Modul 11 ROMANESQUE & BYZANTINE ARCHITECTURE Romulus Agustus Nero Kaisar Nero (Tahun 64 AD) • Kota roma terbakar selama 6 hari, nero membantu padamkan api, 10 dari 14 distrik terbakar… • Villa Antium: Usul pindah ibu kota neapolis capua, tidak memindahkan ibu kota tetapi membangun Roma dari awal Ambisinya merubah roma membuatnya menyatakan diri menjadi • dewa Umbria: tempat peristirahatan sementara Nero mengalami krisis • biaya/keuangan • (sebelum kejayaannya roma memperoleh biaya dari wilayah taklukannya…uangnya di persembahkan ke kuil)…kemudian ia merampok kuil sebagai dana untuk membangun roma dari awal lagi (Tahun 65 AD) Nero sebagai raja serta senat sebagai dewan kerajaan. • Mulai menindas rakyat dan menjajah.. • Senat merencanakan pembunuhan salah seorang budak membocorkan rahasia rencana pembunuhan terhadap Nero…Nero membunuh anggota senatnya yang berencana membunuhnya… ‘12 1 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana Beliau menyelengarakan festifal seni…dengan dirinya sebagai • bintang utama,,,hanya karena kesalahan kecil ketika pertunjukkan ia membunuh istrinya (poppaea) sendiri yang sedang hamil…Roma bangkrut… (Tahun 66 AD) • Nero goes to Greek to party…biaya dari kaum kaya dengan merampas kekayaan mereka… • dia menjadikan budak laki2nya menjadi wanita dan menjadikannya istrinya…poppaea…gelombang bunih diri (Tahun 67 AD) • Pemberontakan…Galia afrika, germania dan spanyol berontak …dan bangsawan romawi… (Tahun 68 AD) • Nero kembali ke Roma dengan kota yang sudah selesai…nero membentuk pasukan dari para pelacur yang di potong rambutnya sampai pendek • Para pengawal meninggalkan istana… Nero bunuh diri, berakhirnya raja dari garis keturunan. Constantine VS maxentius (Tahun 312AD) • Romawi menjadi sangat besar…Negara berkembang 2 di barat dan 2 di Timur dan ada satu orang yang dapat menyatukannya…Constantine… Agama Kristen sebagai agama Romawi…terjadi perbedaan pendapat dengan kepercayaan dewa-dewi…Dimulai pembangunan gereja-gereja…musuh takut akan lambing constatine karena ketakutan mengandung daya magis… ‘12 2 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana The Fall of Rome (410 AD) • Barbarian: Goth (King Alaric), The Hun • Empiere Honorius • 476 AD west was ambush • In the east still, Byzantium-constantinople BUILDING IN ROMAN Alyscamps, a necropolis in Arles Amphitheatre Roman Forum Aqueduct Basilica Catacombs of Rome Circus Maximus Curia Hostilia (Senate House), in Rome Domus Domus Aurea (former building) Insulae Maison Carrée Pantheon Roman bridge Roman lighthouse Roman road Roman theatre Roman villa Hadrian's Wall Temple (Roman) Thermae Trajan's Column ‘12 3 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana Triumphal arch The Alyscamps is a large Roman necropolis a short distance outside the walls of the old town of Arles, France. It was one of the most famous necropolises of the ancient world. The name is a corruption of the Latin Elisii Campi, or Elysian Fields. The Amphithetre • The name amphitheatre is given to a public building of the Classical period (being particularly associated with ancient Rome) which was used for spectator sports, games and displays. • Apart from function, the important outward distinction between an amphitheatre and a theatre is that an amphitheatre is round or oval in shape (whereas a classical theatre was semi-circular). • However, an amphitheatre differs from a circus, which was used for racing and looked more like a very long, narrow horse shoe. • The best-known amphitheatre in the world is the Colosseum in Rome The Coloseum • Brings together the violence and the achievements of Roman society • Home of gladiatorial contests… man vs.man, man vs. animal, animal vs. animal • Seating designed for comfort with an expandable covering over the top • Plumbing which could wash away the blood or create an ‘inland sea’ on which to have mock sea battles ‘12 4 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana Roman aqueducts were extremely sophisticated constructions. They were built to remarkably fine tolerances, and of a technological standard that had a gradient of only 34 cm per km (1:3,000), descending only 17 m vertically in its entire length of 31 miles (50 km). Powered entirely by gravity, they transported very large amounts of water very efficiently (the Pont du Gard carried 20,000 cubic meters {nearly 6 million gallons} a day and the combined aqueducts of the city of Rome supplied around 1 million cubic meters (300 million gallons) a day. Roman Forum with Palatine Hill in the background. The arch at the front left is the Arch of Septimius Severus, while on the right the three-columned Temple of Vespasian and Titus stands in front of the Temple of Saturn. The Roman Forum was the central area around which ancient Rome developed, in which commerce, business, prostitution, cult and the administration of justice took place. ‘12 5 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana Here the communal hearth was located. Sequences of remains of paving show that sediment eroded from the surrounding hills was already raising the level of the forum in early Republican times. Temple of Castor and Pollux Temple of Romulus Temple of Saturn Temple of Vesta Temple of Venus and Roma Basilica Aemilia Basilica Julia Arch of Septimius Severus Arch of Titus Rostra, Curia Hostilia, Roman Senate. Basilica of Maxentius Constantine Tabularium Basilicas in the Roman Forum Porcian Basilica, built by Cato the Elder during the time he was censor Aemilian Basilica, built by the censor Aemilius Lepidus in 179 BC, Julian Basilica, completed by Augustus. Basilica Opimia, erected probably by the consul L. Opimius in 121 BC, at the same time that he restored the temple of Concord. Basilica Sempronia, built by the censor Marcus Sempronius Gracchus in 169 BC The Circus Maximus is a park today. The building on the back is the imperial palace on the Palatine. Map of downtown Rome during the Roman Empire, with Circus Maximus at the lower right corner. • The Circus Maximus (Latin for largest arena) is an ancient arena and mass entertainment venue located in Rome. • Situated in the valley between the Aventine and Palatine hills the location was first utilised for public games and entertainment by the Etruscan kings of Rome. ‘12 6 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana • Julius Caesar expanded the Circus around 50 BC, after which the track measured approximately 600 metres in length, 225 metres in breadth and could accommodate an estimated 250,000 seated spectators • The most important event at the Circus was chariot racing. The track could hold 12 chariots • To allow the chariots to line up to begin the race. Here there were starting gates, or carceres, which staggered the chariots so that each travelled the same distance to the first turn. Insulae • In Roman architecture, insulae were large apartment buildings where the lower and middle classes of Romans (the plebs) dwelled. • The floor at ground level was used for, shops and businesses with living space on the higher floors. • Private houses were therefore a luxury only the wealthy could afford. This led a majority of the inhabitants of the inner city to live in apartment and tenement housing called insulae. • A single insulae could acomodate over 40 people in only 400 square meters • Because of the dangers of fire, and collapse, the height of the insulae were restricted by Emperor Augustus to 70 feet, and again by Emperor Nero down to 60 feet after the Great fire of Rome. There may have been up to 50,000 insulaes, as compared to only • 2000 domus in the late 200 A.D, when the city was in decline, and the population was smaller. • Unlike upperclass homes, most insulae did not have running water or sanitation, with the inhabitants relying on public toilets and fountains. ‘12 7 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana • The name of the "insulae" was derived from the Latin for islands. They were called so because of the way they looked from a birds eye view. It would appear these buildings were spaced out like islands (hence the name), while being surrounded by road. Pantheon The Pantheon is a building in Rome which was originally built as a temple to the seven deities of the seven planets in the state religion of Ancient Rome, but which has been a Christian church since the 7th century. A r c h i t e c of Damascus. ‘12 8 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana t Apollodorus A Roman bridge in Vaison la Romaine, France. Roman bridges, built by ancient Romans, were the first large and lasting bridges built. Roman bridges were built with stone and had the arch as its basic structure. Most utilized concrete as well. Ancient Roman lighthouses Lighthouses in ancient times • Before the development of clearly defined ports, mariners were guided by fires built on hilltops. • Since raising the fire would improve the visibility, placing the fire on a platform became a practice that led to the development of the lighthouse. In antiquity, the lighthouse functioned more as an entrance marker to ports than as a warning signal for reefs and promontories, unlike many modern lighthouses. • Most show a building with two or three stories that decreases in width as it ascends. The limited size of coins could cause the producer of the coin to alter the image to fit on the surface. • The similarity in depictions of lighthouses suggests a conventionalization of details rather than accurate representations of specific beacons. None of these media provide information about the interior placement of stairs and ramps in the buildings. Hadrian's Wall (Vallum Hadriani) was a stone and turf fortification built by the Roman Empire across the width of Great Britain to prevent military raids by the tribes of Scotland to the north. To improve economic stability and provide peaceful conditions in the Roman province of Britannia to the south, to define the frontier of the Empire physically, and to separate the unruly Selgovae tribe in the ‘12 9 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana north from the Brigantes in the south and discourage them from uniting. The name is also sometimes used jocularly as a synonym for the border between Scotland and England, although for most of its length the wall follows a line well south of the modern border The wall was the northern border of the Empire in Britain for most of the Roman Empire's rule, and also the most heavily fortified border in the Empire. In addition to its use as a military fortification, it is thought that the gates through the wall would also have served as customs posts to allow trade taxation. Thermae • Roman public baths in Bath, England.a The loss of the original roof has encouraged green algae growth. • The term thermae was the word the ancient Romans used for the buildings housing their public baths. • Most Roman cities had at least one, if not many, such buildings, which were centers of public bathing and socialization. Upper-class Romans would usually visit daily, lower-class people about once a week. Baths in culture and society • Of all the leisure activities, bathing was the most important for ancient Romans. • since it was part of the daily regimen for men of all classes, and many women as well. • Although wealthy Romans might set up a bath in their town houses or in their country villas, heating a series of rooms or even a separate building especially for this purpose, they still often ‘12 10 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana frequented the numerous public bathhouses in the cities and towns throughout the empire. • Small bathhouses, called balneum, might be privately owned, but they were public in the sense that they were open to the populace for a fee. • The large baths, called thermae, were owned by the state and often covered several city blocks. • The largest of these, the Baths of Diocletian, could hold up to 3,000 bathers. Fees for both types of baths were quite reasonable, within the budget of most free Roman males. • Since the Roman workday began at sunrise, work was usually over a little after noon. Around three in the afternoon, men would go to the baths and stay for several hours of sport, bathing, and conversation, after which they would be ready for a relaxing dinner. • Republican bathhouses often had separate bathing facilities for women and men, but by the time of the empire the custom was to open the bathhouses to women during the early part of the day and reserve it for men from two in the afternoon until closing time. • Which was usually Certainly women who were concerned about their respectability did not frequent the baths when the men were there, but of course the baths were an excellent place for prostitutes to work. ‘12 11 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana A triumphal arch is a structure in the shape of a monumental archway, usually built to celebrate a victory in war. The arch is invariably a free-standing structure, quite separate from city gates or walls. In its simplest form a triumphal arch consists of two pillars connected by an arch, crowned with a superstructure or attic on which a statue might be mounted or which bears commemorative inscriptions. More elaborate triumphal arches have more than one archway, typically three or five of varying sizes. BYZANTINE ARCHITECTURE Byzantine architecture is the architecture of the Byzantine Empire. The empire emerged gradually after AD 330, when Constantine moved the capital of the Roman Empire to Byzantium, which was later renamed Constantinople and is now Istanbul. Early architecture Prime examples of early Byzantine architecture date from Justinian I's reign and survive in Ravenna and Constantinople. One of the great breakthroughs in the history of Western architecture occurred when Justinian's architects invented a complex system providing for a smooth transition from a square plan of the church to a circular dome (or domes) by means of squinches or pendentives. In Ravenna, we have the longitudinal basilicas of San Vitale and S Apollinare Nuovo, among others. Justinian's monuments in Constantinople include the domed churches of Hagia Sophia and Hagia Irene, but there is also an earlier, smaller church of Sts Sergius and Bacchus (sometimes referred to as "Little Hagia Sophia"), which might have served as a model for both in that it combined the elements of a longitudinal basilica with those of a centralized building. ‘12 12 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana Secular structures include the ruins of the Great Palace of Constantinople, the innovative walls of Constantinople (with 192 towers) and Basilica Cistern (with hundreds of recycled classical columns). A frieze in the Ostrogothic palace in Ravenna depicts an early Byzantine palace. Hagios Demetrios in Thessaloniki, St Catherine Monastery on Mount Sinai, Djvari in present-day Georgia, and three Armenian churches of Echmiadzin all date primarily from the 7th century and provide a glimpse on architectural developments in the Byzantine provinces following the age of Justinian. Middle period The Middle period of Byzantine history didn't see any ambitious architectural undertakings. From the years of Iconoclasm we have only the Church of Hagia Sophia, Thessaloniki. Another major building, the Assumption church in Nicaea, was destroyed in the 1920s, although the photographs survive. The period of the Macedonian dynasty, traditionally considered the epitome of Byzantine art, has not left a lasting legacy in architecture. It is presumed that Basil I's votive church of the Theotokos of Phoros (not longer extant) served as a model for most cross-in-square sanctuaries of the period, including the monastery church of Hosios Lukas in Greece (ca. ‘12 13 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana 1000), Nea Moni Katholikon in Chios (a pet project of Constantine IX), and the Daphnion near Athens (ca. 1050). Comnenan and Paleologan periods In Constantinople and Asia Minor the architecture of the Comnenan period is almost non-existant, with the notable exception of the Elmali Kilise and other rock sanctuaries of Cappadocia. Much architecture survives on the outskirts of the Byzantine world, where the national forms of architecture came into being: in the Transcaucasian countries, in Russia, Bulgaria, Serbia, and other Slavic lands; and also in Sicily (Cappella Palatina) and Veneto (St Mark's Basilica, Torcello Cathedral). The Paleologan period is well-represented in a dozen churches of Constantinople, notably St Saviour at Chora and St Mary Pammakaristos (illustrated, to the right). Unlike their Slavic counterparts, the Paleologan architects never accented the vertical thrust of structures. As a result, there is little grandeur in the late medieval architecture of Byzantium (barring the Hagia Sophia of Trapezunt). ‘12 14 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana The church of Holy Apostles in Thessaloniki is often cited as an archetypal structure of the late period, when the exterior walls were intricately decorated with complex brickwork patterns or with glazed ceramics. Other churches from the years immediately predating the fall of Constantinople survive on Mount Athos and in Mistra (e.g., Brontocheion monastery). Structural evolution As early as the building of Constantine's churches in Palestine there were two chief types of plan in use: the basilican, or axial, type, represented by the basilica at the Holy Sepulchre, and the circular, or central, type, represented by the great octagonal church once at Antioch. Those of the latter type we must suppose were nearly always vaulted, for a central dome would seem to furnish their very raison d'etre. The central space was sometimes surrounded by a very thick wall, in which deep recesses, to the interior, were formed, as at the noble church of St George, Salonica (5th century), or by a vaulted aisle, as at Sta Costanza, Rome (4th century); or annexes were thrown out from the central space in such a way as to form a cross, in which these additions helped to counterpoise the central vault, as at the Mausoleum of Galla Placidia, Ravenna (5th century). ‘12 15 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana The most famous church of this type was that of the Holy Apostles, Constantinople. Vaults appear to have been early applied to the basilican type of plan; for instance, at Hagia Irene, Constantinople (6th century), the long body of the church is covered by two domes. Byzantine legacy Ultimately, Byzantine architecture in the West gave way to Romanesque and Gothic architecture. In the East it exerted a profound influence on early Islamic architecture, with notable examples including the Umayyad Great Mosque of Damascus and the Dome of the Rock in Jerusalem, which required Byzantine craftsmen and mosaicists to decorate. In Russia, Romania, Georgia, and other Orthodox countries the Byzantine architecture persisted even longer, finally giving birth to local schools of architecture. Legacy The Byzantine era properly defined came to an end with the fall of Constantinople to the Ottoman Turks in 1453, but by this time the Byzantine cultural heritage had been widely diffused, carried by the spread of Orthodox Christianity, to Bulgaria, Serbia, Romania and, most importantly, to Russia, which became the centre of the Orthodox world following the Ottoman conquest of the Balkans. Even under Ottoman rule, Byzantine traditions in icon-painting and other small-scale arts survived. The influence of Byzantine art in western Europe, particularly Italy, was seen in ecclesiastical architecture, through the development of the Romanesque style in the 10th century and 11th centuries. This influence was transmitted through the Frankish and Salic emperors, primarily Charlemagne, who had close relations with Byzantium. ‘12 16 Sejarah Arsitektur Hady Soedarwanto, ST. M.Ds. Pusat Pengembangan Bahan Ajar Universitas Mercu Buana