MUSEUMS ASSOCIATION 24 Calvin Street London E1 6NW ELECTION OF BOARD 2011 CANDIDATES’ PROFESSIONAL BIOGRAPHIES AND PERSONAL STATEMENTS There are 7 vacancies on the Museums Association’s Board. The term of office is three years, commencing the 1st April 2011. The following candidates are nominated for election and are listed in alphabetical order. ANDERSON, David Director-General, Amgueddfa Cymru - National Museum Wales Nominated by: Seconded by: Richard Sandell Rachael Rogers Professional Biography I was born in Belfast. After teaching for 3 years, I became Education Officer in Brighton, then Head of Education at the National Maritime Museum, before moving to the V&A, where I became Director of Learning and Interpretation. I was appointed Director General of National Museum Wales in 2010. The most rewarding experiences of my career so far include: the education programme for the Armada exhibition (1988), for which I wrote a bestselling children's book; writing A Common Wealth: Museums in the Learning Age for DCMS (1997/1999); and development of the Sackler Centre for arts education at the V&A (opened 2008). Personal Statement This is a decisive moment in the development of museums. The last decade has seen unprecedented investment in the public dimension of museums - including education, access, outreach, community work. The abolition of MLA, drastic funding cuts, and radical changes to the structure of the sector are threatening these services, with local museums suffering most. We need the Museums Association more than ever. It is the only sector-wide organisation with a democratic mandate; it alone can campaign with credibility on behalf of the whole profession. If elected, I would strongly support the MA, and its work on behalf of us all. 2 BARNES, Janet Chief Executive Officer, York Museums Trust Nominated by: Seconded by: Michael Turnpenny Rosy Greenlees Professional Biography I am CEO of York Museums Trust, an independent charitable trust created in 2002, to manage Castle Museum, Yorkshire Museum, York Art Gallery, Museum Gardens and York St Mary's. Previously I was Director of the Crafts Council and worked in Sheffield Museums and Galleries where I was Keeper of the award winning Ruskin Gallery. I received honorary doctorates from both Universities in Sheffield. I am Chair of Arts Council Yorkshire and sit on the National Council. I am a Director of the Guild of St George, the educational charity founded by John Ruskin, which instigated the very successful Big Draw event. Personal Statement I have had over 30 years experience in museums including the local authority, university and independent charity sectors. I see the present changes to funding from MLA to the Arts Council, as an opportunity to unify the values and purposes of the whole cultural sector. I have had first hand experience of the development of the strategic policies of the Arts Council and as CEO of York Museums Trust I have direct professional knowledge of the sectors needs and ambitions. I have extensive experience as a trustee in managing charitable organisations at both a regional and national level. 3 BELL, Ged Chair, Tyne & Wear Archives & Museums Nominated by: Seconded by: Iain Watson Miriam Harte Professional Biography As Chair of Tyne & Wear Archives & Museums Joint Committee since 2005 I have developed a broad understanding of issues facing UK museums and galleries. I have been employed in the public sector for the last 26 years as a firefighter and a Labour Councillor in Newcastle for 14 years. I am particularly engaged in the Cultural, Sporting and Tourism sectors, as a Cabinet member and a member of national and regional bodies. I have been actively involved with the MA since 2005, as a Member of the Governing Bodies Forum and, since 2008, a member of Council and Executive. Personal Statement Unprecedented change in museum sector: As a result of the global economic crisis, the coalition government’s CSR and the abolition of MLA, there is an unprecedented challenge to museums and an unprecedented opportunity for them to demonstrate their value. Whilst many independent museums receive little or no public investment our major national and regional museums depend upon public sector investment. I believe that we must continue to focus on the difference that museums make in people’s lives irrespective of background, class or ability and the opportunities they create for access, inclusion and engagement. In unity. One organisation, one voice. 4 BODEN, Tom Education and Audience Development Officer, Bath Preservation Trust Nominated by: Seconded by: Matthew Williams Stuart Burroughs Professional Biography 2001-2006 Education volunteer at Oxford University museums 2006 Three week voluntary placement at Tairawhiti Museum, Gisborne, New Zealand. 2006-2008 Education and Development Officer at the Museum of East Asian Art, Bath 2007 Developed education resource packs for national festival ‘CHINA NOW’ 2007-2010 Representative for Bath and North-East Somerset on the board of the South Western Federation of Museums and Art Galleries 2008 Evaluated regional touring exhibition ‘Nature Collected’ 2008Education and Audience Development Officer, Bath Preservation Trust present The Trust runs three accredited museums and has 150+ volunteers: No. 1 Royal Crescent, Building of Bath Collection and Beckford’s Tower Personal Statement As board member for the MA, I will champion the contribution made by smaller museums to the communities they serve. My professional experience has been in small independent museums that rely on tiny budgets, continuous fundraising and the support of large numbers of volunteers to keep going. Yet despite the apparent lack of resources, small museums can thrive and make a huge contribution to society. I put myself forward in order to give a voice to small museums at a national level and to ensure that they are not forgotten at a time when support for museums is under threat. 5 BROWN, Rowan Director, Scottish Mining Museum Nominated by: Seconded by: Jilly Burns Gillian Findlay Professional Biography Qualifications MA Art History, University of St. Andrews PG Dip Museum Studies, University of Leicester AMA, Museums Association Posts 2002-2004 Research Assistant, Kelvingrove New Century Project 2004-2006 Curator of Transport & Technology, Glasgow Museums 2006-2008 Curator of Technology, National Museums Scotland 2006-2010 Curatorial Advisor, Scottish Railway Preservation Society 2008-2010 Senior Curator of Technology, National Museums Scotland 2010-present Director, Scottish Mining Museum Memberships: Museums Association The Scottish Museums Federation, SMF (President) The Federation of Industrial Museums (Chair) The International Committee for the Conservation of the Industrial Heritage The Association of Independent Museums The Scottish Transport and Industry Collections and Knowledge Network Personal Statement I am a passionate museum professional with experience of local authority, national and independent structures. I am committed to the public accessibility and social benefit of museums, as demonstrated by my work on Effective Collections. Through SMF, I have strived to achieve greater advocacy and facilitate CPD. I want to ensure that all those who work in museums have a voice. I have diverse fund-raising and budgetary experience with at track record of eliciting private sector support. I would welcome the opportunity to utilise my experience to help to maintain and improve the impact and relevancy of the Museums Association. 6 CAREY, Frances Freelance Consultant Proposed by: Seconded: Alec Coles Sandy Nairne Professional Biography I joined the British Museum in 1975 to develop a collection of modern graphic art. As Head of National Programmes from 2003-9 and Senior Consultant for Public Engagement since May 2009, I have worked with museums up and down the country brokering partnerships and delivering collaborative projects, ensuring that the ‘Nations and Regions’ were represented in a ‘A History of the World’. I have advised Esmée Fairbairn on its Museum and Heritage Funding strand, taught on an MA programme for King’s College London and chair an arts charity, the MarieLouise von Motesiczky Charitable Trust. Personal Statement At a time when the Museums Association’s role is more important than ever, I wish to contribute the unique experience gained in partnering museums up and down the UK, including brokering relationships with the BBC as part of A History of the World. That was motivated by my desire to bind museums of every variety together, to demonstrate: the power of objects to engage public interest the interconnections between local and global history the value of a nationwide campaign which empowers local ownership It is also my motivation for wishing to join the MA Board. 7 CHURCHER, Isabel Project Manager: Renaissance, Museums, Libraries and Archives Council Nominated by: Seconded by: Kathy Gee Nick Winterbotham Professional Biography I have worked in museums for 25 years in a wide variety of roles. From an Assistant Curator/Manager to Museum Development Officer, Head of Museums and Heritage Services, and currently Renaissance Project Manager (MLA). Whilst at Hereford, my service won the Gulbenkian Award for Services for People with Disabilities following a radical redisplay. I have been elected onto Council twice and am currently co-opted onto the Executive Committee. I have an AMA and FMA, am a mentor and AMA/FMA reviewer/appraiser. I focus on providing a practical vision to challenging situations, using my diplomatic and creative skills to reach effective solutions. Personal Statement I am passionately committed to supporting the MA to become an influential, supportive and financially resilient organisation. I have demonstrated long-term involvement with the MA, through Council, Executive, and CPD work. I bring a strong drive, creativity, diplomacy and a can-do attitude to my roles. I have additional significant Board experience through 6 years as a Trustee (and Vice Chair) of Birmingham Citizens Advice Bureau. With five other trustees, I took the organisation out of administration to providing a strong resource for the city. I bring specialist knowledge, skills and experience in development, financial management, CPD and organisational change. 8 COCKETT, Rachel Renaissance West Midlands Manager, Birmingham Museums and Art Gallery Nominated by: Seconded by: Simon Cane Jane Arthur Professional Biography I have worked for Wolverhampton Art Gallery, Ikon Gallery, Public Monuments & Sculpture Association, MLA West Midlands. Since 2000 I have worked at Birmingham Museums & Art Gallery. I am the Renaissance West Midlands Manager. I am responsible for monitoring finance and performance; delivering communications and advocacy; and developing and maintaining regional networks. I have sat on the MLA West Midlands Board and several MA committees/ panels. I am currently a member of the MA Council and Ethics Committee; a Committee Member of the Midlands Federation of Museums & Galleries; a Curatorial Adviser and an AMA mentor. Personal Statement I am a museum customer before I am a museum employee. I visit museums, galleries, exhibitions, historic houses and gardens regularly. I believe that to deliver world quality museums we need to be discerning customers ourselves. I believe that MA should continue its commitment to advocacy, collections and professional development, acting as an independent voice for the sector. MA Councillors need to think strategically and imaginatively, and advocate for museums wherever they get the chance. My biography demonstrates that I have the experience and commitment to continue to contribute to the future of the MA as a trustee. 9 COLLIER, Shirley Chief Executive Officer, Scarborough Museums Trust Nominated by: Seconded by: Steven Miller Isabel Wilson Professional Biography I have 18 years’ experience of working in collections management, staff and organisational development in large national and small independent museums, in London and the regions. In recent years, as well as leading Scarborough Museums Trust through a period of transition and consolidation, I have served on the board of the Ragged School Museum, and become a national correspondent for the European Museum of the Year Award. I have served on the MLA Accreditation Panel and recently shaped the new standard’s workforce development section to truly reflect and support the complexity of the museum workforce of the future. Personal statement These are challenging times for hybrid organisations such as museums, with our plethora of organisational types, our abundance of purpose and our (largely) nonstatutory status. As the MA works to become a more effective advocate in the rapidly changing landscape I will contribute clarity of thinking and communication, underpinned by a strong track record in establishing relationships with a wide range of partners. As someone engaged very much at the coalface, I will ensure that the support offered to members, both organisations and individuals, remains relevant. 10 EMERSON, Louise Head of Commercial Strategy, Natural History Museum Proposed by: Seconded by: Paul Davis Wanda Sheridan Professional Biography Originally an Electronics Engineer I achieved an MBA in 1990 and I have worked in the cultural sector for the past 14 years. I was Director of a multi-disciplinary arts centre and contemporary art gallery in Belfast. I oversaw funding, financial management, communications and operations as well as the artistic programme and started the Belfast Literary Festival. I was subsequently MD of London Calling before becoming Head of Commercial Strategy at the Natural History Museum where I am responsible for increasing profit from our assets. I have spoken at a number of conferences worldwide and led negotiations with major corporations. Personal Statement I have strong business acumen and financial management skill and years of strategic planning experience and implementation. I am incisive, good at complex decision making and problem solving as well as managing conflicting priorities. I have managed change within large and small cultural organisations and understand the complexities. I am also a pragmatic energetic person who can develop ideas to support the organisation’s goals. I was previously a Board member of the Arts Council NI and I am a practiced Chair person. 11 FINCH, Julie Head of Museums and Archives, Bristol Proposed by: Seconded by: Diane Lees Virginia Tandy Professional Biography I began my career in museums as a volunteer thirteen years ago. Having worked across many disciplines, I have found this experience useful in my current role as Head of Museums and Archives for Bristol. Formerly Director of the National Football Museum and Head of Salford Heritage Services, I have gained many insights into the power of collections and the profession. My professional values are based around nurturing new talent and delivering excellence. Working at a strategic and political level is valuable whilst simultaneously finding new ways of engaging visitors with collections and museum experiences. Personal Statement As a trustee of the Museums Association I am keen to work strategically to reposition it within a contemporary perspective. In a measured and progressive way, I can offer it and its members strategic thinking, a broader perspective on its activities, contribute to the shaping of its future and enabling excellence. The demands of the new political environment require that it appoints practitioners as trustees to become well informed and more relevant. My managerial and leadership skills will be useful to it in establishing a more resonant, rigorous and meaningful position within the changing landscape of the sector and the UK. 12 FLEMING, David Director, National Museums Liverpool Nominated by: Seconded by: Sharon Granville Catriona West Professional Biography I have been a museum director for 20 years, have had 18 years’ experience of working in local authority museums (Leeds, Hull, Tyne & Wear) and ten years in a national museum (Liverpool). I also have experience of independent and university museums, and of trusteeship. I have served on MA Council in the past (1990-3 and 1998-2004), and have been a member of three Federations. I have built a career on opening up access to museums, on promoting socially inclusive approaches, and on managing the external environment, without which no museum can prosper. Personal statement Since the absorption of MLA into ACE, our sector has a leadership crisis, at a time when our access agenda is threatened. Having a smaller MA Board is perfect timing, because it means the MA can fill the leadership void, and be the voice that politicians listen to. The Board needs experience, determination, and courage, needs to be more outspoken, and needs people involved who have commitment to the whole museum sector, not just a part of it. If elected to the Board I shall support MA staff and Board colleagues in filling the leadership role that is needed so desperately. 13 FRENCH, Ylva Writer and Marketing Consultant Nominated by: Seconded by: Rosemary Ewles James Bishop Professional Biography I started my career in tourism, including ten years at the London Tourist Board as Head of PR. In 1988 I set up my own marketing communications company specialising in museums, heritage and tourism; from 1997 I also ran the Campaign for Museums, a registered charity, organising Museums & Galleries Month, conferences and events. I served as a Royal Parks Board Member 2000-5; I am now a trustee of Culture24 and of the Museum Prize Trust responsible for the successful Art Fund Prize. With Sue Runyard I have written two books on museum marketing, the latest to be published this spring. Personal Statement Today the Museums Association’s role is more important than ever. I believe I can make a significant contribution to its continued success, based on my experience in marketing and PR, and as trustee of enterprising heritage and cultural organisations. I know UK’s museums well through years of organising Museums and Galleries Month and as a marketing consultant. I launched the original 24 Hour Museum website and have continued my involvement with the web and new media as a trustee of Culture24. As an informed and independent partner in the sector, I bring perspective and expertise - invaluable to the new Board. 14 GILLETT, Steph Museum Manager, West Berkshire Council Proposed by: Seconded by: Tim Bryan Emma Davison Professional Biography My first museum post was with South Gloucestershire Council where I established the heritage service having been a community development worker; I completed a postgraduate degree at the Ironbridge Institute in 1999. I was then head of the Science Museum’s Wroughton site increasing public access. I worked (2003/8) as a freelance consultant for some 30 clients, also acting as MDO and curatorial advisor for Gloucestershire County Council. I was a long serving committee member of the South West Federation of Museums. As manager of West Berkshire Museum I lead a £2 million refurbishment project and have recruited over 40 volunteers. Personal Statement I want to use my skills and experience to benefit the sector that I have worked in for fifteen years. I believe that museums must: develop the art of compromise to get the best out of whatever local or national situation prevails not be afraid to be creative (and at times radical) to identify and exploit opportunities for development establish partnerships at all levels, including links with those outside the cultural sector In promoting the above the Museums Association needs to recognise the diversity of the sector and the social, political and economic environments it works in. 15 MACDONALD, Sally Director, University College London Museums and Collections Nominated by: Seconded by: Sue Wilkinson Kate Arnold-Forster Professional Biography For the last four years I’ve worked as Director of Museums, Collections and Public Engagement at UCL. Prior to that I’ve led award-winning museums of social and community history (Croydon Museum Service) and archaeology (Petrie Museum), though I started my career curating decorative arts collections (e.g. Geffrye Museum). I’ve worked at senior level in both the local authority and the university museum sectors, and have served on expert panels (e.g. HLF) and committees (e.g. DCMS Human Remains). I’m currently an Executive Committee member for the MA, a committee member of the University Museums Group and the Women’s Leadership Network. Personal Statement I’ve had to learn the hard way how to manage organisations during tough financial times, and can bring advocacy skills, HR and fundraising experience (during my time at UCL I’ve raised well over £15m in external funding). I’m passionate about the power of museums to change lives and am currently setting up Heritage without Borders, an organisation that will offer heritage professionals opportunities to use their skills in the developing world. I’ve helped draft the new MA business plan, and I’m sure that the renewed focus on members’ needs, and on advocacy, is the way forward. 16 MULLINS, Sam Director, London Transport Museum Nominated by: Seconded by: Michael Day Matthew Tanner Professional Biography Director of London Transport Museum since 1994, vice chairman of AIM, previously Chairman and Secretary. At LTM responsible for two major developments, Museum Depot, first publicly accessible collections facility at Acton opened 1999, and £22m award-winning redevelopment of main museum in Covent Garden, opened 2007. Led Museum’s move to charity status 2008. Previously responsible for local authority museums in St.Albans, Market Harborough and Much Wenlock. Trustee of Museum Prize Trust and SS Robin, past editor of SHCG Journal, past chair of Hertfordshire Curators Group, MA membership since 1978. Member of the MA Governance working party 2009/10, AMA mentor Personal statement At a significant moment in the MA’s development, I offer members an experienced but fresh approach to the challenge of a new board, having: recently created new board for LTM and negotiated the agreement to devolve from parent company TfL never before served on Council but serving as an officer of the other museum membership organisation, AIM, since 1996, balancing advocacy and services to members. worked in a variety of museums in London and the regions a keen awareness that the passion and creativity of museum workers deserves advocacy and demands support from its professional body 17 ORNA-ORNSTEIN, John Head of London and National Programmes, British Museum Nominated by: Seconded by: Rita McLean Sandy Nairne Professional Biography I lead the British Museum’s activity around the UK, with a focus on partnerships with museums and galleries. I am also responsible for the BM’s community partnerships and diversity and equality work. I previously worked in the International Development sector for three years, and before that in the museum sector for more than a decade, always with a concern for education and for engaging diverse audiences. My museum roles have included curatorial ones as well as running learning and community programmes. Personal statement I am passionate about the variety, strength and imagination of our sector. My experience and relationships with dozens of museums throughout the UK puts me in a good position to champion museums of all sizes and types. I care about equal partnerships, about integrating national museums into the wider museum sector, and about ensuring the widest possible access to collections and expertise for museums and diverse visitors. 18 PORTER, Gaby Independent consultant Nominated by: Seconded by: Nichola Johnson Sam Mullins Professional biography As an independent consultant, I work with a wide range of people and organisations in museums, arts and heritage. I work with partnerships, organisations, teams and individuals to clarify their vision and values; generate new thinking and opportunities, and translate these into practical actions. I am Co-Director of the Museum Leaders Programme; External Examiner for City University’s Cultural Leadership Programme; and an FMA Appraiser. I am trustee of a local sustainability charity, and a steering group member for Manchester’s climate change action plan. I formerly worked in local authority, national and independent museums in collections/interpretation and in senior management. Personal statement If elected, I would bring independent thinking, integrity and rigorous scrutiny. I would both passionately represent and be an advocate for the Association and sector, and dispassionately balance external agendas and priorities with internal resources and needs. My specific expertise lies in workforce development, policy development and advocacy, and sharing collections knowledge. In addition, I have broad museum and heritage experience encompassing public participation, audience engagement, interpretation and learning. I would also contribute to strategic planning and direction, helping the MA to achieve its business plan while continuing to exercise leadership to broaden and seek the best for the profession. 19 WALLIS, Jonathan Assistant Head of Museums, Derby Museums and Art Gallery Nominated by: Seconded by: Ros Westwood Sarah Levitt Professional Biography I have been interested in archaeology and heritage since school. During my working life I have gained a wide experience of museums locally, regionally and nationally. This has included workforce development, learning, outreach and access, management, financial planning, fund-raising, collections management and museum operations. My work has included being: Conservator, UCL, London; the Ashmolean, Oxford; and Oxfordshire Museums; Collections manager, Museum in the Park, Stroud; Assistant head of museums, Derby Museums and Art Gallery; Involved in charitable and museums sector organisations including UKIC, the Museums Association, the Midlands Federation and Just for Dogs rescue and rehoming centre. Personal Statement Over the last few years I have been closely involved with and gained a good working knowledge of the Museums Association, as East Midlands councillor, a member of the executive committee, part of the business planning working group, the Museum Journal editorial panel and the Effective Collections grants panel. My knowledge of museums and heritage as well as my ability and experience in public speaking, writing and broadcasting give me many of the requirements needed by a board member. I am passionate about museums and feel that I have much to give the Museums Association as we face the challenges ahead. 20