengnether. Bloomington:
Indiana UP, 1996. 75-104.
Niels, Herold. "On Teaching the Madness of King Lear." Journal of Narrative Technique 27.3
(1997): 249-275. ordered
Novy, Marianne (ed.). Transforming Shakespeare: Contemporary Women's Re-Visions in
Literature and Performance. New York: St Martin's, 1999. ordered
Nuyts-Giornal, Josee. "King Lear's Reflection in the Mirror of Nobody: An Iconographical
Question." Cahiers Elisabethains: Late Medieval and Renaissance Studies 5 54
(1998): 55-73. folder
Ormerod, David. "'Ripe' and 'Rot': A Proverb in As You Like It and King Lear."
Neophilologus 80.4 (1996): 661-666.
Parker, R. B. and S. P. Zitner (eds.). Elizabethan Theatre: Essays in Honor of S. Schoenbaum.
Newark and London: U of Delaware P and Associated UP, 1996.
Parker, R. B. and S. P. Zitner (eds.). "The Use of mise-en-scene in Three Films of King Lear."
Shakespeare Quarterly 42.1 (1991): 75-90.
Partee, Moriss Henry. "Edgar and the Ending of King Lear." Studia Neophilologica 63.2
(1991): 175-180. UB
Peat, Derek (2004): “Mad for Shakespeare: A Reconsideration of the Importance of Bedlam.”
Parergon: Journal of the Australian and New Zealand Association for Medieval and
Early Modern Studies. 21 (1). 113-132. folder
Pechter, Edward. "Making Love to Our Employment: Or, the Immateriality of Arguments
about the Materiality of the Shakespearean Text." Textual Practice 11.1 (1997): 51-67.
folder
Peterson, Kaara L. (2006): “Historica Passio: Early Modern Medicine, King Lear, and
Editorial Practice.” Shakespeare Quarterly. 57.1. 1-22. Access online via
<http://muse.jhu.edu/journals/shakespeare_quarterly/toc/shq57.1.html> (08.10.2007).
11
Popp, Steffen. Shakespeare goes Gothic: Horror und Phantastik im Drama am Beispiel von
"King Lear". Wetzlar: Förderkreis Phantastik, 2004. UB: 21.968.18 Standort: Magazin
Ramm, Hans-Christoph. "'Lear's Shadow' – Zugänge zu Shakespeare's Drama King Lear im
Englischunterricht der Sekundarstufe II." Neusprachliche Mitteilungen aus
Wissenschaft und Praxis 48.4 (1995): 228-234.
Reynolds, Peter. "King Lear, Prince Hytner and an Attendant Lord." Critical Survey 3.3
(1991): 240-248. ordered
Richards, Val. "'His Majesty the Baby': A Psychoanalytic Approach to King Lear."
Shakespeare in the Changing Curriculum. Eds. Lesley Aers and Nigel Wheale.
London: Routledge, 1991. 162-179. ordered
Rosen, Alan. "King Lear and the Legacy of Dramatic Catastrophe." Cahiers Elisabethains:
Late Medieval and Renaissance Studies 5.48 (1995): 17-30. folder
Rossini, Manuela S. "King Lear: Pater Patriae – Pater Familias." Herrscher, Helden, Heilige.
Eds. Ulrich Müller, Werner Wunderlich, and Lotte Gaebel. St. Gallen: UVK, 1996.
265-287.
Rudnytsky, Peter L. "'The Darke and Vicious Place': The Dread of the Vagina in King Lear."
Modern Philology: A Journal Devoted to Research in Medieval and Modern
Literature 96.3 (1999): 291-311.
Saunders, J. G. "'Apparent Perversities': Text and Subtext in the Construction of the Role of
Edgar in Brook's Film of King Lear." Review of English Studies: A Quarterly Journal
of English Literature and the English Language 47.187 (1996): 317-330. Z7
Schwarz, Henry. "'He Is Npo Unlettered Man': King Lear, 'The Courtier's Tragedy', and the
Historial Agency of Postage." Shakespeare Jahrbuch Weimar 127 (1991): 63-76. UB
Scott-Douglas, Amy (2003): “Dogme Shakespeare 95: European Cinema, Anti-Hollywood
Sentiment, and the Bard.” Burt, Richard (ed. and introd.); Boose, Lynda E. (ed. and
introd.); Shakespeare, the Movie II: Popularizing the Plays on Film, TV, Video, and
DVD. London, England: Routledge. 252-263. folder
Selden, Raman. "King Lear and True Need." Shakespeare Studies (Cranbury) 19 (1987): 143170.
Senes, Daniel. "A Proposed Emendation for King Lear, V.iii.237." Notes and Queries
44.242.1 (1997): 64-67.
Shickman, Allan R. "The Fools's Mirror in King Lear." Renaissance Drama 21 (1990): 243261. folder
Sokol, B.J. and Mary Sokol. "Shakespeare and the English Equity Jurisdiction: The Merchant
of Venice and the Two Texts of King Lear." Review of English Studies: A Quaterly
Journal of English Literature and the English Language 50.200 (1999): 417-439.
Spinosa, Charles. "'The Name and All th'Addition': King Lear's Opening Scene and the
Common Law Use." Shakespeare Studies, Cranbury 23 (1995): 146-186. Z105
Spotswood, Jerald W. "Maintaining Hierarchy in The Tragedie of King Lear." SEL: Studies in
English Literature 1500-1900 38.2 (1998): 265-280.
Storozynsky, L. M. "King Lear and Chaos." Critical Survey 3.2 (1991): 163-169. folder
Taunton, Nina (2003): “King Lear, King James and the Gunpowder Treason of 1605.” Renaissance
Studies: Journal of the Society for Renaissance Studies, 2003 Dec. 17 .4. 695-715.Acess
online via < http://www.blackwell-synergy.com/toc/rest/17/4> (10.10.2007).
Taylor, Sally T. (2004): “The Fellowship of Christ’s Sufferings as Reflected in Lear and Life.”
Brigham Young University Studies. 43 (2). 47-62. folder
Tetzeli von Rosador, Kurt. "Presented Nakedness in King Lear." Archiv für das Studium der
Neueren Sprachen und Literaturen 228.1 (1991): 26-40. FB
Thomas, Sidney. "The Integrity of King Lear." The Modern Language Review 90.3 (1995):
572-584. FB
12
Thomson, Ann. "Are there Any Women in King Lear?" The Matter of Difference: Materialist
Feminist Criticism of Shakespeare. Ed. Valerie Wayne. Ithaca: Cornell UP, 1991. 117128. FB
Van Pelt, Tamise. "Entitled to Be King: The Subversion of the Subject in King Lear."
Literature and Psychology 42.1-2 (1996): 100-112. folder
Visser, Nicholas. "Shakespeare and Hanekom, King Lear and Land." Textual Practice 11.1
(1997): 25-37. folder
Wallis, Mick. "Emblem, Psychology and Feeling: Playing and Reading King Lear." Critical
Survey 3.3 (1991): 229-239. folder
Weis, Rene J. A. "Dissent and Moral Primitivism in King Lear." English: The Journal of the
English-Association 35.153 (1986): 197-218. folder
White, R. S. "King Lear and Philosophical Anarchism." English: The Journal of the EnglishAssociation 37.159 (1988): 181-200. folder
Whitehead, Frank. "The Gods in King Lear." Essays in Criticism 43.2 (1992): 196-220. FB
Wojciehowski, Dolora A. "For the Love of the Father: Repetition and Ambivalence in King
Lear Criticism." Mosaic: A Journal for the Interdisciplinary Study of Literature 25.3
(1992): 15-30. folder
Wolpers, Theodor. "Familienbindung bei Shakespare: Motivübersicht zum Gesamtwerk und
Analysen zu Hamlet und King Lear; Bericht über Kolloquien für
literaturwissenschaftliche
Motivund
Themenforschung
1991-1994."
Familienbindung als Schicksal: Wandlungen eines Motivbereichs in der neueren
Literatur. Göttingen: Vandenhoeck & Ruprecht, 1996. 17-98.
9
The Tempest
Adelman, Janet. Suffocating Mothers : Fantasies of Maternal Origin in Shakespeare's Plays;
Hamlet to The Tempest. New York [u.a.] : Routledge, 1992. KS ADE 3
Bishop, Tom (2004): “The Masque and Shakespeare’s Scepticism.” Shakespeare Studies. 42.
28-41.
folder
Block de Behar, Lisa (2003): “Miranda and the Salvation of the Shipwreck.” CR: The New
Centennial
Review.
3.1.
1-23.
Access
online
via
<http://else.hebis.de:2222/journals/new_centennial_review/v003/3.1block_de_behar.html
> (16.11.2007)
Brown, John Russell. Shakespeare, The Tempest. Repr. - London : Arnold, 1972. KS BRO IV
5
Collington, Philip D. (2006): “Sans Wife: Sexual Anxiety and the Old Man in Shakespeare.”
Campbell, Erin (ed.): Growing Old in Early Modern Europe: Cultural
Representations. Aldershot, England: Ashgate; 2006. folder
Cookson, Linda. Critical essays on The Tempest by William Shakespeare. Harlow :
Longman, 1988. KS COO II
DeCoursey, Matthew (2003): “The Logic of Inequality: Caliban’s Baseness in The Tempest.”
Cahiers Elisabéthains: Late Medieval and Renaissance Studies. 64. 43-51.
folder
DeWeese, Dan (2004): “Prospero's Pharmacy: Peter Greenaway and the Critics Play
Shakespeare's Mimetic Game” James R. Keller, Leslie Stratyner (eds.): Almost
Shakespeare: Reinventing His Works for Cinema and Television. Jefferson, NC:
McFarland. 155-168. folder
Egan, Robert. Drama within drama : Shakespeare's sense of his art in King Lear, The
Winter's tale, and The Tempest. New York [u.a.] : Columbia Univ. Press, 1975. KS EGA
Hainge, Greg (2006): “Tempest in Another Time: Shakespeare, Greenaway, Céline.”
Romanic Review. 97.1. 15-32. UB FH rom Z
13
Henkel, Matthias. Das Bild des Staates in Shakespeares Richard III., Macbeth und The
Tempest. Mikrofiche-Ausg.: Marburg : Tectum-Verl., 1995. 2 Mikrofiches : 24x. (UB)
27.001.30 Standort: FH Arbeitsplatz Mikroformen
Hunt, Maurice (2005): „Shakespeare’s ‚Still-Vexed’ Tempest.“ Style. 39.3. 299-315. folder
Kastan, David Scott (2003): “‘The Duke of Milan/And His Brave Son’: Old Histories and
New in The Tempest.” Alison Thorne (ed.): New Casebooks: Shakespeare’s Romances.
Basingstoke: Palgrave Macmillan. 226-244. folder
Knight, George Wilson. The Shakespearian Tempest : With a Chart of Shakespeare's
Dramatic Universe. 3.ed., repr. London : Methuen, 1964. KS KNI 3
Lindley, David (2004): “The Tempest’s Masque and Opera.” Tom Clayton et. al. (ed.):
Shakespeare and the Mediterranean. Newark: University of Delaware Press. 103-116.
folder
Mikics, David (2005): “Psychoanalysis, Idealizing and Magic: Reading The Tempest.”
Graham, Bradshaw et. al. (Hg.): The Shakespearean International Yearbook, Volume 5:
Special Section, Shakespeare and the Bonds of Service. Aldershot: Ashgate. 162-180.
folder
Moore, Mary B. (2006): “Wonder, Imagination, and the Matter of Theatre in The Tempest.”
Philosophy
and
Literature.
30.2.
496-511.
Access
online
via
<http://muse.jhu.edu/journals/philosophy_and_literature/toc/phl30.2.html> (09.11.2007)
Nuttall, Anthony David. Two Concepts of Allegory : A Study of Shakespeare's The Tempest
and the logic of allegorical expression. London : Routledge & K. Paul, 1967. KS NUT
(*F BC 892+)
Palmer, D. J. (ed.). Shakespeare: The Tempest: A Casebook; [a selection of critical essays].
Basingstoke [u.a.]: Macmillan, 1991. KS 1010/14; UB: FH ang Cs 3.11
Pask, Kevin (2002): “Prospero’s Counter-Pastoral.” Criticism: A Quarterly for Literature and
the Arts. 44.4. 389-404. FH lit Z
Pask, Kevin (2003): “Caliban’s Masque.” ELH. 70.3. 739-756. Access online via
<http://muse.jhu.edu/journals/elh/v070/70.3pask.html> (16.11.2007).
Reynolds, Bryan (ed.) (2003): “Inspriteful Ariels: Transversal Tempests.” Performing
Transversally: Reimagining Shakespeare and the Critical Future. New York: Palgrave
Macmillan. 189-214. folder
Shakespeare, William (2004): The Tempest / Der Sturm. Margarete Suerbaum (ed.).
Tübingen: Stauffenburg. ordered
Singh, Jyotsna G. (2003): “Caliban versus Miranda: Race and Gender Conflicts in
Postcolonial Rewritings of The Tempest.” Alison Thorne (ed.): New Casebooks:
Shakespeare’s Romances. Basingstoke: Palgrave Macmillan. 205-225. folder
Tonning, Judith E. (2004): “‘Like This Insubstantial Pageant, Faded’: Eschatology and
Theatricality in The Tempest.” Literature & Theology: An International Journal of
Religion,
Theory,
and
Culture.
18.4.
371-382.
Access
online
via
<http://litthe.oxfordjournals.org/cgi/reprint/18/4/371> (09.11.2007)
Tribble, Evelyn B. (2006): “‘The Dark Backward and Abysm of Time’: The Tempest and
Memory.”
College
Literature.
33.1.
151-168.
Access
online
via
<http://muse.jhu.edu/journals/college_literature/toc/lit33.1.html> (09.11.2007)
Voss, Philip (2003): “Prospero in The Tempest.” Robert Smallwood (ed.): Players of
Shakespeare 5. Cambridge: Cambridge University Press. 15-28. folder
William Shakespeare's The Tempest / starring Richard Burton; Maurice Evans .... - 1990. - 1
Videokassette [VHS, PAL] (80 Min.) : s/w. In engl. Sprache. (Video) QV 651 Standort:
Sprachlabor
Wilson-Okamura, David Scott (2003): “Virgilian Models of Colonization in Shakespeare’s
Tempest.”
ELH.
70.3.
709-737.
Access
online
via
<http://muse.jhu.edu/journals/elh/v070/70.3okamura.html> (16.11.2007).
14
15