Slaughter 1 Dusty Slaughter Professor Dan Anderson English 123 27 June 2010 How the Isolation of the Narrator in The Yellow Wallpaper, and Emily Grierson in A Rose for Emily led to their individual demise. Can isolation cause madness, or aberration? A quote from Carly Frintner gives us some insight, “when I’m by myself for too long, I start to question my own understanding of reality-of who I am and what the world is really like” (Frintner). In the short stories, The Yellow Wallpaper, and A Rose for Emily, the idea of isolation causing madness, can be examined thoroughly. In The Yellow Wallpaper, the narrator is married to a high standing physician named John, and they are moving temporarily into a colonial mansion, while their personal home is being renovated. The narrator hints toward something possibly being uncouth about the home, stating that they received an unusual price. Nevertheless, they move into the house, and into the upper room which used to be a child’s nursery. The room is extremely large, but empty, everything removed except a bed that is nailed to the floor. Moreover, the windows have bars on them, and the walls have this garnish yellow wallpaper on them. As we gain knowledge about the narrator, we find she suffers from temporary nervous depression, from what exactly is unclear. However, doing some research about the author Slaughter 2 Charlotte Perkins Gilman, leads the reader to believe the narrators condition is Neurasthenia (The Yellow Wallpaper), a psychological disorder characterized by chronic fatigue and weakness, no longer in scientific use. Further, in today’s medicine this disorder would have been recognized as postpartum depression. In addition, John does not explicitly believe his wife to be sick, and so his diagnosis is a “rest cure” (The Yellow Wallpaper), meaning that his wife will stay in a large room with plenty of air, and to have no intellectual stimulus. Although, the narrator disagrees with the decision, she goes along with all of the recommendations John gives. But, the only reason why she goes along with the decision is due to the fact no one would side with her. For example, the narrator makes the comment “if a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary depression-a slight hysterical tendency-what is one to do” (Charlotte Perkins). Furthermore, having a doctor tell your friends and relatives that there is nothing wrong with you physically, takes all validity away from one’s introspect, which in the case of the narrator leads to her living inside her mind and vicariously through the wallpaper, such as feeling extremely complicated and trapped behind bars. In short, the narrator is forced to hide her anxieties and fears in order to provide the façade of a happy marriage. As the story moves forward the narrator progressively gets worse, almost stricken to the large yellow room, subduing to complete isolation. At one point in the story the narrator is having a conversation in the middle of the night with John, stating that she did not want to be there anymore. John replies that she is getting better, and her response is “better in body perhaps-” (Charlotte Perkins). This is the first insight that she believes that she is going mad. By this point, the narrators undertaking of isolation has acclaimed her, making the comment “I Slaughter 3 wish he would take another room” (Charlotte Perkins), this referring to John when he was interfering with her study of the wallpaper. The climax of the story is reached at the very end, when the narrator has completely relinquished herself to madness. Believing, there was someone trapped inside the wallpaper, and it was up to her to free them. In addition, John comes home to find her locked inside the room embracing the isolation, and when he finally gets inside the room and sees what she has done he faints, all the while the narrator continues to creep on the outside of the room stepping over him as she passes. Furthermore, in the short story A Rose for Emily, the reader gets a totally different perspective on isolation. In this story we have Emily Grierson, born into an aristocratic family, at one time living along the most select street in town. In addition, Emily did not have to pay taxes to the town of Jefferson, because of a claim that her father had loaned the town money. Growing up Emily was expected to fulfill great expectations by her family and the community but, every suitor that came to court Emily was accredited as not being good enough by her father. Soon Emily’s father died leaving her no money, no one to take care of her, just the house. Furthermore, his death started Emily’s ascent of isolation from the town. For example, after the death of her father it is stated that Emily rarely came out of her house at all. With the few times that she did leave being for reason’s like Sunday rides with Homer Barron a Yankee suitor that she would eventually kill with poison, because his status did not fit well enough into her heritage. Moreover, what is peculiar about the death of Homer is that he was not found for forty years, this gives us insight to the magnitude of Emily’s isolation from the world. Further, the rest of Emily’s time in Jefferson was spent sitting by a window overlooking Slaughter 4 the world, “with only a combined gardener and cook” (William Faulkner), going into the house the last ten years of her life. At her funeral, the narrator notes that Emily has been “. . .a tradition, a duty, and a care; a sort of hereditary obligation upon the town” (William Faulkner). However, Emily has very little to do with the townspeople during her life. Also, it was not until her death that people in the town could really access who this lonely figure was, by being allowed to go into her house. The people of the town did not waste any time, going in right after burying her. What was found by the town of Jefferson showed exactly how mad Emily had become, the people went into a room that no one else had seen in the last forty years, and what they found was shocking; the body of Homer Barron lying in a bed with bridal clothing everywhere. In addition, lying next to Homer was a pillow with a head indention and a hair from Emily’s head. The idea of isolation causing madness is one that will be examined more closely in years to come, but the two examples discussed above will provide insight to the process. The reader’s now have a better understanding of depression. Further, I believe that loneliness is truly a sickness, and humans are much happier with other human contact. Although, today it can be treated with talk therapy or psychotherapy. In addition, had either of the two characters had these resources, they would of lived better lives. Slaughter 5 Works Cited Page Charlotte Perkins, Gilman. The Yellow Wallpaper. New York: Mcgraw-Hill, 2002 Frintner, Carly. “Lonely Madness: The Effects of Solitary Confinement and Social Isolation of Mental and Emotional Health.” Serendip’s Exchange, Web 25 June 2010. <http://serendip.brynmawr.edu/exchange/node/1898> “The Yellow Wallpaper.” Short Story Criticism. Ed. Janet Witalec. Vol 62. Detroit Gale, 2003. Literature Resource Center. Web. 25. June 2010 William, Faulkner. A Rose For Emily. New York: Mcgraw-Hill, 2002 Slaughter 6