English 273: Art of Fiction Date: October 8, 2010 PAPER #2: WRITING WITH CRITICISM Important Tasks and Due Dates: 1. In-class Workshop: Wednesday, October 13, 2010 2. Final Paper Due: Friday, October 15, 2010- 10:30a.m in the English Department mailbox marked “O’Berry” Length: 4-5 Pages (at least 4 full pages) Format: Double-spaced, 1-inch margins, page numbers, 12 point Times font. MLA formatting. Texts: Walker, “Everyday Use” AND two critical writings: Showalter, “Quilt as Metaphor in ‘Everyday Use’” Baker, “Stylish vs. Sacred in ‘Everyday Use’” Christian, “‘Everyday Use’ and the Black Power Movement” Ferrell, “Fight vs. Flight: a re-evaluation of Dee in Alice Walker’s ‘Everyday Use’” (on class website*. You need to print it, read it, and bring it to class) 5. Tuten, “Alice Walker’s ‘Everyday Use’” (on class website*. You need to print it, read it, and bring to class) 1. 2. 3. 4. *class website: www.artoffiction.wikispaces.com Assignment: You will be creating an argument regarding Walker’s “Everyday’s Use” that incorporates scholarly criticism. Tasks: During the first several weeks of class we have been reading short stories and observing how literary elements assist authors in creating fiction. Part I: Working with Walker- create your own argument Sound familiar? You’ve done this already! Re-read your response to the handout out called “Working with Walker.” Look at the feedback from your peers and myself and see if you can add to your response and make changes. (1) Read closely “Everyday Use” by Alice Walker. Highlight words, phrases and/or passages that you believe are being used by the author to convey something significant to the story being told. (2) Extract these textual references and apply your knowledge of literary elements to focus on one particular theme. Using these textual references, formulate your argument or thesis. Ask yourself: How does Alice Walker use literary elements to weave a particular theme in “Everyday Use?” Part II: (Guess what? You’ve already started Part 2 by working in your groups today!) Scholars have also written literary criticism on Walker’s short story, “Everyday Use”. They have their own theses (arguments) on how certain literary elements are significant in presenting a particular theme. (1) Integrate at least two of these critical writings into your analysis from Part I. It is perfectly acceptable to be in agreement, or have contrary arguments to a published scholar, as long as you can support your position logically using as evidence textual references from the story and from the chosen critical writings. Using quotes and parenthetical citations from both story and critical writings can help sharpen your own thesis and your written presentation in support of this thesis. (2) You must bring to class on Wed. October 13, 2010: a. 3-page typed rough draft of your paper (3 copies). The more work you put into the rough draft, the more feedback you will get from your peers and the less work you will have to do for Friday. b. The critical writings you are working with (printed out). Questions and ideas to get you started: 1.) Discuss the meaning of “heritage” in the story. Are there conflicting definitions? Which does the narrator seem to ascribe to? How do you know? 2.) What is the narrator’s attitude toward Dee/Wangero? Does it differ from her relationship with Maggie? What is the purpose of the narrator’s daydream at the beginning of the story? Does it convey something about the relationship between Dee/Wangero and Mama? 3.) Consider Maggie’s development over the course of the story. Does she change? What is the significance of her “real smile” at the end of the story? Does Baker’s conception of Maggie as the “arisen goddess” in “Stylish vs. Sacred in ‘Everyday Use’” capture Maggie’s character? Does it change the way you conceive of her role in the story? You may come up with different questions as you think toward your own thesis and main argument for the paper.