UNIVERSITY OF KENT – CODE OF PRACTICE FOR QUALITY ASSURANCE MODULE SPECIFICATION TEMPLATE The title of the module Saints, Chroniclers and the End of Time: Narrative Art in England, c. 1175—c. 1300 1 The Department which will be responsible for management of the module School of History 2 The Start Date of the Module 2006/7 3 The number of students expected to take the module Approx. 30 4 Modules to be withdrawn on the introduction of this proposed module and consultation with other relevant Departments and Faculties regarding the withdrawal 5 None The level of the module (eg Certificate [C], Intermediate [I], Honours [H] or Postgraduate [M]) 6 C The number of credits which the module represents 7 15 ECT credits: 7.5 Which term(s) the module is to be taught in (or other teaching pattern) Term 2 8 Prerequisite and co-requisite modules 9 None The programmes of study to which the module contributes History; Visual History; also available as a wild module 10 11 1. 2. 3. 4. The intended subject specific learning outcomes and, as appropriate, their relationship to programme learning outcomes To cultivate the critical awareness of the development and significance of pictorial narrative in England c. 1170— c. 1300 (S of H, Learning Outcomes, C1) To acquire skills in the interpretation of pictorial narrative through the in-depth analysis of case studies (S of H, Learning Outcomes, C2) To gain understanding of historiographic and interpretative issues concerning the relationship between word and image in medieval narrative art (S of H, Learning Outcomes, C3) To develop knowledge of different methods of production and contexts for consumption of pictorial narrative in different media and genres, including hagiography, chronicles, and scripture (S of H, Learning Outcomes, B4) UNIVERSITY OF KENT – CODE OF PRACTICE FOR QUALITY ASSURANCE The intended generic learning outcomes and, as appropriate, their relationship to programme learning outcomes 1. Students will develop their ability to communicate about complex concepts effectively verbally and in writing (S of H, Learning Outcomes, B1-4) 2. Students will gain awareness of the historical importance of visual sources and the ability to relate these to documentary and secondary sources (S of H, Learning Outcomes, A1-2, B3) 3. Students will develop their ability to assess the strengths and limitations of sources, both visual and written (S of H, Learning Outcomes, A3) 12 A synopsis of the curriculum ‘Saints, Chroniclers and the End of the Time: Narrative Art in England’ will explore pictorial storytelling in early Gothic art, considering issues of production, consumption, function, and relationships between word and image. The course will begin with an overview of the development of pictorial narrative and an introduction to interpretative issues, and then move on to on a series of case studies designed to throw light on different ways that narrative images were deployed. The first of these case studies will explore the Thomas Becket windows in Canterbury Cathedral, considering aspects of their purpose, structure, audience, and literary analogues. Students will be asked to consider what these windows might have meant to the different audiences that saw them, including monks, pilgrims, kings and clerics. This unit will consist of two seminars and a visit to the Cathedral, and include a written assignment in which students will assess the relationship of a window to the literary sources. Matthew Paris’s Chronica maiora will be the subject of the second unit, which will explore the function of images in the Chronicle, Matthew’s dual role as author and artist, and issues concerning the use of Matthew’s images as a historical source. The third unit examines illustrated Apocalypses, investigating the reasons for their popularity in the thirteenth century, and considering the roles played by images within these books. Issues of particular importance will include the exegetical potential of images; the status of the biblical text, vernacular translations, and commentaries and their relationships to adjacent miniatures; and artistic solutions to the problems presented by this visionary text to illustrators. The course will conclude with a seminar bringing together the themes of text-image relationships developed in each unit by evaluating the influence and probity of Gregory the Great’s famous justification of images as books for the illiterate. 13 Indicative Reading List Camille, M. (1985). ‘Seeing and Reading: Some Visual Implications of Medieval Literacy and Illiteracy’, Art History 8, pp. 26-49 Caviness, M. H. (1977). The Early Stained Glass of Canterbury Cathedral circa 1175—1220 (Princeton) Chazelle, C. M. (1990). ‘Pictures, books and the illiterate: Pope Gregory I’s letters to Serenus of Marseilles’, Word and Image 6, pp. 138-153 Duggan, L. G. (1989). ‘Was art really the “book of the illiterate”?’, Word and Image 5, pp. 227251 Emmerson, R. K. and B. McGinn, eds. (1992). The Apocalypse in the Middle Ages (London) Kemp, W. (1997). The narratives of Gothic stained glass, trans. Caroline Dobson Saltzwedel (Cambridge) Lewis, S. (1987). The art of Matthew Paris in the Chronica majora (Aldershot) Lewis, S. (1990). Reading Images: Narrative Discourse and Reception in the Thirteenth Century Illuminated Apocalypse (Cambridge) Maekawa, K. (2000). Narrative and Experience: innovations in thirteenth-century picture books (Frankfurt am Main; New York) Michael, M. A. (2004). Stained glass of Canterbury Cathedral (London) Pächt, O. (1962). The Rise of Pictorial Narrative in Twelfth-Century England (Oxford) 14 UNIVERSITY OF KENT – CODE OF PRACTICE FOR QUALITY ASSURANCE Learning and Teaching Methods, including the nature and number of contact hours and the total study hours which will be expected of students, and how these relate to achievement of the intended learning outcomes This course will consist of weekly two-hour seminars, one extended session during which we will visit the Becket windows in Canterbury Cathedral. Students will be expected to spend at least eight hours per week in private study. Students will be expected to prepare for each seminar by reading set texts (S of H, Learning Outcomes, D5), and will demonstrate their knowledge and understanding each week by delivering a short presentation on a set topic (S of H, Learning Outcomes, D1). This preparation will develop their understanding of the historical context for narrative art and interpretative scholarly issues as outlined above, §11, 1-3. Additionally, each week every student will be assigned a task in relation to the primary sources, which will be presented to the class and subsequently submitted in writing to the module convenor (S of H, Learning Outcomes, C2). 15 Assessment methods and how these relate to testing achievement of the intended learning outcomes Students will be assessed on the basis of short weekly presentations on set readings and written précis thereof (10% of course mark) (S of H, Learning Outcomes, C2, D1). They will submit two essays (worth 25% each), which will focus on the relationships between text and image in primary sources (S of H, Learning Outcomes, B1-4, C3, D6). The written examination (worth 40% of the course mark) will test students’ command of the sources examined in the course and their ability to think critically about them (S of H, Learning Outcomes, A1-3, C1, C3). 16 17 Implications for learning resources, including staff, library, IT and space Staff: This course will be taught by Dr Alixe Bovey. Library: Some recent publications may need to be acquired by the library. Some images may need to be purchased or scanned from 35mm slides already in the library’s collection. IT: Lectures and seminars will require access to a PowerPoint projector. Space: one seminar room with (with window blinds) will be required for three hours each week. This course will take advantage of the resources of Canterbury Cathedral, particularly the Becket Miracle Windows. 18 A statement confirming that, as far as can be reasonably anticipated, the curriculum, learning and teaching methods and forms of assessment do not present any non-justifiable disadvantage to students with disabilities As far as can be anticipated this course will not present any non-justifiable disadvantages to students with disabilities. Statement by the Director of Learning and Teaching: "I confirm I have been consulted on the above module proposal and have given advice on the correct procedures and required content of module proposals" ................................................................ Director of Learning and Teaching .............................................. Date Statement by the Head of Department: "I confirm that the Department has approved the introduction of the module and, where the module is proposed by Departmental staff, will be responsible for its resourcing" ................................................................. Head of Department .............................................. Date