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Donald Nicholson-Smith, Oxford: Blackwell. McRobbie, Angela. (1998) British Fashion Design: Rag Trade or Image Industry?, London and New York: Routledge. _____ (1999). In the Culture Society: Art, Fashion, and Popular Music, London and New York: Routledge. Mitchell, William J. (1996) City of Bits: Space, Place, and the Infobahn, Cambridge, Mass. and London: MIT. Myzelev, Alla and Potvin, John. (eds.) (2005) Fashion, Interior Design and the Contours of Modern Identity, Farnham: Ashgate. Perec, Georges. (1997) [1974] Species of Space and Other Pieces, trans. and ed. John Sturrock, London: Penguin. Pile, Steve. (1996) The Body and the City: Psychoanalysis, Space, and Subjectivity, London and New York: Routledge. Potvin, John. (ed.) (2009) The Spaces and Places of Fashion, 1800-2007, London and New York: Routledge. Price, Mary. (1994) The Photograph: A Strange Confined Space, Stanford, CA: Stanford University. Raban, Jonathan. (2008) [1974] Soft City: A Documentary Exploration of Metropolitan Life, London: Picador. Rocamora, Agnès. (2012) ‘Hypertextuality and Remediation in the Fashion Media’, Journalism Practice, vol. 6, no. 1, pp: 92-106. _____ (2011) ‘Personal Fashion Blogs: Screens and Mirrors in Digital Self-portraits,’ Fashion Theory, vol. 14, no. 4, pp. 407-424. _____ (2009) Fashioning the City: Paris, Fashion and the Media, London and New York: I.B. Tauris. _____ (2006) ‘“Over to You”: Writing Readers in French Vogue,’ Fashion Theory, vol. 10, no. 1/2, pp. 153-174. _____ (2001) ‘High Fashion and Pop Fashion: The Symbolic Production of Fashion in Le Monde and The Guardian,’ Fashion Theory, vol. 5, no. 2, pp. 123-142. Ryan, Nicky. (2012) ‘Patronage,’ in Geczy, Adam, and Karaminas, Vicky, eds. Fashion and Art, Oxford and New York: Berg, pp. 155-167. _____ (2011) ‘Lobby Living: the Performance of Lifestyle,’ in Fisher, Fiona and LaraBetancourt, Patricia, eds., Performance, Fashion and the Modern Interior: From the Victorians to Today, Oxford and New York: Berg, pp. 219-230. _____ (2008) ‘Wynn Las Vegas: A Flagship Destination Resort,’ in Kent, Tony and Brown, Reva, eds., Flagship Marketing: Concepts and Places, London and New York: Routledge, pp. 144-158. _____ (2008) ‘From Boutique to Boho: The Art of the Luxury Hotel,’ in Caudwell, Jayne Redhead, Steve and Tomlinson, Alan, eds., Relocating the Leisure Society: Media, Consumption and Spaces, LSA Publication No. 101, pp. 123-134. Sandberg, Mark B. (2002) Living Pictures, Missing Persons: Mannequins, Museums, and Modernity, Princeton, N.J. and Oxford: Princeton University. Sennett, Richard. (1994) Flesh and Stone: The Body and the City in Western Civilization, London and New York: W.W. Norton. Shinkle, Eugenie. (ed.) (2008) Fashion as Photograph: viewing and reviewing images of fashion, London and New York: I.B. Tauris. Soja, Edward W. (1989) Postmodern Geographies: The Reassertion of Space in Critical Social Theory, London: Verso. Steele, Valerie. (1988) Paris Fashion: A Cultural History, Oxford and New York: Oxford University. Wigley, Mark. (1995) White Walls, Designer Dresses: The Fashioning of Modern Architecture, Cambridge, Mass. and London: MIT. Wilson, Elizabeth. (1985) Adorned in Dreams: Fashion and Modernity, Berkeley: University of California. _____ (1991) The Sphinx in the City: Urban Life, The Control of Disorder, and Women, London: Virago. Zola, Emile. (1980) [1883], Au Bonheur des Dames, Paris: Gallimard.