Stories of our Fleeting Past Multi-Stage Unit – Stage 1& 2 (Our Stories/Our Fleeting Past) Connected Outcomes Group (G) Connection focus: Understanding and exploring the impact of British colonisation through objects, songs, dance and story and how these cultural activities helped to shape Australia. HSIE Students undertake a study of the British colonisation of Australia and its effects on the British settlers, convicts and Aboriginal people. Students will acquire information about the voyages of James Cook and the first fleet under the leadership of Captain (later Governor) Phillip. They will acquire information about some of the people who contributed to the success of the colony, the problems for both the early settlers and Aboriginal people, inclusive of Aboriginal resistance e.g. the actions of Pemulwuy and Tedbury. Students use an inquiry process to identify changes that have occurred as a result of British colonisation. Students develop values and attitudes associated with social justice, ecological sustainability and democratic processes. Creative Arts Students will be engaged in: Researching events in Australia’s history Exploring consequences for Aboriginal people Telling stories through visual arts, music, drama and dance Creating a tableau depicting a stage in Australia’s history Students develop an understanding of heritage as a sense of change through time and place, by sharing stories, oral histories, photos and artefacts related to their own and other families in their community. SciTech Humans have an impact on the natural environment as they build communities and make use of natural resources to satisfy their needs and wants. Students may examine the effects of European settlement on the natural environment. Students can investigate: habitats of native animals. ‘Stories of our fleeting past’ provides opportunities for students to select and a range of equipment and media to undertake an investigation or design task. The arts often record and comment on issues, activities and events from particular viewpoints. An artist or writer can represent a specific view of history, representing places, people and events in a way to give an audience a particular impression. Viewing historical works may also allow students to place people, actions and places into a relevant context. Students can use storytelling as a tool to investigate the work of artists and as a stimulus for making works. PDHPE Planned assessment: PDHPE outcomes are addressed in other units within this stage. There are no PDHPE outcomes linked to this unit. observation o a musical composition using artwork as inspiration viewing of a character dramatisation in an imaginative story analysis of detailed drawings of personal artefacts. Page 1 Planning page Student work: Resources needed: Students will be asked to bring in a personal artefact (something of importance to them), and an artefact from their family. Copies of DET and BOS resources have been sent to all schools. Organise for an older community member to share stories from when they were young. Students will need to prepare appropriate costumes for the early settlers day to be held at the end of the unit. books on European explorers who visited Australia books on the First Fleet Images of botanical drawings and paintings (web links can be found in the Visual Arts activity ‘Botanical drawings) Globe or world map Digital camera/computer Procedural/exposition text type template Vocal Ease modules 3 & 4 (DET) # Musical Instruments Artefacts from museum Isabellas Bed – Alsion Lester When I was young – James Dunbar & Martin Remphry Books on Native Australian Animals Site Links Literacy links include: uses visual texts including maps, timelines and artwork to gather information http://www.hht.net.au/museums/mos/main Collaborate with your teacher-librarian for teaching and resource support. works in small groups to write an information report or diary of events determines direction of countries from Australia with guidance, discusses complex issues and supports position with evidence in discussions describes a route on a map analyses, summarises and presents information through drama reads and interprets simple timelines organises information in a variety of formats to demonstrate conclusions of an investigation describes location on a map uses coordinates to describe position compares and orders events in time with support, writes an historical narrative based on research, an understanding of the era and key figures. Works in groups to write and perform a musical composition for other students Listens to oral recount from a guest speaker Discusses how pictures can convey a message or story Interviews a gamily or community member about an artefact and shares his information with the class http://www.anmm.gov.au/ http://www.hht.net.au/education/k__12_subject_areas/hsie http://www.atmitchell.com/journeys/history/terra/firstfleet.cfn Numeracy links include: #Additional copies of these DET resources are available from DET sales at: https://www.det.nsw.edu.au/doingbusiness/product_service/schcurresource/index. htm Page 2 Term planner (teachers may want to use this to plan the work over a term) Week Creative Arts HSIE SciTech PDHPE Introduction PDHPE outcomes are addressed in other units within this stage. There are no PDHPE outcomes linked to this unit. The ‘discovery’ of Australia 1 Captain James Cook Captain James Cook 2 3 Drama – Telling a story in sound 4 Drama – Developing a performance piece “First Fleet” 5 6 7 Telling a story through movement 8 9 10 Animal adaptation: identifying structure and function The First Fleet Australia before British Colonisation Diversity of animals Personal Heritage Classifying Animals/Adaptation of Animals Our Heritage A growing colony Visual Arts – Botanical Drawings Final “Day in the life of the Early Settlement” Page 3 Outcomes HSIE: CCS2.1 Learning Experience Planned Assessment Introduction • Write the words Terra Australis Incognita on the board. Ask students what they think these words mean. Identify the meaning as ‘the unknown south land’. The French called it France Australe. The Dutch called it New Holland. Ptolemy, a Greek scholar, drew a map in 150 AD showing Terra Australis. He reasoned that the world needed a land mass in the southern hemisphere to balance the land mass in the northern hemisphere. Stories of a fabulous land of great cities, wealth, spices and gold began, but there were also other stories of barbarians in a barren land south east of the South Sea. NB shaded text is background information for teachers. • Use a globe or world map to identify the northern hemisphere and the southern hemisphere. Locate the Equator. Identify England, Europe and Indonesia (point out Timor and Sulawesi). Discuss the differences in seasons between the two hemispheres. (Numeracy link: determines direction of countries from Australia) (Literacy link: explores subject specific vocabulary; generates an hypothesis; uses visual texts to gather information.) HSIE: CCS2.1 Captain James Cook Background information Cook’s orders were that, if the ‘Great South Land’ was uninhabited, he should lay claim for England, but if there were people living there he should take possession of those parts of the country that inhabitants agreed to. Explain the concept of terra nullius - Latin for ‘land belonging to no one’. Even though Cook encountered Aboriginal people, he claimed the east coast of Australia as a British possession as if the country was terra nullius. Cook’s decision was based on a European understanding of land ownership. He saw no fences, buildings or other features that indicated land ownership in European terms, and he assumed that the land was unused. As a result, Aboriginal peoples did not have the rights to which other conquered people were entitled to under European law at the time. • Provide a variety of suitable texts on James Cook for students to read. Enhance student understanding of different aspects of his voyage by drawing a rough plan of the Endeavour (at only 32m long, it was a tiny ship), using chalk in the school playground. Page 4 • Map and date the routes of Cook’s journeys. • Students prepare and write questions they would like to ask Captain Cook (or a member of his crew) in an interview, making sure that there are clues for the answers in the texts they have read. • Students work with a partner to conduct the interview they have prepared, taking turns to be the interviewer and the interviewee. Record, if possible. (Numeracy link: estimates then measures the length of the Endeavour; describes a route on a map) (Literacy link: uses a range of texts on the same topic to compare information; writes interview questions) HSIE: CCS2.1 ENGLISH: RS2.6 MATHEMATICS: MUS1.1, 1.2, 1.3, 1.4 Assessment strategy The First Fleet Captain Arthur Philip was appointed as captain of the First Fleet. He had a variety of skills including being a successful farmer. 11 ships were assigned to the First Fleet to transport about 770 convicts (official numbers vary) made up of 568 men, 191 women and 13 children of convicts. There were also about 247 Royal Marines (guards and soldiers), 210 Royal Navy sailors, 233 merchant seamen, 20 civil officers together with 27 wives and 19 children. The 11 ships were: HMS Sirius (Flagship, in which Captain Phillip travelled) HMS Supply (escort ship), six convict ships: Alexander, Charlotte, Friendship, Lady Penrhyn, Prince of Wales and Scarborough and three store ships: Borrowdale, Fishbourn, Golden Grove. The teacher: - Observes student participation in class composing activity. - Stage 1 students will perform teacher directed interpretations of stimulus materials. - Stage 2 students will develop and perform individual interpretations using stimulus materials. Telling a story in sound ENGLISH: TS1.2, TS1.3 • Study an artwork such as Untitled (First Fleet entering Botany Bay). This image can also be seen at: http://www.atmitchell.com/journeys/history/terra/firstfleet.cfm • Explore the artwork by: WS1.9 - discussing the people, what they look like, what they are doing describing the objects and background in the image where are the aboriginal people, what might they be thinking as they watch this scene? why are the English officers saluting? creating sounds for the different characters and objects in the image e.g. the rustling of trees, waves breaking against shoreline, soldiers & sailors moving on land. • Encourage students to use voices and found objects e.g. environmental sounds as well as traditional classroom instruments. Vary the loudness and Page 5 Assessment Criteria The Student: - Creates sounds in response to a visual image - Performs sounds in response to a visual image - Uses symbols to represent sound - Discusses their compostions and gives • • • • • CAPA: DRAS2.1, 2.2, 2.3, 2.4 ENGLISH: TS2.2, 2.3 RS2.7, 2.8 softness of the sounds. Use the picture as a score, pointing to different people and objects for the students to practise producing their sound. Experiment with overlapping sounds as well as separate sounds. Create a class composition based on the artwork. Have each group invent a graphic symbol to represent their sound. Use these symbols in a graphic score to create a new class composition. Perform the class composition. Discuss which version students like best and why. Developing a performance piece using “First Fleet” artwork as stimulus: reasons for their choices - Organises and records ideas in sequence Assessment Strategy The teacher: http://www.atmitchell.com/journeys/history/terra/firstfleet.cfm Identify the roles and situations inherent in the descriptions, noting particular characters or historical figures who may have been involved in these situations, e.g. suggested situation might be the raising of the Union Jack and the officers saluting the flag Divide students into groups of 5–6, allocating two situations to each group, e.g. in the suggested scenario above, the second situation might be the aboriginal ‘unseen’ perspective as discussed earlier. • Each group is to write a broad outline of the situation on A4 cardboard sheets e.g. The landing of the Endeavour in Botany Bay. • Allocate roles of people from the situation, e.g. James Cook, Joseph Banks, crew of the Endeavour, Arthur Phillip, Arabanoo, Elizabeth Macarthur, Bennelong, a cast of Aboriginal people, Francis Greenway, James Ruse, Lachlan Macquarie, Mary Reiby, Pemulwuy. Note that either a suggestion of costume or role can be used. Costuming could be considered, although this may restrict a student to playing only one role. • Create tableaus or a series of freeze frames depicting the events, people and their activities in frozen moments of their lives and lifestyles, e.g. the series of frozen images might be made up of: - Aboriginal people sighting the Endeavour - Captain Cook speaking to Joseph Banks and pointing towards the shore - the Endeavour landing on the beach at Kurnell, with Captain Cook and crew stepping onto sand as the Aboriginal people react Page 6 - Observes the students ability to sequence the events in correct chronological order. - Stage 1 students will perform with teacher direction. - Stage 2 students are provided a scaffold to perform group interpretations appropriate to the stimulus materials. Assessment Criteria The student: - Demonstrates interaction and communication skills appropriate for sequencing of events. - a moment of interaction between the two groups of people. • Practise, revise and refine the movement between the freeze frames as well as the body language of the roles, e.g. the movement of the four frozen images might be marching for the Endeavour crew and sliding for the Aboriginal roles. • Reflect on and discuss the revisions in groups. • Present each of the tableaus to the rest of the class • The class can link their tableaus in a sequence in chronological order to express a living timeline of our fleeting past. The class might like to include a narrator or a series of narrators for the combined action depicted in the integrated tableaux, or even a series of large easily legible flash cards highlighting the scenarios. With practice and revision, this sequence should be developed as a presentation for exhibition, e.g. assembly, historical performance. • Discuss the performances: - what part did you enjoy the most? how did you feel when you were performing? were the situations clear? what was happening? how could it be improved? were the roles convincing? • Practise and refine as a whole class, then present the performance piece at an assembly or other public venue. (Literacy link: analyses, summarises and presents information through drama) (Literacy link: adjusts voice to suit characters; responds to non-verbal prompts from others; evaluates their participation in drama) ENGLISH: TS2.1, 2.2 Australia before British colonisation Note: some episodes from the ABC schools programs Our History provides background information for students. • Draw a chalk line on the board or floor that is two or four metres long. Explain to students that this is a timeline representing 80 000 years of Aboriginal peoples living in Australia. Ask students to indicate by putting marks on the line Page 7 • • • • showing how long Australia has been settled by white people. Explain that the last centimetre (for a 4m line or only ½cm for a 2m line) represents the 200 years since British colonisation. Discuss this representation of the colonisation of Australia compared to students’ perception of the length of time. Display an Aboriginal language map of Australia. Available at: http://www.curriculumsupport.education.nsw.gov.au/shared/abmaps/maps.htm Explain that before 1788 there were several hundred, (estimated between 250 and 500), Aboriginal language groups or nations. Use the NSW interactive map on the web site to locate the Aboriginal language group or nation of your local area. Jointly refer to List of Aboriginal nations on the web site, selecting the Nation in which the school is located. Share and explain the information with students. Identify and record local Aboriginal words and their meanings. Undertake additional searches of the Aboriginal people of the local area as required. Use a local area map (obtained from local council or street directory) to identify places in the area named in the Aboriginal language. (Numeracy link: reads and interprets simple timelines; describes location on a map) (Literacy link: uses internet searches, maps and timelines to gather and relate information) HSIE: CCS1.1 ENGLISH: RS1.5, 1.6 TS1.1, 1.3, 1.4 Collect information and provide a list of equipment and resources used by the First Fleet for students to reference, or go to: http://cedir.uow.edu.au/programs/FirstFleet/s_rations.html http://www.hht.net.au/museums/mos/main http://www.anmm.gov.au/ Personal heritage – HSIE • Bring in a personal artefact of significance to show the class. Explain the story behind the artefact, its significance, why you have kept it and what it reminds you of. • Identify something that is important to the class that cannot be represented by an artefact. • Students discuss what is very important in their lives and identify both tangible and intangible items: - tangible e.g. a special toy, something that is important to their family, such as a painting or Page 8 an old memento, perhaps from another country - intangible e.g. love and friendship, a special relationship with grandparents or cousins, the significance of rituals and celebrations. • Encourage students to bring in a personal artefact. A class letter sent home could include the questions below to help students prepare. Ensure items are securely stored. • Students then share their artefacts with the class, using questions to focus their presentation: - what is your personal artefact? - how did you get it? (Where, when and who from?) - why is the artefact special to you? • Read books about personal artefacts e.g.: - When I was young, James Dunbar and Martin Remphry - Isabella’s bed Alison Lester - identify what was important to the major characters in the story, why they kept the items and why they were treasured. - compare students’ artefacts with those in the story, discuss similiarities, differences and significance of artefacts. (Literacy link: relates events in texts to own experiences; describes an object using focus questions) CAPA: Telling a story through movements DAS1.1, 1.2, 1.3, 1.7 Digital photographs of dance performances may be used for the design task: Making a book • Select five or six artefacts that have been brought in by the students (personal and/or family artefacts). • Using one object as a stimulus, students individually develop a series of shapes based on the object itself or how the object is used. • Working collaboratively with a partner students design a sequence of movements, exploring movements and shapes associated with the object. Each pair should interact and show a connection between their individual shapes and movements. • Discuss ideas and ask students to demonstrate examples: MATHS: SGS1.3 - what body shapes they will use? (curved, stretched, angular, narrow) will they be walking, jumping, rolling, running? (locomotor action) will they be bending, stretching, tilting, twisting? (non-locomotor) what parts of the body will be moving? (head, torso, legs, arms) how will they move? (dynamics – smooth, jerky, light, heavy) Page 9 - will they move slowly or fast? (time - tempo, pace, speed, rhythm) - where will they move? (personal space and pathways as they move within the performance space) - what levels will be used? (high, medium, low) - how will they interact with their partner? (mirroring, canons, call and respond). • Each pair should develop a simple movement sequence to tell a story about the object or through using the object. Encourage imaginative and creative responses. Note: the students’ stories do not have to be logical or realistic. • Pairs perform their story (movement sequence) for the rest of the class. If possible, take digital photos of the performances for future use. • Discuss: - which dances did you like best? Why? which movements were the most interesting? which shapes were the most interesting? which “story” did you like best? Why? if you were going to design a costume for your dance (story), what would it look like? (Numeracy link: gives and follows simple directions, using terms ‘left’ and ‘right’) HSIE: Our heritage CCS1.1 • Use a junior pictorial history book to explore the past. Deconstruct an era, relative to Australia, and depicted in a history book, and explain things such as the transport used, whether there was electricity, TV, clothing, type of food eaten. Relate to students’ experiences. • Discuss the images presented in the pictorial history, and describe the events, life and time represented by the images. Consider: ENGLISH: RS1.5, 1.6 - the activities occurring on the page who is performing the activities the types of occupations depicted the types of play and games depicted where these events may be happening. • Work in groups to read and explain an allocated section of the book, presenting information in chronological order to reinforce the changes that have occurred over time. Page 10 (Literacy link: with support, locates information in factual texts using subheadings and focus questions) CAPA: VAS2.1, 2.2, 2.3, 2.4 ENGLISH: WS2.9 Assessment Strategy Visual Arts - Botanical drawings On one of Cook’s voyages to the Pacific, a team of botanists led by Joseph Banks made sketches, notes and watercolours of plants collected from wherever the ship struck land. One of the artists was Sydney Parkinson, who worked on the botanical illustrations. He made numerous field drawings, watercolours and gouache paintings, completing 264 complete paintings and more than 900 drawings. • - why do you think artists make botanical drawings? (purpose and audience) why do the drawings look so realistic? is there anything similar about the works? why are details (e.g. flowers and seeds, often included in the drawings or paintings?) what media and techniques are used? (e.g. were the brushes thick or thin? what type of pens?) • Botanical artists usually paint and draw from actual examples of flora rather than photographs. Why do you think they do this? • Each student brings a flower, leaf, or part of a plant and makes a detailed realistic drawing from observation. Experiment using a variety of media and techniques e.g. pencils, coloured pencils, fine point pens. • The drawing should be approximately the same size as the subject, or to scale. Concentrate on trying to make the drawing as accurate as possible, recording fine details. • Make annotations on the drawing, referring to aspects such as colour, texture, aroma and where the plant was growing. Add colour if necessary. • Combine the drawings into a class botanical drawing book. (Literacy link: uses topic specific language when taking notes) LTS2.3 - Analyses student drawings of objects Look at some examples of botanical drawings and paintings: http://www.jbanks.com/ http://www.anbg.gov.au/gallery/colour.html Discuss the examples of botanical drawings: • SCITECH: The teacher: The first British settlers to Australia encountered many plants and animals that they had never seen. The Australian environment was vastly different to that of the Britain. This series of activities will allow students to investigate some of the structures that assist animals to survive in their environment. Page 11 Assessment Criteria The student: - Makes a detailed drawing on the object from observation - Explores the qualities of different drawing media to make a drawing from observation - Discusses how pictures can convey a message or story - Sequences ideas in a visual literary recount Assessment Strategy The teacher: - Stage 1 students are provided with the information required to complete classification assessment task. Diversity of animals - research Observing and exploring (ask questions, pose problems, find out what is currently known) • Inform students that they will be researching Australian native animals. • Brainstorm and list known Australian native animals such as kangaroos, wombats, kookaburras. • Ask students, in pairs, to select a native animal from the list, or allocate a native animal to each pair to research. • Discuss with students, what do we want to find out about our animals? Ask: - what is its name? (common name) where does it live? what does it eat? what does it look like? (have students provide a large picture of the animal to used in the next activity) - what are its predators? - how does it protect itself? • Supply students with a suitable proforma/table to complete their research. SCITECH: INVS2.7 Classifying animals Collecting and recording data (use the procedure and equipment to collect and record data) • Place the students in small groups with their research information and native animal pictures (teachers may like supply additional pictures of animals). • Ask students to compare the animals: - how are they the same? (number of legs, body covering, food they eat, habitat, location of ears/eyes) • Ask students to group the animals. Discuss with students what features they could use to classify the animals. • Have groups report to the class the grouping feature they used. Ask students to form sub groups from their original groups. • Have groups report on the second grouping feature they used. Page 12 - Stage 2 students are required to conduct their own investigations to provide the information required to complete the classification assessment task. Assessment Criteria The student: - places an image of a native animal onto a map of Australia in an appropriate position in terms of the animal’s natural habitat Australian native animals Has 2 legs Has fur SCITECH: Has feathers Has 4 legs Has fur Has scales Animal adaptation: identifying structure and function LTS2.3, Particular features of animals help them to better survive in certain environments. In this series of activities, students will investigate how the shape of a bird’s beak helps it collect food. INVS2.7 Observing and exploring (ask questions, pose problems, find out what is currently known) • Supply students with pictures of three birds with different shaped beaks such as a ENGLISH: RS2.5 WS2.9, WS2.10 - pelican – wide, deep - pacific black duck – flat - brolga – spear-shaped Images may be obtained from the Australian Museum web site http://www.austmus.gov.au/explore/birds.htm • Discuss with students the shape of the beaks: - describe the shape of the beak - what do you think the birds could use the beak to do? - what type of food do you think they would eat? Hypothesising and predicting (define a problem that can be investigated scientifically) • Record the students’ responses and jointly construct generalised statements Page 13 such as: - spear-shaped beaks are better at picking up small food - wide, deep beaks are better at holding large food - a flat beak is good for crushing food. Devising and testing (describe a procedure for collecting data, identify appropriate equipment to carry out the procedure) • Ask students to suggest ways of testing the above statements. Students may suggest a trip to the zoo or to an area where birds may be observed feeding • Guide students towards an investigation where the various beak types may be replicated. • Discuss with students: what could be used to replicate the shape of the beaks and type of food they would normally eat? Supply groups of students with: - a paper plate two paddle-pop sticks (duck’s beak) a plastic spoon (pelican’s beak) a tooth pick (brolga’s beak) small round lollies or beads small pieces of paper stopwatch or watch with a second hand a paper cup. • Supply students with the following procedure: 1. Place 10 lollies/beads in the paper plate 2. Take turns, using the spoon, to collect lollies/ beads and place them into the paper cup within a 20 sec period 3. Record the results of each student’s attempts on an observation chart. Student’s name Beak type Object Number John pelican beads 8 - repeat steps 2 and 3 using the 2 paddle-pop sticks - repeat steps 2 and 3 using the tooth pick - repeat the investigation using 2cm squares of paper Analysing and drawing conclusions (reach a conclusion which is communicated Page 14 to others) • Guide students in producing a graph of their observations. Students may use graph paper or an electronic spreadsheet program to generate their graphs. • In groups ask students to review their results: - which beak type was most successful at collecting beads/jellybeans? - which beak type was most successful at collecting the pieces of paper? • Supply students with a printout of the fact sheets from the Australian Museum web site http://www.austmus.gov.au/explore/birds.htm Do the results of the group’s investigation support the information supplied in the sheet. ie does the shape of the beak help the birds capture and eat their prey? • Have students write an evaluation of the investigation in their science log books. The students should answer the following questions: - was the simulation of the birds’ beaks a good way of investigating their function? - how could you improve the investigation? Further investigations • Students select an animal or plant and discuss how some of its features help it to survive in its environment. (Literacy link: organises information in a variety of formats to demonstrate conclusions of an investigation;gathers information from observations; jointly constructs generalised statements based on observations and discussions; organises a procedure to test an hypothesis ) HSIE: CCS2.1 ENGLISH: TS2.1 Consequences for Aboriginal people Background information The Eora people lived in the area around Sydney Harbour. To the west between the coast and the mountains were the Dharug people. Not a lot happened until the Indigenous people realised that the invaders were not going to leave. The colonists stole tools and weapons from the Aboriginal people to trade for food with other colonists. They accessed local food supplies, particularly fish, to feed the people of the First Fleet. There was not enough food for both groups to survive. Page 15 RS2.5 WS2.9, WS2.13 Governor Phillip was keen to establish good relationships with the Aboriginal people. He intervened when problems occurred and endeavoured to meet with the Eora. He had no way of communicating with them, so he had the marines capture some Aboriginal men at different times. These include Arabanoo (first known as Manly), Bennelong, Yemmerrawannie and Colby. Later, Governor Phillip was not as supportive of the Aboriginal people as they continued to plunder food supplies of the colonists, on Aboriginal land, in order to survive. Small pox and other white mans’ diseases Aboriginal people did not have any resistance to the diseases that the people on the First Fleet carried. Small pox, influenza and measles were some of the diseases that killed many Aboriginal people. At times half (others estimate up to two thirds) of the people in the Aboriginal communities died. Many of these were women and children. • Organise the class into four groups (one group for each task). • Task 1 - read about these famous Aboriginal men and what happened to them, and share information with the rest of the class. • Task 2 - read about the time Governor Phillip was speared by Aboriginal people at Manly. Retell the story to the class. • Task 3 - imagine what it would be like if half the people you know became ill and died. What would happen to the community? How would the community continue to function? What would happen to the surviving people? Present findings to the class. • Task 4 - create a consequence chart (or flow chart) of the short term and long term effects of disease. What happened to the knowledge of the Elders and other important people in the Aboriginal communities? Present chart to the class. (Literacy link: gives possible reasons for an event and creates a consequence chart) HSIE: CCS2.1 ENGLISH: TS2.4, 2.1 Aboriginal resistance to British colonisation As the country was progressively settled, Aboriginal lands were invaded. In many places around Australia these invasions were resisted with force. Notable Aboriginal resistance fighters include Pemulwuy, Windradyne, Yagan, the Kalkadoons and Jandamurra. Note: some episodes from the ABC schools programs Our History provide background information for students. • Read a text about Pumulwuy or Windradyne to the class. Alternatively, provide Page 16 RS2.6 WS2.10, 2.14 HSIE: CCS2.1 WS2.10, 2.13, 2.14 TS2.4, 2.1 a text suitable for students to read. Refer to the DET Multistage unit Australian Democracy (DET) page 8 for a list of suitable texts.. • Develop students understanding of the text. • Identify and list reasons why Pemulwuy or Windrayne did what they did to try and defend their land. Assessment Strategy A growing colony On December 11 1792, Governor Phillip left Sydney to return home. He was disappointed at the progress he had made. There were 700 huts, some substantial homes, a hospital, observatory, jetties, dockyards, government stores, a Governor’s house, a windmill and two small schools. He left the colony almost self-sufficient in food, and it was finally over its most difficult years. Note: some episodes from the ABC schools programs Our History provide background information for students. • Discuss: Do you agree that Governor Phillip should have been disappointed at the progress of the colony? Ask students to give reasons to support their opinions. Assessment: • Write an historical narrative (about 1–2 pages) about life in the early colony. Imagine you are one of the people on the First Fleet, or an Eora person, and write about your life, where you lived, the clothes you wore, the food you ate and your friends. Include an imaginary event that could have occurred (e.g. the complication) and show how this was resolved. Limit characters in the narrative. (see assessment notes in side box) The teacher: - Observes the interaction of students whilst in role play - Observes students ability to communicate or express an opinion effectively to their peers - Stage 1 students will use teacher directed scaffolding to jointly construct a historical narrative. - Stage 2 students will individually construct a historical narrative. Assessment Criteria The student: - Interacts in role to communicate meaning to an audience. - Responds to their own drama and that of others by describing their ideas and feelings in class discussion • Activites to model aspects of this narrative. Each student could: - role play and describe themselves as a character set in this time (a drawing and description of themselves as the character may be helpful) - write a diary entry of themselves as the character in the first person - read diary entries of imaginary characters set in a similar time e.g. Journal of Watkin Tench, by Meridith Hooper - draw and describe the setting (paying particular attention to historical aspects – transport, Page 17 cooking arrangements) ENGLISH: TS1.1, 2.1, 2.2, 2.3 “DAY IN THE LIFE OF THE EARLY SETTLEMENT” - WS1.9, 1.13, 2.9 MATHEMATICS: MS1.3, 2.3 - HSIE: CCS1.1, 2.1 Expresses an opinion and argue a point of view Assessment Strategy As a celebration of the learning that has been undertaken in this unit of work, students are invited to experience a simulated day in the life of the early settlement. Students will take on different roles, wear appropriate clothing eg convicts, soldiers, early settlers and native Aboriginal people etc. Activities to include: role playing, the arrival of the first fleet, traditional bush dance and Aboriginal stories through dance, cooking and culminating with a verbal exposition between “European Settlers” and Native Aboriginal People”. (note: only stage 2 assessment) The teacher: - Stage 2 students will use digital camera to record the day’s events and will develop a PowerPoint presentation using the digital images captured on the day. Assessment Criteria - The two sides will argue the positives and negatives of the first fleet’s arrival. The student: - Chosen students will collect written data, media data and use these to create a power point presentation with teacher assistance. - capture digital images of the role play and verbal exposition CAPA: DRAS2.1, 2.3 - - will operate a digital camera - use computer technology to collate the data from the day and develop a presentation in regard to the same. DAS2.7 SCITECH: ICS1.2 UTS1.9 Page 18