Some of the print resources contained in this list may be out of print. They have been included because they may still be available from libraries, bookshops and private collections.
At the time of publication the URLs (website addresses) cited were checked for accuracy and appropriateness of content. However, due to the transient nature of material placed on the web, their continuing accuracy cannot be verified. Teachers are strongly advised to prepare their own indexes of sites that are suitable and applicable to the courses they teach, and to check these addresses prior to allowing student access.
Apel, W 1990, Italian Violin Music of the Seventeenth Century , Indiana University
Press.
Arrau, C 2001, Arrau on Music and Performance , Amadeus Press.
Bachmann, A 1975, An Encyclopedia of the Violin , Da Capo Press.
Berklee Workshop Series, Jazz Improvisation Workshop Series (2 titles with DVD), Hal
Leonard, USA.
Brown, R 2003, The Early Flute: A Practical Guide , Cambridge University Press.
Bruser, M 1997, The Art of Practicing: A guide to making music from the heart , Bell
Tower, New York.
Burton, A (ed.) 2002, A Performer’s Guide to Music of the Baroque Period , Bk/CD,
ABRSM.
Burton, A (ed.) 2002, A Performer’s Guide to Music of the Classical Period , Bk/CD,
ABRSM.
Burton, A (ed.) 2002, A Performer’s Guide to Music of the Romantic Period , Bk/CD,
ABRSM.
Caballero, C (ed. Whittall, A) 2004, Faure and French Musical Aesthetics , Cambridge
University Press.
Cassell, BW 1989, Music Structure & Performance , Prentice-Hall, New Jersey.
Charlton, D (ed.) 2003, Cambridge Companion to Grand Opera , Cambridge University
Press.

VCE MUSIC 2011–2016 RESOURCES
Charlton, K 2006, Rock Music Styles , McGraw-Hill Education.
Cooke, JF 1999, Great Pianists on Playing Piano , Dover.
Cunningham, M 1999, Live and Kicking the Rock Concert Industry in the Nineties ,
Sanctuary Music Library.
Damschroder, D 2001, Foundations of Music and Musicianship , [inc. CD-ROM],
Schirmer Books, New York.
Dreyfus, K 1999, Sweethearts of rhythm: the story of Australia's all-girls bands and orchestras to the end of the Second World War , Currency Press.
Evans, A 1994, The secrets of musical confidence: how to maximise your performance potential , Thorsons, London.
Everett, W 2007, Expression in Pop-rock Music: A Collection of Critical and Analytical
Essays (Studies in Contemporary Music and Culture) , 2nd edn, Routledge.
Frith, S 2007, Taking Popular Music Seriously , Ashgate.
Gilliam, B (ed.) 2005, Music and Performance During the Weimar Republic ,
(Cambridge Studies in Performance Practice, No. 3), Cambridge University Press,
Goosens, E 1993, Oboe , Yehudi Menuhin Music Guides, 3rd edn, Kahn and Averill.
Green, B & Gallwey, WT 2003, The Inner Game of Music , 7th edn, Pan Macmillan.
Greene, D 2001, Performance Success: Performing your best under pressure , 1st edn,
Routledge.
Havas, K 1973, Stage Fright, Its causes and cures , Bosworth (with special reference to violin playing).
Hellaby, J 2009, Reading Musical Interpretation – Case Studies in Solo Piano
Performance , Ashgate.
Hemsley, T 1998, Singing and Imagination , Oxford University Press.
Jones, K 2000, Keeping your Nerve , Faber Press.
Kamien, R (ed.) 1990, The Norton Scores: An Anthology for Listening , Vols 1 and 2,
WW Norton & Co, New York.
Kerry, G 2008, New classical music: composing Australia , University of New South
Wales Press.
Kolneder, G 1970, Performance Practices in Vivaldi , Amadeus.
Lieberman, JL 1991, You are your instrument: the definitive musician's guide to practice and performance , Huiksi Music, New York.
Mach, E 1991, Great Contemporary Pianists Speak for Themselves , 2 vols, Dover.
Maisel, E 2005, Performance Anxiety , 1st edn, Back Stage Books.
Manen, L 1987, Bel Canto , Oxford.
Martin, N 2006, Giants of Blues , SMT-Sanctuary Publications.
*Markevitch, D 1974, The Solo Cello , Fallen Leaf Press.
Menn, J (ed.) 1992, Secrets from the Masters-Conversations with Forty Great Guitar
Players , GPI Books.
Monson, I 1997, Saying Something , University of Chicago Press, Chicago.
Neumann, F 1993, Performance Practices of the Seventeenth and Eighteenth
Centuries , Schirmer Books, New York.
©VCAA, February 2014 2

VCE MUSIC 2011–2016 RESOURCES
Palmer, K (ed.) 2001, Ornamentation According to CPE Bach and JJ Quantz , 1st
Books Library.
Phillips, L 1995, Lieder Line by Line , Oxford University Press.
Rowland, D (ed.) 1999, Cambridge Companion to the Piano , Cambridge University
Press.
Salmon, PG & Meyer, RG 1998, Notes for the Green Room: Coping with Stress and
Anxiety in Musical Performance , John Urle & Sons, Canada.
Sandor, G 1995, On Piano Playing , Schirmer Books, New York.
Sataloff, R 1991, Professional Voice: the Science and the Art of Clinical Care , Raven
Press, New York.
Skinnner, G 2007, Peter Sculthorpe, the making of an Australian Composer, University of New South Wales Press.
Sutro, D 2006, Jazz for Dummies , 2nd edn, John Wiley & Sons.
Werner, K 1996, Effortless Mastery: Liberating the Master Musician Within , bk/CD,
Aebersold Publishing.
Williamson, A 2004, Musical Excellence: Strategies and Techniques to Enhance
Performance , Oxford University Press.
Wills, G 1998, Pressure sensitive: popular musicians under stress , Sage Publications.
Wilson, FR 1986, Tone deaf and all thumbs? An invitation to music making for late bloomers and non-prodigies , Viking, New York.
Asper, L 1999, A Physical Approach to Playing Trumpet , 1st edn, Wavesong Press.
Bonnetti, R 2002, Confident Music Performance, Words and Music Press.
Brandman, M, Contemporary Piano Method Series, Music Sales. www.margaretbrandman.com.au
Caldwell, JT 1995, Expressive Singing , Prentice-Hall, New Jersey.
Challis, N 1994, The Singer’s Rachmaninoff , Pellion.
Clayton, S 2006, 100 Tips for Bass Guitar , Sanctuary Publishing.
Cooke, B & Brauer, J (ed.) 1996, Great Singers on the Art of Singing , Dover.
Dickson, J (ed.) 2009, The Highland Bagpipe, Ashgate.
Dutton, J 2003, 100 Tips for Keyboards , Sanctuary Publishing.
Easton, T 2004, Musical Drumming Bk.3/CD, Allans Publishing.
Farkas, P 1989, Art of Brass Playing , Wind Music Inc.
Ferris, J 2002, Music the Art of Listening , 6th edn with CD-Rom, McGraw-Hill.
Gerle, R, 1991, Art of Bowing Practice , Stainer & Bell.
Gerle, R, 1983, Art of Practising the Violin , Stainer & Bell.
Humphries, J 2003, Giants of Rock , Bk & CD, Sanctuary Publishing.
Humphries, J 2002, Giants of Metal , Bk & CD, Sanctuary Publishing.
Ingham, J 2001, Cambridge Companion to Saxophone , Cambridge University Press.
Jones, K 2000, Keeping your Nerve , Faber Press.
Kamien, R (ed.) 1990, The Norton Scores: An Anthology for Listening , Vols 1 and 2,
WW Norton & Co, New York, USA.
©VCAA, February 2014 3

VCE MUSIC 2011–2016 RESOURCES
Kuzmich, J, The World of String Technolog y. www.virtvirt.com
Lawson, C 1996, Cambridge Companion to the Clarinet , Cambridge University Press.
Leimer K & Gieseking W 1972, Piano Technique , Dover.
Lind, E 1987, Exercises for Musicians: How to Control and Prevent Postural Stress ,
Plucked String, Arlington.
Mark, T et al. 2004, What Every Pianist Needs to Know About the Body , GIA
Publications.
Marten, N 2006, Giants of Blues , Bk & CD, Sanctuary Publishing.
Mash, S 1998, Musicians and the Internet: The Ultimate Beginner Technology Start
Series , with interactive CD-Rom, Alfred Music Publishing.
Mead, D 2006, 100 Tips for Acoustic Guitar , Sanctuary Publishing.
Mozart, L et al. 1985, Treatise on Fundamentals of Violin Playing , Oxford University
Press.
Music for Dummies Series, Hal Leonard.
Neuhaus, H, 1993, Art of Piano Playing , Kahn and Averill.
Norris, RN. 1993, The musician ’s survival manual: a guide to preventing and treating injuries in instrumentalists , International Conference of Symphony and Opera
Musicians.
Pearl, D 2008, Piano Exercises for Dummies , Wiley Publishing.
Potter, J 2000, Cambridge Companion to Singing , Cambridge University Press.
Pusz, RJ 2000, Percussion: a comprehensive approach, Australian Music Centre.
Quantz, JJ 2001, On Playing the Flute , (2nd edn), Northeastern.
Raskin, M 1972, Isometrics for drummers: for students and professionals , New York, exclusively distributed by Cherry Lane Music Co.
Roland, D 1997, The confident performer , Currency Press.
Rockschool Series, Technical Exercises for Male/Female Singers , Level 3; Bk/CD Also available for Contemporary Piano, Contemporary Guitar, Bass Guitar. www.rockschool.co.uk
Rough Guides Series, World Music – The Rough Guide, 2002, (vol. 1. Africa, Europe and Middle East); vol.2. Latin, North America, Caribbean, India, Asia and the Pacific)
Penguin.
Rowland, D (ed.) 1999, Cambridge Companion to the Piano , Cambridge University
Press.
Rubenstein, A & Carreno, T 2003, The Art of Piano Pedaling: 2 Classic Guides , Dover.
Sataloff, R 2005, Professional Voice: the Science and the Art of Clinical Care , 3rd edn,
Plural Publishing Inc.
Scholl, M 1997, Flexing in the groove: how fitness can help your drumming , Modern
Drummer.
Schneider, J 1985, The Contemporary Guitar , Book Syrge.
Schuller, G 1992, Horn Technique , 2nd edn, Oxford University Press, Oxford.
Severson, P & McDunn, M 1983, Brass Wind Artistry , Accura Music, Ohio.
Spence, G, The Only No Mystery Guide to Trumpet Mastery , Bk/CD, Mystery to
Mastery Publishing. www.mysterytomastery.com
©VCAA, February 2014 4

VCE MUSIC 2011–2016 RESOURCES
Stevens, RS & Zwissler, RN 1970, Artistic Flute Playing: Technique and Study ,
Highland Music, Hollywood, California.
Stone, G 1995, You Can Sing , Amsco Publishing, Sydney.
Stowell, R 1997, Cambridge Companion to the Violin , Cambridge University Press.
Stowell, R 1999, Cambridge Companion to the Cello , Cambridge University Press
.
Stowell, R 2003, Cambridge Companion to the String Quartet , Oxford University Press .
Strange, A & Strange, P 2001, Contemporary Violin Extended Performance Technique,
Scarecrow.
Severson, P & McDunn, M 1983, Brass Wind Artistry , Accura Music, Ohio.
Shuker, R 2002, Key Concepts in Popular Music (A –Z) , Routledge.
Stevens, RS & Zwissler, RN 1967, Artistic Flute Playing: Technique and Study ,
Highland Music, Hollywood, California.
Stone, R 1974, Handbook of African Music , The Garland Publishers.
Stowell, R 1997, Cambridge Companion to the Violin , Cambridge University Press.
Stowell, R 1999, Cambridge Companion to the Cello , Cambridge University Press.
Stowell, R 2003, Cambridge Companion to the String Quartet , Oxford University Press.
Strange, A & Strange, P 2001, Contemporary Violin Extended Performance Technique ,
Scarecrow.
Wall, J 1989, International Phonetic Alphabet for Singers , Caldwell Publishing.
Wilson, P 1997, The Singing Voice , Currency Press.
Youens, S 1999, Schubert’s Poets and the Making of Lieder , Cambridge University
Press.
Appleby, A 1995, You can Read Music , Amsco Publishing.
Bennett, R 1990, Music Dictionary, Cambridge University Press.
Brown, A 2007, Computers in Music Education: Amplifying Musicality , Routledge, New
York.
Ceresoli, M 2011, VCE Music Performance Musicianship Essentials Series , Aural & theory books and CDs for the 2011 Study Design, Units 1 and 2 Student Workbook with 1 CD, Units 3 and 4 Student Workbook, with 2 CDs, Units 1 & 2 Teacher Edition with 1 CD, Units 3 and 4 Teacher Edition, with 2 CDs.
Ferris, J 2002, Music the Art of Listening , 4th edn, Browne and Benchmark.
Gauld, C & Novelli, M 2001, VCE Music Performance Aural Examination Practice
Rhythmic Transcription Exercise , www.soundhouse.com.au
Green, L 2008, Music, Informal Learning and the School: A New Classroom Pedagogy ,
Ashgate.
Griffin, M 2009, Modern Harmony Method , 2nd edn, online publication. www.musiceducationworld.com/files/Modern_Harmony_Method_Exercises_sample.pdf
Harris, P 2008, Improve your sight-reading, Faber Music.
Hopkins, A 1993 Understanding Music , Oxford University Press.
©VCAA, February 2014 5

VCE MUSIC 2011–2016 RESOURCES
Kostka, S & Payne, D 2008, Tonal Harmony Workbook , 6th edn, McGraw-Hill
Education.
Leong, S 2003, Musicianship in the 21st century: issues, trends and possibilities ,
Australian Music Centre.
Miller, M 2002,
The Complete Idiot’s Guide to Music Theory
(CD included), Penguin.
Peterson, N 2008, An Introduction to the Concepts of Music, McGraw-Hill.
Pilhofer, M & Day, H 2007, Music Theory for Dummies (inc aural CD), Wiley
Publishing.
Smith, D 2006, Musicianship & Aural Training for the Secondary School, Group
Performance 2nd edn, Student and Teacher editions and CDs for Dictations, deborah@dsmusic.com.au
Smith, D 2010, Musicianship & Aural Training for the Secondary School , Student and
Teacher editions and CDs for Dictations, deborah@dsmusic.com.au
Smith, D 2010, Musicianship & Aural Training for the Secondary School, Melodic &
Rhythmic Transcriptions for VCE , Teacher’s book and CD, deborah@dsmusic.com.au
Smith, D 2011, Musicianship & Aural Training for the Secondary School , Practice
Examinations , Teacher’s book and CD, deborah@dsmusic.com.au
Spiewak, T & Hillman, J 2001, The Performing Ear (compatible with Auralia), Box Hill
College of TAFE.
Spillman, R 1990, Sight Reading at the Keyboard , Schirmer Books, New York.
White, G 1991, The Harmonic Dimension (Theory and Aural), WC Brown.
Williamson, A (ed.) 2004, Musical Excellence: Strategies and Techniques to Enhance
Performance, Oxford University Press.
(see also resources under ‘Performance’, some of these resources are also appropriate for use in the Performance area of study)
Attinello, P, Halfyard, JK and Knights, V (eds) 2009, Music Sound and Silence in Buffy the Vampire Slayer, Ashgate.
Barron, S & Dalton P 2004, The Rough Guide to Reggae – The Definitive Guide to
Jamaican Music from SKA through Roots to Bashment , 3rd edn, Rough Guides
Publishing.
Bayer, G (ed.) 2009, Heavy Metal Music in Britain, Ashgate.
Bennett, R 1996, Fortissimo, book, CD, teacher resource, Cambridge University Press.
Bird, J 1999, Percy Grainger , Oxford University Press.
Bishop, D 1992, The musician as athlete: alternative approaches to healthy performance , Kava Publications, Calgary.
Black, J, Rock and Pop Timeline from 1950’s to 21st Century , Quantam.
Blaukoph, H & Blaukoph, K (ed.) 2000, Mahler: His Life, Work and World , revised edition, Thames & Hudson.
Burkholder, JP, Grout, DJ & Palisca, CV 2001, Norton Anthology of Western Music
Parts 1 –6, 8th edn, WW Norton & Co.
Carrigan, J, Australian Solo Piano Works of the last 25 years, Australian Music Centre,
2006
Collins, K 2008, From PacMan to Pop Music: Interactive Audio in Games and New
Media , Ashgate.
©VCAA, February 2014 6

VCE MUSIC 2011–2016 RESOURCES
Cook, N 2007, Music, Performance, Meaning: Selected Essays , Ashgate.
Crawford, T and Gibson, L 2009, Modern Methods for Musicology – Prospects,
Proposals and Realities , Ashgate.
Dean, RD, Sounds from the corner: Australian contemporary jazz on CD, Australian
Music Centre, 2005
De Gorog, L & De Gorog, R 1989, From Sibelius to Sallinen Finnish Nationalism ,
Greenwood Press.
Dickerson, J 1998, Women on Top 1950 –1990 , Billboard Books.
Doerschuk, RL 2001, 88 The Giants of Jazz Piano , Backbeat Books.
Dunbar-Hill, P & Gibson, C 2004, Deadly Sounds, Deadly Places-Contemporary
Aboriginal Music in Australia , UNSW Press.
Griffiths, P 1994, Concise History of Modern Music , Thames & Hudson.
Felsenfeld, D 2004, Parallel Lives-Charles Ives and Aaron Copland , (CD included)
Amadeus Press.
Grout, D & Palisca, C 2005, History of Western Music , 7th edn, WW Norton &Co.
Healey, M (ed.) 2003, The Definitive Illustrated Encyclopaedia of Rock , Flame Tree
Publishing.
Heili, B (ed.) 2009, The Modernist Legacy: Essays on New Music , Ashgate.
Hepokoski, J 2009, Music, Structure, Thought: Selected Essays , Ashgate.
Hogwood, C (ed.) 2003, The Keyboard in Baroque Europe , Cambridge University
Press.
Hopkins, A 1982, Understanding Music , Everyman.
Jenkins, J 2007, 50 Years of Rock in Australia, WP.
Johnson, G 2009, Gabriel Faure: The Songs and their Poets, Guildhall Research
Studies series, Ashgate.
Johnson, M 1988, The Drummer's Fitness Guide, Fit To Be Pub, California.
Jones, CW 2009, The Rock Canon, Ashgate.
Lowe, G 1997, The Rock Book , McGraw-Hill Education.
Lowe, G & Chong, SL 2008, Music Theatre Resource, Encore Music Distributors.
Mach, E 1991, Great Contemporary Pianists Speak for Themselves , 2 vols, Dover.
Magill, DD 2003, Introduction to Jazz History , Prentice-Hall, New Jersey.
Megill, D & Tanner, P 1994, Jazz Issues: A Critical History , Browne and Benchmark.
Mairants, I 1996, The Great Jazz Guitarists , Vol. 1, Dolphin Music.
Mansberger, NB 1998, The effects of performance anxiety management training on musicians' self-efficacy, state anxiety and musical performance quality , Western
Michigan University.
Marvin, M 1977, A Postmodern Music and Thought , Cypress.
Milne, L 2007, A way back / music by Lachlan Davidson, Australian Music Centre music resource kit.
Moore, AF (ed.) 2003, Analyzing Popular Music , Cambridge University Press. (ebook available for download)
Mordden, E 2002, Open a New Window – The Broadway Musical in the 1960’s ,
Palgrave Macmillan.
©VCAA, February 2014 7

VCE MUSIC 2011–2016 RESOURCES
Mordden, E 2003, One More Kiss, The Broadway Musical in the 1970’s , Palgrave
Macmillan.
Mordden, E 1998, Coming up Roses – The Broadway Musical in the 1950’s , Oxford
University Press.
Moylan, W 1992, The Art of Recording (The Creative Resources of Music Production and Audio), Van Nostrand Reinhold.
Music for Dummies Series , Hungry Minds Inc.
Neuhaus, H, 1993, Art of Piano Playing , Kahn and Averill.
Nolan, F, Hammerstein, O & Rodgers, R 2002, The Sound of their Music – The story of
Rogers and Hammerstein , Applause.
O’Brien, L 1996, The Definitive History of Women in Rock, Pop and Soul , Sanctuary
Publishing.
Phillips, L 1984, Lieder Line by Line , Oxford University Press.
Pickering, D, 1995, Brewer’s 20th Century Music , Nicolson Illustrated, Weidenfeld.
Racy, AJ 2004, Making Music in the Arab World: The Culture and Artistry of Tarab ,
Cambridge University Press.
Rahn, J 1995, Perspectives on Musical Aesthetics, (new ed.), Norton.
Randel, D 1986, The Harvard Dictionary of Music , 4th edn, Belknap Press/Harvard
University Press Reference Library.
Ratner, LG 1992, Romantic Music, Sound and Syntax , Schirmer Books, New York.
Retro rock style guide: styles from 1960s –1990s.
Rixton, B & Merrick, B 2006, Music: Let’s do it!, 2nd edn, Science Press, Marrickville,
NSW.
Rogers, V 2009, The Music of Peggy Glanville-Hicks , Ashgate.
Saunders, J (ed.) 2009, The Ashgate Research Companion to Experimental Music ,
Ashgate.
Schneider, J 1985, The Contemporary Guitar , University of California Press, Berkeley
& Los Angeles.
Scott, DB (ed.) 2009, The Ashgate Research Companion to Popular Musicology ,
Ashgate.
Shand, J 2008, Jazz the Australian Accent , UNSW Press.
Stone, R, 1999, The Garland Handbook of African Music , Routledge Publishers.
Sutcliffe, WD 2003, The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-
Century Musical Style , Cambridge University Press.
Symons, D 1997, The Music of Margaret Sutherland , Currency Press, Sydney.
Szwed, JF 2000, Jazz 101 – A Complete Guide to Learning and Loving Jazz , Hyperion.
Tokita, A & Hughes, DW (eds.) 2008, The Ashgate Research Companion to Japanese
Music , Ashgate.
Tuckwell, B (ed.) 2003 Horn , Kahn and Averill.
Welberry, K (ed.) 2009, Cultural Seeds: Essays on the Work of Nick Cave , Ashgate.
Yunupingu, M & Corn, A 2009, Reflections & voices: exploring the music of Yothu
Yindi , Australian Music Centre.
©VCAA, February 2014 8

VCE MUSIC 2011–2016 RESOURCES
American Song-Writers Magazine , 2007, Song: The World’s Best Songwriters on
Creating the Music that Moves On, Writer’s Digest Books.
Benson, BE 2003, The Improvisation of Musical Dialogue: A Phenomenology of Music ,
Cambridge University Press.
Blatter, A 1997, Instrumentation and Orchestration , 2nd edn, Schirmer Books, New
York.
Bohlman, PV and Nettl, B (series editors), Chicago studies in ethnomusicology, includes bibliographical references, discography, filmography.
Berliner, P 1994, Thinking in jazz: the infinite art of improvisation , University of Chicago
Press, Chicago.
Bradford, C 2005, Heart and Soul-Revealing the Craft of Songwriting , Sanctuary Press.
Cooney, P 2011, Dance with Nature – the chamber music of Ross Edwards , music resource kit, Australian Music Centre.
Dallin, L 1974, Techniques of 20th Century Composition , 3rd edn, William C Brown.
Ford, A 1993, Composer to composer: conversations about contemporary music, Hale
& Iremonger.
Grandison, M 2010, Inventing Elena: the music of Elena Kats-Chernin, music resource kit, Australian Music Centre.
Grove, D 1986, Basic Harmony and Theory Improvisation , Bk.1, Alfred Publishing.
Jarrett, S & Day, H 2008, Music Composition for Dummies , Wiley Publications.
Kostka, S & Payne, D 1992, Tonal Harmony Workbook , McGraw-Hill Education.
Mancini, H 1995, Sounds and Scores , Bk/CD, Warner Bros.
Nash, G 2002, Songwriters on Songwriting includes 2 CD’s, 1st edn, Andrew McMeel
Publishing.
Peterik, J, Austin, D & Bickford, ME 2002, Songwriting for Dummies , Wiley.
Russo, W 1997, Jazz Composition and Orchestration , University of Chicago.
Schachter, A 2002, Harmony and Voice Leading , 3rd edn, Wadsworth Publishing.
Schachter, S 1989, Counterpoint in Composition , Columbia University.
Shuker, R 2005, Key Concepts in Popular Music (A –Z) , 2nd edn, Routledge.
Vella, R 2000, Musical environments: a manual for listening, improvising and composing, Currency Press.
Music Copyright for Schools
A Guide to the AMCOS, AMCOS/ARIA and APRA school licences www.copyright.org.au
Coss I, Paine R and Watts D 1991, Music copyright for schools: teachers ’ copying rights under the AMCOS Agreement Australasian Mechanical Copyright Owners
Society, Sydney.
www.mipi.com.au/IgnitionSuite/uploads/docs/Teachers%20and%20Schools%20-
%20Are%20you%20doing%20the%20right%20thing[1].pdf
Music Industry piracy investigations
Music for Church celebration www.apra-amcos.com.au/MusicConsumers/MusicinBusiness/Schools.aspx
©VCAA, February 2014 9

VCE MUSIC 2011–2016 RESOURCES
A practical Copyright Guide to the Use of Print Music in Australia 2nd edn (especially useful for private music teachers)
Amcos licence for photocopying in schools www.copyright.org.au/information/cit005/wp0305
Rae Howell, arts2GO arts2go@rav.net.au
Deborah Smith www.dsmusic.com.au
Melbourne Symphony Orchestra www.mso.com.au/cpa/htm/htm_home.asp
Sinfonietta Project www.sydneysymphony.com/education/artist_development/sinfonietta/
Stephen Leek www.stephenleek.com
See also ‘Organisations’
The Australian Music Teacher www.musicteachermag.com
Counterpoint News
Association of Music Educators (aMuse)
Tel: (03) 9349 1048 www.amuse.vic.edu.au
The Guitar Player
Ed Sengstack Miller Freeman Publication, USA www.guitarplayer.com
Music in Action www.musicinaction.org.au
Nineteenth-Century Music Review journals@ashgatepublishing.com
Resonate
Australian Music Centre www.australianmusiccentre.com.au/resonate
Rolling Stone Australia Magazine
Rolling Stone, Redfern, NSW
World New Music Magazine, 2010, No. 20 Australia, International Society for
Contemporary Music.
Victorian Journal of Music Education
ASME, Melbourne
Australian Broadcasting Commission www.abc.net.au
(accessed May 2011)
Graham Abbott Keys to Music, ABC Jazz, ABC Country, Music News, DIG Music,
Triple J, Radio National Music Podcasts, ABC Classic FM program details, etc.
Australian Independent Record Labels Association
©VCAA, February 2014 10

VCE MUSIC 2011–2016 RESOURCES http://www.air.org.au/ (accessed May 2011)
Aussie Bands Music Page http://www.aussiebands.com.au/australian_recording_companies.htm
(accessed May
2011)
Australian Music Centre www.australianmusiccentre.com.au/ includes library catalogue, shop, repertoire finder, downloadable resources such as mp3 files and scores and other material
Bruser, M, Art of practicing www.artofpracticing.com
(accessed 21 March 2010)
Humberstone, J www.composerhome.com resources on the topics of composition, music education, music technology and experimental music (accessed 20 March 2010)
Melbourne Symphony Orchestra www.mso.com.au
(accessed 21 March 20, 2010)
Music Page www.themusicpage.com live streaming and other resources including forums (accessed 20 March 2010)
Technology Institute for Music Educators www.ti-me.org/ forum, resources and guidelines for using technology in music education (accessed 20
March 2010) www.blanksheetmusic.com
(accessed 20 March 2010)
Michalkow, M, Drumming System www.drummingsystem.com
downloadable practice routine generator
Australian Broadcasting Corporation , Commercial DVD Catalogue , published annually.
Contemporary Arts Media www.artfilms.com.au
(accessed May 2011), In Concert Series (43 performances), jazz, vocal and classical concerts
Marcom Projects www.marcom.com.au
Marcom Projects, Musicals and Theatre catalogue www.marcom.com.au
Special Broadcasting Service, DVD Catalogue , published annually, Marcom Projects www.marcom.com.au
Association of Music Educators (aMuse) www.amuse.edu.au
Australian National Association of Teachers of Singing (ANATS) www.anats.org.au
Australian Society of Music Education (ASME) www.asme.edu.au
Australian Strings Association (AUSTA)
©VCAA, February 2014 11

VCE MUSIC 2011–2016 RESOURCES www.austa.asn.au
Kodaly Music Education Institute of Australia (KMEIA) www.kodaly.org.au
National Library of Australia www.nla.gov.au
National Film and Sound Archive www.nfsa.gov.au
Clarinet and Saxophone Society (CLASAX) www.clasax.org
Victorian Flute Guild www.victorianfluteguild.org
Victorian Orff Schulwerk Association www.vosa.org
Victorian Music Teachers Association www.vmta.org.au
Australian Music Centre, Music Teacher Pack , published annually.
Campbell, R, Humberstone, J & Ricketson, D 2008, Stepping Stones , Australian Music
Centre & Sibelius.
Avid, Pro Tools-Audio Recording www.avid.com
Datasonics, Mastering Music , (Performing, Composing, Publishing & Musicianship exercises and lessons) www.datasonics.com.au
PG Music Inc, Band In A Box (version 12) www.pgmusic.com
Rising Software Pty Ltd, Auralia , and Musition (Aural and Theory Programs) www.rising.com.au
Roland Corporation Finale Music (Notation), Sydney.
Roland Corporation, Cakewalk/Generator Music Creation (Music Composition), Sonar/
Homestudio www.cakewalk.com
Sibelius, Sibelius 6, (Notation and sequencing) www.sibelius.com
Sony, Soundforge7 (audio editing) www.sonycreativesoftware.com/soundforgesoftware
Sony, Acid Music Studio 7 (composition) www.sonycreativesoftware.com/musicstudio
Steinberg, Cubase , 1999 (composition) www.steinberg.net
©VCAA, February 2014 12