Th e S e v e n Libe ra l Arts
Of Ma s o n ry
B y Kevin T ow n ley
Th e west is r ich in it s m yt h , pa n t h eon s a n d
s p ir it u a l t r a d it ion s , wh ich in cor p or a t e t h e
st u dy of t h e r ela t ion sh ip of m a n t o h is self, t o
h is en vir on m en t , a n d t o t h e cosm os. Ou r elder
br ot h er s a n d sist er s h a ve cr ea t ed pa r t icu la r
d is cip lin es t o a s s is t u s in ou r p er s on a l
d e v e l op m e n t . B e y on d
the
p e r s on a l
developm en t t h er e is wor k t h a t ca n be t a k en
on t o a ssist u s in ou r gr ou p wor k. P er h a ps t h e
m ost sign ifica n t t ool t h a t h a s been given t o u s
is t h a t of Ma son r y.
Alt h ou gh Ma son r y a s a n in st it u t ion h a s
st r a yed fr om it s pr ist in e in t en t ion , it st ill h olds
t h e secr et of t h e m yst er ies a n d is in t h e pr ocess
of r esu r r ect in g it self t o it s in it ia l loft y posit ion
of cu st odia n of t h e la w a n d sea t of in it ia t ion .
Th e m odel of Ma son r y dea ls wit h bot h t h e
per son a l t r a in in g a n d t r a n sfor m a t ion of t h e
in dividu a l Ma son a s well a s t h e developm en t of
t h e gr ou p con sciou sn ess.
As we k n ow fr om t h e st u dy of t h e seven
r a ys , t h er e a r e t h r ee p r im a r y a n d fou r
s econ d a r y r a ys . I n Ma gic, Alch em y, a n d
As t r ology, we exp r es s Ra ys 1, 2, a n d 3,
r espect ively. As we m ove fr om t h ese t h r ee
pr im a r y r a ys t o t h e fu ll expr ession of t h e seven
r a ys , we exp a n d ou r s t u d ies fr om Ma gic,
Alch em y, a n d Ast r ology t o t h e Seven Liber a l
Ar t s. Th ese t ools give u s a m odel in wh ich we
ca n develop ou r selves spir it u a lly, m en t a lly a n d
ph ysica lly.
Th e seven a r t s a r e: Gr a m m a r , Rh et or ic,
Logic, Ar it h m et ic, Geom et r y, Mu s ic, a n d
Ast r on om y. An y a n d a ll of t h ese Seven Liber a l
Ar t s ca n be s een a s a m ea n s of s p ir it u a l
developm en t . Th ese seven Liber a l Ar t s a r e a t
t h e cor e of t h e t r a in in g of Ma son r y.
H er cu les, a s t r a dit ion t ells u s, wa s a gr ea t
wa r r ior wit h t r em en dou s st r en gt h . H e wa s a lso
ver sed in t h e seven liber a l a r t s. Th e followin g
is a sm a ll expla n a t ion of t h ese Ar t s.
Gra m m a r
F r om a lin gu ist ic poin t of view, gr a m m a r is
t h e a bilit y t o for m sen t en ces in a pa r t icu la r
wa y wh ich a r e ver y specific in t h eir m ea n in g.
Gr a m m a r a lwa ys follows t h e r u les of t h e
la n gu a ge bein g spoken . F r om t h e Occu lt poin t
of view it is m or e specifica lly r ela t ed t o t h e
exa ct it u d e in t h e execu t ion of t h e Wor d
Cr ea t ive, wh ich is n ow ca lled t h e LOS T
WORD. Th is is m or e specifica lly r ela t ed t o t h e
fir st ch a pt er a n d ver se of St . J oh n wh en h e
sa ys, "In t h e begin n in g is t h e wor d." Th e t r u e
in it ia t e becom es deliber a t e in speech a n d does
n ot a llow a n y for eign a ggr ega t es in t o t h e
cr ea t ive wor d so t h a t t h e in it ia l a ct of in t en t ion
is ca r r ied ou t t h r ou gh exa ct speech a n d exa ct
a ct ion . Th is is su m m ed u p in , Righ t Th ou gh t ,
Righ t Speech , a n d Righ t Act ion .
Rh e to ric
In t oda y's polit ica l clim a t e we h ea r t h e
wor d "r h et or ic" u sed fr ivolou sly t o t h e degr ee
t h a t it h a s t a k en on n ega t ive con n ot a t ion s.
Bot h Repu blica n s a n d Dem ocr a t s a ccu se ea ch
ot h er of u sin g n oisy r h et or ic t h a t dist or t s a n d
clou ds t h e r ea l issu es. Th is is of cou r se a lwa ys
a possibilit y, a n d h a s per h a ps becom e t h e r u le
r a t h er t h a t t h e except ion .
Rh et or ic does h a ve differ en t a pplica t ion s.
Th e n ega t ive a pplica t ion of t h is secon d of t h e
liber a l a r t s is t h a t of con fu sion . If we ca n
dist a n ce ou r selves fr om t h is a bu se, we ca n
r ea cqu a in t ou r selves wit h t h e su blim e u se of
t h is m ost won der fu l scien ce. Rh et or ic h a s t h e
ca pa cit y t o expr ess t h e Good, t h e Tr u e a n d t h e
Bea u t ifu l. Th e spea kin g or wr it in g of pr ose, t h e
u se of figu r es of speech t o illu st r a t e a poin t , or
t h e m a k in g of eloqu en t s p eech es t h a t a r e
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The Seven Liberal Arts of Masonry Journal of Esoteric Psychology • Volume X • No. 1 • 1996
ca pa ble of in spir in g a n d m ovin g t h e people of a
n a t ion a r e posit ive a pplica t ion s of t h e scien ce
of r h et or ic. Th is is t h e cr ea t ive u se of speech
w h ich is t h e p oe t ic a n d lib e r a l u s e of
Gr a m m a r .
Th er e is yet a n ot h er a pplica t ion t o r h et or ic
wh ich is per h a ps on e of it s m ost vit a l u ses in
t er m s of t h e u se of speech in t h e west er n
m yst er y t r a dit ion . Th is h a s t o do wit h t h e a r t
of deba t e.
Ou r u n d er s t a n d in g of d eba t e a s it is
p r a ct iced t od a y is t h e a r t of p r ovin g a n
in dividu a l t o be in cor r ect , t o em ba r r a ss t h em
a n d t o con vin ce t h em of t h e er r or of t h eir wa ys.
Th e su blim e a pplica t ion of deba t e is t o expr ess
wh a t it is t h a t we kn ow, discover t h e essen ce of
t r u t h , a n d expose t h e fa lla cies, gla m ou r , a n d
m iscon cept ion s t h a t we, or ou r oppon en t m a y
h a ve. Th e in t en ded r esu lt is t h e u n der st a n din g
of t h e poin t of view of ou r oppon en t a n d t h e
a lign in g of eit h er or bot h of u s t o a gr ea t er
t r u t h . As we em ploy t h e power of Rh et or ic
t h r ou gh t h e veh icle of deba t e, we m u st be
r ea dy t o let go of a t t a ch m en t s t o a pa r t icu la r
p oin t of vie w a n d b e w illin g t o e it h e r
dem on st r a t e or r eceive t h e im pa ct of a gr ea t er
truth.
difficu lt y t h a t logic ca n br in g t o bea r is t h e
possibilit y of followin g a n in cor r ect in fer en ce.
If t h e in fer en ce is in cor r ect , t h en t h e en t ir e
t r a in of logic is doom ed t o be der a iled. As a n
in fer en ce is p r oven t o be t r u e, t h en t h e
followin g of t h a t in fer en ce becom es a solid
fou n da t ion t o ba se logica l con clu sion s u pon .
To becom e a m a st er of t h e a r t of logic
r equ ir es a t r em en dou s power of obser va t ion
a n d t h e a pplica t ion of r ea son .
Arith m e tic
Th e fou r t h of t h e seven liber a l a r t s is in
som e wa ys t h e m ost sim ple. Wh a t it t ea ch es t o
t h e obser va n t st u den t is t h e oper a t ion of t h e
en t ir e cr ea t ive pr ocess of t h e cosm os. N ot t oo
sh a bby!
In a n a n cien t Ra bbin ica l t ext ca lled t h e
Seph er Yet zir a h , t h er e is a n expla n a t ion of t h e
cr ea t ion of t h e u n iver se by a bein g n a m ed
.
It is wr it t en in ver se 1:1, t h a t
cr ea t ed t h e
u n iver se u sin g n u m ber s, let t er s, a n d wor ds.
N u m b e r is t h e fir s t m a t e r ia l u s e d in
m a n ifest a t ion .
Th in k for a m om en t a bou t wh a t h a s been
developed over t h e pa st cen t u r ies con cer n in g
m a t h e m a t ics . Ar it h m e t ic in t h e m od e r n
u n der st a n din g is t h e lesser or m or e sim ple
com p a r t m en t of m a t h em a t ics . I t is in fa ct
a r i t h m e t i c t h a t i s t h e fou n d a t i on of
m a t h em a t ics. All t h e com plex com pu t a t ion s
a n d der iva t ion s t h a t h a ve evolved in m a t h
h a ve a r it h m et ic a s t h eir fu n da m en t a l essen ce.
To st u dy a r it h m et ic is t o st u dy t h e u n der lyin g
qu a lit ies of cr ea t ive for ces a n d h ow t h ey com e
t oget h er for t h e s a k e of cr ea t in g com p lex
for m s. Ar it h m et ic is a power fu l t ool in t h e
developm en t of logic.
Th e followin g is a n exa m p le of h ow
n u m ber s a r e in t im a t ely in t er r ela t ed.
Lo g ic
Ou r fir st im pr ession of logic in t oda y's
wor ld is per h a ps a n im a ge of Mr . Spock t ellin g
Dr . McCoy, "Th a t 's h igh ly illogica l, Doct or ." We
ca n see t h e per plexed look on Mr . Spock's fa ce
du e t o som e ir r a t ion a l a n d em ot ion a l a ct ion or
st a t em en t given by Dr . McCoy. We ca n a lso see
Dr . McCoy begin n in g t o seet h e wit h fr u st r a t ion
a t t h is Vu lca n syst em of Logic. Logic h a s bot h
a n ega t ive a n d posit ive side. Th e m a in flow of
logic is t h a t of followin g a t r a in of t h ou gh t t h a t
follows in fer en ces t h a t lea d t o a pa r t icu la r
con clu sion . Accor din g t o Webst er , "Logic is t h e
s cie n ce t h a t in ve s t iga t e s t h e p r in cip le s
gover n in g cor r ect or r elia ble in fer en ces." We
ca n begin t o see h ow ea ch of t h e seven liber a l
a r t s begin t o wea ve t oget h er in t o on e scien ce.
Wh en we a dd Logic t o Rh et or ic a n d Gr a m m a r ,
t h e in dividu a l t ools becom e m or e power fu l in
b ot h e xp r e s s ion a n d in ve s t iga t ion . T h e
Ge o m e try
Webst er defin es geom et r y a s, "Th e br a n ch
of m a t h em a t ics t h a t dea ls wit h t h e dedu ct ion s
of pr oper t ies, m ea su r em en t a n d r ela t ion sh ips
of poin t s, lin es, a n gles, a n d figu r es in spa ce
fr om t h eir defin in g con dit ion s by m ea n s of
ce r t a in a s s u m e d p r op e r t ie s of s p a ce ."
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The Seven Liberal Arts of Masonry Journal of Esoteric Psychology • Volume X • No. 1 • 1996
Geom et r y is m u ch m or e t h a n a br a n ch of
m a t h em a t ics. Th is br a n ch of t h e seven liber a l
a r t s defin es t h e qu a lit ies a n d fu n ct ion s of t h e
va r iou s kin gdom s of n a t u r e. Th e cr yst a lliza t ion
of ga len a in cu bic for m a s op p os ed t o t h e
pa t t er n s in a pla n t cell t h a t ph ot osyn t h esizes
ligh t d e r ive t h e ir d iffe r e n ce s t h r ou gh
geom et r y.
I t is in t er es t in g t o n ot e t h a t cer t a in
r ela t ion sh ips a n d con dit ion s in geom et r y t h a t
cr ea t e m ea su r a ble a n d defin a ble for m s a r e
t h em selves u n k n owa ble a n d a t best ca n on ly
be a ppr oxim a t ed. Th ey a r e ca lled ir r a t ion a l.
F r om t h e s e u n k n ow a b le a n d ir r a t ion a l
qu a lit ies t h e wor ld of n a m e a n d for m em er ge
in t h e va r iou s pla t on ic solids. An exa m ple of
su ch ir r a t ion a l qu a lit ies is t h e squ a r e r oot of2,
wh ich is by est im a t ion , 1.414213562... Th e
pa t t er n does n ot r epea t it self a n d a ppea r s t o be
r a n dom yet it is t h r ou gh t h is ir r a t ion a l qu a lit y
t h a t t h e squ a r e or r igh t a n gels a r e cr ea t ed.
Wh en t h e t wo dia gon a ls of a squ a r e a r e equ a l,
t h en t h e a n gles a t t h e cor n er s equ a l 90
degr ees. H ow is it t h a t su ch a n u n k n owa ble
qu a lit y ca n cr ea t e a kn owa ble for m .
We fin d a s im ila r s it u a t ion wit h t h e
n u m ber π, wh ich is u sed in det er m in in g t h e
cir cu m fer en ce or a r ea of a cir cle. Th e fr a ct ion
of π is 22/7. Ar t icu la t ed a s a decim a l, it is
3.142857143... Th e n u m ber s go on in fin it ely
wit h ou t r epea t in g a pa r t icu la r pa t t er n . Yet
t h is ir r a t ion a l n u m ber is t h e u n k n owa ble
qu a lit y t h a t defin es t h e cir cle t h a t is kn owa ble.
On ce a ga in t h e sa m e ph en om en on a r ises
wit h t h e n u m ber . It is a ppr oxim a t ed wit h t h e
decim a l 1.618. In a r a t io it is expla in ed in t h e
golden m ea n 3:5:8. Th is ir r a t ion a l n u m ber is
t h e in t elligen ce beh in d t h e for m a t ion of a
spir a l n ebu la , t h e pr opor t ion s of t h e n a u t ilu s
sh ell, or t h e dist a n ce fr om t h e cen t er of a
h u r r ica n e t o it s spir a lin g a r m s on t h e ext er ior .
wou ld be a ssocia t ed wit h Gr a m m a r . On ce on e
h a s a n u n der st a n din g of t h e ba sic t ools of
m u sic, t h e r h et or ica l qu a lit ies ca n com e for t h
wh er e gr ea t bea u t y of sou n d ca n be displa yed.
Th er e is a st r ea m of logic t h a t a llows t h e
b u ild in g of t h e m e s a n d id e a s w it h t h e
com posit ion of m u sic. Th e r ela t ion sh ip bet ween
va r iou s n ot es in h a r m on y a n d in t er va ls
pa r t icipa t e in bot h a r it h m et ic -and geom et r ica l
pr opor t ion s. Mu sic is t r u ly t h e syn t h esis of t h e
pr eviou s five liber a l a r t s.
As tro n o m y
T h is is t h e s cie n ce t h a t d e a ls m or e
s p ecifica lly wit h t h e ext r a -t er r es t r ia l. Th e
scien ce of Ast r on om y br in gs m a n in t o a bigger
pict u r e. Webst er defin es t h is scien ce a s, "t h e
scien ce t h a t dea ls wit h t h e m a t er ia l u n iver se
beyon d t h e ea r t h 's a t m osph er e." Beyon d t h e
ea r t h 's a t m osph er e? Th is t a kes h u m a n it y t o a
pla ce wh er e h e is con sider in g en vir on m en t s
beyon d h is own .
In t h e Tr a n s-H im a la ya n t ea ch in gs we a r e
t a u gh t t h a t t h ese h ea ven ly bodies a r e cen t er s
of con sciou sn ess t h a t ext en d t h eir in flu en ce t o
ea ch a n d ever y on e of t h e in dividu a ls u pon t h is
pla n et .
P la t o spea k s of t h e m u sic of t h e sph er es.
Th ese a r e t h e vibr a t or y sou n din gs of t h e gr ea t
a st r on om ica l bodies of wh ich t en s of t h ou sa n ds
ca n be exper ien ced by t h e h u m a n sen se of
sigh t .
As we t a k e a closer look a t a st r on om y, we
ca n see t h a t it t r u ly is a syn t h esis of a ll t h e
ot h er six liber a l a r t s. To t h e t er r est r ia l h u m a n ,
t h is st a t em en t m a y be look ed a t a s a da r in g
fa lseh ood. H e m a y con sider m e n ot ver y sober
t o m a ke su ch a st a t em en t .
A S y n th e s is o f th e S e v e n Libe ra l Arts
We n e e d on ly t o look a t w h a t t h e
Ch a ldea n s h eld con cer n in g t h e let t er s of t h eir
a lp h a b e t a n d t h e h e a ve n ly b od ie s . T h e
Ch a ld ea n s of P er s ia h eld on e of t h e m os t
expa n sive cosm ologies, wh ich wa s a ble t o t a ke
in a ll of t h e r ela t ion s h ip s of Gr a m m a r ,
Rh et or ic, Logic, Ar it h m et ic, Geom et r y, Mu sic,
a n d Ast r on om y. Th is a lph a bet is a veh icle t h a t
Mu s ic
To t h e t er r est r ia l m a n m u sic is per h a ps
t h e m ost su blim e of t h e fir st six of t h e seven
liber a l a r t s . Mu s ic en com p a s s es a ll of t h e
pr eviou s five. Th er e a r e t h e ABCs of m u sic or
per h a ps bet t er st a t ed t h e DO RE ME s wh ich
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The Seven Liberal Arts of Masonry Journal of Esoteric Psychology • Volume X • No. 1 • 1996
expla in s t h e wor kin gs of t h e cosm os.
Th e Ch a ldea n a lph a bet , on e of t h e m ost
com p lex of s ym bol s ys t em s , offer s u s a n
a pplica t ion of t h e seven liber a l a r t s in t h e m ost
pr ofou n d of wa ys. Th e en t ir e west er n t r a dit ion
ca n be a ccessed t h r ou gh t h is let t er syst em . Th e
let t er s t h em selves give u s t h e wr it t en wor d
a n d t h e a ct u a l gr a m m a r t h a t is u s ed in
m u n d a n e s p e e ch . T h is s p e e ch ca n b e
ela bor a t ed in t o a n a r t t h r ou gh t h e scien ce of
r h et or ic. As on e st u dies t h e let t er s a n d t h e
syst em in wh ich t h ey wor k , on e will fin d a n
u n fa ilin g logic t h a t will lea d t h e st u den t in t o
a n excit in g jou r n ey in t h e discover y of t h e self.
E a ch of t h e Ch a ld ea n let t er s h old s a
n u m er ica l va lu e t h a t gives t h e en t ir e ba sis for
a r it h m et ic. Differ en t ia l equ a t ion s a n d a lgebr a
a r e n ot t h e focu s of t h is syst em bu t sim ple
n u m ber r ela t ion sh ips a n d fu n ct ion s. E a ch of
t h ese let t er s h a s a pa r t icu la r m u sica l n ot e.
Th is gives u s t h e en t ir e P yt h a gor ea n m u sic
sca le of 12 n ot es. Beyon d t h is ea ch of t h e
let t er s r epr esen t eit h er a sign or a pla n et . Th is
br in gs in t h e s even t h of t h e liber a l a r t s ,
Ast r on om y.
If we t a ke a close look a t t h e seven liber a l
a r t s, we ca n begin t o see t h a t ea ch of t h em
d ea ls wit h r ela t ion s h ip s . Rela t ion s h ip s t o
wor ds a s seen in Gr a m m a r , a n d Rh et or ic; t h e
con clu sion s dr a wn , du e t o cer t a in r ela t ion sh ips
t h r ou gh t h e power of r ea son a n d logic; t h e
r ela t ion sh ips of n u m ber s in a r it h m et ic; t h e
r ela t ion sh ips of solids in t im e a n d spa ce a s
st u died in geom et r y; t h e r ela t ion sh ips of sou n d
a n d vibr a t ion in m u sic; a n d t h e r ela t ion sh ips
of t h e st a r s a n d pla n et s a s t h ey cou r se t h r ou gh
t h e h ea ven s.
Th er e a r e seven liber a l a r t s. Th ey ea ch ,
h owever , r ep r es en t 1/7 of a cir cle. Th is
pr esen t s a ver y pecu lia r sit u a t ion r ega r din g a
ba la n ce of a dept sh ip in ea ch of t h ese a r t s.
Bein g m a st er of ju st on e pa r t of t h e cir cle is
in su fficien t t o becom e a m a st er of wisdom of
t h e en t ir e cir cle.
Usin g t h e scien ce of Geom et r y we fin d t h a t
t h e n u m ber 7 is t h e on ly wh ole n u m ber fr om 1
t h r ou gh 10 t h a t will n ot go in t o 360 even ly.
N ot on ly will it n ot go in even ly it is a ct u a lly
a n ir r a t ion a l n u m ber of 51.42857143... Th is
offer s u s a gr ea t m yst er y sin ce t h e n u m ber 7 is
u sed fr equ en t ly t o descr ibe cer t a in pr in ciples
or fa ct s in ou r t r a dit ion .
Th er e a r e t h e 7 ch a k r a s, t h e seven sa cr ed
pla n et s k n own t o t h e a n cien t s, t h e 7 r a ys of
in it ia t ion , a n d t h e 7 m et a ls of a lch em y. Th e
list does n ot en d h er e.
Th e a ct u a l ba la n cin g of t h e n u m ber 7 is
a ccom plish ed t h r ou gh in t u it ion a n d t h e st a t e
of Gr a ce. Th er e is n o logica l wa y on e ca n
descr ibe t h e pr ocess of in scr ibin g t h e 7 wit h in
a cir cle yet t h e for m it self, t h e h ept a gon ~
exist s.
As we t ie a ll of t h is t oget h er , we see a
t r a dit ion in wh ich cer t a in u n iver sa l t r u t h s
m a y be com m u n ica t ed t o t h e st u den t of t h a t
t r a dit ion .
A Ca ll to Ac tio n
Sin ce t h e a n n ou n cem en t by t h e H ier a r ch y of
t h e r ea ppea r a n ce of t h e Ch r ist , t h e n eed for
disciples t o a n swer t h e ca ll t o ser vice h a s been
sou n ded. If we fa n cy ou r selves a s disciples, a n d
m ost of t h e r ea der s of t h ese pa ges eit h er a r e or
a r e ver y close, t h en it is t im e t o t a k e u p t h e
wor k of ser vice wh ich we a ll a ppla u d bu t t en d
t o 1ea ve for t h e ot h er gu y. Th e fu ll im plica t ion
of ou r spir it u a l t r a dit ion is n ot r est in g in gr ea t
libr a r ies n or in t h e ca ves in In dia . It r esides
wit h in ou r bodies, m in ds, a n d sou ls, a n d t h ey
a r e bein g ca lled t o a ct ion . It is in deed joyfu l t o
m u se a bou t gr ea t m a st er s a n d gr ou p wor k or
spea k blissfu lly of deva s a n d a n gelic bein gs
pr esen t in ou r m idst . Th e t im e for m u sin g a n d
t a lkin g is over . Th e t im e for a ct ion is a t h a n d.
We m u st com e t oget h er in t h ou gh t , wor d, a n d
deed a n d n ot in pla t it u de a lon e.
Th e win dow of oppor t u n it y is open t o u s.
Un less we m ove in t o a ct ion we will be left wit h
a m issed oppor t u n it y a n d m u st wa it for yet
a n ot h er cycle t o t a ke on t h e gr ou p wor k t h a t is
so gr ea t ly n eeded. Th is ser vice, t h is gr ou p is
t h e t r u e wor k a n d es s en ce of ou r wes t er n
spir it u a l t r a dit ion , in wh ich Ma son r y pla ys a n
im por t a n t pa r t .
Copyr igh t  1996 Kevin Town ley–All r igh t s
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The Seven Liberal Arts of Masonry Journal of Esoteric Psychology • Volume X • No. 1 • 1996
r eser ved.
Kevin T ow n ley h as been a lifelon g stu d en t of
W estern H erm eticism . E arly on in h is stu d ies,
h e becam e d raw n to th e w ritin gs of Dr. Pau l
Foster Case an d h as been a m em ber of th e B . O.
T . A . for 11 years. Kevin is cu rren tly th e V ice
P r es i d en t of L P N - U S A , a n es ot er i c
orga n iz a t ion d ed ica t ed t o t h e st u d y a n d
p r a ct i ce of Q a b a l a h a n d L a b o r a t o r y
Al ch em y. H is stu d ies h ave led h im arou n d th e
w or l d s eek i n g or i gi n a l R os i cr u ci a n a n d
alch em ical texts, as w ell as th ose in d ivid u als
w h o practice th is R oyal Art.
K ev i n ' s b ook , T h e C u b e o f S p a c e ,
C on t a i n er of C r ea t i on (A rch ive Press, B ox
11218, B ou ld er, CO 80301;paperback ed ition
available) gives d etailed in form ation abou t th e
expression of th e seven rays th rou gh th e m od el
of t h e cu be. K ev in 's h a s a n ew book t it led
Med i t a t i on s on T h e Cu b e of S p a ce,
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The Seven Liberal Arts of Masonry Journal of Esoteric Psychology • Volume X • No. 1 • 1996