Dr. Perdigao HUM 2212: British and American Literature I Fall 2012 Midterm Review Exam: Friday, October 12 Part I-II. In these sections, you will fill in the blanks and identify concepts and names in short responses. The list is derived from the material covered in the readings and in the powerpoints and will include names, titles, key concepts, and literary terms. A comprehensive list is included below: The Romantic Period/Romanticism (1785-1832) French Revolution American Revolution Industrial Revolution Feeling and imagination William Blake “The Sick Rose” “The Tyger” Illustrator Creation and destruction Edmund Burke Reflections on the Revolution in France Mary Wollstonecraft A Vindication of the Rights of Men and A Vindication of the Rights of Woman William Wordsworth “We Are Seven” Mortality and immortality Innocence and experience “The Solitary Reaper” “London, 1802” John Milton Mary Shelley Frankenstein Percy Bysshe Shelley “Ozymandias” “Adonais” Adonis Elegy Eulogy Conventions of the pastoral elegy: Invocation to a muse Descriptions of nature’s sympathetic participation in the grieving Description of the procession of the mourners Final turn from despair to consolation in the discovery that the grave is the gate to a higher existence John Keats “Bright star, would I were steadfast as thou art” American Renaissance Transcendentalism Ralph Waldo Emerson Nature Transparent eyeball “Thoreau” Henry David Thoreau “Resistance to Civil Government” Non-conformity Activism Walden, or Life in the Woods Walt Whitman “When Lilacs Last in the Dooryard Bloom’d” Public versus private mourning The Gothic Antiquated space castle, foreign palace, abbey, vast prison, subterranean crypt, graveyard, primeval frontier or island, large house or theatre, aging city or urban underworld, decaying storehouse, factory, laboratory, public building Buried past Anxieties about revolution, crowds, power Horace Walpole The Castle of Otranto “first” Gothic text, claimed to be translation Manfred Conrad Isabella Grandfather’s portrait Matthew Gregory Lewis The Monk Samuel Taylor Coleridge “The Rime of the Ancient Mariner” Review of The Monk by Matthew Lewis Washington Irvin “The Legend of Sleepy Hollow” Christopher Walken (kidding) Diedrich Knickerbocker Ichabod Crane Katrina Van Tassel Brom Bones Headless horseman Pumpkin Nathaniel Hawthorne “The Minister’s Black Veil” Reverend Hooper Elizabeth “The Birth-Mark” Aylmer Fairy’s hand Bloody hand Georgiana Aminidab Spiritual and physical Science and faith Elixir of Immortality “Rappaccini’s Daughter” Giovanni Beatrice Threat of female sexuality Innocence and corruption Beauty and terror Good and evil Spirit and flesh Edgar Allan Poe “The Raven” Lenore Nevermore “The Philosophy of Composition” Denouement Death of a beautiful woman “The Fall of the House of Usher” Roderick Usher Madeline Wall Buried alive “William Wilson. A Tale” Glendinning Mirror Doppelganger Uncanny: familiar and strange Civil War Abraham Lincoln “Address Delivered at the Dedication of the Cemetery at Gettysburg, November 19, 1863” Commemoration Emily Dickinson 479 [712] [“Because I could not stop for Death”] 600 [312] [“Her - last Poems –”] Victorian Era (1830-1901) Elizabeth Barrett Browning Sonnets from the Portuguese Claimed to be a translation Sonnet 43 Robert Browning, “My Last Duchess” Buried secret Enclosure, disclosure Enjambment Control Female sexuality Painting Fra Pandolf Alfred, Lord Tennyson “The Lotos-Eaters” “Ulysses” Matthew Arnold “Dover Beach” Christina Rossetti “Song” “In an Artist’s Studio” Part III. In brief responses, you will identify the key quotes and discuss their significance, explaining why they are central to the texts’ meanings. Impact of the Industrial Revolution, ideas about man’s relationship to nature, to society Ideas about revolution—opportunity and crisis Identity construction and identity crisis—race, class, gender, sexuality Patriarchal orders—sustaining the institutions, threatening the institution, dismantling the institution Relationship to the past—fear of haunted spaces, nostalgic attempts to recreate the past