I. ASCRC General Education Form (revised 2/8/13) Use to propose new general education courses (except writing courses), to change or renew existing gen ed courses and to remove designations for existing gen ed courses. Note: One-time-only general education designation may be requested for experimental courses (X91-previously X95), granted only for the semester taught. A NEW request must be submitted for the course to receive subsequent general education status. Group II. Mathematics VII: Social Sciences (submit III. Language VIII: Ethics & Human Values separate forms III Exception: Symbolic Systems * IX: American & European if requesting IV: Expressive Arts X: Indigenous & Global more than one V: Literary & Artistic Studies XI: Natural Sciences general w/ lab w/out lab education VI: Historical & Cultural Studies group *Courses proposed for this designation must be standing requirements of designation) majors that qualify for exceptions to the modern and classical language requirement Dept/Program GRMN Course # 105 Course Title Prerequisite Introduction to German Culture and Civilization None Credits II. Endorsement/Approvals Complete the form and obtain signatures before submitting to Faculty Senate Office Please type / print name Signature Instructor Marton Marko Phone / Email 243-5418 Program Chair Liz Ametsbichler/Jannine Montauban Dean Chris Comer III. Type of request New X One-time Only Renew Reason for Gen Ed inclusion, change or deletion 3 Date Change Remove As a new introductory course on German culture and civilization the class highlights a number of features typical and characteristic of General Education courses at UM Description of change IV. Description and purpose of the general education course: General Education courses must be introductory and foundational within the offering department or within the General Education Group. They must emphasize breadth, context, and connectedness; and relate course content to students’ future lives: See Preamble: http://umt.edu/facultysenate/archives/minutes/gened/GE_preamble.aspx The chronology of the course material covers over 2000 years of Central European/German cultural history. In addressing this breadth of time, key themes are emphasized and contextualized as they relate to ideas of national identity in general terms and German national identity specifically. The course punctuates the interconnectedness of topics within German cultural history itself but also emphasizes the ties between the German cultural tradition and European ones as well as the global impact of cultural developments which emerged from Central Europe. The course aims to imbue appreciation among students for cultural study in a variety of dimensions so that they can bring the experience of examining a cultural tradition at the introductory college level into a number of potential contexts and settings both personally and academically. V. Criteria: Briefly explain how this course meets the criteria for the group. See: http://umt.edu/facultysenate/documents/forms/GE_Criteria5-1-08.aspx In the heart of Europe, the geographic setting of German-speaking culture speaks to the literal centrality of its historical significance in the development of European ideas, institutions, innovations, as well as its role in continental and global conflicts. An introductory course in German Culture and Civilization presents students with an opportunity to learn not only about German cultural history but also of Germany’s surrounding cultural neighbors. Similar points can be made with regard to the important relationship between German culture and American culture. German represents the most common cultural heritage in the US and Central Europeans have left distinct signatures on the American cultural landscape. While the course examines particular features that distinguish German culture from others, the meeting point of traditional German and Western cultural definitions with new global ones in Central Europe reflect issues that are both broadly European and connect to current American issues, as well. VI. Student Learning Goals: Briefly explain how this course will meet the applicable learning goals. See: http://umt.edu/facultysenate/documents/forms/GE_Criteria5-1-08.aspx As students are presented with a number of different types of texts, art works, statistics and empirical findings, they will have the opportunity to synthesize the course material in a number of ways and illustrate their ability to identify key phenomena, figures, and institutions, as well as interpret their significance in the context of German cultural history and in European perspective. Attention will also be given to the historic and current resonances between German and American culture. Students will illustrate their knowledge of phenomena and their ability to interpret course material on quizzes and, in more comprehensive form, on midterm exams and a final. Students are also encouraged to partake in discussion in class to foster further interaction and engaged learning and sharing. VII. Justification: Normally, general education courses will not carry pre-requisites, will carry at least 3 credits, and will be numbered at the 100-200 level. If the course has more than one pre-requisite, carries fewer than three credits, or is upper division (numbered above the 200 level), provide rationale for exception(s). VIII. Syllabus: Paste syllabus below or attach and send digital copy with form. The syllabus should clearly describe how the above criteria are satisfied. For assistance on syllabus preparation see: http://teaching.berkeley.edu/bgd/syllabus.html INTRODUCTION TO GERMAN CULTURE AND CIVILIZATION GRMN 105 Spring 2015 MWF (Time) (Room) Marton Marko Office: LA 435 Office Hours: (Time) Email: marton.marko@mso.umt.edu Phone: 243-5418 I. Objective & Goals: This course provides an introductory overview of major developments, ideas, and influences involving German-speaking culture from its documented origins in the Roman era to today. Students will become familiar with the chronology of key historical events in Central Europe as well as with major figures in such areas as politics, literature, art, and philosophy. Attention will also be given to significant contributions that German-speaking culture has made globally. II. Expectations, Learning Outcomes, Assessment Activities Students are expected to attend class regularly and to recognize the importance of keeping up with the course material as we go through it during the semester. There are two midterm exams along with a final exam. In addition to these tests, there will be quizzes occasionally to help you gauge how well you are picking up and synthesizing the material we’re covering. Quizzes will be announced at least one class session before they are given. They will be shorter and more term- and concept-based than the exams. Emphasis on the exams will be placed on the definition and identification of key terms, guiding ideas, and movements, which can be seen as having connected and influenced time periods in German cultural history. Students will learn to recognize main characteristics and trends in German cultural history and be able to identify texts, artifacts, and cultural material within those frameworks. To help you with this, in addition to the quizzes and exams, there will be discussion time for questions and comments so that you may learn in a more consistently participatory way. You are reminded that your sharing and reception of ideas during class discussion and lecture in a respectful, productive fashion are also included in the course expectations. III. Student Conduct and Attendance Class attendance is mandatory. Lectures and discussions are essential parts of the course. If you are absent four sessions during the semester, this will automatically demote your grade by one letter-grade. If you are absent for more than four sessions, each following increment of three absences will result in a corresponding demotion of a letter grade. In class, your instructor asks you to refrain, if possible, from eating, drinking, or chewing gum. If on account of a given health issue or conditions (i.e. a hot day and a warm classroom) you need to consume something in class, that can be OK. Otherwise, please refrain. Thanks. Unless you have been advised that you may use electronic devices for an activity in class, you are also asked to place electronic devices on a setting that will not disturb class and not distract you from what is going on in class. All students must practice academic honesty. Academic misconduct is subject to an academic penalty by the course instructor and/or a disciplinary sanction by the University. All students need to be familiar with the Student Conduct Code. The Code is available for review online at: http://life.umt.edu/vpsa/student_conduct.php IV. Grading Breakdown: Below is the grading breakdown for the course based on the activities outlined above. Tests: Midterm 1 Midterm 2 Final Exam 20% 20% 40 % Quizzes: 10% Classroom Participation: 10% V. Course Texts: Our main text for the semester is: Schulze, Hagen. Germany: A New History. Trans. Deborah Lucas Schneider. Cambridge: Harvard U Press, 1998. A number of readings will also be provided as handouts. Text readings will be complemented by presentations in class on such topics as music, art history, and key biographic figures. VI. Course Films We will view a number of films during the semester. Group screenings outside of class will be arranged when possible. Otherwise, films are on 4-hour in-library reserve at the Mansfield Library. Please be sure that you have viewed the assigned films one way or another before the designated date of discussion. See syllabus. VII. Students with Disabilities This course offers equal opportunity in education for all participants, including those with documented physical and documented learning disabilities. Please note that your instructor can only provide for such accommodations if notified and that such accommodations and considerations can only be made after an instructor has been provided information by the student. For information regarding documentation of disabilities, approaching your instructor with pertinent information, and establishing guidelines for potential accommodation, you may consult the Disability Services for Students (DSS) website at http://life.umt.edu/dss . The DSS Office is located in Lommasson 154; the phone number is 243-2243. Tentative Session Schedule Week One: Romans and Germans, Pre-Medieval and Medieval Central Europe (ca. 120 BC to 1400) Mo 1/26 Course Introduction / Overview We 1/28 Schulze, Chapter 1 pp. 1 – 16: Romans and Germans, from Hermann to Reign of Otto I Fr 1/30 Schulze, Chapter 1, pp. 16 – 29, Medieval Period, Development of Courtly and Literary Culture (Added Reading: Walther von der Vogelweide, Under the Lime Tree) (Handout) Week Two: Early Modern Era to the Aftermath of the Reformation (1400 – 1650) Mo 2/2 Schulze, Chapter 2, pp. 31 – 46: Early Modern Era to Reformation We 2/4 Focal Point: The Age of Luther (Reading: Martin Luther, Address to the Christian Nobility of the German Nation) (Handout) Fr 2/6 Schulze, Chapter 2, pp. 47 – 67: Luther and Wittenberg, Impact of Reformation, Thirty Years War Week Three: Disintegration of the Holy Roman Empire (1650 – 1806) Mo 2/9 Schulze, Chapter 3, pp. 69 – 85: Catholic and Protestant Central Europe, the Baroque (In-Class Listening: Johann Sebastian Bach: Jesu, Joy of Man’s Desiring; Brandenburg Concerto Nr. 1) We 2/11 Schulze, Chapter 3, pp. 85 – 99: Rise of Prussia, End of Holy Roman Empire Fr 2/13 Focal Points: Cultural and Political Developments in Austria and Prussia from mid-18th to early 19th century (In-Class Viewings: Architecture and Power: Vienna and Schönbrunn Palace, Potsdam and Sanssouci Palace) Week Four: Awakenings of German Nationalism in the late 18th and early 19th Centuries Mo 2/16 Presidents Day (No Class Meeting) We 2/18 Focal Point: Enlightenment in Central Europe (Reading: Immanuel Kant, “What is Enlightenment?”) (Handout) Fr 2/10 Focal Point: Romanticism, Mysticism, Folk Culture (Readings: Johann Wolfgang von Goethe: Der Erlkönig, Selections from Grimm’s Fairy Tales) (Handout) (In-Class Listening: Franz Schubert, Der Erlkönig) Week Five: Birth of the German Nation (1806 – 1848) Mo 2/23 Schulze, Chapter 4, pp. 101 – 111: Napoleonic Wars, Congress of Vienna, the German Romantic Vision (In-Class Viewings: Paintings by Caspar David Friedrich) We 2/27 Focal Points: Conservatism and Progressivism in the Early 19th Century (In-Class Viewing: Biedermeier Paintings and Design; Added Reading: Heinrich Heine, Germany. A Winter’s Tale – excerpts) (Handout) (In-Class Listening: Ludwig van Beethoven, Symphony #9) Fr 2/27 Schulze, Chapter 4, pp. 111 – 121: Toward German Revolution (Added Reading: Karl Marx, Communist Manifesto) (Handout) Week Six: Road toward German Unification (1848 – 1871) Mo 3/2 1st Midterm Exam We 3/4 Schulze, Chapter 5, pp. 123 – 135: Industrialism and Demographic Changes Fr 3/6 Schulze, Chapter 5, pp. 135 – 145: Bismarck and German Unification (In-Class Viewings: “Age of Realism,” Paintings by Adolph Menzel) Week Seven: From Unification to the Great War (1871 – 1914) Mo 3/9 Schulze, Chapters 6 and 7, pp. 147 - 167: German Possibilities, A Nation State in the Middle of Europe We 3/11 Focal Point: Naturalism (Reading: Gerhardt Hauptmann, The Weavers - excerpts) (Handout) Fr 3/13 Schulze, Chapter 8, pp. 169 – 189: Internal Unification and the Dream of World Power Week Eight: From the Great War to the First Decade of the Weimar Republic (1914 – 1929) Mo 3/16 Focal Point: Artistic Movements in Social Context: Symbolism and Expressionism (In-Class Viewings: Expressionist Prints and Paintings; Readings: Selected Poems of Rainer Maria Rilke, Georg Heym, Else Lasker-Schüler) (Handout) We 3/18 Schulze, Chapter 9, pp. 191 – 213: The Great War and Its Aftermath Fr 3/20 Schulze, Chapter 10, pp. 215 – 230: Cultural Renewal and Crisis in the First Decade of the Weimar Republic (In-Class Viewings: High Modernism, The New Objectivity, Bauhaus Architecture and Design) Week Nine: The Fall of Weimar, the Rise of National Socialism (1927 – 1937) Mo 3/23 Schulze, Chapter 10, pp. 230 – 243: The End of German Democracy We 3/25 Focal Point: 20th Century Metropolitanism and Class Conflict. Film Discussion: Metropolis (Fritz Lang, 1927: View Film Before Class) Fr 3/27 Schulze, Chapter 11, pp. 245 – 260: German Megalomania: National Socialism Week Ten: Spring Break Mo 3/30 – Fr 4/3 Spring Break (No Class Sessions) Week Eleven: National Socialism, Propaganda, The Beginnings of World War II (1934 – 1942) Mo 4/6 Schulze, Chapter 11, pp. 260 – 275: German Megalomania: National Socialism We 4/8 Focal Point: Racism, Nazi Propaganda, Film, and Media: Film Discussion: Olympia (Leni Riefenstahl, 1938: View Film Before Class) Fr 4/10 2nd Midterm Exam Week Twelve: From World War II to Postwar Reconstruction (1939 – 1953) Mo 4/13 Schulze, Chapter 12, pp. 277 – 287: WWII and the End of the Third Reich, Exile Culture (Added Readings: Bertolt Brecht: “To Those Born Later,” “Hollywood Elegies”) (Handout) We 4/17 Schulze, Chapter 12, pp. 287 – 297: WW II and Its Consequences Film Discussion: The Murderers Are Among Us (Wolfgang Staudte, 1946: View Film Before Class) Fr 4/19 Schulze, Chapter 13, pp. 299 – 311: A Divided Germany, Postwar Introspections and Aversions (Added Readings: Paul Celan: “Death Fugue,” Ingeborg Bachmann: “Early Noon”) (Handout) Week Thirteen: From “Economic Miracle” in the West and Socialist Experiment in the East to Reunifcation (1953 – 1990) Mo 4/20 Schulze, Chapter 13, pp. 311 – 317: After the War, Before the Wall Film Discussion: Berlin, Schönhauser Corner (Gerhard Klein, 1957: View Film Before Class) We 4/22 Schulze, Chapter 13, pp. 317 – 331: From East/West Division to Reunification Fr 4/24 Focal Point: Voices of Conscience and Dissent East/West I: Reading: Christa Wolf (Divided Heaven, Kassandra, Accident – excerpts) (Handout) Week Fourteen: Before and After Reunification: Environmentalism, Re-Assessing National Identity (1984 – 2000) Mo 4/27 Focal Point: Voices of Conscience and Dissent East/West II: Reading: Petra Kelly (Fighting for Hope – excerpts) (Handout) We 4/29 Schulze, Chapter 14, pp. 333 – 340, Epilogue: What is the German’s Fatherland? Film Discussion: Good-Bye Lenin (Wolfgang Becker, 2003: View Film Before Class) Fr 5/1 Focal Point: Impact of Unification on Cultural Values Reading: Greg Nees (Germany: Unraveling an Enigma, Chapter 7: Wertewandel: Creation of a New German Identity?) (Handout) Week Fifteen: Situating German Culture in the Global Century (1990 – present) Mo 5/4 Readings: Yoko Tawada: Canned Foreign, The Talisman; Zafer Şenocak: “Dialogue about the Third Language: Germans, Turks and Their Future” (Handout) We 5/6 Film Discussion: In July (Fatih Akin, 2000: View Film Before Class) Fr 5/8 Course Review Finals Week: Final Exam Please note: Approved general education changes will take effect next fall. General education instructors will be expected to provide sample assessment items and corresponding responses to the Assessment Advisory Committee.