TODD DOYLE H E R I T A G E S E R V I C E S Selected Work by Project Type Interpretive Planning Karsh: Image Maker (PGC, 2009) – co-wrote the interpretive plan for the travelling exhibition Karsh: Image Maker, jointly with the Canada Museum of Science and Technology. Studio K: A Karsh Experience (PGC, 2009) – was the principal interpretive planner for this programming/exhibition space (at Library and Archives Canada) that focused on Yousuf Karsh’s early work with theatre. Family Portraits: immigration & identity (PGC, 2008) – created the community engagement project that involved new immigrant families in Ottawa and Halifax creating family portraits, resulting in an exhibition, video, brochure, and school program. Interpretive Strategy (PGC, 2005) – developed a detailed interpretive strategy for the development of the long-term galleries in a major new national museum (project delayed). Researched ‘best practices’ in the selection of interpretive technologies. Cool 60s Design (CMC 2004) – interpretive planner in the development team for an exhibition on Craft and Design in the 1960s. Assisted in research, text writing, and developing interactive units. Archaeology Discovery Centre (VM 2001-2002) – conceived and planned a significant new space in the Vancouver Museum used for archaeology programs and public lectures/workshops. Worked closely with local First Nations partners, monitored contract interpretive planners, and was senior museum liaison with the exhibit designers. Established a ‘pilot project’ laboratory to test various interpretive strategies. Joyce Walley Learning Centre (VM 2001-02) – assisted in acquiring significant funding for a major new educational space at the Vancouver Museum through the production of grant proposals. Developed interpretive plans for the room and the ‘learning units’, working closely with various stakeholders, including the education community, First Nations elders and representatives, cultural groups, and specialty historical groups. Managed and monitored the design process, identified work for contracting out, monitored contractors, and was a senior member of the team redeveloping the Vancouver Historical Galleries (a related project). Jade (VM 2000) – wrote and delivered the gallery enhancements for a major exhibition highlighting masterworks of Chinese Jade, including a gallery guide, audio program (in four languages), and discovery room (in conjunction with the BC jade mining community). __________________________________ McM= McMichael Canadian Art Collection CMC = Canadian Museum of Civilization VM=Vancouver Museum PGC=Portrait Gallery of Canada Page 1 of 7 Honouring the Basketmakers (VM 2001-02) – assisted in acquiring funding for this exhibition and assisted programmers from the Musqueam, Squamish, and TsleilWaututh First Nations in developing exhibition themes and resources. Portrait V2K (VM 1999) – assisted in the planning of the City of Vancouver’s millennium project, resulting in teacher materials, programming leading to exhibition material, publication, and website. Backyard Biodiversity (VM 1999) – assisted in the development of the exhibition, liaising with community groups to solicit support and information. Hello Again! (VM 1998) – planned, wrote, and delivered ancillary materials for this recycled art exhibition, including the discovery room and the exhibition ‘program newspaper’. The Teen Age (VM 1994) – developed interpretive plan for an historical look at teenagers in Vancouver from the 1920s, 1950s, and the 1990s. Liaised with community groups, especially youth groups. Note: this exhibition did not proceed past the development stage. Stone, Bone, Antler, and Ivory (McM 1993) – assisted in the content and programming development of this Inuit art exhibition. Face to Face (McM 1992)– assisted in the content development of the portraiture exhibition Face to Face. St. Michael’s Hospital Centenary exhibition (1992) – co-curated an exhibition at the historic Toronto hospital. Found and selected artifacts, researched stories and histories using the hospital archives, interviewed doctors, nurses, and administrators, designed the floorplan and case specifications, wrote label copy, and planned the opening event. Canadian Historical Galleries (Art Gallery of Ontario, 1991) – developed ‘signpost’ interpretive centres to place art in historical context. Developed audio programs in Group of Seven gallery. Assisted with the research and development of the ‘salon hanging’. Conducted audience research project in connection with computer terminal use in the Group of Seven gallery. Management Portrait Gallery of Canada, Education Curation (2007-2009). Assisted in settin goals and direction of the education programs, provided interpretive and educational materials to support the activities of Exhibitions, wrote web content, and established ties with the education and cultural communities. Recruited, trained, and evaluated educators. Maintained budgets, identified areas and projects for consultant and contract work and followed through with hiring and supervision. Vancouver Museum Education and Public Programs Department (1998-2002). Re-instated an Education Department at the country’s largest civic museum, after a four-year absence in programming. Set priorities, developed mandates, reestablished ties with the education community. Hired program staff and supported __________________________________ McM= McMichael Canadian Art Collection CMC = Canadian Museum of Civilization VM=Vancouver Museum PGC=Portrait Gallery of Canada Page 2 of 7 their progress. Senior interpretive planner within the Museum. Recruited, trained, and evaluated volunteer educators. Reported progress to the Board, both in oral and written form. Liaised with other Museum departments, most closely with curatorial and marketing. Maintained budgets, identified areas and projects for consultant and contract work and followed through with hiring and supervision, and wrote grant proposals for my department as well as for the Museum. Was responsible for the care and maintenance of a teaching collection of over 2000 artifacts, with its own acquisition budget, accession process, and database. Organized and chaired various meetings, including regular departmental action meetings, advisory council meetings, and exhibition development meetings. McMichael School Programs Department (1992-1993). Managed the daily operations of a large school program department, with three paid full-time educators and over 40 docents reporting to me. Scheduled tours, training, and planned development work in my area. Liaised with other departments, especially curatorial. Was part of the editing team that produced departmental publications. Chaired various meetings. Publications & Reports Our Country, Our Parliament Article (InterpScan, November 2005) – “Warming up to a cool technology”, article about PDAs as an interpretive tool in museums and other cultural sites. Comic Books (Canada Post Corporation) – develop, write and work with illustration on the comic book Perf and Friends, a publication that is sent to the 60,000 members of the Corporation’s Stamp Club. Interpretive Technology Report (Portrait Gallery of Canada) – researched and wrote a report on the ‘best practices’ in the field of new interpretive technologies. Newletters (Canadian Foundation for Climate and Atmospheric Sciences) – researched, wrote and edited stories and listings for the quarterly newsletter for an academic foundation. Cultural Policy Profiles (Department of Canadian Heritage) – researched, wrote and edited over fifty country profiles for ministerial use in policy preparation, Briefing Book inclusion, and departmental use. PAGSE Symposium booklet 2003 & 2004 – edited and managed the design and production process of annual booklets produced in conjunction with the national symposia organized through the Partnership Group for Science and Engineering. Program brochures – planned, wrote, and supervised the design and production of program brochures for the McMichael and the Vancouver Museum. Worked closely with design and marketing to achieve a strategic product within a specific budget. Educational materials for teachers –wrote and/or edited several teacher resources, such as the Pre-Visit Resource for teachers and students visiting the National Capital Region (for the National Capital Commission), First Nations Artists __________________________________ McM= McMichael Canadian Art Collection CMC = Canadian Museum of Civilization VM=Vancouver Museum PGC=Portrait Gallery of Canada Page 3 of 7 teacher resource package (for the McMichael Canadian Art Collection), the ESL slide kit (McMichael, in conjunction with Parks Canada), and the Archaeology in the Classroom activity book (Vancouver Museum). Adoption Reunion articles – wrote and edited articles for use by the BC provincial Adoption Reunion Registry (an agency of the Ministry of Social Services) and posted on their webpage, included in client materials, and for use during workshops. Children’s Programs Karsh: Image Maker Programs (PGC/CSTM, 2009) Oversaw the development and delivery of portrait-related programs during this program (an off-shoot of Festival K, an Ottawa-based series of events and exhibitions celebrating photographer Yousuf Karsh). Studio K: Programs; Family Portraits Programs; In Your Face Programs (PGC, 2007-2009) – wrote and oversaw delivery of school programs at the Portrait Gallery programming space at Library and Archives Canada. Portraits in the Classroom (PGC, 2007) Professional Development Workshops – wrote, developed and delivered portrait-related workshops and ancillary materials for teachers. Capital Treasure Hunt (NCC, 2006) – wrote and managed production on a downtown treasure hunt for teenagers visiting Ottawa from outside the National Capital Region. The map is a stand-alone available at the Capital Info Centre. Created an advisory group of teens to guide development. Teachers Pre-Visit Resource (NCC, 2005) – wrote and managed production on a pre-visit teacher’s resource package for classes visiting Ottawa from outside the National Capital Region. The resource includes games, background materials, and curriculum materials. Conducted all formative evaluation for resource. Canada Hall Self-Guided Program (CMC 2004) – researched, wrote, and managed production of a comic book self-guided program for the CMC’s Canada Hall. Developed and designed attendant activities and ancillary teacher materials. First Peoples Hall Self-Guided Program (CMC 2004) – researched, wrote, and coordinated design and fabrication of hands-on activities, activity sheets, and teacher overview materials using the new First Peoples Hall. Archaeology programs (VM 1999-2002)– designed and managed several different archaeology programs geared to fit into various curriculum guidelines, each lasting between 45-90 minutes and using the Archaeology Discovery Centre. All programs use themes of discovery and storytelling to answer the question, “how do we know what we know about the past?” Backyard Biodiversity (VM 2000)– designed and managed two different school 4590 minute programs using games to discover the complexity of local biodiversity, and to promote student action to preserve it. __________________________________ McM= McMichael Canadian Art Collection CMC = Canadian Museum of Civilization VM=Vancouver Museum PGC=Portrait Gallery of Canada Page 4 of 7 Through My Eyes (VM 1998)– wrote, delivered, and managed an hour and a half program designed for grades 4-6, exploring issues of cultural ownership, copyright, and provenance through the works and words of various First Nations community members City Kids (VM 1998)– designed and delivered programs for K-6, using the identities of Vancouver children from 1901 to involve kids in the social history of their neighbourhoods. Hello Again! (VM 1999)– designed and managed a series of school programs using art and recycling to reveal underlying issues of environmental awareness. National Aboriginal Day (VM 1998) – produced a day long event inviting grade four students to immerse themselves in First Nations culture through the storytelling, music, magic, and art of the local communities Night of the Mummy (VM 1999) – designed, delivered, and supervised overnight programs for grade 7s that debunk archaeology myths while exploring ancient civilization content. Summer Day Camps (VM 1999-2002) – designed and supervised the delivery of week-long day camps for 8-12 year olds featuring various themes such as insects, archaeology, and paleontology. Adult Programs CAGE National Symposium 2009 – organized the program for the annual national conference of the Canadian Art Gallery Educators Group. Canadian Postal Museum Tour (CMC 2003) – researched and wrote adult tour for the Canadian Postal Museum. Partnership Group for Science and Engineering (PAGSE) Symposium 2003 & 2004 – assisted in the planning and delivery of ‘Leaders of Tomorrow’ symposia featuring researchers from universities across Canada. Roundtable discussions, speakers, evening reception. Jade Tour (VM 2000) – designed twenty minute adult/family tour, featuring the exhibition Jade (originating at the National Art Gallery of Canada). Festa Italiano (VM 1998) – in conjunction with the Royal British Columbia Museum, supervised the coordination of a week-long programming event featuring music, film, craft demonstrations, lectures, and theatre. Produced with the Vancouver Italian community. Sunrise Ceremony (VM 1997-99) – in conjunction with local First Nations bands and communities, managed an event featuring a ceremonial blessing and breakfast featuring dancing, singing, and free admission to the Museum. And, yes, in June, sunrise really is somewhere around 4:30 in the morning and we still were able to attract fifty or more participants. __________________________________ McM= McMichael Canadian Art Collection CMC = Canadian Museum of Civilization VM=Vancouver Museum PGC=Portrait Gallery of Canada Page 5 of 7 Specialty Programs First Peoples Hall Animation Project (CMC 2004) – researched, wrote, and liaised with designers and fabricators to create an animator-delivered program for casual visitors to the First Peoples Hall. Archaeology in the Classroom (Vancouver Museum/Vancouver Maritime Museum, 2001) – designed and delivered day-long event for 60 teachers, using archaeology as a starting point for exploring mathematics, science, social studies and language arts. Group work and discussion featured prominently, with plenty of take-home ideas. Vancouver 101 (VM 1999) – designed and delivered 90 minute program designed for adults who speak ESL, using Vancouver Historical Galleries to explore issues of cultural identity, racism, and citizenship. Corporate family events (VM 1999-2002) – designed large-scale events bringing together fun programming, food, and promotional sales. Thematically tied to an exhibition, these events were joint efforts between programming, development, and marketing departments. Teacher events (McM 1992-VM 1998-2002)– designed and delivered various teacher nights and Professional Development programs, ranging from snappy promotional evening parties to in-depth educational experiences (see Archaeology in the Classroom) ESL at the McMichael (1992)– designed and delivered 90 minute program using Canadian art and landscape to explore issues of national identity. Special Needs at the McMichael (1993)– designed and delivered 2 hour program for adults with developmental disabilities with exploration of gallery artwork supported by creative studio time. ESL at the ROM (1992) – designed and delivered weekly programs for college level ESL students at the Royal Ontario Museum in addition to implementing a national survey of ESL programs in cultural institutions. Used almost all galleries, with one class entirely student-led. Committee Work Canadian Art Gallery Educators Group (Junior Chair) National Capital Interpretation Network (ex-officio) Teaching for Understanding History (BCMA initiative) Training and Presentations Presentation “Speaking With Authority: New Canadians and Museums”, CMA conference, 2009. Presentation “New Canadians & Museums”, NCIN workshop, 2006. __________________________________ McM= McMichael Canadian Art Collection CMC = Canadian Museum of Civilization VM=Vancouver Museum PGC=Portrait Gallery of Canada Page 6 of 7 Presentation “Education Best Practices”, BCMA conference, 2002. Volunteer Training (McM & VM 1992-2002). Designed and delivered varied training programs for volunteer educators, including issues such as communication strategies, learning styles, conservation and handling objects, reaching new audiences, and detailed workshops outlining specific subjects pertaining to exhibition areas. Workshops (1994-2000) “Coping with Adoption Reunions”, “Research Techniques in Adoption Records”, and “Raising Adopted Children”, for Greater Vancouver Family Services, Adoption Reunion Registry and Adoption Agency. Presentation “New Audiences: Paying Attention to Speakers of ESL in Your Institution”, Education and Marketing Departments at the Vancouver Aquarium (1993), Science World (1993), and the Lower Mainland Museum Educator’s Group (1993). Presentation “Speaking with Authority: ESL Learners and Canadian Museums”, Learned Societies Conference, Ottawa, 1993. __________________________________ McM= McMichael Canadian Art Collection CMC = Canadian Museum of Civilization VM=Vancouver Museum PGC=Portrait Gallery of Canada Page 7 of 7