English A/M - ACT Board of Senior Secondary Studies

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Board Endorsed December 2005 – Amended July 2015
English
A/M Course
Type 2
Accredited from:
1 January 2006 – 31 December 2010
Extended to 2016
Amended December 2013
(Includes Assessment Task Types approved
August 2013)
Board Endorsed December 2005 – Amended July 2015
Course Adoption Form for Accredited Courses
Choose one of the following:
B S S S
 adoption of units as per course document
AUSTRALIAN CAPITAL TERRITORY
 adoption of units with a different combination of units
The college is entered on the National Register to award Certificates delivered by this course.
 Yes  No
College:
Course Title: English
Classification: A
Framework: English (2005)
Course Area: 0110
Course Code:
Dates of Course Accreditation: Ext. 2011
From
to
2011
2016
Identify units to be adopted by ticking the check boxes
Adopt
Unit Title
Value
(1.0/0.5)
Length

Images of Australia and Gender Issues
1.0
S

Film, Television and Contemporary Issues
1.0
S

Heroes and the Journey
1.0
S

Real Life Stories and Images of War
1.0
S

Advertising and Gender Issues
1.0
S

Communication and Contemporary Issues
1.0
S

Science Fiction and Film and Television
1.0
S

Children’s Literature and Heroes
1.0
S

Images of Australia and Advertising
1.0
S

Communication, Print and Multimedia Texts
1.0
S

Print, Multimedia, Film and Write your way
1.0
S

Contemporary Issues and Communication
1.0
S

Reading for Enjoyment and write you way
1.0
S

North American Texts
1.0
S

Film, Television and Popular Music
1.0
S

Suspense and Short Stories
1.0
S

Contemporary Issues and Short Stories
1.0
S

Short Stories and Science Fiction
1.0
S

The Journey and Reading for Enjoyment
1.0
S

Advertising
0.5
Q

Children’s Literature
0.5
Q

Communicate with Confidence
0.5
Q

Contemporary Issues & Fantastical Worlds
1.0
S

Contemporary Issues
0.5
Q

Fantasy
0.5
Q
Board Endorsed December 2005 – Amended July 2015

Film and Television
0.5
Q

Heroes
0.5
Q

Images of Australia
0.5
Q

Images of Sport
0.5
Q

Images of War
0.5
Q

Popular Music
0.5
Q

P-Plate English
0.5
Q

Print and Multimedia Texts
0.5
Q

Reading for Enjoyment
0.5
Q

A Study of Short Texts
1.0
S

Real Life Stories
0.5
Q

Science Fiction
0.5
Q

Short Stories
0.5
Q

Suspense
0.5
Q

The Journey
0.5
Q

Understanding Gender Issues
0.5
Q

Write Your Way
0.5
Q

Australian Literature
1.0
S

Images of Australia through Real Stories
1.0
S

Advertising and Issues
1.0
S
Supporting Statement
Please provide the Assessment Task Types table for the new unit combinations and how any duplication
of content will be addressed.
Reasons for Adoption of the course
For V courses indicate the certificate the college will award.
Adoption The course and units named above are consistent with the philosophy and goals of the college
and the adopting college has the human and physical resources to implement the course.
Principal:
/
/20
BSSS Office Use
Entered into database: /
College Board Chair:
/20
/
/20
Board Endorsed December 2005 – Amended October 2013
Course Adoption Form for Accredited Courses
Choose one of the following:
B S S S
 adoption of units as per course document
AUSTRALIAN CAPITAL TERRITORY
 adoption of units with a different combination of units
The college is entered on the National Register to award Certificates delivered by this course.
 Yes  No
College:
Course Title: English
Classification: M
Framework: English - 2005
Course Area: 0110
Course Code:
Dates of Course Accreditation: Ext. 2011
From
to
2011
2016
Identify units to be adopted by ticking the check boxes
Adopt
Unit Title
Value
(1.0/0.5)
Length

Contemporary Issues and Communication M
1.0
S

Advertising and Short Stories M
1.0
S

Film Television & Contemporary Issues M
1.0
S

Heroes & The Journey M
1.0
S

Real Life Stories and Fantasy M
1.0
S

Popular Music and Science Fiction M
1.0
S
Supporting Statement
Please provide the Assessment Task Types table for the new unit combinations and how any duplication
of content will be addressed.
Reasons for Adoption of the course
For V courses indicate the certificate the college will award.
Adoption The course and units named above are consistent with the philosophy and goals of the college
and the adopting college has the human and physical resources to implement the course.
Principal:
/
/20
BSSS Office Use
Entered into database: /
College Board Chair:
/
/20
/20
4
Board Endorsed December 2005 – Amended October 2013
Contents
Course Adoption Form for Accredited Courses
Course Adoption Form for Accredited Courses
Course Name
Classification
Course Framework
Course Developers
Course Length
Composition of Course
Subject Rationale
Goals
Student Group
Content
Across Curriculum Perspectives
Teaching and Learning Strategies
Assessment
Unit Grades
Unit Grade Descriptors for A Course
Unit Grade Descriptors for M Courses
Moderation
Bibliography
Proposed Evaluation Procedures
Images of Australia and Gender Issues
Film, Television and Contemporary Issues
Heroes and the Journey
Real Life Stories & Images of War
Advertising and Gender Issues
Communication & Contemporary Issues
Science Fiction & Film and Television
Children’s Literature and Heroes
Images of Australia & Advertising
Communicate, Print & Multimedia Texts
Print, Multimedia, Film & Write Your Way
Contemporary Issues & Communication
Reading for Enjoyment and Write Your Way
North American Texts
Film, Television and Popular Music
Suspense and Short Stories
Contemporary Issues and Short Stories
Short Stories and Science Fiction
The Journey and Reading for Enjoyment
Advertising
Children’s Literature
Communicate with Confidence
Contemporary Issues & Fantastical Worlds
Contemporary Issues
.................................................................................... 2
.................................................................................... 4
.................................................................................... 7
.................................................................................... 7
.................................................................................... 7
.................................................................................... 7
.................................................................................... 9
.................................................................................... 9
.................................................................................. 10
.................................................................................. 11
.................................................................................. 11
.................................................................................. 11
.................................................................................. 12
.................................................................................. 13
.................................................................................. 14
.................................................................................. 17
.................................................................................. 18
.................................................................................. 19
.................................................................................. 20
.................................................................................. 21
.................................................................................. 24
Value 1.0 ................................................................... 25
Value 1.0 ................................................................... 32
Value 1.0 ................................................................... 38
Value 1.0 ................................................................... 42
Value 1.0 ................................................................... 47
Value 1.0 ................................................................... 53
Value 1.0 ................................................................... 57
Value 1.0 ................................................................... 64
Value 1.0 ................................................................... 70
Value 1.0 ................................................................... 75
Value 1.0 ................................................................... 79
Value 1.0 ................................................................... 83
Value 1.0 ................................................................... 87
Value 1.0 ................................................................... 90
Value 1.0 ................................................................... 94
Value 1.0 ................................................................. 100
Value 1.0 ................................................................. 104
Value 1.0 ................................................................. 108
Value 1.0 ................................................................. 114
Value 0.5 ................................................................. 117
Value 0.5 ................................................................. 120
Value 0.5 ................................................................. 124
Value 1.0 ................................................................. 127
Value 0.5 ................................................................. 130
5
Board Endorsed December 2005 – Amended October 2013
Fantasy
Value 0.5 ................................................................. 133
Film and Television
Value 0.5 ................................................................. 137
Heroes
Value 0.5 ................................................................. 141
Images of Australia
Value 0.5 ................................................................. 144
Images of Sport
Value 0.5 ................................................................. 148
Images of War
Value 0.5 ................................................................. 151
Popular Music
Value 0.5 ................................................................. 155
P-Plate English
Value 0.5 ................................................................. 158
Print and Multimedia Texts
Value 0.5 ................................................................. 160
A Study of Short Texts
Value 1.0 ................................................................. 163
Reading for Enjoyment
Value 0.5 ................................................................. 166
Real Life Stories
Value 0.5 ................................................................. 168
Australian Literature
Value 1.0 ................................................................. 171
Short Stories and Science Fiction
Value 1.0 ................................................................. 175
Science Fiction
Value 0.5 ................................................................. 181
Short Stories
Value 0.5 ................................................................. 186
Suspense
Value 0.5 ................................................................. 188
The Journey
Value 0.5 ................................................................. 191
Understanding Gender Issues
Value 0.5 ................................................................. 193
Write Your Way
Value 0.5 ................................................................. 197
The Poet’s World – From Chaucer to Hopkins Value 0.5 ................................................................. 199
A Shakespearean Study
Value 0.5 ................................................................. 201
Advertising and Issues
Value 1.0 ................................................................. 203
Images of Australia through Real Stories
Value 1.0 ................................................................. 208
Contemporary Issues and Communication M Value 1.0 ................................................................. 210
Advertising and Short Stories M
Value 1.0 ................................................................. 215
Film, Television & Contemporary Issues M
Value1.0 .................................................................. 220
Real Life Stories and Fantasy M
Value 1.0 ................................................................. 227
Heroes & the Journey M
Value 1.0 ................................................................. 234
Popular Music and Science Fiction M
Value 1.0 ................................................................. 240
Appendix A – Sample Assessment Tasks
...................................... Error! Bookmark not defined.
Appendix B – Australian Curriculum Achievement Standards ............................................................ 250
6
Board Endorsed December 2005 – Amended December 2013
Course Name
English
Classification
Accredited
Course Framework
This course is presented under the 2005 English Course Framework.
Course Developers
Name
Qualifications
College
Michelle-Anne da Roza
(Course development
co-ordinator)
B.A., Dip.Ed., M.Ed., Grad. Dip.
Ed. Stud., Grad. Cert. R.E., Dip.
Marketing.
Marist College
Therese Bubear
B.A., Dip.Ed.,Grad Cert (Career
Ed).
Canberra Girls’ Grammar School
Deanna Buffier
Dip. Teach., B. Ed.
Lake Tuggeranong College
Anji Henley
Teach. Cert.
Lake Tuggeranong College
Helen Sinclair
B.A. (Hons), Dip. Ed.
Lake Tuggeranong College
Linda Meulen
B.A., Dip. Ed.
Marist College
Clare Smyth
B.A. (Hons), Dip. Ed.
Merici College
Veronica Trainor
B.A., M.Litt, Dip. Ed.
St Clare’s College
Ian Harvey
B.A., B. Ed. St., Grad. Dip. Ed.
Tech., Cert. R.E.
St Edmund’s College
Kathy Griffiths
B.A. Dip.Ed. T.C.
St Francis Xavier College
Laurna Burnham
M.A., Dip. Ed., Dip. Info
Mngmt/Library
St Mary Mackillop College
We acknowledge the work of the developers of the previous courses (listed below)
Name
Qualifications
College
Angela McPhillips (Leader)
BA (Hons), Dip. Ed., Grad. Dip.
R.E.
Merici College
John Heaney
BA, MA, PGCE Cert. Ed. Admin.
Marist College
Joan Bradley
M.A., M.Ed., B.Ed., T.C.
Merici College
Manette Johnson
BA, Dip.
St Clare’s College
Barbara Lynch
BA, TSTC
St Clare’s College
Anne Fisher
BA, Dip. Ed.
St Edmund’s College
Ian Harvey
BA, B Ed. Stud. Grad. Dip. Ed.
Tech.
St Edmund’s College
Kathy Griffiths
BA, Dip. Ed. T. C.
St Francis Xavier College
Pauline Mole
BA, Dip.Ed., M.Ed.
St Mary Mackillop College
7
Board Endorsed December 2005 – Amended December 2013
We also wish to acknowledge English course writers from Melba Copland Secondary School, Daramalan,
Dickson and Hawker Colleges for the ideas they provided for previous Type 2 documents used by Lake
Tuggeranong College in the past, and previous course writers from the individual Colleges involved in the
writing of this Type 2 document.
Evaluation of Previous Course
It is pleasing that this group of Colleges has continued its commitment to the Type 2 A English course and
that this new course will be further enriched by the contributions of our colleagues from Lake
Tuggeranong College and Canberra Girls’ Grammar School. The introduction of a new framework in Term
1 2005 has demanded that a new course consider the aspects of that new framework that promote
change. The course as it stands fits well with the new framework, but some re-focusing of emphasis is
required. The course was evaluated both formally and informally by teachers, students and the wider
community of the school, through the use of written questionnaires and discussion. Year 7 – 12 Colleges
generally engage in some communication with teachers in their 7 – 10 programmers’ and all Colleges are
encouraged to engage in some discussion with their feeder schools. Although minor variations were
approved for the structure of the course in a number of Colleges, the units themselves were taught as
accredited. The number of students who have completed this course each year has varied but in 2005 the
numbers in Year 12 were as follows.
Colleges involved in the development of previous course:
St Mary Mackillop College
51
Marist College
32
Merici College
19
St Clare’s College
27
St Edmund’s College
45
St Francis Xavier College
18
Colleges involved in the development of this course:
Canberra Girls’ Grammar School
7
Lake Tuggeranong College
119
The continued growth of VET courses, SNAPS and other transition to work courses are another influence
on the development of this course. There continues to be a strong demand for an A course that develops
both language skills and the appreciation of texts in our Colleges. There is an increasing number of
students who could be considered “T-Capable” but who choose to take the A course and it will be
necessary to consider those students in the new course. Students’ interests change and the needs of the
workplace also evolve. As a result some units have been added or re-introduced such as P-Plate English,
Communicate with Confidence and Write Your Way. Some units look at a wider scope of texts or look at a
theme rather than a genre. Other units have been made more relevant or may have had a name change,
while the unit Science Fiction and Fantasy has been split to make it possible for students to explore each
genre in some depth. The National Communication Modules have been removed. This writing group has
adopted some units from the document previously adopted by Lake Tuggeranong College. In the main,
the past success of the course encourages us to continue in a like vein. Our students and parents have
indicated that the course has fulfilled the needs of our students and so the goals can be said to have been
reached and the content of the course appropriate.
The teaching and learning strategies used in any A course need to be reflexive and often individualised.
The strategies listed within the document have contributed to our diverse and successful approaches to
meeting the needs of our students. The Across Curriculum Perspectives are basic to the units of this
course and the choice of those units by students and teachers naturally develops a greater emphasis of
some over others. In this way the Across Curriculum Perspectives truly become embedded in the course.
One of the key features of the course has been its responsive assessment programme and the ability of
8
Board Endorsed December 2005 – Amended December 2013
our assessment regimes to meet the needs of the individual in a manner our students have found to be
relevant to their current and emerging situations. It is our intention to continue to develop this course to
meet the disparate needs of the students who enrol, for various reasons, in this course.
Course Length
Unit Title
Unit Value
Advertising
0.5
Children’s Literature
0.5
Communicate with Confidence
0.5
Contemporary Issues
0.5
Fantasy
0.5
Film and Television
0.5
Heroes
0.5
Images of Australia
0.5
Images of Sport
0.5
Images of War
0.5
Popular Music
0.5
P-Plate English
0.5
Print and Multimedia Texts
0.5
Reading for Enjoyment
0.5
Real Life Stories
0.5
Science Fiction
0.5
Short Stories
0.5
Suspense
0.5
The Journey
0.5
Understanding Gender Issues
0.5
Write Your Way
0.5
Composition of Course
Course
Number of standard units to meet course requirements
Minor
Minimum of 2 units
Major
Minimum of 3.5 units
Major Minor
Minimum of 5.5 units
Double Major
Minimum of 7 units
Compulsory Units
There are no compulsory units allowing for a teacher and their students to negotiate those units that are
of most relevance to individuals and classes. It is recommended that students will study a combination of
text-based and skills-based units to ensure a balanced course. The Colleges adopting this course may
structure their course through the use of minor variations, which may be common or individual.
9
Board Endorsed December 2005 – Amended December 2013
Prerequisites for the course or units within the course
There are no prerequisites for this course.
Arrangements for students who are continuing to study a course in this subject
Continuing students will be able to transfer in 2006 to the new course without disruption to their studies
and without content overlap. If an existing unit has been completed in Year 11 2005, the same unit may
not be studied in Year 12 2006. Name changes to these units are shown below:
2005
2006
Gender Issues
Understanding Gender Issues
Science Fiction and Fantasy
Science Fiction
Science Fiction and Fantasy
Fantasy
Newspaper and Magazines
Print and Multimedia Texts
Units from Other Courses
Students who move from a T course to an A course may use no more than TWO completed T units to
make a major in English A, or no more than ONE completed T unit to make a minor in English A.
Negotiated Units
There are no negotiated units in this course.
Relationship with other courses
This is one of two courses offered under the English Framework, the other being the Type 2 T English
Course or in the case of some Colleges a Type 1 T English Course. Colleges using this document may also
be teaching A and T English courses offered under the M Framework.
Subject Rationale
English is the study of language. The central focus of the subject is the interpretation and contextual
analysis of a diverse range of texts and the way in which language works within them to create meaning.
In English, students develop the skills of critical analysis and apply them to texts in both historical and
cultural contexts. Students explore language forms and investigate the relationship between language
and meaning. The successful completion of a course of study in English empowers students to become
articulate, confident and multi-literate communicators who are capable of interpreting their world from a
variety of perspectives and making productive contributions to society.
The mastery of English is central to students’ learning in all subject areas. The study of English fosters
critical thinking, imagination, creativity and independent thought. These skills are used to analyse
problems, experiment with possible approaches and solutions, and synthesise findings. English develops
communication skills so that students become proficient at using language for a wide range of purposes
and with a strong awareness of audience.
The study of English is central to effective social and vocational integration into a culturally diverse and
complex world.
English fosters sensitivity to values, ideas and beliefs implicit in texts. It develops students’ ability both to
interpret and engage with their world from a variety of perspectives and promotes cultural
understanding. Effective communication skills are essential to all workplaces.
The appreciation of language in a variety of texts is central to the enjoyment of life. Reading, viewing and
critical analysis can affirm or challenge students’ world views. Through the reading and interpretation of
literature and other texts, the richness of human existence is revealed.
10
Board Endorsed December 2005 – Amended December 2013
The study of English enables students to appreciate the past and present, imagine and shape the future,
and identify processes of social, cultural and political change.
Goals
Course Framework Goals focus on the essential things that students should know and be able to do as a
result of studying any course in this subject area. They are intended student outcomes.
All courses based on this Course Framework should enable students to:
 read, listen to and view a wide range of texts;
 develop analytical skills;
 challenge and extend their understanding of language, themselves and the world around them;
 understand that meaning arises from the interplay between text and context, including an
appreciation of the author’s apparent purpose, the formal features of the text, and the audience’s
perspective;
 communicate effectively, creatively and critically for different purposes;
 achieve competence in the technically correct use of the English language in meeting the demands
of further study, the workplace, and student needs and interests.
Student Group
This course is designed for those students who do not wish to or are unable to pursue a T English course
and recognises the need to equip students for a variety of pathways to future study, employment and
leisure. It is also designed for those students who need language support.
College Philosophy
Colleges involved in the creation of this course will insert their College philosophy here before adopting
the course. Catholic Colleges involved in the creation of this course have agreed to use the following:
As Colleges within the Christian tradition we frame students’ education in a specific context. Our view of
life, our moral values and tone are guided by the gospel spirit of freedom and love. This gives a context
within which English as a subject is taught.
Content
All courses developed under this Framework will be based on the essential concepts and skills inherent in
the subject area, as outlined below.
The essential concepts of English are:
 language is central to all human experience
 language is powerful and underpins learning
 texts must be appreciated in their literary, cultural, historical and political contexts
 the reader’s experience will affect his or her response to texts
 the interpretation of texts allows for diverse and justifiable responses
The essential skills inherent in English are:
 reading and understanding texts
 effective communication in a range of modes
 critical analysis
 responding to texts creatively and independently
11
Board Endorsed December 2005 – Amended December 2013
 a command of the technical aspects of language
Across Curriculum Perspectives
All perspectives will be covered in the course as a whole through content and teaching strategies.
However, unit variety will mean that some perspectives will receive greater emphasis in certain units than
others. Teachers will be encouraged to ensure that in both content and teaching strategies the
perspectives will be brought to student attention.
Aboriginal and Torres Strait Islander Education
Students will be exposed to literature, films and articles which relate to Aborigines and Torres Strait
Islanders. They will be provided with opportunities to learn about the background and diversity of
Aboriginal and Torres Strait Islander cultural heritage and lifestyles. Students will be encouraged to
challenge the notions of race and to recognise the consequences of intolerance and of racist policies.
Teaching strategies could include contact with a range of indigenous peoples and activities which value
Aboriginal and Torres Strait Islander cultural icons and identity.
Australian Education
The Australian perspective is embedded in the content of all units. References to the Australian
experience as compared with that of other cultures occur frequently. Students will be helped to develop
an awareness of the elements and values that are included in the lives of Australians. They should also be
encouraged to value the diversity present in the Australian community. Most of all, students should be
encouraged to discriminate between myth and reality.
Environment Education
Issues connected with the social and cultural aspects of the environment arise from much literature.
Teachers will also use teaching material drawn from newspapers and other current publications to
promote informed debate and raise awareness of students’ responsibilities to their environment.
Gender Equity
Classroom management and teaching practices will take into account the needs and different learning
styles of males and females. Material used will also present a balance of male and female perspectives,
and attention will be paid to the gender biases, both conscious and unconscious, in the language used by
students, teachers and writers. The unit Understanding Gender Issues addresses this. Material used in
many units is selected to reflect the experiences of both men and women and to challenge gender
stereotypes.
Information Access
Teaching strategies and learning styles adopted will be constructed with developments in technology and
the advancement of associated skills in mind. Emphasis will be on students using available college and
community resources in a variety of activities and then using information obtained for a given purpose.
Students will be encouraged to access CD Roms and the internet in many units for research purposes e.g.
Images of War, and will be provided with the opportunity to word process documents, design web pages,
create PowerPoint displays for data projection and use multimedia equipment, particularly in seminar
presentations. Information Technology is an area of study in Science Fiction and the impact of technology
on ideas and language is discussed in many units.
Language for Understanding
Student awareness of the different uses of language will be heightened by the variety that they encounter
in the English course. They will develop their skills in both written and spoken English and become more
confident users of the language in differing situations. This perspective will be integral to all units in the
course.
12
Board Endorsed December 2005 – Amended December 2013
Multicultural Education
Multicultural Education forms an important element in Images of Australia, Children’s Literature,
Contemporary Issues and Print and Multimedia Texts. Literature exposes issues such as racial prejudice,
cultural dislocation and multicultural enrichment. It raises students’ awareness of how language can be
used to perpetuate stereotypes.
Teachers will foster a classroom atmosphere, which is tolerant and accepting of cultural differences.
Teaching material will reflect aspects of Australian society.
Special Needs Education
Students will be encouraged to understand and to become better informed about the needs and
aspirations of people with special needs in our community. Students will be encouraged to appreciate
their experiences together with their needs for compassion and for equitable opportunities and
treatment. Teachers will address the needs of students with special needs through the choice of
appropriate teaching methods.
Work Education
Oral and written communication skills, which form an essential part of the English course, are directly
transferable to the work environment. The unit Communicate with Confidence has as its primary focus
work education. However, the strategies for developing skills such as group work, time management and
research skills are skills utilized in the workplace. Work stereotyping and the gender-based perceptions of
roles in the workplace are discussed through texts in many units. Personal writing encourages students to
value their own potential and abilities in both paid and unpaid work. All units will address this
perspective.
Teaching and Learning Strategies
Course developers are encouraged to outline teaching strategies that are grounded in the Learning
Principles. The following teaching strategies have been broadly grouped but the groupings are neither
definitive nor exhaustive:
Contexts
 research (author, history, politics, culture) including online
 evaluation of online resources
 personal response and reflective writing (journals)
 stimulus material
 excursions
 guest speakers
Analysis and deconstruction of texts
 mind mapping
 modelling forms (written, visual and multimodal)
 examining visual texts
 character profiles
 close textual study
 role plays
 discussion (individual, group whole class)
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Board Endorsed December 2005 – Amended December 2013
Construction of texts
 conferencing
 drafting
Synthesis
 debate
 seminar
 panel discussion
 forums
Managing Learning
 text negotiation
 independent learning
 regular and meaningful feedback (formal and informal)
 collaborative group work
 linking to worlds beyond the school (including workplaces)
Assessment
Assessment Task Types A Courses
Task Types
Responding
Creating
Investigating
Criteria
Responding
Creating
Respond to fiction,
nonfiction and/or
multimodal texts
Students may respond in
analytical forms such as
short responses, essay,
report writing, review,
letters, multimodal, blog,
email, oral presentation
All creative tasks must
include an explanation of
creative choices
Weightings
1.0
0.5
40-60%
Students may create
imaginative, entertaining,
persuasive, interpretative
or informative texts
Students may create in oral,
written or non-written
forms (e.g. diary entries,
short stories, letters,
websites, character
interviews, short film)
Plan, enquire into and draw conclusions about texts and/or
key unit concepts
Students may respond in forms such as note taking,
paraphrasing, reports, interviews, film making, oral
presentation, independent research, writing for publication
40-60%
20-30%
40-60%
20-30%
14
Board Endorsed December 2005 – Amended December 2013
Additional Assessment Advice for A Courses
 For a standard unit (1.0), students must complete a minimum of three assessment tasks and a
maximum of five.
 For a half standard unit (0.5), students must complete a minimum of two and a maximum of three
assessment tasks.
 Students must complete at least one of each task type in any semester unit. Students studying a 0.5
unit should complete the responding task and either the creating or investigating task.
 An oral response is not compulsory in every unit. However, students must present an oral response
at least on one occasion in each of Years 11 and 12.
 Duration of oral responses should be determined by the nature of the task and may range from 3 -7
minutes. It is recommended that weightings of oral responses reflect the type of task.
 Creative choices may be stated in a rationale or statement of aims plus annotations.
 For a 1.0 unit, at least one task to the value of 20-40% is to be completed in class.
 For a 0.5 unit, at least one task to the value of 50% is to be completed in class.
 For A courses the weightings are provided to guide teachers about the relative importance of the
tasks, not to provide a unit or course scores
15
Board Endorsed December 2005 – Amended December 2013
Assessment Task Types M Courses
Task Types
Responding
Criteria
Responding
Creating
Respond to fiction,
nonfiction and/or
multimodal texts
Students may respond in
analytical forms such as
short responses, letters,
diaries, journal, multimodal,
blog, email, short class
exercises, oral presentation
Creating
10-80%
10-90%
Students may create
imaginative, entertaining or
informative texts
Students may create in oral,
written or non-written
forms (e.g. diary entries,
collages, diorama, short
stories, letters)
Investigating
Weightings
1.0
0.5
10-80%
10-90%
Plan, enquire into and draw conclusions about texts and/or
key unit concepts
10-80%
Students may respond in forms such as note taking,
paraphrasing, research, posters
Additional Assessment Advice for M Courses
 For a standard unit (1.0), students must complete a minimum of three assessment tasks and a
maximum of five.
 For a half standard unit (0.5) students must complete a minimum of two and a maximum of three
assessment tasks.
 Students must complete at least one of each task type in any semester unit. Students studying a 0.5
unit should complete the responding task and either the creating or investigating task.
 An oral response is not compulsory. It is recommended that students present an oral response at
least on one occasion in each of Years 11 and 12.
 Duration and word length of tasks may be negotiated.
16
Board Endorsed December 2005 – Amended December 2013
Assessment Criteria for A and M
Students will be assessed on the degree to which they demonstrate:
 an ability to respond critically to texts and logically justify viewpoint
 an ability to evaluate and synthesise material to make meaning
 imagination and originality
 competent and effective use of language for a range of purposes and audiences
 control of appropriate medium.
Sample assessment task and marking schema/rubric
See Appendix 1 for sample assessment tasks. “Assessment Rubrics are currently under development,
building on current practices. (English Framework, p. 9.)
Unit Grades
Grade descriptors provide a guide for teacher judgement of students’ achievement, based on the
assessment criteria, over a unit of work in this subject. Grades are organized on an A-E basis and
represent standards of achievement.
Grades are awarded on the proviso that the assessment requirements have been met. Teachers will
consider, when allocating grades, the degree to which students demonstrate their ability to complete and
submit tasks within a specified time frame.
The following descriptors are consistent with the system grade descriptors, which describe generic
standards of student achievement across all courses.
17
Board Endorsed December 2005 – Amended December 2013
APPENDIX B
Unit Grade Descriptors for A Course
Assessment
criteria
A student who
achieves an A
grade typically
A student who
achieves a B
grade typically
A student who
achieves a C
grade typically
A student who
achieves a D
grade typically
Responding critically
 responds critically to
texts with insight
 justifies viewpoint
through logical argument
and effective use of
relevant examples
 responds to texts with
insight
 justifies viewpoint and
makes effective use of
examples
 understands and
responds to key ideas in
texts
 understands simple ideas
and retells narrative
 shows some capacity to
form a viewpoint
 does not express a
viewpoint
Imagination and
originality
Use of language
Control of medium
 synthesises and
evaluates material in a
competent manner to
construct a perceptive
response
 effectively
demonstrates
creativity and
originality
 communicates with
effective control of
language for a range
of purposes and
audiences
 demonstrates
effective and
consistent control of
the conventions of
the medium
 synthesises and
evaluates material to
construct a competent
response
 demonstrates
creativity and
originality
 communicates with
control of language
for a range of
purposes and
audiences
 demonstrates
consistent control of
the conventions of
the medium
 evaluates material to
construct a satisfactory
response
 demonstrates some
creativity
 communicates with
developing control
of language for a
range of purposes
and audiences
 demonstrates
understanding of the
conventions of the
medium but applies
them inconsistently
 evaluates some
material in a limited
manner to construct a
response
 demonstrates
limited creativity
 communicates with
partial control of
language with little
understanding of
purposes and
audiences
 demonstrates a
partial
understanding of the
medium and limited
use of its
conventions
 constructs a simplistic
or incomplete response
 demonstrates little
understanding of
simple and concrete
ideas
 communicates with
little control of
language
 does not
demonstrate
understanding of the
conventions of the
medium
 demonstrates a
viewpoint, not always
justified
 paraphrases or retells
A student who
achieves an E
grade typically
Evaluation and synthesis
of ideas
 may present work
that is derivative in
nature
 presents a literal
interpretation
18
Board Endorsed December 2005 – Amended December 2013
Control of
medium
Use of
language
Imagination Evaluation
Responding critically
and
and synthesis
originality
of ideas
Unit Grade Descriptors for M Courses
A student who achieves an A
grade typically,
independently
 describes how features of
texts achieve a particular
purpose and effect
A student who achieves a B
grade typically, with some
assistance
 identifies how features of
texts achieve a particular
purpose
A student who achieves a C
grade typically, with
occasional assistance
 identifies features of texts
A student who achieves a D
grade typically, with
continuous guidance
 identifies some features in
familiar texts
A student who achieves an E
grade typically, with direct
instruction
 identifies some features in
familiar texts
 describes how examples
are used to support ideas in a
text
 identifies how examples
are used to support the main
ideas in texts
 identifies main ideas and
supporting details in texts
 identifies some main ideas
and information in a text
 identifies some ideas or
information in a text
 selects relevant
information from different
sources
 selects relevant
information from sources
 selects relevant
information from sources
 selects some information
from different sources
 locates some information
in texts
 presents ideas and
opinions appropriately in
texts
 presents ideas and
opinions appropriately in
texts
 presents ideas and
opinions in texts
 presents some ideas and
opinions
 presents some ideas and
opinions
 uses appropriate language
for a range of purposes and
audiences
 uses appropriate language
for a range of purposes and
audiences
 uses appropriate language
for a range of purposes and
audiences
 uses language appropriate
to purpose and audience
 uses language appropriate
to purpose and audience
 communicates simple
ideas, using conventions of
the medium
 communicates simple
ideas using conventions of
the medium
 communicates simple
ideas using some
conventions of the medium
 communicates basic ideas
using some conventions of
the medium
 communicates basic ideas
using some conventions of
the medium
19
Moderation
Moderation is a system designed and implemented to:
 provide comparability in the system of school-based assessment;
 form the basis for valid and reliable assessment in senior secondary schools;
 involve the ACT Board of Senior Secondary Studies and colleges in cooperation and partnership; and
 maintain the quality of school-based assessment and the credibility, validity and acceptability of
Board certificates.
Moderation commences within individual colleges. Teachers develop assessment programs and
instruments, apply assessment criteria, and allocate Unit Grades, according to the relevant Course
Framework. Teachers within course teaching groups conduct consensus discussions to moderate marking
or grading of individual assessment instruments and unit grade decisions.
The Moderation Model
Moderation within the ACT encompasses structured, consensus-based peer review of Unit Grades for all
accredited courses, as well as statistical moderation of course scores, including small group procedures, for
‘T’ courses.
Moderation by Structured, Consensus-based Peer Review
Review is a subcategory of moderation, comprising the review of standards and the validation of Unit
Grades. In the review process, Unit Grades, determined for Year 11 and Year 12 student assessment
portfolios that have been assessed in schools by teachers under accredited courses, are moderated by peer
review against system wide criteria and standards. This is done by matching student performance with the
criteria and standards outlined in the unit grade descriptors as stated in the Course Framework. Advice is
then given to colleges to assist teachers with, and/or reassure them on, their judgments.
Preparation for Structured, Consensus-based Peer Review
Towards the end of each year, for each ‘A’ and ‘T’ course offered by the school, the semester 2 assessment
portfolios of a sample of Year 11 students are sent to the ACTBSSS Secretariat. This material is considered
at the first moderation day in March of the following year.
Towards the end of semester 1 each year, the same requirement applies for the semester 1 assessment
portfolios of a sample of Year 12 students. This material is considered at the second moderation day in
August of the same year.
The College Course Presentation
The package of materials (College Course Presentation) presented by a college for review on moderation
days in each course area will comprise the following:
 a folder containing supporting documentation as requested by the Board Secretariat through
memoranda to colleges.
 a set of student portfolios containing marked and/or graded written and non-written assessment
responses and completed criteria and standards feedback forms. Evidence of all assessment
responses on which the unit grade decision has been made is to be included in the student review
portfolios. Specific requirements for subject areas and types of evidence to be presented for each
moderation day will be outlined by the Board Secretariat through memoranda and Information
Papers which are available on the BSSS website. www.bsss.act.gov.au
20
Bibliography
References for Curriculum Development
Course developers should be aware of work being undertaken in:
 ACT curriculum P-10
ACT Department of Education and Training, 2004, Every Chance to Learn
http://activated.decs.act.gov.au/learning/curri_renewal.htm
 National Consistency in Curriculum Outcomes, including National Statements for English (for the
compulsory years of schooling).
More information is available from the Department’s Curriculum Support Section.
Teacher References
Books/Texts:
Alloway, Nola and Gilbert, Pam,
Boys and Literacy, 1997, Curriculum Corporation, Victoria, Australia
Anstey, M.,
Ed.
Literate Futures: Reading, 2002, Queensland Government, Access
Bellanca, J. & Fogarty, R.,
Hawker Brownlow, Australia
Blueprints for Thinking in the Co-operative Classroom, 1993,
Bellanca, J. & Fogarty, R.,
Hawker Brownlow, Australia
Catch them Thinking – a Handbook of Classroom Strategies, 1991,
Boomer, G (Ed).,
Negotiating the Curriculum, 1992, 2nd edition
Britton, J.,
English Teaching: an International Exchange, 1984, Heinemann
Bull, G. & Anstey, M., (eds),
The Literacy Lexicon, 1996, Prentice Hall, Sydney
Callow, J., (ed),
NSW
Image Matters: visual texts in the Classroom, 1999, Newtown,
Christenson, L.,
the Power of the Written Word, 2000
Reading, Writing and Rising Up: Teaching about Social Justice and
Constanzo, W.,
them, 1992, AATE, South Australia
Reading the Movies: Twelve great films on video and how to teach
Cope, B. & Kalantzis, M., (eds).,
Multiliteracies: Literacy Learning and the Design of Social Futures,
2000, Macmillan, South Yarra, Victoria
Corrigan, T. & White, P.,
The Film experience: An Introduction, 2004, Macmillan
Crystal, D.,
Longman, Harlow, England
Rediscover Grammar: with David Crystal, (revised edition), 1996,
Crystal, D.,
The Cambridge Encyclopaedia of the English Languages, (revised
edition), 1996, Cambridge University Press
Cunningham, S. & Turner, G., (eds),
Crows Nest, NSW
The Media & Communications in Australia, 2002, Allen & Unwin,
Doecke, B.,
Responding to Students’ Writing, 1999, AATE, Norwood
Durrant, C. & Beavis, C., (eds),
Pictures of English: Teachers, learners and technology, 2001,
AATE, Wakefield Press, South Australia
English in Australia:
Guide to Texts and Resources, 2004, AATE 140, Winter.
Freebody, P. & Luke, A.,
Literacies Programs: Debates and Demands in Cultural Context,
Prospect: Australian Journal of TESOL, 1990, p5(7), 7-16
21
Freebody, P.
Venezky, R.L. & Street, B.V. (eds),
Boulder C.O. (US), Oxford (UK)
Literacy Education in Australia and New Zealand. In Wagner, D.
Literacy: An International Handbook, 1999, Westview Press,
Green, B.,
Thoughts, 1999, vol. 7, no.1 p36-46
The New Literacy Challenge? Literacy Learning: Secondary
Janks, H. (ed.),
Africa
Critical Awareness Series, 1993, Hodder and Stoughton, South
Kalantzis, M. & Cope, B.,
The Designs for Learning Guide, 2004
Kalantzis, M., Cope, B. & Fehring, H.,
environment, 2002, PETA, NSW
Multiliteracies: teaching and learning in the new communications
Kalantzis, M. & Harvey, A.,
Preparing Tomorrow’s Knowledge Workers, 2002
Lankshear, C.,
England
Changing Literacies, 1997, Open University Press, Buckingham,
Martino, W. & Cook, C.,
Gender and Texts, 1998, AATE
Martino, W. & Mellor, B.,
Gendered Fictions, 1995, Chalkface Press, Cottesloe, WA
Mellor, B., Raleigh, M., Ashton, P.,
Making Stories, 1996, Chalkface Press, Cottesloe, WA
Mellor, B., O’Neill, M., Patterson, A.,
Reading Stories, 1987, Chalkface Press, Cottesloe, WA
Mellor, B., O’Neill, M., Patterson, A.,
Reading Fiction, 1991, Chalkface Press, Cottesloe, WA
Mellor, B. & Patterson, A.,
Investigating Texts, 1996, Chalkface Press, Cottesloe, WA
Metaphor, NSWETA.
Monaco, J.,
How to Read a Film: the World of Movies, Media & Multi-Media,
rd
2000, 3 edition, Oxford University Press
Moon, B.,
Studying Poetry, 1998, Chalkface Press, Cottesloe, WA
Moon, B. & Mellor, B.,
Scarborough, WA
Writing Critical Essays: A practical guide, 2001, Chalkface Press,
Morgan, W.,
Routledge, New York
Critical Literacy in the Classroom: the art of the possible, 1997,
Muspratt, S., Luke, A. & Freebody, P., Constructing Critical Literacies: Teaching and learning textual
practice, 1997, Allen and Unwin, Sydney
O’Shaughnessy, M.,
Media and Society, 1999, Oxford University Press,
Phillips, W.H.,
Film: An Introduction, 1999, St Martin’s Press, Boston New York
Quin, Rod, McMahon, B. & Quin, Robyn, The Big Picture: Reading Visual Language, 1997, Curriculum
Corporation, Carlton South, Victoria
Roffy, Sue,
Chapman.
The New Teacher’s Survival Guide to Behaviour, 2004, Paul
Sawyer, W., (ed),
Looking at Our Language: language investigations for middle and
upper secondary classes, 1995, St Clair Press, Rozelle, NSW
Sawyer, W., Watson, K. & Gold, E.,
Re-visioning English, 1998, St Clair Press, Rozelle, NSW
Schill, J.,
1996, Heinemann, Port Melbourne
On Purpose: Studying written, oral and visual language in context,
Sharp, T. & Dieter, E.,
the Classroom, 1999, Jon Callow (ed)
Visual Literacy and the Internet, in Image matters: Visual texts in
22
Snyder, I,
Allen and Unwin, Sydney
Page to Screen: taking literature into the electronic era, 1997,
Snyder, I.,
Press, Victoria
Hypertext: The electronic labyrinth, 1996, Melbourne University
Tomlinson, Carol Ann,
Edition, 2001, ASCD, USA.
How to Differentiate Instruction in Mixed Ability Classrooms, 2nd
Unsworth, L.,
University Press, Philadelphia
Teaching Multiliteracies Across the Curriculum, 2001, Open
Watson, A. & Badenhop, A., (eds),
Prevention of Reading Failure, 1992, Ashton Scholastic, Gosford
Videos
A selection from the Curriculum Corporation and AATE
Oral Language and the Teaching of English, 1999
World Wide Web
http://education.qld.gov.au/curriculum/learning/literate-futures/pdfs/lf-teacher-summary.pdf
http://education.qld.gov.au/corporate/newbasics/docs/onlineal.doc
http://www.alea.edu.au/freebody.htm
http://www.library.adelaide.edu.au/guide/hum/english/E_Aust.html
http://www.abc.net.au
http://www.education.qld.gov.au/schools
http://www.filmaust.com.au
http://www.gutenberg.net
http://www.qsa.qld.edu.au
http://www.shakespeare.com
http://www.vicnet.net.au/~ozlit
http://www.perspicacity.com/elactheatre
http://www.script-o-rama.com
http://www.myread.org
http://www.humanrights.gov.au/social_justice/croc/sub1.htm
www.curriculum.wa.edu.au
www.boardofstudies.nsw.edu.au
www.bsss.act.gov.au
www.service.sa.gov.au
www2.education.tas.gov.au
www.aate.org.au
www.zoomerang.com.au
www.actate.org.au
www.webenglishteacher.com
eserver.org
23
Websites of overseas newspapers such as the London Times, the New York Times, the Washington Post, the
Irish Times, etc.
These were accurate at the time of publication.
Resources
A wide variety of teacher reference books, student texts, current newspapers and publications and
materials from such sources as the Careers Reference Centre are necessary for this course.
Access to audio visual material, computers (both for individual work and in labs), multimedia facilities and
digital technology is available for English students.
Proposed Evaluation Procedures
There will be continuous informal evaluation by teachers during faculty meetings and discussion from the
beginning of the course's implementation. Teachers will also encourage informal student discussion of the
course and report outcomes at faculty discussions. Students will also be asked to participate in
questionnaires at the conclusion of units and the course. Suggestions for modification and refinement will
be decided on at faculty meetings and minor variations procedures will be used to implement such
changes.
Discussion amongst Colleges wishing to teach the course and panel members will form part of the
evaluation. Course Developers will need to refer to the Year 12 study to inform them of course trends.
The following dot points could be included in this evaluation process:
 whether the course and course framework are still consistent;
 whether the goals were achieved;
 the appropriateness of the course content;
 the success of the teaching strategies used;
 the inclusion of the across curriculum perspectives in, for example, including students with special
needs or addressing information access skills of students or fulfilling the statements made in this
section in the course document;
 the appropriateness of the assessment program;
 whether the needs of the students have been met;
 the relevance of the course;
 the number of students completing the course in each of the years of accreditation using the
appropriate table from the Year 12 Study; and
 the need for improvements to the course.
24
Images of Australia and Gender Issues
Value 1.0
Specific Unit Goals
This unit should enable students to:
 critically analyse a variety of Australian texts
 demonstrate an understanding of the distinctive features of a range of Australian
texts
 analyse their own experiences of Australian society through writing, speaking, listening and viewing
 analyse aspects of Australian culture and society past and present through the images in literature,
the arts and media.
 read, view, listen to and analyse a variety of texts dealing with gender stereotypes and roles in our
society
 demonstrate their awareness of a range of roles in the Australian context, including cross-cultural
perspectives in our society and others
 investigate and analyse gender images and role models in the media
 respond critically and imaginatively to the issues raised
Content
Students study:
 Australian culture and identity and a range of cultural groups which contribute to Australian society
 issues such as sport, Aborigines, reconciliation, multicultural, poverty-wealth, the bush.
 works of non-fiction, including magazines, historical documents and biographies
 some of the following: a novel or play, a selection from films, short stories, non-fiction texts,
documentaries, music, video clips, articles, comics.
 the images of men and women created by different groups and individuals in our society, such as
stereotyping in ads, bias in sport and focus on body image
 the myths and realities of such images
 at least one novel or one play, and a selection from films, short stories, documentaries, music, video
clips and articles and advertising
 relevant web sites
 the role of men and women in military conflict
 gender images in sport
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 class and small group reading, discussion and presentation of responses to texts with emphasis on
recognition of different interpretations and images of Australia, people and culture
 research, including online, of the historical, political and social contexts of the texts studied
 evaluation of online resources
 personal response and reflective writing (journals)
 stimulus material
 excursions to places of interest, eg War Memorial, National Museum of Australia
 guest speakers from organizations reflecting the different interests in the local community
25
 written responses including creative writing
 conferencing, drafting
 debate, Australia versus The Rest of the World
 regular and meaningful feedback (formal and informal)
 collaborative group work
 research report writing
 oral presentation
 class and small group discussion
 creative responses
 role play
 using information technology
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through the exploration of Indigenous
characterisation in film and also through an examination of gender issues specific to Indigenous
communities.
 Australian Education through the examination of Australian settings in film and on television and also
through an examination of gender issues explored in Australian film and written texts.
 Environment Education through an understanding of the role played by the environment in
Australian poetry and also through an exploration of women in the media who speak for
environmental programmes.
 Gender Equity through an examination of the construction of gender in Australian texts.
 Information Access through the use of Power Point to create virtual tours of Australian icons.
 Language for understanding through a close reading of Australian registers of speech and through a
discussion of the language of gender politics.
 Multicultural Education through an investigation of multi-cultural themes in Australian novels and
short stories and also through an examination of gender issues specific to Australian minority
communities
 Special needs Education through the modification of work to suit those with Special needs and also
through an investigation of how conversation about gender sidelines those with special needs.
 Work Education through an examination of the written language of the Australian work place and
also through an investigation of gender-appropriate language for the work place.
Specific Unit Resources
Teacher References
Martino, W. & Cook, C., Gender and Texts, 1988, AATE
Martino, W. & Mellor, B., Gendered Fictions, 1995, Chalkface Press, Cottesloe, W.A.
26
Books
Benaud, R., Anything but an Autobiography
Beynon, R., The Shifting Heart
Burke, M., Matthew Burke
Charlwood, D., All The Green Year
Charlwood, D., No Moon Tonight
Chichester, F., The Lonely Sea and the Sky
Connor, D., My Race for the America’s Cup
Courtenay, B., The Power of One
Courtenay, B., April Fool’s Day
Cunxin, L., Mao’s Last Dancer
Davis, J., A Boy’s Life
Davis, J., No Sugar
Earls, N., Bachelor Kisses
Ellis, L., Playing the Game
Enright, N., Blackrock
Facey,.A.B., A Fortunate Life
Forsyth, F., No Comebacks
Francis, D., Dead Cert
Gare, N., The Fringe Dwellers
Geldoff, B., Is That It?
Giles, J., Moving Out
Gwynne, P., Deadly, Unna
Haran, P., and Kearney, Robert, Flashback
Hilde, J., The Place at the Coast
Hornby, N., A Long Way Down
Hudson, C., The Killing Fields
Knight, J., Mark Waugh
Kureshi, H., Surfacing
Lehmann, D., Worth the Wait
Lillee, D., My Life in Cricket
Lindquist, U-C., Rowing Without Oars
Lunn, H., Over the Top with Jim
Mahmoody, B., Not Without My Daughter
Marchetta, M., Looking for Alibrandi
Marsh, R., Over and Out
Matthews, G., Australian Son
27
McCarthy, M., Dirt Bikes
McCarthy, M., Ganglands
McCarthy, M., Cross My Heart
Mienthzen, D., Johnny Hart’s Heroes
Morgan, S., My Place
Newcombe, J., No-one’s Indestructible
Oswald, D., Dags
Pilkington, D., Follow the Rabbit Proof Fence
Pryor, B. & McDonald, M., Maybe Tomorrow
Roy, A., The God of Small Things
Sasson, J.P., Princess
Savage, L., My Story
Scaife, M., Diary of a Champion
Seymour, A., The One Day of the Year
Shea, A., Petria Thomas: Swimming against the Tide
Tan, A.., The Hundred Secret Things
Tannen, J., You Just Don’t Understand: Men and Women in Conversation
Walker, S., Camphor Laurel
Wharton, H., Yumba Days
Wheatley, N., The Blooding
Whitlock, G. (Ed), Autographs; Contemporary Australian Autobiography
Williamson, D., The Perfectionist
Williamson, D., The Removalist
Williamson, D., Brilliant Lies
Williamson, D., The Club
Zindel, P., The Big Man and Me
Films
Bend It Like Beckham
(Gurinder Chadha, 2002)
Bride and Prejudice
(Gurinder Chadha, 2004)
Crocodile Dundee
(Faiman, P., 1986)
Dirty Harry
(Director: Don Siegel, 1971)
Gallipoli
(Weir, P., 1981)
In the Line of Fire
(Wolfgang Petersen, 1993)
Kindergarten Cop
(Ivan Reitman, 1990)
Malcolm
(Tass, N., 1986)
Mona Lisa Smile
(Newell, M., 2003)
Mrs Doubtfire
(Chris Columbus, 1993)
28
Muriel’s Wedding
(P.J. Hogan, 1994)
My Big Fat Greek Wedding
(Joel Zwick, 2002)
Philadelphia
(Jonathan Demme, 1993)
Rabbit Proof Fence
(Noyce, P., 2002)
Regarding Henry
(Mike Nichols, 1991)
Sea Change
(Michael Bray, 1998)
Shame
(Steve Jodrell, 1987)
Sunday Too Far Away
(Hannam, K., 1975)
The Accused
(Jonathan Kaplan, 1988)
The Adventures of Priscilla: Queen of the Desert (Stephan Elliott, 1994)
The Castle
(Sitch, R., 1997)
The Fringe Dwellers
(Beresford, B., 1986)
The Prince and Me
(Martha Coolidge, 2004)
The Shiralee
(Norman, L., 1957)
The Sum of Us
(Geoff Burton & Kevin Dowling, 1994)
The Wog Boy
(Vellis, A., 2000)
The Year My Voice Broke
(Dugan, J., 1987)
Three Men and a Baby
(Leonard Nimoy, 1987)
Two Hands
(Jordan, G., 1999)
Tootsie
(Sydney Pollack, 1982)
Wake in Fright
(Kotchett, T., 1971)
Whalerider
(Niki Caro, 2002)
Yolngu Boy
(Johnson, S., 2001)
Television Programs
Attitude
Australian Story (ABC)
Baywatch
Beverley Hills 90210
Blue Heelers
Degrassi High
Enough Rope with Andrew Denton (ABC)
Friends
Heartbeat
Heartbreak High,
Judge Judy,
Kath and Kim
Message Stick
29
My Life as a Dog
National Museum short films
Outback Jack
Police Rescue
The Footy Show
The Panel
The Simpsons
Magazines
Inside Sport
Sports Illustrated
Cleo
Ralph, Dolly
New Woman
Current newspaper articles and advertisements
Short Stories
Hathorn, L., The Blue Dress
Weller, A., Going Home
Poets
Geoff Goodfellow
Stephen Herrick
Adam Ford
Stephen Kelen
John Foulcher
Dawe, B., Lifecycle, Planning a Time Capsule, Enter Without so Much as Knocking
Music
Selection of music from artists such as John Williams, Peter Allen and Red Gum eg. True Blue, Give Me a
Home Among the Gum Trees, I Still Call Australia Home, The Tenterfield Saddler, I Come From a Land
Downunder.
Waltzing Matilda, Advance Australia Fair
Sensitive New Age Cowboys: The New National Anthem
Websites
National Library of Australia
www.nla,gov.au
www.musicaustralia.au
www.pictureaustralia.org
National Screen and Sound Archive
www.screensound.gov.au
National War Memorial
30
www.nwm.gov.au
Australian Film Commission
www.afc.gov.au
http://members.cox.net/academia/vivien.html
http://www.kidsource.com/education/gender.issues.L.A.html
31
Film, Television and Contemporary Issues
Value 1.0
Specific Unit Goals
This unit will enable students to:
 view critically a range of popular films and television programs
 analyse the techniques of film and television
 respond analytically and creatively to issues which arise
 read, view, listen to and understand a variety of texts dealing with issues in society that are relevant
to their lives
 develop an understanding of broader contemporary issues
 respond imaginatively and critically to the ideas and values raised in the texts.
Content
Students study
 at least two films and a range of the different types of television programs,
 film techniques
 the distinctive features of the various genres
 concerns and issues raised, and identify bias
 characters, settings, social issues and underlying ideologies
 a variety of texts such as novels, stories, TV programs, lyrics, films, plays, poetry, newspaper and
magazine articles to explore themes and issues
 issues affecting the broader community. These may include youth suicide, homeless youth,
unemployment, multiculturalism, families, relationships, the environment, violence, authority and
the individual, alcohol and drug abuse, sport, technology, euthanasia, body image, sexuality,
consumerism, images of youth culture.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 research the language of film and television
 write scripts, suggest and write alternative endings, compile storyboards
 explore the elements of film composition,
 research the various roles in the film/TV making process
 analyse viewing habits
 view a variety of films from the past including early black and white and compare to recent movies
 visit the cinema and Screensound Australia
 script and produce a short film
 read reviews on line and explore film and television website
 interview and survey on an issue to prepare a written report
 prepare and present an oral presentation comparing the treatment of an issue in a variety of media
 discussion of current issues in class and small groups
 role play the response of people of different ages, cultures or authority roles to a variety of issues
32
 investigate an issue, listen to guest speakers and respond by asking questions and writing a short
article
 contribute to Talkback Classroom or soap box speaking
 maintain a media scrapbook on an emerging issue in the news
 use information technology to investigate responses to global issues
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of The Bush Mechanics and
through an examination of Indigenous issues in the mainstream press.
 Australian Education through an examination of the development of Australian Television and
through the investigation of local issues.
 Environment Education through an examination of the ways in which film and TV explore
environmental themes and through an investigation of environmental issues, both here and abroad.
 Gender Equity through an exploration of the way in which men and women are stereotyped in soap
operas and through an investigation of how the media represents issues pertinent to both men and
women.
 Information Access through the development of electronic research skills.
 Language for understanding through writing television scripts and through an examination of the use
of emotive language to create interest in an issue.
 Multicultural Education through an examination of a foreign film and through the writing of letters to
the editor regarding the issues surrounding refugees.
 Special needs Education through the examination of the representation of people with special needs
in film and on television and through the writing of articles about the particular requirements of
people with special needs in our College.
 Work Education through an examination of film that has been made for the workplace and through
an examination of how workplace issues need to be understood and explored by both employers and
employees.
Specific Unit Resources
Magazines
Metro
Screen
TV Week
Who
Newspapers
The Canberra Times (The Guide, Panorama, Relax magazine)
33
Films
A Clockwork Orange
(Kubrick, Stanley 1971)
American Beauty
(Mendes, Sam 1999)
Billy Eliott
(Daldry, Stephen 2000)
Casablanca,
(Curtiz, Michael 1942)
Coffee & Cigarettes
(Jarmusch, Jim 2003)
ET- The Extra Terrestrial (Spielberg, Steven, 1980)
High Noon,
(Zimmerman, Fred 1952)
Psycho
(Hitchcock, Alfred 1960)
Run Lola Run
(Tykwer, Tom 1998)
Star Wars- Episode 1
(Lucas, George 1942)
The Matrix
(Wachowski, Andy & Wachowski, Larry 1999)
The Third Man
(Reid, Carol 1949)
The Shining
( Kubrick, Stanley 1982)
The Truman Show
(Weir, Peter 1998)
The War of the Worlds (Spielberg, Steven, 2005)
Witness
(Weir, Peter 1982)
The Best of Tropfest
(Various, SMH, 2004, 2005)
Television
At the Movies
A Current Affair
Better Homes and Gardens
CSI
Four Corners
GMA
Home and Away
Infomercials
Kath and Kim
Media Watch
Neighbours
The Bold and the Beautiful
The Footy Show
The Oprah Winfrey Show
The Panel
The Price is Right
The Simpsons
The Sketch Show
34
Survivor
Who Wants to be a Millionaire
And other contemporary television shows and infotainment such as:
documentaries, drama, comedies, soaps, sitcoms, TV news, current affairs, satirical shows, chat shows,
advertisements, sport, cartoons.
Teacher References
Arnold, J. S., Reading Television Books 1 & 2, OUP, Melbourne, 1997
Callow, J. Image Matters:Visual texts in the Classroom, 1999, Newtown, NSW
Clothier, E & Dohohoe, L., Switched On! Longman, Melbourne, 1998
Cohen,D., Horror Movies, London 1984
Corrigan ,T& White,P. The Film Experience: An introduction, 2004. Macmillan
Costanzo, W., Reading the Movies: Twelve great films on video and how to teach them,1992, AATE, South
Australia
Cox, P. & Goldsworthy, F., Featuring Film, OUP, Melbourne, 1996
Dyer, R.,Stars, BFI, London, 1986
Films for Women, BFI, London, 1986
Frank, A., The Science Fiction and Fantasy Film Handbook, BT Batsford, 1982
Fraser, G. M., The Hollywood History of the World. Penguin, London 1988
Glasson, T. & Carroll, J.,Exploring Film as Text, Heineman Educational, Melbourne 1992
Hamilton, P. & Matthews, S., American Dreams: Australian Movies, Currency Press, Sydney, 1986
MacFarland, C.,Classics on Film, Longman Cheshire, 1987
MacFarland, C.,Masterpieces on Film, Longman Cheshire, 1985
McFarlane, B.Words and Images - Australian Novels into Film, Heinemann,1983.
McGregor, R.,Teaching Film as Text series English Club, Prahran, 1996 – 1999
Monaco, J., How to read a Film: the World of Movies, Media &Multi-Media, 2000, 3rd edition, OUP
Partridge, D. & Hughes,P., Flicks: Studying Film as Text, Oxford Uni. Press, Melbourne, 1992
Pirie, D.,Anatomy of the Movies, Macmillan, London, 1981
Shaw, E., Viewing, ACTATE, 1996
Viewing for Learning, Curriculum Corporation, Victoria, 1995
Winokur, M. & Holsinger,B. , The Complete Idiot’s Guide to Movies, Flicks and Films, 2001
Books
Anon., Go Ask Alice
Bowles, C., Going Off
Clarke, I., Saving Jessie
Clarke, J., The Night Train
Cormier, R., After the First Death
Donaghy, B., Anna’s Story
Stewart, M., All of Me
Wheatley, N., The Blooding
35
Plays
Clark, B., Whose Life is it Anyway?
Keys, D., Flowers for Algemon
Biography
Hurley, J., How Far is it to London Bridge?
Poetry
Dawe, B., Doctor to Patient, In the New Landscape, The Not-So-Good Earth, Planning a Time-Capsule, Enter
Without so Much as Knocking, The Family Man, Search and Destroy
Ford, A., Not Quite the Man for the Job (“Isms”, Racial Reminisces, Velocipede, Largest in the Southern
Hemisphere, Spellchecker, Reruns, Stop Me if You’ve Heard this One, etc)
Foulcher, J., The Honeymoon Snaps
Goldsworthy, P., This Goes With That (Alcohol, Act Six, etc)
Goodfellow, G., Bow Tie and Tails (Down the Drain, Epitaph for Robbie, The All-Blacks, Mattie, Poem for
Annie, etc)
Guess, J., Leaving Maps (Private Nursing Home, Girl – Three Days in Car Wreck, Bike Death, A View from the
Bridge etc)
Kelen, S. K., Dingo
Kroll, Jeri (Ed.) & Westburg, Barry, Tuesday Night Live
Films
The Full Monty (Cattaneo, Peter, 1997)
Brassed Off
(Herman, Mark, 1996)
Once were Warriors
(Tamahori, Lee, 1995)
Blackrock
(Vidler, Steven, 1997)
The Boys
(Woods, Rowan, 1998)
Ordinary People(Redford, Robert, 1980)
Radiance
(Perkins, Rachel, 1998)
American Beauty
(Menders, Sam, 1999)
The Hurricane
(Jewison, Norman, 2000)
Philadelphia
(Demme, Jonathan, 1993)
Other
Laverty, M., (Ed.), What’s in an Issue? Perspectives on Contemporary Australian Concerns.
Laverty, M., (Ed.), What’s at Issue Now? More Perspectives on Contemporary Australian Concerns.
Newspapers and magazines
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
36
Websites
ScreenSound Australia
http://www.nfsa.gov.au/screensound/screenso.nsf
Australian Film Commission
http://www.afc.gov.au/
Office of Film and Literature Classification
http://www.oflc.gov.au/
Film Reviews
http://www.suntimes.com/ebert/ebert_reviews/
http://www.rottentomatoes.com/
and also:
http://www.abc.net.au/
http://www.filmaust.com.au/
http://www.theeducationshop.com.au/
www.allaboutmovies.com
http://www.chaser.com.au/
http://www.abc.net.au/news/
http://www.screensound.gov.au/ScreenSound/Screenso.nsf/0/43D327F3386DF902CA256B5D001B8829?O
penDocument
These were accurate at the time of publication.
37
Heroes and the Journey
Value 1.0
Specific Unit Goals
This unit should enable students to:
 read, view, listen to and understand a range of texts which deal with heroes
 respond to a variety of real or imagined heroes
 critically analyse the values and heroic natures of characters in texts
 analyse the theme of the journey as a metaphor for life
 critically analyse and compare their own experiences of life in relation to common human experience
 critically read and view texts which investigate journeys real and imagined
Content
Students study:
 a variety of types of heroes such as sporting, national, religious or personal heroes, those who have
overcome adversity or achieved greatness
 how we construct the notion of a hero in different times and cultures
 a variety of texts involving different types of heroes
 heroic and anti-heroic characters in a variety of texts
 myths and legends from a variety of cultures
 gender differences in the creation of heroes and heroines
 stories, both traditional and modern, which incorporate the theme ‘the journey’. These could
include a novel and a selection of other forms ranging from myths to current films and computer
games
 the common experiences which people [e.g. people from different cultures and walks of life] have
when operating outside their usual environments and the personal growth which results
 their experiences and relate the learning to the literature studied
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 discussion of students’ perception of heroes
 consider the changes in the depiction of heroes in films over time
 compare screen and literary heroes/antiheroes
 interviews and biographies giving a character profile of a hero
 wide reading and viewing to introduce students to heroes such as biblical, mythological, historical
and contemporary figures
 write a creative piece depicting a hero
 discussion of the invention of the ‘superhero’ and the stereotypes associated with this character
 personal response and reflective writing
 examining visual texts
 listening to and note making from guest speakers and members of the community
 individual or group oral presentations of personal research or reading and viewing
38
 excursion / individual projects modeled in class work. These might involve developing questionnaires
and doing oral and written reports on new experiences
 discussion (individual, group and whole class)
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an investigation of the representation of
Indigenous people in film and through the analysis of Indigenous myths and legends that explore the
theme of the journey.
 Australian Education through an investigation of Australian war time heroes and through an
investigation of Australian films that use the structure of the journey as a plot device.
 Environment Education through an investigation of people who have fought to save or live with the
natural world and through a discussion of the use of the environment to develop setting in texts that
are based on the concept of the journey.
 Gender Equity through writing scripts about men and women in heroic roles and through an analysis
of the use of gender stereotypes to develop the theme of the journey.
 Information Access through using software to create cartoon narratives and through the use of ICT to
write stories of real or imagined stories that use the device of the journey.
 Language for understanding through looking at the language used to create heroic character in film
and written texts and through close reading of the language of “journey” literature and non-fiction.
 Multicultural Education through looking at foreign action and hero films and through an analysis of
non-fiction that explores the experiences of the journey to a new life.
 Special needs Education through the creation of a hero who explores some special needs and
through reading the stories of those who have journeyed through life with special needs.
 Work Education through the exploration of cultural understandings of heroism to develop
interpersonal skills and through exploring the idea of career as journey.
Specific Unit Resources
Books
Adams, D., Hitchhikers’ guide to the galaxy
Baillie, A., Heroes: Australians at their Best
Bane, M., Who’s Who in Rock
Bennett, W., Australian Story
Campese, D., On a Wing and a Prayer
Cassidy, G., Greats of Australian Surf
Crew, G., Creating Adam West: Contemporary Biographies and Autobiographies
Diver, S., The Stuart Diver Story
Gardner, S., The Legend of Kevin the Plumber
Gibson, M., Gods, Heroes and Monsters from the Greek Myths
39
Gutman, B., Magic: More than a Legend
Homer, The Odyssey (extracts)
Kellerher, V., Slow Burn
Lehane, B., The Enchanted world; Legends of Valour
Marsden, J., The Journey
Metzenthen, D., Johnny Harts Heroes
McCarthy, M., Ganglands
Morrden, E., Movie Star-A Look at the Women Who Made Hollywood
Reed, A.W., Aboriginal Myths, Legends and Fables
Shepherd, J., Never Tell me Never
Tolkien, J.R.R., The Hobbit
Voight, C., Homecoming
Audio Visual Material
The Aviator
Beneath Clouds
(Scorsese, M., 2004)
(Ivan Sen, 2002)
Braveheart
(Gibson, M., 1995)
Dragonslayer
(Robbins, M., 1981)
Erin Brockovich
Ever After
Fantastic Four
Gladiator
The Hurricane
Lord of the Rings
(Soderberg, S., 2000)
(Tennant, A., 1998)
(Story, T., 2005)
(Scott, R., 2000)
(Jewison, N., 1999)
(Peter Jackson, 2001, 2002, 2003)
Pirates of the Caribbean: The Curse of the Black Opal (Verbinski, G., 2003)
The Navigator
(Vincent Ward, 1988)
The Princess Bride
(Reiner, R., 1987)
Rabbit Proof Fence
(Phillip Noyce, 2002)
Rain Man
(Barry Levinson, 1998)
RobRoy,
(Caton-Jones M., 1995)
Spiderman
(Raimi, S., 2002)
Troy
(Peterson, W., 2004)
Veronica Guerin
(Schumacher, J., 2003)
Whale Rider
(Caro, N., 2002)
Yolgnu Boy
(Stephen Johnson, 2001)
40
Assorted Comics
Batman
Superman
Spiderman
The Phantom
Also:
Games sites
Games on network
College Miniatures Clubs
Websites
www.teachit.com.uk
www.filmeducation.org/secondary
www.webenglishteacher.com/beowulf/html
www.webenglishteacher.com/classmyth/html
http://www.english.efl/edu/comics/teaching/bill.shtml
http://www.aate.org.au/ follow the prompts to catalogue.
www.boardofstudies.nsw.edu.au/syllabus_hsc/ pdf_doc/annotations_texts_04_07.doc
www.boardofstudies.nsw.edu.au/syllabus_hsc/ pdf_doc/hsc_english_poster_04_07.pdf
www.boardofstudies.nsw.edu.au/ syllabus_hsc/pdf_doc/journey_stimulus_04_07.pdf
These were accurate at the time of publication.
41
Real Life Stories & Images of War
Value 1.0
Specific Unit Goals
This unit should enable students to:
 analyse critically and creatively personal stories in a variety of text types
 research the influences that shape peoples lives
 respond critically to texts that develop understanding of the experiences of men and women from
different cultural backgrounds and times
 critically examine a range of texts depicting the experience of war
 analyse some of the common war themes and issues and identify their social and historical contexts
 demonstrate an understanding of interpretations and images of war presented by the print media,
film and television
Content
Students study:
 a variety of biographical and autobiographical texts
 texts types, such as magazine biographies, radio interviews, television documentaries e.g. Australian
Story, and films, that reflect a wide range of cultural perspectives
 techniques to enable them to write their own life story
 a variety of visual texts that deal with the experience of war
 a variety of texts such as novels, poems, autobiographies, oral histories, diaries and letters in which
men and women from different walks of life have recorded their experiences of war
 a range of materials published in war time including books, poems, newspapers, posters, documents,
photographs, artwork, speeches and popular songs
 interpretations of modern warfare in popular novels, popular history, film, television, war games on
CD-ROM and the Internet
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 collaborative work, interviews and oral presentations which may include role play and discussions
 research and gather information to report on a local or famous person – could include guest speakers
 use of ICT where appropriate
 personal response and reflective writing
 class and small group reading, discussion and presentation of responses to texts with emphasis on
recognition of different interpretations and images of warfare and especially of bias and propaganda
 explicit teaching of the historical, social and cultural contexts of the texts studied
 an introduction to the reality of war through visits to such places as the Australian War Memorial,
ADFA, the National Archives, the National Library
 guest speakers from these institutions and other groups such as refugee associations, Amnesty
International and students’ own family and acquaintances who have had experiences of war
 comparison of the texts inspired by war
 journal writing
 reading/viewing log
42
 oral presentations, taped interviews, dramatizations and reports
 written responses including creative writing
 analysis of the coverage of a war event by different television networks
 analysis of the images of war in popular songs about war, past and present engage in a range of
written and oral tasks which should include critical and creative responses to texts
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through listening to the experiences of Indigenous
Australians and through the exploration of the role of Indigenous Australians in war time.
 Australian Education through reading the life stories of Australians from rural areas and through an
investigation of the power of the theme of war in the everyday life of Australians.
 Environment Education through an exploration of how lives are shaped by the environment, either
directly or indirectly and through the study of the destruction of the natural world through war.
 Gender Equity through reading the lives of women and men and discussing their differences and
through an investigation of the roles of women and men in war time.
 Information Access through the students’ use of ICT to tell their own life stories and through the use
of software to write about the experience of war in a creative manner.
 Language for understanding through the development of a critical language to talk about non-fiction
and through close readings of media texts relating to war.
 Multicultural Education through watching films that explore the experiences of different cultures and
through an investigation of the literature of wars in which our ethnic communities have participated.
 Special needs Education through discussion and journaling about the experiences of those with
special needs and through a discussion of the trauma of war
 Work Education through an exploration of how the development of empathy can be a useful skill in
the workplace and through an investigation of military work places.
Specific Unit Resources
Teacher References such as:
Callow, J., (ed), Image Matters: visual texts in the classroom, 1999, Newtown, NSW
Books such as:
Allende, P.
Paula
Angelou, M.
I Know Why the Caged Bird Sings
Baillie, A.,
Little Brother
Blakers, G.
A Useless Young Man?
Boswell, J.
Life of Johnson
Caswell, B., & Phu An Chiem, David, Only the Heart
Dahl, R., Boy
Going Solo
Delaney Sisters
Having our Say: The Delaney Sisters First 100 Years
43
Disher, G
The Divine Wind
Dunlop, E.
War Diaries
Facey, A.
A Fortunate Life
Filipovic, Z.,
Zlata’s Diary
Follett, K.,
The Eye of the Needle
Frame, J.
An Angel at my Table
Frank, A.,
The Diary of Anne Frank
Gleeson, L.,
Refuge
Greene, B.,
Summer of My German Soldier
MacDowell, R.
Inside Story
Marsden, J.,
Tomorrow When the War Began
Mattingly, C.,
Escape From Sarajevo
May, S.,
Cambodian Witness
McBride, J.
The Color of Water
McKay, G.,
In Good Company
Metcalf, P.
War in the Shadows
Misto, M.,
The Shoe Horn Sonata
Morgan, S.
My Place
Mortimer, J.
Clinging to the Wreckage
Park, R.
A Fence Around the Cuckoo
Park, R.
Fishing in the Styx
Pepys
Diaries
Prejean, H.
Dead Man Walking
Reilly, M
Ice Station
Reilly, M
Temple
Reimer, A.
Inside, Outside
Shute, N
A Town Like Alice
Stewart, M
Autobiography of My Mother
Weisel, E
Night
Wharton, H.
Murrie Drovers
Yen Mah, A.
Falling Leaves
44
Poets such as:
Dawe, B.
Murray, L.
Plath, S.
Audio visual Material such as:
1915
(mini series, Directors: Di Drew and Chris Thomson, 1982)
A Beautiful Mind
(Ron Howard, 2001)
All Quiet on the Western Front (TV version, Delbert Mann, 1979)
Anzacs
(Pino Armenta & John Dixon, 1985)
Apocalypse Now
(Francis Ford Coppola, 1979)
Australian Story, ABC
Black Hawk Down
(Ridley Scott,2001)
Born on the Fourth of July
(Oliver Stone, 1989)
Bran Nue Day
Braveheart
(Mel Gibson, 1995)
Breaker Morant
(Bruce Beresford, 1980)
Carve Her Name with Pride
(Lewis Gilbert, 1958)
Cold Mountain
(Anthony Minghella, 2003)
Cry Freedom
(Richard Attenborough, 1987)
Dead Man Walking
(Tim Robbins, 1995)
Dear America
(Couturie, B., 1987)
Fabulous Women (ABC Series)
Foyle’s War (ABC TV)
Gallipoli
(Peter Weir, 1981)
Good Morning Vietnam
(Barry Levinson, 1987)
Hamburger Hill
(John Irvin, 1987)
Heaven and Earth
(Oliver Stone, 1993)
Hope and Glory
(John Boorman, 1987)
Hotel Rwanda
(Terry George, 2004)
How Hollywood Made the War (SBS)
In the Name of the Father
(Jim Sheridan, 1993)
Janis Joplin (BBC)
Life is Beautiful
(Fazil, 2000)
Medal of Honour
(William Bison, 1999)
Missing
(Costa-Gavras, 1982)
My Left Foot
(Jim Sheridan, 1989)
Nostradamas Kid
(Bob Ellis, 1993)
Not Without My Daughter
(Brian Gilbert, 1991)
Paradise Road
(Bruce Beresford, 1997)
The Aviator
(Martin Scorcese, 2004)
The Day After
( TV, Nicholas Meyer, 1983)
45
The Devil’s Own
(Allan J. Pakula, 1997)
The Dirty Dozen
(Robert Aldrich, 1967)
The Great Escape
(John Sturgen, 1963)
The Guns of Navarone
(J. Lee Thompson, 1961)
The Hurricane
(Norman Jewison, 1999)
The Killing Fields
(Roland Joffe, 1984)
The Power of One
(John G. Avildsen, 1992)
Saving Private Ryan
(Steven Spielberg, 1998)
Schindler’s List
(Steven Spielberg, 1995)
Shadowlands
(Richard Attenborough, 1993)
Shine
(Scott Hicks, 1996)
Sword of Honour
(Mini-series, Bill Anderson, 2001)
Veronica Guerin
(Joel Schumacher, 2003)
We Were Soldiers
(Randall Wallace, 2002)
Websites
An Average Australian’s Diary http://www.toxiccustaard.com/diary/
The Secret Diary of Bill Gates http://www.tiac.net/users/billg40/
Civil War Era Diary http://pages.prodigy.com/GA//daddyof3/diary.html
Australian War Memorial (on line), 2005
http://www.awm.gov.au
National Museum of Australia (on line), 2005
http://www.nma.gov.au
Screensound Australia (on line), 2005
http://www.screensound.gov.au
Imperial War Museum (on line), 2005
http://www.iwm.org.uk
Songs
Redgum
I Was only Nineteen (A Walk in the Light Green)
Cold Chisel
Khe San
Eric Bogle
And The Band Played Waltzing Matilda
These were accurate at the time of publication.
46
Advertising and Gender Issues
Value 1.0
This unit combines Advertising 0.5 with Understanding Gender Issues 0.5
Specific Unit Goals
This unit should enable students to:
 identify a variety of advertising media
 examine the purpose and techniques of advertising
 analyse the techniques of persuasion used by advertisers
 create their own advertisements
 read, view, listen to and analyse a variety of texts dealing with gender stereotypes and roles in our
society
 demonstrate their awareness of a range of roles in the Australian context, including cross-cultural
perspectives in our society and others
 investigate and analyse gender images and role models in the media
 respond critically and imaginatively to the issues raised
Content
Students study:
 a variety of advertising media
 the development of marketing techniques
 the major features of advertising, both linguistic and visual
 the appropriate technologies to create visual texts
 the images of men and women created by different groups and individuals in our society, such as
stereotyping in ads, bias in sport and focus on body image
 the myths and realities of such images
 at least one novel or one play, and a selection from films, short stories, documentaries, music, video
clips and articles and advertising
 relevant web sites
 the role of men and women in military conflict
 gender images in sport
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 access and analyse advertising media which could include websites,
 magazines, television, radio, shopfronts, pamphlets, newspapers, posters and film
 work in groups to compile a list of advertising techniques that can be shared with the class
 view videos about advertising and develop advertising campaigns using a variety of skills and
equipment
 compile scrapbook journals that consist of collections of advertisements, journal entries and
advertisements and drawings of design possibilities
 visit to the Canberra Times educational programme
 listen to guest speaker from an advertising agency
47
 participate in Talkback Classroom at Australian National Museum
 view videos about advertising and complete class tasks to develop advertisements
 class and small group reading, discussion and presentation of responses to texts with emphasis on
recognition of different interpretations and images of Australia, people and culture
 research, including online, of the historical, political and social contexts of the texts studied
 evaluation of online resources
 personal response and reflective writing (journals)
 stimulus material
 excursions to places of interest, eg War Memorial, National Museum of Australia
 guest speakers from organizations reflecting the different interests in the local community
 written responses including creative writing
 conferencing, drafting
 debate, Australia versus The Rest of the World
 regular and meaningful feedback (formal and informal)
 collaborative group work
 research report writing
 oral presentation
 class and small group discussion
 creative responses
 role play
 using information technology
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of the construction of racial
stereotyping in tourism advertising as well as through an examination of gender issues specific to
Indigenous communities.
 Australian Education through an examination of the use of Australian iconic imagery in television
advertising as well as through an examination of gender issues explored in Australian film and
written texts.
 Environment Education through an examination of the use of the environment to sell products that
are in themselves damaging to the environment as well as through an exploration of women in the
media who speak for environmental programmes.
 Gender Equity through an examination of the construction of gender stereotyping as well as through
an examination of the roles of men and women in Australian society and the world.
 Information Access through the creation of advertisements for real and imagined products and
services as well as through the development of electronic research skills.
 Language for understanding through an investigation of the language of persuasion used in
advertisements aimed at young people as well as a discussion of the language of gender politics.
48
 Multicultural Education through an examination of the construction of racial stereotyping in
government advertising as well as an examination of gender issues specific to Australian minority
communities.
 Special needs Education through the modification of work for special needs students and through an
examination of the absence of people with special needs in print advertising as well as an
investigation of how conversation about gender sidelines those with special needs.
 Work Education through an investigation of the way in which the world of work is represented in
both a positive and negative manner in advertisements well as an investigation of genderappropriate language for the work place.
Specific Unit Resources
Advertising
Books
Crump, Durand and Hooke, Viewing and Presenting in Context 1, Thomson Nelson, 2003.
Crump, Durand and Hooke, Viewing and Presenting in Context 2, Thomson Nelson. 2003.
Sadler & Sadler, Into English, Macmillan, 2004.
Heintz & Evans, Insight Outcomes English Year 11, Insight Publications, 2002.
Huggard, Keaney and Brewer, Insight Outcomes Year 12, Insight Publications, 2002.
Windschuttle, Keith, The Media: A New Analysis of the Press, Television, Radio and Advertising in Australia ,
Penguin, 1984.
Hopkinson, Simon, The Crazy World of Advertising, Aust. Theatre Workshop,
Packard, Vance, The Hidden Persuaders, Penguin, 1984.
Wake,Susan, Advertising, Jun N/F
Morgan, Sally and Adrian, Colour in Art and Advertising , Evans, 1994.
Hewett, Robert, The Adman: “ The dog-Eat-Dog World of Modern Advertising Current Theatre Series
Magazines
Vibe - Indigenous Education Magazine ( see the ASSPA Officer in your college)
Open Road
Sports Magazines
Women’s Magazines
Newspapers
Koori Mail
The Sydney Morning Herald
The Canberra Times
The Age
The Australian
Audio visual Material
Deconstructing Advertising, Video Education Australia, 1993.
Advertising Strategies, Video Education Australia, 1992.
A Case Study, 1988
The Art of Persuasion, from the series ‘The Investigators.’ 1996
The Image Makers,
49
Advertising, from the series, “Words Fail Me.”
Advertising Layout Part 1
Advertising Layout Part 2
Other suggestions:
Excursions to;
Screensound Australia
WIN News studios
Canberra Times (and the Canberra Times Education Booklet)
Radio Stations
Websites
http://www.teachingonline.org/ADVERTISING.html
http://www.teachit.co.uk/index.asp?A=14&M=18&S=26
http://www.mediachannel.org/teach/
These were correct at the time of publication
Gender issues
Teacher References:
Martino, W. & Cook, C., Gender and Texts, 1988, AATE
Martino, W. & Mellor, B., Gendered Fictions, 1995, Chalkface Press, Cottesloe, W.A.
Books
Charlwood, D.,
All The Green Year
Charlwood, D.,
No Moon Tonight
Chichester, F.,
The Lonely Sea and the Sky
Connor, D.,
My Race for the America’s Cup
Courtenay, B.,
The Power of One
Courtenay, B.,
April Fool’s Day
Walker, S.,
Camphor Laurel
Davis, J.,
A Boy’s Life
Earls, N.,
Bachelor Kisses
Enright, N.
Blackrock
Forsyth, F.,
No Comebacks
Francis, D.,
Dead Cert
Geldoff, B.,
Is That It?
Gwynne, P.,
Deadly, Unna
Hornby, N.,
A Long Way Down
Hudson, C.,
The Killing Fields
Kureshi, H.,
Surfacing
Lillee, D.,
My Life in Cricket
Mahmoody, B.,
Not Without My Daughter
Marsh, R.,
Over and Out
50
McCarthy, M.,
Dirt Bikes
McCarthy, M.,
Ganglands
McCarthy, M.,
Cross My Heart
Roy, A.,
The God of Small Things
Sasson, J.P.,
Princess
Tan, A..,
The Hundred Secret Things
Tannen, J.,
You Just Don’t Understand: Men and Women in Conversation
Williamson, D.,
The Perfectionist
Williamson, D.,
The Removalist
Williamson, D.,
Brilliant Lies
Williamson, D.,
The Club
Zindel, P.,
The Big Man and Me
Television Programs
Attitude
Baywatch
Beverley Hills 90210
The Panel
Degrassi High
Heartbeat
Judge Judy,
The Simpsons,
Heartbreak High,
The Footy Show
Blue Heelers
Friends
Police Rescue
Films
Bend It Like Beckham (Gurinder Chadha, 2002)
Bride and Prejudice (Gurinder Chadha, 2004)
Dirty Harry (Director: Don Siegel, 1971)
In the Line of Fire (Wolfgang Petersen, 1993)
Kindergarten Cop (Ivan Reitman, 1990)
Mrs Doubtfire (Chris Columbus, 1993)
Muriel’s Wedding (P.J. Hogan, 1994)
My Big Fat Greek Wedding (Joel Zwick, 2002)
My Life as a Dog (TV series, Norma Bailey & Neil Fearnley, 1996)
Philadelphia (Jonathan Demme, 1993)
Regarding Henry (Mike Nichols, 1991)
Sea Change (Michael Bray, 1998)
Shame (Steve Jodrell, 1987)
The Accused (Jonathan Kaplan, 1988)
51
The Adventures of Priscilla: Queen of the Desert (Stephan Elliott, 1994)
The Castle (Rob Sitch, 1997)
The Prince and Me (Martha Coolidge, 2004)
The Sum of Us (Geoff Burton & Kevin Dowling, 1994)
The Wog Boy (Aleksi Vellis, 2000)
Three Men and a Baby (Leonard Nimoy, 1987)
Tootsie (Sydney Pollack, 1982)
Wake in Fright (Ted Kotcheff, 1971)
Whalerider (Niki Caro, 2002)
Mona Lisa Smile (Newell, M., 2003)
Magazines
Inside Sport, Sports Illustrated, Cleo, Ralph, Dolly, New Woman
Current newspaper articles and advertisements
Short Stories
Hathorn, L., The Blue Dress
Weller, A., Going Home
Poets
Geoff Goodfellow
Stephen Herrick
Adam Ford
Stephen Kelen
John Foulcher
Websites
http://members.cox.net/academia/vivien.html
http://www.kidsource.com/education/gender.issues.L.A.html
These were accurate at the time of publication.
52
Communication & Contemporary Issues
Value 1.0
Specific Unit Goals
This unit should enable students to:
 recognize that oral communication involves speaking, listening and body language
 develop appropriate communication skills to meet a variety of real life and constructed situations
 analyse the techniques of effective communication
 develop oral, listening and written skills and awareness of the effect of body language
 read, view, listen to and understand a variety of texts dealing with issues in society that are relevant
to their lives
 develop an understanding of broader contemporary issues
 respond imaginatively and critically to the ideas and values raised in the texts.
Content
Students study:
 a variety of texts to identify effective communication techniques
 effective speaking, listening, non-verbal and written communication
 methods of gathering, structuring and modifying information for delivery to a specific audience /
purpose
 the effects of positive and negative communication in everyday interactions and social situations
such as a speech for a formal occasion, a job interview, meeting new people, presenting to a large
audience at a College assembly, dealing with complaints, conflict resolution, acting as open day
guides, mentoring younger students, etc.
 a variety of communication types.
 a variety of texts such as novels, stories, TV programs, lyrics, films, plays, poetry, newspaper and
magazine articles to explore themes and issues
 issues affecting the broader community. These may include youth suicide, homeless youth,
unemployment, multiculturalism, families, relationships, the environment, violence, authority and
the individual, alcohol and drug abuse, sport, technology, euthanasia, body image, sexuality,
consumerism, images of youth culture.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 role play, group work and discussion of communication techniques
 view visual texts to analyse body language, listening skills and verbal communication
 examine the role and effect of accents, pronunciation and voice production
 listen to a variety of aural communication models, including their own, to examine tone, use of voice
for emphasis, volume, pauses, sound effects, etc.
 plan and present an oral item eg wedding / funeral speech, a job interview, teaching a skill,
motivational talk, comedy routine
 write an application letter and develop a CV
 write letters for a number of purposes such as a letter to the editor, an apology, a thank you letter, a
love letter, etc.
 write and send e-mails and sms messages
53
 personal response and reflective writing (journals)
 proof reading and editing an on-line document
 interview and survey on an issue to prepare a written report
 prepare and present an oral presentation comparing the treatment of an issue in a variety of media
 discussion of current issues in class and small groups
 role play the response of people of different ages, cultures or authority roles to a variety of issues
 investigate an issue, listen to guest speakers and respond by asking questions and writing a short
article
 contribute to Talkback Classroom or soap box speaking
 maintain a media scrapbook on an emerging issue in the news
 use information technology to investigate responses to global issues
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of the speaking conventions
and the uses of gestures in different cultures.
 Australian Education through an investigation of famous Australian speeches.
 Environment Education through the preparation of “soap box” speeches.
 Gender Equity through the preparation of “soap box” speeches.
 Information Access through the creation of worthwhile Power Point presentations.
 Language for understanding through an exploration of the differences needed in tone and vocabulary
when speaking for different audiences and purposes.
 Multicultural Education through an examination of the speaking conventions and the uses of
gestures in different cultures.
 Special needs Education through an exploration of the ways in which oral language can be made
easier to understand for those with special needs.
 Work Education through an exploration of the differences needed in tone and vocabulary when
speaking for different audiences and purposes in a workplace environment.
Specific Unit Resources
Books
Covey, S.,
The 7 Habits of Highly Effective Teens
Hollier, F.,
Conflict Resolution Trainers’ Manual
Loughton, J.,
Listening and Language, User Friendly Resource, 1996
Loughton, J.,
Listening and Understanding, User Friendly Resource, 1996
Loughton, J.,
Speaking and Power, User Friendly Resource, 1995
Loughton, J.,
Speaking and Structure, User Friendly Resource, 1995
Malouf, M.,
How to Create and Deliver a Dynamic Presentation, Melbourne, 1988
54
Pease A.,
Body Language
Quattrini, J.,
Speaking by Doing, National Textbook Company, 1996
Toovey, C.,
Speak Up, Oxford, 1992
Travers, M.,
Talking with confidence. New York, Melbourne, Cambridge University Press, 1995.
Audio visual Material
Assertive Issues, Pease Training Corporation
Blah, blah, blah: The Art of Public Speaking, Bendigo, Victoria, Video Education Australasia, 1999
Body Language, Pease Training Corporation
Effective Communications Meridan, Education Corporation, 1992
Getting Along on the Job, Bendigo, Victoria, Video Education Australasia
Making Your Presentation, Malvern Victoria Australia Learning Essentials
On Golden Pond, Mark Rydell
The Breakfast Club, John Hughes
Whose Life is it Anyway, John Badham
Websites
http://www.glencoe.com/sec/teachingtoday/weeklytips.phtml/88
http://www.iam.unibe.ch/~scg/Teaching/VariousMaterial/talkHowTo.html
Prose
Anon.,
Go Ask Alice
Bowles, C.,
Going Off
Clarke, I.,
Saving Jessie
Clarke, J.,
The Night Train
Cormier, R.,
After the First Death
Donaghy, B.,
Anna’s Story
Stewart, M.,
All of Me
Wheatley, N.,
The Blooding
Plays
Clark, B.,
Whose Life is it Anyway?
Keys, D.,
Flowers for Algemon
Biography
Hurley, J.,
How Far is it to London Bridge?
Poetry
Dawe, B.,
Doctor to Patient, In the New Landscape, The Not-So-Good Earth, Planning a Time-Capsule,
Enter Without so Much as Knocking, The Family Man, Search and Destroy
Ford, A.,
Not Quite the Man for the Job (“Isms”, Racial Reminisces, Velocipede, Largest in the
Southern Hemisphere, Spellchecker, Reruns, Stop Me if You’ve Heard this One, etc)
Foulcher, J.,
The Honeymoon Snaps
Goldsworthy, P.,
This Goes With That (Alcohol, Act Six, etc)
55
Goodfellow, G.,
Poem for Annie, etc)
Bow Tie and Tails (Down the Drain, Epitaph for Robbie, The All-Blacks, Mattie,
Guess, J.,
Leaving Maps (Private Nursing Home, Girl – Three Days in Car Wreck, Bike Death, A
View from the Bridge etc)
Kelen, S. K.,
Dingo
Kroll, Jeri (Ed.) & Westburg, Barry, Tuesday Night Live
Newspapers and magazines
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
Films
The Full Monty
(Cattaneo, Peter, 1997)
Brassed Off
(Herman, Mark, 1996)
Once were Warriors
(Tamahori, Lee, 1995)
Blackrock
(Vidler, Steven, 1997)
The Boys
(Woods, Rowan, 1998)
Ordinary People
(Redford, Robert, 1980)
Radiance
(Perkins, Rachel, 1998)
American Beauty
(Menders, Sam, 1999)
The Hurricane
(Jewison, Norman, 2000)
Philadelphia
(Demme, Jonathan, 1993)
Other
Laverty, M., (Ed.),
What’s in an Issue? Perspectives on Contemporary Australian Concerns.
Laverty, M., (Ed.),
What’s at Issue Now? More Perspectives on Contemporary Australian Concerns.
Websites
http://www.chaser.com.au/
http://www.abc.net.au/news/
http://www.screensound.gov.au/ScreenSound/Screenso.nsf/0/43D327F3386DF902CA256B5D001B8829?O
penDocument
These were correct at the time of publication
56
Science Fiction & Film and Television
Value 1.0
Specific Unit Goals
This unit should enable students to:
 read and critically respond to a range of science fiction texts
 analyse the common themes and issues of science fiction
 analyse the reasons for the popularity of this genre
 view critically a range of popular films and television programs
 analyse the techniques of film and television
 respond analytically and creatively to issues which arise
Content
Students study:
 a variety of texts in their historical and social context
 common themes and issues in science fiction
 elements of film, particularly special effects
 techniques to enable them to respond critically and creatively to texts
 at least two films and a range of the different types of television programs,
 film techniques
 the distinctive features of the various genres
 concerns and issues raised, and identify bias
 characters, settings, social issues and underlying ideologies.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 discuss their experiences of texts in the science fiction genre
 research the features of this genre
 view and discuss both current and early films
 contrast written and visual texts presenting the same story
 research the historical development of science fiction
 research areas where science fiction has become scientific fact e.g. cloning, robotics
 consider the concerns and issues associated with such developments
 create a science fiction world
 maintain a reading / viewing journal
 create posters, collages, mobiles and board games
 access science fiction games and relevant internet sites
 research the language of film and television
 write scripts, suggest and write alternative endings, compile storyboards
 explore the elements of film composition,
 research the various roles in the film/TV making process
 analyse viewing habits
57
 view a variety of films from the past including early black and white and compare to recent movies
 visit the cinema and Screensound Australia
 script and produce a short film
 read reviews on line and explore film and television website.
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an investigation of Indigenous writing that
asks the question, “What if?”
 Australian Education through reading Australian science fiction authors.
 Environment Education through an exploration of the strong thread of environmentalism in Science
Fiction literature and film.
 Gender Equity through an exploration of the themes of gender equity in Science Fiction literature
and film.
 Information Access through the use of ICT to develop students’ own web texts.
 Language for understanding through an analysis of the language of Science Fiction writing.
 Multicultural Education through an exploration of multicultural themes in Science Fiction literature
and film.
 Special needs Education through an exploration of the themes of special needs in Science Fiction
literature and film.
 Work Education through an exploration of how Science Fiction influences developments which take
place in industry.
Specific Unit Resources
Novels (or extracts from Novels) such as:
Adams, D
Hitchhiker’s Guide to the Galaxy
Asimov, I
Foundation
Bradbury, R
Fahrenheit 451
Bradbury, R
The Martian Chronicles
Burroughs, Edgar R.
The Princess of Mars
Burroughs, Edgar R.
Tarzan of the Apes
Clarke, Arthur C.
2001: A Space Odyssey
Dick, Philip K.
Do Androids Dream of Electric Sheep?
Gibson, William,
Neuromancer
Heinlein, Robert A.
Starship Troopers
Heinlein, Robert A.
Stranger in a Strange Land
Herbert, Frank
Dune
Huxley, Aldous
Brave New World
58
Le Guin, Ursula
The Left Hand of Darkness
Lieber, Fritz
Gather, Darkness
Mieville, China
Perfido Street Station
Miller, Walter M.
A Canticle for Leibowitz
Niven, Larry
Ringworld
Orwell, George
1984
Russ,
The Female Man
Simmons, Dan
Hyperion
Verne, Jules
2000 Leagues Under the Sea
Wells, H. G.
War of the Worlds
Wells, H. G.
The Time Machine
Wyndham, John
The Chrysalids
Wyndham, John
The Midwich Cuckoos
Zamyatin, Yevgeny
We
Graphic Novels
Briggs, Raymond
When the Wind Blows
Various Judge
Dredd
Short Stories
Asimov, Isaac
I, Robot (et al.)
Borges, George L.
Bradbury, Ray
Le Guin,
Ursula
Keyes, Daniel
“Flowers for Algernon”
King, Stephen
“The Running Man”
Gibson, William
Burning Chrome
Magazines
Metro
Screen
TV Week
Who
Newspapers
The Canberra Times
(The Guide, Panorama, Relax magazine)
59
Films such as:
2001: A Space Odyssey
(Kubrick, Stanley 1968)
A.i
(Spielberg, Steven 2001)
A Clockwork Orange
(Kubrick, Stanley 1971)
Alien
(Scott, Ridley 1979)
Alien Nation
(Baker, Graham 1988)
American Beauty
(Mendes, Sam 1999)
Billy Eliott
(Daldry, Stephen 2000)
Bladerunner
(Scott, Ridley 1982)
Casablanca,
(Curtiz, Michael 1942)
Close Encounters of the Third Kind
(Spielberg, Steven 1977)
Cocoon
(Howard, Ron 1985)
Coffee & Cigarettes
(Jarmusch, Jim 2003)
Delicatessen
(Jeunet, Jean-Pierre 1991)
Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb (Kubrick, Stanley 1964)
E.T.
(Spielberg, Steven 1982)
ET- The Extra Terrestrial
(Spielberg, Steven, 1980)
eXistenZ
(Cronenberg, David 1999)
Flash Gordon
(Hodges, Mike 1980)
Gattaca
(Niccol, Andrew 1997)
Hellboy
(Del Toro, Guillermo 2004)
High Noon,
(Zimmerman, Fred 1952)
Independence Day
(Emmerich, Roland 1996)
I, Robot
(Proyas, Alex 2004)
Logan’s Run
(Anderson, Michael 1975)
Mars Attacks
(Burton, Tim 1996)
Matrix Trilogy, The
(Wachowski, Andy and Larry, 1999, 2003)
Metropolis
(Lang, Fritz 1927)
Minority Report
(Spielberg, Steven 2002)
Pitch Black
(Toohy, David 2000)
Predator
(McTiernan, John 1987)
Psycho
(Hitchcock, Alfred 1960)
Run Lola Run
(Tykwer, Tom 1998)
Soilent Green
(Fleischer, Richard 1966)
Star Wars
(Lucas, George 1977)
Star Wars- Episode 1
(Lucas, George 1942)
Terminator, Terminator 2: Judgement Day (Cameron, James 1984, 1991)
60
The Best of Tropfest
(Various, SMH, 2004, 2005)
The Chronicles of Riddick
(Toohy, David 2004)
The Fifth Element
(Beson, Luc 1997)
The Fly
(Cronenberg, David 1986)
The Fly
(Neumann, Kurt 1958)
The Matrix
(Wachowski, Andy & Wachowski, Larry 1999)
The Navigator
(Ward, Vincent 1988)
The Planet of the Apes
(Schaffner, Franklin J 1967)
The Shining
( Kubrick, Stanley 1982)
The Third Man
(Reid, Carol 1949)
The Truman Show
(Weir, Peter 1998)
The War of the Worlds
(Spielberg, Steven 2005)
Total Recall
(Veerhoven, Paul 1990)
Twelve Monkeys
(Gilliam, Terry 1995)
Witness
(Weir, Peter 1982)
Television
V
Doctor Who
Battlestar Galactica
Star Trek
Babylon 5
Farscape
Red Dwarf
The X-Files
Lost
X-men
Medium
Lost in Space
At the Movies
A Current Affair
Better Homes and Gardens
CSI
Four Corners
GMA
Home and Away
Infomercials
Kath and Kim
61
Media Watch
Neighbours
The Bold and the Beautiful
The Footy Show
The Oprah Winfrey Show
The Panel
The Price is Right
The Simpsons
The Sketch Show
Survivor
Who Wants to be a Millionaire
And other contemporary television shows and infotainment such as:
documentaries, drama, comedies, soaps, sitcoms, TV news, current affairs, satirical shows, chat shows,
advertisements, sport, cartoons.
Audio Resources
Hitchhiker’s Guide to the Galaxy
War of the Worlds
Atlanta Radio Theatre Company (www.artc.org)
Alien Worlds (www.alienworlds.com)
Sci Fi Audio (www.scifiaudio.com)
Virtually American (www.virtuallyamerican.com)
Bowen in Space (www.live365.com/index.live)
Sci-Five, Live! (www.greatnorthernaudio.com/gnrt/sci5.html)
Teacher Reference
Arnold, J. S.,
Reading Television Books 1 & 2, OUP, Melbourne, 1997
Callow, J.
Image Matters:Visual texts in the Classroom, 1999, Newtown, NSW
Clothier, E & Dohohoe, L., Switched On! Longman, Melbourne, 1998
Clute,J.
Clute, J.
Cohen,D.,
The Encyclopedia of Science Fiction, Butler and Tanner, London, 1999
Science Fiction: The Illustrated Encyclopedia ,Reed Business Information, USA, 1995
Horror Movies, London 1984
Contento, W.G. &Brown, C.N. Science Fiction, Fantasy and Horror, Locus Press, USA 1986
Corrigan ,T& White,P. The Film Experience: An introduction, 2004. Macmillan
Costanzo, W., Reading the Movies: Twelve great films on video and how to teach them,1992,
AATE, South Australia
Cox, P. & Goldsworthy, F., Featuring Film, OUP, Melbourne, 1996
DiFate,V. & Summers, I., Catalog of Science Fiction Hardware, Worman, USA,1980
Dyer, R.,
Stars, BFI, London, 1986
62
Films for Women, BFI, London, 1986
Frank, A.,
The Science Fiction and Fantasy Film Handbook, BT Batsford, 1982
Fraser, G. M.,
The Hollywood History of the World. Penguin, London 1988
Glasson, T. & Carroll, J., Exploring Film as Text, Heineman Educational, Melbourne 1992
Hamilton, P. & Matthews, S., American Dreams: Australian Movies, Currency Press, Sydney, 1986
MacFarland, C.,
Classics on Film, Longman Cheshire, 1987
MacFarland, C.,
Masterpieces on Film, Longman Cheshire, 1985
McFarlane, B.
Words and Images - Australian Novels into Film, Heinemann,1983.
McGregor, R.,
Teaching Film as Text series English Club, Prahran, 1996 – 1999
Monaco, J.,
How to read a Film: the World of Movies, Media &Multi-Media, 2000, 3rd edition, OUP
Partridge, D. & Hughes,P., Flicks: Studying Film as Text, Oxford Uni. Press, Melbourne, 1992
Pirie, D.,
Anatomy of the Movies, Macmillan, London, 1981
Shaw, E.,
Viewing, ACTATE, 1996
Viewing for Learning, Curriculum Corporation, Victoria, 1995
Winokur, M. & Holsinger,B. , The Complete Idiot’s Guide to Movies, Flicks and Films, 2001
Websites
Science Fiction Literature
http://linuxfinances.info/info/sf.html
Science Fiction Literature
http://www.questia.com/library/literature/fiction/science-fiction-and-fantasy/science-fictionliterature.jsp
Science Fiction World
http://www.sffworld.com/
Sci-Fi Lists
http://home.austarnet.com.au/petersykes/topscifi/index.html
These were accurate at the time of publication.
63
Children’s Literature and Heroes
Value 1.0
Specific Unit Goals
This unit should enable students to:
 read, view and respond with understanding to a range of texts for children and adolescents
 examine why particular books and television programs appeal to children
 analyse the role of children's texts in transmitting, maintaining or breaking down social stereotypes
and cultural values.
 read, view, listen to and understand a range of texts which deal with heroes
 respond to a variety of real or imagined heroes
 critically analyse the values and heroic natures of characters in texts
Content
Students study:
 a variety of texts written for children and adolescents such as nursery rhymes, picture books, novels,
short stories, television programmes, films, internet sites, games, traditional and contemporary texts
and texts from a variety of cultures and time periods
 issues and themes in contemporary texts for children and adolescents
 the extent to which the materials meet children's developmental needs
 a range of written and oral tasks
 the appropriateness and quality of such things as illustrations, layout, sequencing and tone in
children’s texts.
 a variety of types of heroes such as sporting, national, religious or personal heroes, those who have
overcome adversity or achieved greatness
 how we construct the notion of a hero in different times and cultures
 a variety of texts involving different types of heroes
 heroic and anti-heroic characters in a variety of texts
 myths and legends from a variety of cultures
 gender differences in the creation of heroes and heroines
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 recall students' childhood experiences
 visit a local primary or pre-school where students present their original material
 listen and respond to professional story tellers
 engage with a writer who speaks about their experiences in the writing process
 evaluate picture books in small groups
 maintain a journal
 create an original children's text
 perform stories, read poetry and dramatic texts
 view children’s television, films, internet sites, software for children and games
 discussion of students’ perception of heroes
64
 consider the changes in the depiction of heroes in films over time
 compare screen and literary heroes/antiheroes
 interviews and biographies giving a character profile of a hero
 wide reading and viewing to introduce students to heroes such as biblical, mythological, historical
and contemporary figures
 write a creative piece depicting a hero
 discussion of the invention of the ‘superhero’ and the stereotypes associated with this character
Assessment
Refer to pages 15 and 16.
The tasks suggested in the columns are examples and are not exhaustive.
Criteria /Sample Task
Analytical
Creative
Analytical
Write a
comparison
picture book
of television
for children.
programmes
for children.
Oral
Perform a
story for an
audience of
children.
An ability to respond critically to texts and
logically justify viewpoint



Effective and competent use of language for
a range of purposes and audiences



Imagination and originality



Ability to locate, synthesise and reference
material from various sources



Control of appropriate medium



40 - 60%
20 - 30%
20 - 40%
Weighting
OR
50%
50%
For A courses the weightings are provided to guide teachers about the relative importance of the tasks, not
to provide a unit or course score.
For 1.0 units students must complete a minimum of four assessment tasks and a maximum of five, at least
one from the analytical response, creative response and oral columns.
For a 0.5 unit, students must complete a minimum of two and a maximum of three assessment tasks. It is
recommended that where two half standard units are offered in sequence an oral is in one and a creative is
in the other.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through reading Indigenous myths and legends.
 Australian Education through reading classic Australian texts such as Seven Little Australians.
 Environment Education through reading works such as Window.
 Gender Equity through writing texts that focus on the construction of gender for children.
 Information Access through the use of word processing software to create stories for children.
65
 Language for understanding through an examination of how language builds meaning in children’s
books.
 Multicultural Education through reading adolescent fiction that looks at the experiences of people
from other cultures such as No Guns For Asmir.
 Special needs Education through sharing stories with younger children who have special needs.
 Work Education through an examination of the importance of storytelling to a variety of childcare
careers.
Specific Unit Resources
Books
Baillie, A.,
Heroes: Australians at their Best
Baker, J.,
Belonging
Baker, J.,
Where the Forest Meets the Sea
Baker, J.,
Windows
Bane, M.,
Who’s Who in Rock
Bennett, W.,
Australian Story
Blyton, E.,
Be Brave Little Noddy
Blyton, E.,
The Island of Adventure
Blyton, E.,
The Sea of Adventure
Campese, D.,
On a Wing and a Prayer
Cassidy, G.,
Greats of Australian Surf
Colfer, E.,
Artemis Fowl
Crew, G.,
Creating Adam West: Contemporary Biographies and Autobiographies
Crew, G.,
Strange Objects
Crossley-Holland, K.,
Arthur: The Seeing Stone
Dahl, R.,
Fantastic Mr Fox
Dahl, R.,
The Magic Finger
de Saint Exupery, A.,
The Little Prince
Diver, S.,
The Stuart Diver Story
Dr. Seuss,
Fox in Sox
Fox, M.,
Possum Magic
Gibson, M.,
Gods, Heroes and Monsters from the Greek Myths
Graham, K.,
Wind in the Willows
Gutman, B.,
Magic: More than a Legend
Hearn, L.,
The Otori Trilogy
Hill, A.,
Soldier Boy
Horowitz, A,
The Falcon’s Malteser
Horowitz, A.,
Ark Angel
Innocenti, R.,
Rose Blanche
66
Jennings, P.,
Uncanny
Jennings, P.,
Unreal and others
Kelleher, V.,
Taronga
Kellerher, V.,
Slow Burn
Klein, R.,
Hating Alison Ashley
Le Guin, U.,
A Wizard of Earthsea
Lehane, B.,
The Enchanted world; Legends of Valour
Marsden, J.,
The Rabbits
Marsden, J.,
Tomorrow when the War Began
Mattingly, C.,
No Gun For Asmir
McCarthy, M.,
Ganglands
Metzenthen, D.,
Johnny Harts Heroes
Milne, A.A.,
Winnie the Pooh
Morrden, E.,
Movie Star-A Look at the Women Who Made Hollywood
O’Brien, R.C.,
Mrs. Frisby and the Rats of Nimh
Reed, A.W.,
Aboriginal Myths, Legends and Fables
Ridden, B.,
Whistleman
Rowling, J. K.,
Harry Potter (series)
Sachar, L.,
Holes
Shepherd, J.,
Never Tell me Never
Snickett, L.,
A Series of Unfortunate Events
Stine, R.L.,
Goosebumps Series
White, E.B.,
Charlotte’s Web
Wild, M.,
Let the Celebrations Begin
Winton, T.,
Lockie Leonard (series)
Yen Mah, A.,
Chinese Cinderella
Films
Braveheart
(Gibson, M., 1995)
Charlotte’s Web
(Nichols, Charles A. and Takamoto, Iwao, 1973)
Disney Cartoons
Dragonslayer
(Robbins, M., 1981)
Erin Brockovich
(Soderberg, S., 2000)
Ever After
(Tennant, A., 1998)
Fantastic Four
(Story, T., 2005)
Gladiator
(Scott, R., 2000)
Harry Potter Series
(Columbus, Chris, 2001 and 2002 and Cuaron, Alfonso, 2004)
Matilda
(De Vito, Danny, 1996)
Pirates of the Caribbean: The Curse of the Black Opal (Verbinski, G., 2003)
67
RobRoy,
(Caton-Jones M., 1995)
Spiderman
(Raimi, S., 2002)
The Aviator
(Scorsese, M., 2004)
The Hurricane
(Jewison, N., 1999)
The Princess Bride
(Reiner, R., 1987)
The Secret of Nimh
(Bluth, Don, 1982)
Troy
(Peterson, W., 2004)
Veronica Guerin
(Schumacher, J., 2003)
Wind in the Willows
(Hall, Mark, 1983)
Winnie the Pooh
(Lounsbery, John, and Reithmann, Wolfgang, 1977)
Whale Rider
(Caro, N., 2002)
Assorted Comics
Batman
Superman
Spiderman
The Phantom
TV Programs
Tele Tubbies
Bananas in Pyjamas
Sesame Street
Playschool
Round the Twist
Rugrats.
Teacher Resources
Saxby, M. (Ed.) Give Them Wings, Macmillan, Melbourne,
1987.
Children’s Book Council of Australia, Notable Australian Children’s Books, Annual
Publication
Children’s Book Council of Australia, Kids best: Australian books for Children and
Young Adults 1996 – 2000 compiled by the Primary English Teachers Association
Also
ACT Storytellers’ Guild
College Miniatures Clubs
Games on network
Games sites
Get Real – UC
The May Gibbs Writer in residence at UC
68
Websites
http://www.carolhurst.com/
http://www.english.efl/edu/comics/teaching/bill.shtml
http://www.ucalgary.ca/~dkbrown/
http://www.webenglishteacher.com/childlit.html
www.filmeducation.org/secondary
www.teachit.com.uk
www.webenglishteacher.com/beowulf/html
www.webenglishteacher.com/classmyth/html
These were correct at the time of publication
69
Images of Australia & Advertising
Value 1.0
Specific Unit Goals
This unit should enable students to:
 critically analyse a variety of Australian texts
 demonstrate an understanding of the distinctive features of a range of Australian texts
 analyse their own experiences of Australian society through writing, speaking, listening and viewing
 analyse aspects of Australian culture and society past and present through the images in literature,
the arts and media.
 identify a variety of advertising media
 examine the purpose and techniques of advertising
 analyse the techniques of persuasion used by advertisers
 create their own advertisements
Content
Students study:
 Australian culture and identity and a range of cultural groups which contribute to Australian society
 issues such as sport, Aborigines, reconciliation, multicultural, poverty-wealth, the bush.
 works of non-fiction, including magazines, historical documents and biographies
 some of the following: a novel or play, a selection from films, short stories, non fiction texts,
documentaries, music, video clips, articles, comics.
 a variety of advertising media
 the development of marketing techniques
 the major features of advertising, both linguistic and visual
 the appropriate technologies to create visual texts
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 class and small group reading, discussion and presentation of responses to texts with emphasis on
recognition of different interpretations and images of Australia, people and culture
 research, including online, of the historical, political and social contexts of the texts studied
 evaluation of online resources
 personal response and reflective writing (journals)
 stimulus material
 excursions to places of interest, eg War Memorial, National Museum of Australia
 guest speakers from organizations reflecting the different interests in the local community
 written responses including creative writing
 conferencing, drafting
 debate, Australia versus The Rest of the World
 regular and meaningful feedback (formal and informal)
 collaborative group work
70
 access and analyse advertising media which could include websites, magazines, television, radio,
shopfronts, pamphlets, newspapers, posters and film
 work in groups to compile a list of advertising techniques that can be shared with the class
 view videos about advertising and develop advertising campaigns using a variety of skills and
equipment
 compile scrapbook journals that consist of collections of advertisements, journal entries and
advertisements and drawings of design possibilities
 visit to the Canberra Times educational programme
 listen to guest speaker from an advertising agency
 participate in Talkback Classroom at Australian National Museum
 view videos about advertising and complete class tasks to develop advertisements
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through the exploration of Indigenous
characterisation in film.
 Australian Education through the examination of Australian settings in film and on television.
 Environment Education through an understanding of the role played by the environment in
Australian poetry.
 Gender Equity through an examination of the construction of gender in Australian texts.
 Information Access through the use of Power Point to create virtual tours of Australian icons.
 Language for understanding through a close reading of Australian registers of speech.
 Multicultural Education through an investigation of multi-cultural themes in Australian novels and
short stories.
 Special needs Education through the modification of work to suit those with Special needs.
 Work Education through an examination of the written language of the Australian work place.
Specific Unit Resources
Books
Benaud, R.,
Anything but an Autobiography
Beynon, R.,
The Shifting Heart
Burke, M.,
Matthew Burke
Crump, Durand and Hooke, Viewing and Presenting in Context 1, Thomson Nelson, 2003.
Crump, Durand and Hooke, Viewing and Presenting in Context 2, Thomson Nelson. 2003.
Cunxin, L.,
Mao’s Last Dancer
Davis, J.,
No Sugar
Ellis, L.,
Playing the Game
Facey,.A.B.,
A Fortunate Life
71
Gare, N.,
The Fringe Dwellers
Giles, J.,
Moving Out
Haran, P., and Kearney, Robert, Flashback
Heintz & Evans, Insight Outcomes English Year 11, Insight Publications, 2002.
Hewett, Robert, The Adman: “ The Dog-Eat-Dog World of Modern Advertising Current Theatre Series
Hilde, J.,
The Place at the Coast
Hopkinson, Simon,
The Crazy World of Advertising, Aust. Theatre Workshop,
Huggard, Keaney and Brewer, Insight Outcomes Year 12, Insight Publications, 2002.
Knight, J.,
Mark Waugh
Lehmann, D.,
Worth the Wait
Lindquist, U-C.,
Rowing Without Oars
Lunn, H.,
Over the Top with Jim
Marchetta, M.,
Looking for Alibrandi
Matthews, G.,
Australian Son
Mienthzen, D.,
Johnny Hart’s Heroes
Morgan, S.,
My Place
Morgan, Sally and Adrian, Colour in Art and Advertising , Evans, 1994.
Newcombe, J.,
No-one’s Indestructible
Oswald, D.,
Dags
Packard, Vance,
The Hidden Persuaders, Penguin, 1984.
Pilkington, D.,
Follow the Rabbit Proof Fence
Pryor, B. & McDonald, M., Maybe Tomorrow
Sadler & Sadler,
Into English, Macmillan, 2004.
Savage, L.,
My Story
Scaife, M.,
Diary of a Champion
Seymour, A.,
The One Day of the Year
Shea, A.,
Petria Thomas: Swimming against the Tide
Wake,Susan,
Advertising, Jun N/F
Wharton, H.,
Yumba Days
Wheatley, N.,
The Blooding
Whitlock, G. (Ed),
Autographs; Contemporary Australian Autobiography
Windschuttle, Keith,
The Media: A New Analysis of the Press, Television, Radio and Advertising in
Australia , Penguin, 1984.
Films
Wake in Fright
(Kotchett, T., 1971)
The Fringe Dwellers
(Beresford, B., 1986)
The Shiralee
(Norman, L., 1957)
Gallipoli
(Weir, P., 1981)
72
The Year My Voice Broke (Dugan, J., 1987)
Crocodile Dundee
(Faiman, P., 1986)
Malcolm
(Tass, N., 1986)
Sunday Too Far Away
(Hannam, K., 1975)
The Castle
(Sitch, R., 1997)
Two Hands
(Jordan, G., 1999)
The Wog Boy
(Vellis, A., 2000)
Rabbit Proof Fence
(Noyce, P., 2002)
Yolngu Boy
(Johnson, S., 2001)
Poetry
Dawe, B., Lifecycle, Planning a Time Capsule, Enter Without so Much as Knocking
Magazines
Vibe – Indigenous Education Magazine (see the ASSPA Officer in your college)
Open Road
Sports Magazines
Women’s Magazines
Newspapers
Koori Mail
The Sydney Morning Herald
The Canberra Times
The Age
The Australian
Music
Selection of music from artists such as John Williams, Peter Allen and Red Gum eg. True Blue, Give Me a
Home Among the Gum Trees, I Still Call Australia Home, The Tenterfield Saddler, I Come From a Land
Downunder.
Waltzing Matilda, Advance Australia Fair
Sensitive New Age Cowboys: The New National Anthem
TV Programs such as:
Australian Story (ABC)
Enough Rope with Andrew Denton (ABC)
Message Stick
Kath and Kim
Outback Jack
National Museum short films
73
Audio visual Material
Deconstructing Advertising, Video Education Australia, 1993.
Advertising Strategies, Video Education Australia, 1992.
A Case Study, 1988
The Art of Persuasion, from the series ‘The Investigators.’ 1996
The Image Makers,
Advertising, from the series, “Words Fail Me.”
Advertising Layout Part 1
Advertising Layout Part 2
Other suggestions:
Excursions to:
 Screensound Australia
 WIN News studios
 Canberra Times (and the Canberra Times Education Booklet)
 Radio Stations
Websites
National Library of Australia http://www.nla,gov.au
http://www.musicaustralia.au
http://www.pictureaustralia.org
National Screen and Sound Archive http://www.screensound.gov.au
National War Memorial http://www.nwm.gov.au
Australian Film Commission http://www.afc.gov.au
http://www.teachingonline.org/ADVERTISING.html
http://www.teachit.co.uk/index.asp?A=14&M=18&S=26
http://www.mediachannel.org/teach/
These were correct at the time of publication.
74
Communicate, Print & Multimedia Texts
Value 1.0
Specific Unit Goals
This unit should enable students to:
 recognize that oral communication involves speaking, listening and body language
 develop appropriate communication skills to meet a variety of real life and constructed situations
 analyse the techniques of effective communication
 develop oral, listening and written skills and awareness of the effect of body language
 identify the characteristics of a variety of print media
 analyse the features of electronic and other multi-media texts
 review and evaluate a range of print and multi-media texts
 develop reading and comprehension skills
 develop and refine their writing skills including writing for the media
Content
Students study:
 a variety of texts to identify effective communication techniques
 effective speaking, listening, non-verbal and written communication
 methods of gathering, structuring and modifying information for delivery to a specific audience /
purpose
 the effects of positive and negative communication in everyday interactions and social situations
such as a speech for a formal occasion, a job interview, meeting new people, presenting to a large
audience at a College assembly, dealing with complaints, conflict resolution, acting as open day
guides, mentoring younger students, etc.
 a variety of communication types.
 a variety of print media including broadsheet, community newspapers and magazines. They will also
access a range of multi media texts.
 some of the following:
 bias and sensationalism in the media
 the development and construction of letters, editorials and feature articles
 the role of advertising in print and multi-media
 journalistic styles
 how the media both shapes and responds to changes in society
 the variety of different multi-media texts
 the reliability of information on the internet
75
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 role play, group work and discussion of communication techniques
 view visual texts to analyse body language, listening skills and verbal communication
 examine the role and effect of accents, pronunciation and voice production
 listen to a variety of aural communication models, including their own, to examine tone, use of voice
for emphasis, volume, pauses, sound effects, etc.
 plan and present an oral item eg wedding / funeral speech, a job interview, teaching a skill,
motivational talk, comedy routine
 write an application letter and develop a CV
 write letters for a number of purposes such as a letter to the editor, an apology, a thank you letter, a
love letter, etc.
 write and send e-mails and sms messages
 personal response and reflective writing (journals)
 proof reading and editing an on-line document
 visits to newspaper or magazine publishers
 the comparison of styles used in different publications
 comparing the presentation of a text across a range of media
 individual and small group presentations of current news items
 writing editorials, letters or articles appropriate to specific publications and
sites
multi-media web
 collecting and comparing women’s, men’s and teenage magazines
 discussing and writing about specific interest magazines and web sites
 discussing the use and experience of multi-media
 evaluating websites or other multi multi-media texts.
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of the speaking conventions
and the uses of gestures in different cultures.
 Australian Education through an investigation of famous Australian speeches.
 Environment Education through the preparation of “soap box” speeches.
 Gender Equity through the preparation of “soap box” speeches.
 Information Access through the creation of worthwhile Power Point presentations.
 Language for understanding through an exploration of the differences needed in tone and vocabulary
when speaking for different audiences and purposes.
 Multicultural Education through an examination of the speaking conventions and the uses of
gestures in different cultures.
76
 Special needs Education through an exploration of the ways in which oral language can be made
easier to understand for those with special needs.
 Work Education through an exploration of the differences needed in tone and vocabulary when
speaking for different audiences and purposes in a workplace environment.
Specific Unit Resources
Primary Resources
Current newspapers and magazines – The Canberra Times is provided as a class set weekly, and other
newspapers are readily available. Students will bring magazines as appropriate.
Various internet sites
Books
Blake Education, Glebe, NSW. 2000
Covey, S.,
The 7 Habits of Highly Effective Teens
Crump, C., Durand, P., Hooke, C., Viewing and Representing in Context Book 1,
Crump, C., Durand, P., Hooke, C., Viewing and Representing in Context Book 2,
De Kantzow, M., Stubbs, S., Targeting Media: newspapers and magazines,
Dorney Short, R., Dickenson, B., The Newspaper, an Alternative Textbook.
Grover, P.,
Visual Texts, Heinemann, Harcourt Education. Port Melbourne, Victoria. 2004
Hollier, F.,
Conflict Resolution Trainers’ Manual
Kennedy, M., Lee-Ack, M., Net Texts: Exploring Electronic English, Heinemann, Melbourne, Victoria. 2004
Loughton, J.,
Listening and Language, User Friendly Resource, 1996
Loughton, J.,
Listening and Understanding, User Friendly Resource, 1996
Loughton, J.,
Speaking and Power, User Friendly Resource, 1995
Loughton, J.,
Speaking and Structure, User Friendly Resource, 1995
Malouf, M.,
How to Create and Deliver a Dynamic Presentation, Melbourne, 1988
McCarthy, J.,
English Workbook 2, Pascal Press, Glebe, NSW. 2004
McGregor, R., www.english. Student Projects for the Internet, English Club. 2001
McRoberts, R., Media Workshop. Vol 2. Images, Macmillan Company of Australia, Crows Nest, NSW. 1987
Pease A.,
Body Language
Perine, G, Lopez, A.,
Targeting Media radio and multimedia, Blake Education, Glebe, NSW. 2000
Quattrini, J.,
Speaking by Doing, National Textbook Company, 1996
Stewart, C., Colin, Kowalski, Media New Ways and Meanings, Jacaranda Wiley Ltd. 1990
Thompson Nelson, Southbank, Victoria, 2003
Toovey, C.,
Speak Up, Oxford, 1992
Travers, M.,
Talking with confidence. New York, Melbourne, Cambridge University Press, 1995.
77
Audio visual Material
Assertive Issues, Pease Training Corporation
Blah, blah, blah: The Art of Public Speaking, Bendigo, Victoria, Video Education Australasia, 1999
Body Language, Pease Training Corporation
Effective Communications Meridan, Education Corporation, 1992
Frontline
Getting Along on the Job, Bendigo, Victoria, Video Education Australasia
Making Your Presentation, Malvern Victoria Australia Learning Essentials
On Golden Pond, Mark Rydell
The Breakfast Club, John Hughes
The Revolution in Genetics (video), 1998 Quantum, ABC Science Unit
Whose Life is it Anyway, John Badham
Writing for Media
Websites
Australian war Memorial Website http://www.awm.gov.au
Evaluating Websites http://servercc.oakton.edu/~wittman/find/eval.htm
http://www.glencoe.com/sec/teachingtoday/weeklytips.phtml/88
http://www.iam.unibe.ch/~scg/Teaching/VariousMaterial/talkHowTo.html
Targeting Media (Radio and Multi Media)
http://www.atsic.gov.au
http://www.Englishwebteacher (includes Romeo and Juliet in text messages).
http://www.eserver.com
These were correct at the time of publication
78
Print, Multimedia, Film & Write Your Way
Value 1.0
Specific Unit Goals
This unit should enable students to:
 identify the characteristics of a variety of print media
 analyse the features of electronic and other multi-media texts
 review and evaluate a range of print and multi-media texts
 develop reading and comprehension skills
 develop and refine their writing skills including writing for the media
 become aware of and value their own experience as writers
 develop and demonstrate a range of writing styles
 analyse the writing process
Content
Students study:
 a variety of print media including broadsheet, community newspapers and magazines. They will also
access a range of multi media texts.
 some of the following:
 bias and sensationalism in the media
 the development and construction of letters, editorials and feature articles
 the role of advertising in print and multi-media
 journalistic styles
 how the media both shapes and responds to changes in society
 the variety of different multi-media texts
 the reliability of information on the internet
 their own experiences and write about these in appropriate forms such as descriptions, reflections,
scripts, diaries, letters, anecdotes and poetry.
 genres such as short stories, newspaper/magazine articles or essays.
 techniques to assist them to produce a sustained piece of writing
 models of each form and genre and investigate other forms of written expression as meets the needs
of individuals in this unit.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 visits to newspaper or magazine publishers
 the comparison of styles used in different publications
 comparing the presentation of a text across a range of media
 individual and small group presentations of current news items
 writing editorials, letters or articles appropriate to specific publications and
sites
multi-media web
 collecting and comparing women’s, men’s and teenage magazines
 discussing and writing about specific interest magazines and web sites
79
 discussing the use and experience of multi-media
 evaluating websites or other multi multi-media texts.
 a variety of observation and reflection exercises
 models and videos may be used as stimulus for writing
 excursions to provide new experiences and give students the opportunity to search for ideas
 writing journals to reflect on class work and the writing process and to record ideas for further
writing
 pair, small group and class discussions to encourage and give feedback to the group
 a writing folder to encourage development of the writing folder
 use of word processing and desk top publishing software to present finished work
 publication in College, class or virtual magazines
 participation in appropriate competitions
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through reading current media articles about
Indigenous issues.
 Australian Education through an investigation of international perceptions of Australia through the
internet research.
 Environment Education through the investigation of the presence of environmental groups on the
web.
 Gender Equity through the writing of articles about the roles of men and women in our society.
 Information Access through the use of word processing software to write articles.
 Language for understanding
 Multicultural Education through reading current media articles about ethnic communities in
Australia.
 Special needs Education through reading current media articles about people with special needs in
our local community.
 Work Education through the discussion of workplace opportunities that are connected with
journalism and writing professionally.
80
Specific Unit Resources
Primary Resources
Current newspapers and magazines – The Canberra Times is provided as a class set weekly, and other
newspapers are readily available. Students will bring magazines as appropriate.
Various internet sites
Books
Crump, C., Durand, P., Hooke, C., Viewing and Representing in Context Book 1,
Thompson Nelson, Southbank, Victoria, 2003.
Crump, C., Durand, P., Hooke, C.,
Viewing and Representing in Context Book 2,
Thompson Nelson, Southbank, Victoria, 2003
De Kantzow, M., Stubbs, S., Targeting Media: newspapers and magazines,
Blake Education, Glebe, NSW. 2000
Dorney Short, R., Dickenson, B., The Newspaper, an Alternative Textbook.
Grover, P., Visual Texts, Heinemann, Harcourt Education. Port Melbourne, Victoria.
Kennedy, M., Lee-Ack, M., Net Texts: Exploring Electronic English, Heinemann,
2004
Melbourne, Victoria. 2004
McCarthy, J., English Workbook 2, Pascal Press, Glebe, NSW. 2004
McGregor, R., www.english. Student Projects for the Internet, English Club. 2001
McRoberts, R., Media Workshop. Vol 2. Images, Macmillan Company of Australia,
1987
Crows Nest, NSW.
Perine, G, Lopez, A., Targeting Media radio and multimedia, Blake Education, Glebe, NSW. 2000
Stewart, C., Colin, Kowalski, Media New Ways and Meanings, Jacaranda Wiley Ltd. 1990
Audio visual Material
Frontline
Writing for Media
The Revolution in Genetics (video), 1998 Quantum, ABC Science Unit
Prose
Marquez, G.G. One Hundred Years of Solitude
Goldsworthy, P. Maestro
Malouf, D.
Steinbeck, J.
McLeod, A.
Fly Away Peter
The Moon is Down
The Lost Salt Gift Of Blood
Winton, T.
Scission
Allende, I.
The Stories of Eva Luna
Garner, H.
Postcards From Surfers
Farmer, B.
Hometime
81
Teacher Resources
Bailey, R.F.,
A Survival Kit for Writing English, Longman Cheshire, Melbourne, 1984.
Goodfellow, G., Triggers. Turning Experiences into Poetry, Wakefield Press, South Australia, 1992.
Mallick, D.,
The Writing of Poetry, Thomas Nelson Australia, Melbourne 1986.
McRoberts, R. A.,
Writing Workshop, Macmillan, Melbourne, 1981.
Prain, V.,
Left to Write, Oxford Universty Press, Melbourne, 1990.
Woolfe, S. and Grenville, K. Making Stories, Sydney, 1993.
Websites
Evaluating Websites
http://servercc.oakton.edu/~wittman/find/eval.htm
Australian war Memorial Website
http://www.awm.gov.au
Targeting Media (Radio and Multi Media)
http://www.atsic.gov.au
http://www.Englishwebteacher.com (includes Romeo and Juliet in text messages).
http://www.eserver.com
http://www.sasked.gov.sk.ca/docs/ela20/teach4.html
http://teacher2b.com/creative/createwr.htm
These were accurate at the time of publication.
82
Contemporary Issues & Communication
Value 1.0
Specific Unit Goals
This unit should enable students to:
 read, view, listen to and understand a variety of texts dealing with issues in society that are relevant
to their lives
 develop an understanding of broader contemporary issues
 respond imaginatively and critically to the ideas and values raised in the texts.
 recognize that oral communication involves speaking, listening and body language
 develop appropriate communication skills to meet a variety of real life and constructed situations
 analyse the techniques of effective communication
 develop oral, listening and written skills and awareness of the effect of body language
Content
Students study:
 a variety of texts such as novels, stories, TV programs, lyrics, films, plays, poetry, newspaper and
magazine articles to explore themes and issues
 issues affecting the broader community. These may include youth suicide, homeless youth,
unemployment, multiculturalism, families, relationships, the environment, violence, authority and
the individual, alcohol and drug abuse, sport, technology, euthanasia, body image, sexuality,
consumerism, images of youth culture.
 a variety of texts to identify effective communication techniques
 effective speaking, listening, non-verbal and written communication
 methods of gathering, structuring and modifying information for delivery to a specific audience /
purpose
 the effects of positive and negative communication in everyday interactions and social situations
such as a speech for a formal occasion, a job interview, meeting new people, presenting to a large
audience at a College assembly, dealing with complaints, conflict resolution, acting as open day
guides, mentoring younger students, etc.
 a variety of communication types.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 interview and survey on an issue to prepare a written report
 prepare and present an oral presentation comparing the treatment of an issue in a variety of media
 discussion of current issues in class and small groups
 role play the response of people of different ages, cultures or authority roles to a variety of issues
 investigate an issue, listen to guest speakers and respond by asking questions and writing a short
article
 contribute to Talkback Classroom or soap box speaking
 maintain a media scrapbook on an emerging issue in the news
 use information technology to investigate responses to global issues
 role play, group work and discussion of communication techniques
83
 view visual texts to analyse body language, listening skills and verbal communication
 examine the role and effect of accents, pronunciation and voice production
 listen to a variety of aural communication models, including their own, to examine tone, use of voice
for emphasis, volume, pauses, sound effects, etc.
 plan and present an oral item eg wedding / funeral speech, a job interview, teaching a skill,
motivational talk, comedy routine
 write an application letter and develop a CV
 write letters for a number of purposes such as a letter to the editor, an apology, a thank you letter, a
love letter, etc.
 write and send e-mails and sms messages
 personal response and reflective writing (journals)
 proof reading and editing an on-line document
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of Indigenous issues in the
mainstream press.
 Australian Education through an investigation of local issues.
 Environment Education through an investigation of environmental issues, both here and abroad.
 Gender Equity through an investigation of how the media represents issues pertinent to both men
and women.
 Information Access through the development of skills in electronic research.
 Language for understanding through an examination of the use of emotive language to create
interest in an issue.
 Multicultural Education through the writing of letters to the editor regarding the issues surrounding
refugees.
 Special needs Education through the writing of articles about the particular requirements of people
with special needs in our College.
 Work Education through an examination of how workplace issues need to be understood and
explored by both employers and employees.
Specific Unit Resources
Prose
Anon.,
Go Ask Alice
Bowles, C.,
Going Off
Clarke, I.,
Saving Jessie
Clarke, J.,
The Night Train
Cormier, R.,
After the First Death
Donaghy, B.,
Anna’s Story
Stewart, M.,
All of Me
84
Wheatley, N.,
The Blooding
Books
Covey, S.,
The 7 Habits of Highly Effective Teens
Hollier, F.,
Conflict Resolution Trainers’ Manual
Loughton, J.,
Listening and Language, User Friendly Resource, 1996
Loughton, J.,
Listening and Understanding, User Friendly Resource, 1996
Loughton, J.,
Speaking and Power, User Friendly Resource, 1995
Loughton, J.,
Speaking and Structure, User Friendly Resource, 1995
Malouf, M.,
How to Create and Deliver a Dynamic Presentation, Melbourne, 1988
Pease A.,
Body Language
Quattrini, J.,
Speaking by Doing, National Textbook Company, 1996
Toovey, C.,
Speak Up, Oxford, 1992
Travers, M.,
Talking with confidence. New York, Melbourne, Cambridge University Press, 1995.
Audio visual Material
Assertive Issues, Pease Training Corporation
Blah, blah, blah: The Art of Public Speaking, Bendigo, Victoria, Video Education Australasia, 1999
Body Language, Pease Training Corporation
Effective Communications Meridan, Education Corporation, 1992
Getting Along on the Job, Bendigo, Victoria, Video Education Australasia
Making Your Presentation, Malvern Victoria Australia Learning Essentials
On Golden Pond, Mark Rydell
The Breakfast Club, John Hughes
Whose Life is it Anyway, John Badham
Plays
Clark, B.,
Whose Life is it Anyway?
Keys, D.,
Flowers for Algemon
Biography
Hurley, J.,
How Far is it to London Bridge?
Poetry
Dawe, B., Doctor to Patient, In the New Landscape, The Not-So-Good Earth, Planning a Time-Capsule, Enter
Without so Much as Knocking, The Family Man, Search and Destroy
Ford, A., Not Quite the Man for the Job (“Isms”, Racial Reminisces, Velocipede, Largest in the Southern
Hemisphere, Spellchecker, Reruns, Stop Me if You’ve Heard this One, etc)
Foulcher, J.,
The Honeymoon Snaps
Goldsworthy, P., This Goes With That (Alcohol, Act Six, etc)
Goodfellow, G., Bow Tie and Tails (Down the Drain, Epitaph for Robbie, The All-Blacks, Mattie, Poem for
Annie, etc)
Guess, J., Leaving Maps (Private Nursing Home, Girl – Three Days in Car Wreck, Bike Death, A View from the
Bridge etc)
Kelen, S. K.,
Dingo
Kroll, Jeri (Ed.) & Westburg, Barry, Tuesday Night Live
85
Newspapers and magazines
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
Films
The Full Monty
(Cattaneo, Peter, 1997)
Brassed Off
(Herman, Mark, 1996)
Once were Warriors
(Tamahori, Lee, 1995)
Blackrock
(Vidler, Steven, 1997)
The Boys
(Woods, Rowan, 1998)
Ordinary People
(Redford, Robert, 1980)
Radiance
(Perkins, Rachel, 1998)
American Beauty
(Menders, Sam, 1999)
The Hurricane
(Jewison, Norman, 2000)
Philadelphia
(Demme, Jonathan, 1993)
Other:
Laverty, M., (Ed.),
What’s in an Issue? Perspectives on Contemporary Australian Concerns.
Laverty, M., (Ed.),
What’s at Issue Now? More Perspectives on Contemporary Australian Concerns.
Websites
http://www.chaser.com.au/
http://www.abc.net.au/news/
http://www.screensound.gov.au/ScreenSound/Screenso.nsf/0/43D327F3386DF902CA256B5D001B8829?O
penDocument
http://www.glencoe.com/sec/teachingtoday/weeklytips.phtml/88
http://www.iam.unibe.ch/~scg/Teaching/VariousMaterial/talkHowTo.html
These were correct at the time of publication
86
Reading for Enjoyment and Write Your Way
Value 1.0
Specific Unit Goals
This unit should enable students to:
 read and analyse a range of fictional texts
 develop skills in reading comprehension
 create their own texts in a variety of modes
 respond orally and in writing to texts
 become aware of and value their own experience as writers
 develop and demonstrate a range of writing styles
 analyse the writing process
Content
Students study:
 a selection of text both fiction and non-fiction which could include poetry and plays
 techniques to respond to the texts in a variety of written and oral modes.
 techniques to develop confidence in reading aloud
 literary analysis and techniques used in the creation of visual, electronic and written texts
 their own experiences and write about these in appropriate forms such as descriptions, reflections,
scripts, diaries, letters, anecdotes and poetry.
 genres such as short stories, newspaper/magazine articles or essays.
 techniques to assist them to produce a sustained piece of writing
 models of each form and genre and investigate other forms of written expression as meets the needs
of individuals in this unit.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 regular silent sustained reading
 discussion in small and class groups
 reading aloud, dramatization, role play, discussion of issues, journal writing to develop shared
responses
 extended written responses including the processes of drafting, conferencing and editing
 keeping a reading journal to record responses including critical and reflective responses
 oral responses including small group discussion and perhaps “selling” a work to the whole class
 written responses including at least one sustained piece of writing
 use the library to assist them in making their own choices of reading materials.
 a variety of observation and reflection exercises
 models and videos may be used as stimulus for writing
 excursions to provide new experiences and give students the opportunity to search for ideas
 writing journals to reflect on class work and the writing process and to record ideas for further
writing
 pair, small group and class discussions to encourage and give feedback to the group
87
 a writing folder to encourage development of the writing folder
 use of word processing and desk top publishing software to present finished work
 publication in College, class or virtual magazines
 participation in appropriate competitions
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through reading of the lives of Indigenous Australians.
 Australian Education through writing about the lives of significant Australians.
 Environment Education through the close reading of poetry that is set in the natural world.
 Gender Equity through the analysis of films that explore relationships between men and women.
 Information Access through the use of word processing software to write fictional narratives.
 Language for understanding through the development of close reading skills.
 Multicultural Education through an analysis of fiction and non-fiction which explores the migrant
experience.
 Special needs Education through the exploration of literature and non-fiction that explores the
experiences of people with special needs.
 Work Education through an investigation of the importance of reading skills for the workplace.
Specific Unit Resources
Books such as:
Allende, I.,
The Stories of Eva Luna
Binchy, M.,
Circle of Friends
Clark, M.,
Back on Track
Earls, N.,
48 Shades of Brown
Farmer, B.,
Hometime
Ford, N.,
Not Quite the Man for the Job
Garner, H.,
Postcards From Surfers
Goldsworthy, P.,
Maestro
Kelleher, V.,
Veranda, and Slow Burn
King, S.,
Needful Things
Lowry, B.,
Guitar Highway Rose
Malouf, D.,
Fly Away Peter
Marchetta, M.,
Looking for Alibrandi
Marquez, G.G.,
One Hundred Years of Solitude
McCarthy, M.,
Queen Kat Carmel and St. Jude, Cross My Heart, and In Between
McLeod, A.,
The Lost Salt Gift Of Blood
Metzenthen, D.,
Falling Forward
88
Monk, S.,
Boyz ‘R’ Us
Nilsson, E.,
Outside Permission
Orr, W.,
Peeling the Onion
Ottley, T.,
Roadies
Parry, G.,
Sad Boys
Steinbeck, J.,
The Moon is Down
Winton, T.,
Scission
Newspapers and magazines
From Inside Sport, Jill Collier (Editor)
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
Selected non-fiction texts.
Teacher Resources
Bailey, R.F. , A Survival Kit for Writing English, Longman Cheshire, Melbourne, 1984.
Goodfellow, G., Triggers. Turning Experiences into Poetry, Wakefield Press, South
Australia, 1992.
Mallick, D., The Writing of Poetry, Thomas Nelson Australia, Melbourne 1986.
McRoberts, R. A., Writing Workshop, Macmillan, Melbourne, 1981.
Prain, V., Left to Write, Oxford Universty Press, Melbourne, 1990.
Woolfe, S. and Grenville, K. Making Stories, Sydney, 1993.
Websites
Evaluating Websites
http://www.shortstorygroup.com/storytips.htm
http://ok.essortment.com/writingshortst_rrmi.htm
http://www.eastoftheweb.com/short-stories/teacher.html
http://www.sasked.gov.sk.ca/docs/ela20/teach4.html
http://teacher2b.com/creative/createwr.htm
These were accurate at the time of publication.
89
North American Texts
Value 1.0
Prerequisites
Nil
Specific Unit Goals
This unit should enable students to:
 read, view and respond to a wide range of texts from North America;
 examine the social and cultural and historical contexts of the texts;
 explore the diversity of cultures reflected in North American texts; and
 identify the distinctiveness of the literature of the North American people.
Content
Students will study:
 at least one novel, one play and a selection of short stories, poetry and film;
 social, political and cultural trends in North American society as reflected in the texts;
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 reading, researching and responding individually
 identifying distinctive features of North American literature
 discussing and presenting responses with emphasis on exploring similarities and differences in texts
 identifying of social, historical and cultural elements within the societies from which the literature
comes and analysing their relationship to the texts
 dramatising play scripts and performing poetry
 conducting seminars
 attending theatres, poetry and prose readings where available
 inviting guest speakers to talk about their culture
 viewing of films and film material as primary texts to reinforce, enhance and extend knowledge of
the literary texts
 responding to the texts through own writing, speaking and acting and through journal responses as
an avenue to learning and self-evaluation
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
The following Across Curriculum Perspectives will be specifically addressed in this unit:
Gender Equity
Through the selection of novels, plays and poems by male and female authors and by highlighting how
particular texts describe the experience of both sexes in their social contexts in particular in texts such as
The Colour Purple and Who’s Afraid of Virginia Woolf?
90
Information Access
Students will use information technology by researching through the Internet, literature databases and CDROMS and in the presentation and communication of their work.
Language for Understanding
Teacher and students examine how language is used in the literature to describe the world of the writers
and how the members of the class can use language to develop new understandings, build relation ships,
create confidence and build up self esteem.
Multicultural Education
This perspective has a prominent place in this unit as teacher and students explore the works by ethnic and
indigenous writers from North America such as ethnic and indigenous writers from North America such as
Alice Walker.
Environment Education
Students should be made more aware of the way in which landscape and environment influences a writer
and how this is often reflected in their work, such as Death of a Salesman.
Special Needs
Texts may be chosen that encourage students to explore North American culture and to reach a heightened
awareness of the need to value and respect people of different cultures.
Work Education
This perspective will be addressed in all units because students will have the opportunity to think critically,
analyse and interpret; write in different registers and speak appropriately for different audiences in all
units. Students are also given the strategies to develop skills such as group work, time management and
research skills.
Specific Unit Resources
Bradbury, M. (1996).
Women of the Beat Generation: the Artists, Writers and Muses
at the Heart of a Revolution. London : Fontana.
Gustafson, (ed.).
The Penguin Book of Canadian Short Stories.
Hart, J. (1983).
The Oxford Companion to American Literature. New York : OUP.
Kirkpatrick, D. (ed.). (1987). Reference to American Literature. Chicago : St. James.
Magill, F. (1991).
Magill’s Survey of American Literature. Vol. 1-8. New York :
Marshall.
Ondaatje, M (ed) (1995). From Ink Lake. Toronto: Vintage Canada.
Geddes, G. (ed) (2001). 15 Canadian Poets x 3. Toronto: OUP.
Novels and prose
Angelou, M.
I Know Why the Caged Bird Sings.
Atwood.
Catseye.
Baldwin, J.
Go Tell it on the Mountain.
Buckler, E.
The Mountain and the Valley.
Coupland, D.
Hey Nostradamus/ Shampoo Planet
Faulkner,W.
As I Lay Dying.
91
Fitzgerald, F. S.
The Great Gatsby.
Grove, F.P.
Settlers of the Marsh
Hawthorne, N.
The Scarlet Letter.
McCarthy, M.
The Road
Miller, A.
Death of a Salesman.
Munroe, A.
Short Stories.
Oondaatje, M.
Anil’s Ghost.
Proulx, E. A.
Close Range/ Wyoming Stories
Richler, M.
The Apprenticeship of Duddy Kravitz.
Salinger, J.D.
The Catcher in the Rye.
Shields, C.
The Stone Diaries/ Collected Stories.
Steinbeck.
Cannery Row/East of Eden/The Grapes of Wrath.
Twain, M.
Huckleberry Finn.
Tyler, A.
The Accidental Tourist.
Vanderhaege, G. The Englishman’s Boy.
Walker, A.
The Color Purple.
Poets
Aiken, C.
Layton, I.
Ransom, J.C.
Ashberry, J.
Levertov, D.
Reaney, J.
Burney, E.
Livesay, D.
Roethke, T.
Cummins, c.c.
Longfellow, H.W.
Sandberg, C.
Cohen, I.
Lowell, R.
Shapiro, K.
Dickinson, E.
Lowry, M.
Simpson, L.
Dylan, B.
Masters, E.L.
Smith, A.J.M.
Frost, R.
Nash, O.
Oliver, M.
Ginsberg, A.
O’Hara, F.
Oondaatje, M.
Hine, D.
Olds, S.
Stevens, W.
Hughes, L.
Plath, S.
Whitman, W.
Kinnell, G.
Pound, E.
Williams, W.C.
Klein, A.M.
Pratt, E.J.
Plays and Filmscripts
Albee. W.
Miller, A.
Allen, W.
O’Neill, E.
Alby, E.
Reney, J.
Burney, E.
Simon, N.
Macliesh, A.
Wilder, T.
Mamet, D.
Williams, T.
92
Films
American Beauty
Norma Rae
Born on the Fourth of July
One Flew over the Cuckoo’s Nest
Brokeback Mountain
Platoon
Crimes and Misdemeanours
Postcards from the Edge
Easy Rider
Short Cuts
Erin Brockovich
Silkwood
Forrest Gump
The Color Purple
Glory
The Graduate
Hannah and Her Sisters
The Purple Rose of Cairo
Hurricane
The Scarlet Letter
JFK
The Sweet Hereafter
L.A. Confidential
The Truman Show
Les Invasions Barbares
They Shoot Horses Don’t They?
Men with Brooms
Who’s Afraid of Virginia Wolf?
Mississippi Burning
My Life Without Me
Nashville
93
Film, Television and Popular Music
Value 1.0
Specific Unit Goals
This unit will enable students to:
 view critically a range of popular films and television programs
 analyse the techniques of film and television
 respond analytically and creatively to issues which arise
 critically analyse a variety of popular songs recorded over the last fifty years
 critically analyse in speech and writing the presentation of popular music on film and video
 read critically a selection of extracts from books and magazines concerned with popular music and
respond to these texts in speech and writing
 relate trends in popular music to wider social, political and cultural issues.
Content
Students study:
 at least two films and a range of the different types of television programs,
 film techniques
 the distinctive features of the various genres
 concerns and issues raised, and identify bias
 characters, settings, social issues and underlying ideologies
 a range of popular music from the 1950s to the present
 a number of video presentations of popular music and at least one full length film with popular music
as a central focus and consider the artistic and commercial objectives of these presentations, and the
techniques employed in these films
 a number of texts on popular music in both book and magazine form and produce a review of their
own on an aspect of popular music in written and/or spoken form
 the relationship between social history and musical movements and the nature of the pop
“industry”, with particular reference to audience, marketing and social influence.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 research the language of film and television
 write scripts, suggest and write alternative endings, compile storyboards
 explore the elements of film composition,
 research the various roles in the film/TV making process
 analyse viewing habits
 view a variety of films from the past including early black and white and compare to recent movies
 visit the cinema and Screensound Australia
 script and produce a short film
 read reviews on line and explore film and television website.
 spoken and/or written reviews of specific musical pieces, musicians, writers and musical styles
94
 spoken and/or written analyses of the techniques employed and the objectives sought in the video
presentation of popular music
 personal writing, either as a prose response to popular musical pieces and/or themes, or taking the
form of song lyrics
 production of a marketing campaign to promote a fictitious musical performer and/or album to
display student awareness of advertising techniques employed in the pop industry
 extended research project in writing and/or speech and/or graphics of a particular historical period
and its relationship to the music produced during it
 internet research
 surveying skills, canvassing the viewing and reading habits of a range of individuals with regard to
popular music and the music and the media used to access this material.
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of The Bush Mechanics.
 Australian Education through an examination of the development of Australian Television.
 Environment Education through an examination of the ways in which film and TV explore
environmental themes.
 Gender Equity through an exploration of the way in which men and women are stereotyped in soap
operas.
 Information Access through the development of electronic research skills.
 Language for understanding through writing television scripts.
 Multicultural Education through an examination of a foreign film.
 Special needs Education through the examination of the representation of people with special needs
in film and on television.
 Work Education through an examination of film that has been made for the workplace.
95
Specific Unit Resources
Books
Brokenmouth, R.,
Nick Cave: Bad Seed
Dalton, D.,
Daly, S. and Wise N.,
The Rolling Stones
Alternative Culture
Doyle, R.,
Hardy, P. and Laing, D.,
The Commitments
The Faber Companion to Twentieth Century Pop Music
Hilburn, R.,
Bruce Springsteen
Howitt, B.,
Rock Through History
Marcus, G.,
The Invisible Republic: Bob Dylan’s Basement Tapes
Marsh, D. and Marcus G.,
No One Gets Out of Here Alive
Ricks, C.,
Dylan’s visions of Sin.
Scuduto, A.,
Bob Dylan
Magazines
Students will be encouraged to read articles related to issues in popular music both from the mainstream
press and from such specialist magazines as Rolling Stone and New Musical Express.
Metro
Screen
TV Week
Who
Newspapers
The Canberra Times (The Guide, Panorama, Relax magazine)
Films
A Clockwork Orange
(Kubrick, Stanley 1971)
American Beauty
(Mendes, Sam 1999)
Billy Eliott
(Daldry, Stephen 2000)
Casablanca,
(Curtiz, Michael 1942)
Coffee & Cigarettes
(Jarmusch, Jim 2003)
ET- The Extra Terrestrial
(Spielberg, Steven, 1980)
High Noon,
(Zimmerman, Fred 1952)
Psycho
(Hitchcock, Alfred 1960)
Run Lola Run
(Tykwer, Tom 1998)
Star Wars- Episode 1
(Lucas, George 1942)
The Matrix
(Wachowski, Andy & Wachowski, Larry 1999)
The Third Man
(Reid, Carol 1949)
The Shining
( Kubrick, Stanley 1982)
The Truman Show
(Weir, Peter 1998)
The War of the Worlds
(Spielberg, Steven, 2005)
96
Witness
(Weir, Peter 1982)
The Best of Tropfest
(Various, SMH, 2004, 2005)
Audio visual Material
Audio and video selections of popular music will be studied from a range of musicians/writers from the
1950s to the present. Significant figures might include:
John Lee Hooker, Bo Diddley, Bill Haley, Elvis Presley, Buddy Holly, Bob Dylan, The Beatles, The Rolling
Stones, The Beach Boys, Otis Redding, The Supremes, Aretha Franklin, The Doors, Leonard Cohen, Carly
Simon, Carol King, Simon and Garfunkel, David Bowie, Elton John, Led Zeppelin, The Sex Pistols, The Clash,
U2, Midnight Oil, INXS, Michael Jackson, Bob Marley, Bruce Springsteen, Eric Clapton, Madonna, Yothu
Yindi, Snoop Doggy Dog, Tupac, Spice Girls, Euphoria.
Film and Extended Television Features
The Blues Brothers
(Landis, J., 1980)
Bring On the Night
(Apted, M., 1985)
Buena Vista Social Club
(Wenders, W., 1999)
Classic Albums
The Commitments
(Parker, A., 1991)
Dancing in the Streets
Gimme Shelter
(Maysles, A and D., 1970)
A Hard Day’s Night
(Lester, R., 1964)
La Bamba
(Valdez, L., 1987)
The Last Waltz
(Scorcese, M., 1978)
Purple Rain
(Magnoli, A., 1984)
Rattle and Hum
(Joanou, P., 1988)
The Rose
(Rydell, M., 1986)
Sid and Nancy
(Cox, A., 1986)
Sounds of the Sixties
This Is Spinal Tap
(Reiner, R., 1984)
Tommy
(Russell, K., 1975)
The Wall
(Parker, A., 1982)
Woodstock
(Wadleigh, M., 1970)
At the Movies
A Current Affair
Better Homes and Gardens
CSI
Four Corners
GMA
Home and Away
Infomercials
Kath and Kim
97
Media Watch
Neighbours
The Bold and the Beautiful
The Footy Show
The Oprah Winfrey Show
The Panel
The Price is Right
The Simpsons
The Sketch Show
Survivor
Who Wants to be a Millionaire
And other contemporary television shows and infotainment such as:
documentaries, drama, comedies, soaps, sitcoms, TV news, current affairs, satirical shows, chat shows,
advertisements, sport, cartoons.
Teacher References such as:
Arnold, J. S.,
Reading Television Books 1 & 2, OUP, Melbourne, 1997
Callow, J.
Image Matters:Visual texts in the Classroom, 1999, Newtown, NSW
Clothier, E & Dohohoe, L., Switched On! Longman, Melbourne, 1998
Cohen,D.,
Horror Movies, London 1984
Corrigan ,T& White,P. The Film Experience: An introduction, 2004. Macmillan
Costanzo, W.,
AATE, South Australia
Reading the Movies: Twelve great films on video and how to teach them,1992,
Cox, P. & Goldsworthy, F., Featuring Film, OUP, Melbourne, 1996
Dyer, R.,
Stars, BFI, London, 1986
Films for Women, BFI, London, 1986
Frank, A.,
The Science Fiction and Fantasy Film Handbook, BT Batsford, 1982
Fraser, G. M.,
The Hollywood History of the World. Penguin, London 1988
Glasson, T. & Carroll, J., Exploring Film as Text, Heineman Educational, Melbourne 1992
Hamilton, P. & Matthews, S., American Dreams: Australian Movies, Currency Press, Sydney, 1986
MacFarland, C.,Classics on Film, Longman Cheshire, 1987
MacFarland, C.,
Masterpieces on Film, Longman Cheshire, 1985
McFarlane, B.
Words and Images - Australian Novels into Film, Heinemann,1983.
McGregor, R.,
Teaching Film as Text series English Club, Prahran, 1996 – 1999
Monaco, J.,
OUP
How to read a Film: the World of Movies, Media &Multi-Media, 2000, 3rd edition,
Partridge, D. & Hughes,P., Flicks: Studying Film as Text, Oxford Uni. Press, Melbourne, 1992
Pirie, D.,
Anatomy of the Movies, Macmillan, London, 1981
98
Shaw, E.,
Viewing, ACTATE, 1996
Viewing for Learning, Curriculum Corporation, Victoria, 1995
Winokur, M. & Holsinger,B. , The Complete Idiot’s Guide to Movies, Flicks and Films, 2001
Websites
ScreenSound Australia
http://www.nfsa.gov.au/screensound/screenso.nsf
Australian Film Commission
http://www.afc.gov.au/
Office of Film and Literature Classification
http://www.oflc.gov.au/
Film Reviews
http://www.suntimes.com/ebert/ebert_reviews/
http://www.rottentomatoes.com/
and also:
http://www.abc.net.au/
http://www.filmaust.com.au/
http://www.theeducationshop.com.au/
www.allaboutmovies.com
http://popmusic.mtsu.edu/
http://www.iaspm.net/rpm/
http://www.liswa.wa.gov.au/poprock.html
These were accurate at the time of publication.
99
Suspense and Short Stories
Value 1.0
Specific Unit Goals
This unit should enable students to:
 read, view, listen to and analyse a range of suspense novels, short stories, plays and films
 identify and analyse the elements of suspense
 create a ‘suspenseful’ piece of writing
 analyse and critically respond to a variety of short stories
 demonstrate the skill of storytelling both written and oral
 investigate the cultural and historical influences on the form of the short story
Content
Students study:
 the theme of suspense in popular print and film texts
 techniques and types of suspense through a range of material which may include spy fiction,
detective stories, ‘thrillers’, horror, short stories, and film
 techniques to help them write range of written tasks which should include critical and creative
responses to texts
 a selection of appropriate and relevant short stories
 appropriate film adaptations
 techniques to undertake the writing of at least one short story
 presentation skills relevant to the genre
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 discussion of students’ own experience of horror films and stories and their understanding of
‘suspense’ and ‘thriller’ literature and film
 analysis of the writers’ and film makers’ techniques
 historical study, comparing classic with contemporary suspense films
 study of short mystery stories of the ‘Who dun it?’, ‘You solve the murder’ types to encourage
students to reason effectively
 written creative response
 oral response and presentation
 role play e.g. How to Host a Murder
 reading/viewing log
 class and small group discussions about the structure and common features of short stories
 written (e.g. journal writing) and oral (e.g. oral presentations) responses to short stories
 listening to/viewing audio and visual adaptations of short stories
Assessment
Refer to pages 15 and 16.
100
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an analysis of how suspense is used as a
teaching tool in oral traditions.
 Australian Education through an analysis of Australian novels that used suspense as their main
device.
 Environment Education through an analysis of the use of setting to develop suspense in film.
 Gender Equity through an understanding of how gender stereotypes are used to create suspense in
film.
 Information Access through the use of ICT to create original suspense stories.
 Language for understanding through a close reading of the language used to develop suspense in
short stories.
 Multicultural Education through an understanding of how cultural stereotypes are used to create
suspense in film.
 Special needs Education through an understanding of how stereotypes are used to create suspense
in film.

Work Education through the development of predictive skills which are useful in the workplace.
Specific Unit Resources
Books
AATE Publications,
The Girl Who Married a Fly
Archer, J., A Twist in the Tale
Baillie, A.,
Dream Catcher and Other Stories
Baillie, A.,
Mates and Other Stories
Bennett, B Cowan, &
Brickhill, P
Escape or Die
Burns, C. and McNamara, M., Eclipsed: Two centuries of Australian Women’s Fiction.
Chatfield, H. & Williamson, J., Crime Busters: A Collection of Stories
Christie, A.,
Murder on the Orient Express
Corris, P.,
Heroin Annie
Collins, P., (Ed.)
Dream Weaver (fantasy)
Crew, G.,
Forces of Evil
Crew, G.,
Crew’s 13 Classic Tales of the Macabre & Fantastic
Dahl, R.,
Kiss, Kiss
Dahl, R.,
Tales of the Unexpected
Du Maurier, D.,
The Birds and other Stories
Edwards, E., (Ed.)
Thirty Stories
Francis, D., Bolt
Firkin, H., (Ed.) Australian Short Stories (available on the Net)http://austshortstories.com/index.htm
101
Gleeson, L.,
Love Me, Love Me Not
Greenwood, K & Pausacker, J., Recipes for Crime
Grisham, J.,
Time to Kill
Hay, J., (Eds)
Perspectives 1: Short Stories
Heseltine, H., (Ed.)
The Penguin Book of Australian Short Stories
King, S.,
Cat’s Eye
King, S.,
Needful Things
Larkin, J.,
Bite Me
Lasagan, M.
Black Juice
McKenzie, J & L.,
Stories from Three Worlds
McLoughlin, McNamara & Reidy,
Englishworks 4
McRobbie, D.,
Gumshoe
Newton, B.,
Or Else: Stories of Conflict
Nieuwenhuizen, A.,
Crossings
Paretsky., S. (Ed)
A Woman’s Eye
Perrine, L.,
Literature: Structure, Sound and Sense
Poe, E. A.,
Thirteen Classic Tales of the Macabre and Fantastic
Sheehan, D.,
Skrzynecki, P., (Ed.)
Joseph’s Coat
Thomas,C.,
Firefox
Van Than,H.,
Macabre Stories
Williams, E.,
The Escapers
Also Students’ writing from the SMH Writing Competition
Audio visual Material
Psycho
(Hitchcock, A., 1960)
The Birds
(Hitchcock, A., 1963)
Psycho
(Van Sant, G., 1998)
Murder on the Orient Express
(Lumet, S., 1974)
Death on the Nile
(Guillermin, J., 1978)
The Firm
(Pollack, S., 1993)
Cape Fear
(Scorsese, M., 1991)
Secret Window
(Koeppe, D., 2004)
The Usual Suspects
(Singer, B., 1995)
The Sixth Sense
(Night Shyamalan, M., 1999)
The Others
(Amenabar, A., 2001)
Websites
http://www.teachit.co.uk/index.asp?M=4&A=1&S=241&Z=1#S241
102
http://www.filmsite.org/thrillerfilms.html
Short stories contained at http://eserver.org Including complete works of E.A.Poe
http://www.eastoftheweb.com/short-stories/teacher.html
These were accurate at the time of publication
103
Contemporary Issues and Short Stories
Value 1.0
This unit combines Contemporary Issues 0.5 with Short Stories 0.5.
Specific Unit Goals
This unit should enable students to:
 read, view, listen to and understand a variety of texts dealing with issues in society that are relevant
to their lives
 develop an understanding of broader contemporary issues
 respond imaginatively and critically to the ideas and values raised in the texts.
 analyse and critically respond to a variety of short stories
 demonstrate the skill of storytelling both written and oral
 investigate the cultural and historical influences on the form of the short story
Content
Students study:
 a variety of texts such as novels, stories, TV programs, lyrics, films, plays, poetry, newspaper and
magazine articles to explore themes and issues
 issues affecting the broader community. These may include youth suicide, homeless youth,
unemployment, multiculturalism, families, relationships, the environment, violence, authority and
the individual, alcohol and drug abuse, sport, technology, euthanasia, body image, sexuality,
consumerism, images of youth culture.
 a selection of appropriate and relevant short stories
 appropriate film adaptations
 techniques to undertake the writing of at least one short story
 presentation skills relevant to the genre
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 interview and survey on an issue to prepare a written report
 prepare and present an oral presentation comparing the treatment of an issue in a variety of media
 discussion of current issues in class and small groups
 role play the response of people of different ages, cultures or authority roles to a variety of issues
 investigate an issue, listen to guest speakers and respond by asking questions and writing a short
article
 contribute to Talkback Classroom or soap box speaking
 maintain a media scrapbook on an emerging issue in the news
 use information technology to investigate responses to global issues
 class and small group discussions about the structure and common features of short stories
 written (e.g. journal writing) and oral (e.g. oral presentations) responses to short stories
 listening to/viewing audio and visual adaptations of short stories
104
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of Indigenous issues in the
mainstream press.
 Australian Education through an investigation of local issues.
 Environment Education through an investigation of environmental issues, both here and abroad.
 Gender Equity through an investigation of how the media represents issues pertinent to both men
and women.
 Information Access through the development of skills in electronic research.
 Language for understanding through an examination of the use of emotive language to create
interest in an issue.
 Multicultural Education through the writing of letters to the editor regarding the issues surrounding
refugees.
 Special needs Education through the writing of articles about the particular requirements of people
with special needs in our College.
 Work Education through an examination of how workplace issues need to be understood and
explored by both employers and employees.
Specific Unit Resources
Books
AATE Publications,
The Girl Who Married a Fly
Archer,J
A Twist in the Tale-twelve short stories
Baillie, A.,
Dream Catcher and Other Stories
Baillie, A.,
Mates and Other Stories
Bennett, B Cowan, &
Hay, J., (Eds)
Perspectives 1: Short Stories
Collins, P., (Ed.)
Dream Weaver (fantasy)
Crew, G.,
Forces of Evil
Dahl, R.,
Kiss, Kiss
Dahl, R.,
Tales of the Unexpected
Edwards, E., (Ed.)
Thirty Stories
Firkin, H., (Ed.)
Australian Short Stories (available on the Net)
http://austshortstories.com/index.htm
Gleeson, L.,
Love Me, Love Me Not
Heseltine, H., (Ed.)
The Penguin Book of Australian Short Stories
King, S.,
Cat’s Eye
Larkin, J.,
Bite Me
105
McKenzie, J & L.,
Stories from Three Worlds
McLoughlin, McNamara &
Reidy,
Englishworks 4
Newton, B.,
Or Else: Stories of Conflict
Nieuwenhuizen, A.,
Crossings
Perrine, L.,
Literature: Structure, Sound and Sense
Poe, E. A.,
Thirteen Classic Tales of the Macabre and Fantastic
Skrzynecki, P., (Ed.)
Joseph’s Coat
Prose
Anon.,
Go Ask Alice
Bowles, C.,
Going Off
Clarke, I.,
Saving Jessie
Clarke, J.,
The Night Train
Cormier, R.,
After the First Death
Donaghy, B.,
Anna’s Story
Stewart, M.,
All of Me
Wheatley, N.,
The Blooding
Plays
Clark, B.,
Whose Life is it Anyway?
Keys, D.,
Flowers for Algemon
Biography
Hurley, J.,
How Far is it to London Bridge?
Poetry
Dawe, B.,
Doctor to Patient, In the New Landscape, The Not-So-Good Earth, Planning a TimeCapsule, Enter Without so Much as Knocking, The Family Man, Search and Destroy
Ford, A.,
Not Quite the Man for the Job (“Isms”, Racial Reminisces, Velocipede, Largest in
the Southern Hemisphere, Spellchecker, Reruns, Stop Me if You’ve Heard this One,
etc)
Foulcher, J.,
The Honeymoon Snaps
Goldsworthy, P.,
This Goes With That (Alcohol, Act Six, etc)
Goodfellow, G.,
Bow Tie and Tails (Down the Drain, Epitaph for Robbie, The All-Blacks, Mattie,
Poem for Annie, etc)
Guess, J.,
Leaving Maps (Private Nursing Home, Girl – Three Days in Car Wreck, Bike Death, A
View from the Bridge etc)
Kelen, S. K.,
Dingo
Kroll, Jeri (Ed.) & Westburg, Barry, Tuesday Night Live
Newspapers and magazines
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
106
Films
The Full Monty
(Cattaneo, Peter, 1997)
Brassed Off
(Herman, Mark, 1996)
Once were Warriors
(Tamahori, Lee, 1995)
Blackrock
(Vidler, Steven, 1997)
The Boys
(Woods, Rowan, 1998)
Ordinary People
(Redford, Robert, 1980)
Radiance
(Perkins, Rachel, 1998)
American Beauty
(Menders, Sam, 1999)
The Hurricane
(Jewison, Norman, 2000)
Philadelphia
(Demme, Jonathan, 1993)
Other:
Laverty, M., (Ed.),
What’s in an Issue? Perspectives on Contemporary Australian Concerns.
Laverty, M., (Ed.),
What’s at Issue Now? More Perspectives on Contemporary Australian Concerns.
Websites
http://www.chaser.com.au/
http://www.abc.net.au/news/
http://www.screensound.gov.au/ScreenSound/Screenso.nsf/0/43D327F3386DF902CA256B5D001B8829?O
penDocument
Short stories contained at http://eserver.org including complete works of E.A.Poe
http://www.eastoftheweb.com/short-stories/teacher.html
These were correct at the time of publication
107
Short Stories and Science Fiction
Value 1.0
This unit combines Short Stories 0.5 and Science Fiction 0.5
Specific Unit Goals
This unit should enable students to:
 read and critically respond to a range of science fiction texts
 analyse the common themes and issues of science fiction
 analyse the reasons for the popularity of this genre
 analyse and critically respond to a variety of short stories
 demonstrate the skill of storytelling both written and oral
 investigate the cultural and historical influences on the form of the short story
Content
Students study:
 a variety of texts in their historical and social context
 common themes and issues in science fiction
 elements of film, particularly special effects
 techniques to enable them to respond critically and creatively to texts.
 a selection of appropriate and relevant short stories
 appropriate film adaptations
 techniques to undertake the writing of at least one short story
 presentation skills relevant to the genre
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 discuss their experiences of texts in the science fiction genre
 research the features of this genre
 view and discuss both current and early films
 contrast written and visual texts presenting the same story
 research the historical development of science fiction
 research areas where science fiction has become scientific fact e.g. cloning, robotics
 consider the concerns and issues associated with such developments
 create a science fiction world
 maintain a reading / viewing journal
 create posters, collages, mobiles and board games
 access science fiction games and relevant internet sites
 class and small group discussions about the structure and common features of short stories
 written (e.g. journal writing) and oral (e.g. oral presentations) responses to short stories
 listening to/viewing audio and visual adaptations of short stories
108
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an investigation of Indigenous writing that
asks the question, “What if?”
 Australian Education through reading Australian science fiction authors.
 Environment Education through an exploration of the strong thread of environmentalism in Science
Fiction literature and film.
 Gender Equity through an exploration of the themes of gender equity in Science Fiction literature
and film.
 Information Access through the use of ICT to develop students’ own web texts.
 Language for understanding through an analysis of the language of Science Fiction writing.
 Multicultural Education through an exploration of multicultural themes in Science Fiction literature
and film.
 Special needs Education through an exploration of the themes of special needs in Science Fiction
literature and film.
 Work Education through an exploration of how Science Fiction influences developments which take
place in industry.
 Aboriginal and Torres Strait Islander Education through the reading of Indigenous short stories.
 Australian Education through the close analysis of Australian short stories.
 Environment Education through an investigation of how the environment in represented in short
stories.
 Gender Equity through an investigation of how men and women have used the short story form in
order to explore issues of gender construction.
 Information Access through the investigation of how short stories are developed for films.
 Language for understanding through a discussion of the differences between the language used in
various forms including short stories.
 Multicultural Education through the analysis of the stories that focus on the needs of migrants in our
communities.
 Special needs Education through an analysis of how the short story form is used to explore the issues
surrounding people with special needs.
 Work Education through an analysis of how work place relations are constructed in short stories.
Specific Unit Resources
Novels (or extracts from Novels)
AATE Publications,
The Girl Who Married a Fly
Adams, D
Hitchhiker’s Guide to the Galaxy
Archer,J
A Twist in the Tale-twelve short stories
Asimov, I
Foundation
Baillie, A.,
Dream Catcher and Other Stories
109
Baillie, A.,
Mates and Other Stories
Bennett, B Cowan, &
Bradbury, R
Fahrenheit 451
Bradbury, R
The Martian Chronicles
Burroughs, Edgar R.
The Princess of Mars
Burroughs, Edgar R.
Tarzan of the Apes
Clarke, Arthur C.
2001: A Space Odyssey
Collins, P., (Ed.)
Dream Weaver (fantasy)
Crew, G.,
Forces of Evil
Dahl, R.,
Kiss, Kiss
Dahl, R.,
Tales of the Unexpected
Dick, Philip K.
Do Androids Dream of Electric Sheep?
Edwards, E., (Ed.)
Thirty Stories
Firkin, H., (Ed.)
Australian Short Stories (available on the Net)
http://austshortstories.com/index.htm
Gibson, William,
Neuromancer
Gleeson, L.,
Love Me, Love Me Not
Hay, J., (Eds)
Perspectives 1: Short Stories
Heinlein, Robert A.
Starship Troopers
Heinlein, Robert A.
Stranger in a Strange Land
Herbert, Frank
Dune
Heseltine, H., (Ed.)
The Penguin Book of Australian Short Stories
Huxley, Aldous
Brave New World
King, S.,
Cat’s Eye
Larkin, J.,
Bite Me
Le Guin, Ursula
The Left Hand of Darkness
Lieber, Fritz
Gather, Darkness
McKenzie, J & L.,
Stories from Three Worlds
McLoughlin, McNamara &
Mieville, China
Perfido Street Station
Miller, Walter M.
A Canticle for Leibowitz
Newton, B.,
Or Else: Stories of Conflict
Nieuwenhuizen, A.,
Crossings
Niven, Larry
Ringworld
Orwell, George
1984
Perrine, L.,
Literature: Structure, Sound and Sense
Poe, E. A.,
Thirteen Classic Tales of the Macabre and Fantastic
110
Reidy,
Englishworks 4
Russ,
The Female Man
Skrzynecki, P., (Ed.)
Joseph’s Coat
Simmons, Dan
Hyperion
Verne, Jules
2000 Leagues Under the Sea
Wells, H. G.
War of the Worlds
Wells, H. G.
The Time Machine
Wyndham, John
The Chrysalids
Wyndham, John
The Midwich Cuckoos
Zamyatin, Yevgeny
We
Graphic Novels
Briggs, Raymond
When the Wind Blows
Various
Judge Dredd
Short Stories
Asimov, Isaac
I, Robot (et al.)
Borges, George L.
Bradbury, Ray
Le Guin, Ursula
Keyes, Daniel
“Flowers for Algernon”
King, Stephen
“The Running Man”
Gibson, William
Burning Chrome
Films
2001: A Space Odyssey
(Kubrick, Stanley 1968)
A.i
(Spielberg, Steven 2001)
Alien
(Scott, Ridley 1979)
Alien Nation
(Baker, Graham 1988)
Bladerunner
(Scott, Ridley 1982)
Close Encounters of the Third Kind
(Spielberg, Steven 1977)
Cocoon
(Howard, Ron 1985)
Delicatessen
(Jeunet, Jean-Pierre 1991)
Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb (Kubrick, Stanley 1964)
E.T.
(Spielberg, Steven 1982)
eXistenZ
(Cronenberg, David 1999)
Flash Gordon
(Hodges, Mike 1980)
Gattaca
(Niccol, Andrew 1997)
Hellboy
(Del Toro, Guillermo 2004)
Independence Day
(Emmerich, Roland 1996)
111
I, Robot
(Proyas, Alex 2004)
Logan’s Run
(Anderson, Michael 1975)
Mars Attacks
(Burton, Tim 1996)
Matrix Trilogy, The
(Wachowski, Andy and Larry, 1999, 2003)
Metropolis
(Lang, Fritz 1927)
Minority Report
(Spielberg, Steven 2002)
Pitch Black
(Toohy, David 2000)
Predator
(McTiernan, John 1987)
Soilent Green
(Fleischer, Richard 1966)
Star Wars
(Lucas, George 1977)
Terminator, Terminator 2: Judgement Day (Cameron, James 1984, 1991)
The Chronicles of Riddick
(Toohy, David 2004)
The Fifth Element
(Beson, Luc 1997)
The Fly
(Cronenberg, David 1986)
The Fly
(Neumann, Kurt 1958)
The Navigator
(Ward, Vincent 1988)
The Planet of the Apes
(Schaffner, Franklin J 1967)
The War of the Worlds
(Spielberg, Steven 2005)
Total Recall
(Veerhoven, Paul 1990)
Twelve Monkeys
(Gilliam, Terry 1995)
Television such as:
V
Doctor Who
Battlestar Galactica
Star Trek
Babylon 5
Farscape
Red Dwarf
The X-Files
Lost
X-men
Medium
Lost in Space
Audio Resources such as:
Hitchhiker’s Guide to the Galaxy
War of the Worlds
Atlanta Radio Theatre Company (www.artc.org)
112
Alien Worlds (www.alienworlds.com)
Sci Fi Audio (www.scifiaudio.com)
Virtually American (www.virtuallyamerican.com)
Bowen in Space (www.live365.com/index.live)
Sci-Five, Live! (www.greatnorthernaudio.com/gnrt/sci5.html)
Teacher Reference
Clute,J. The Encyclopedia of Science Fiction, Butler and Tanner, London, 1999
Clute, J. Science Fiction: The Illustrated Encyclopedia ,Reed Business Information, USA, 1995
Contento, W.G. &Brown, C.N. Science Fiction, Fantasy and Horror, Locus Press, USA 1986
DiFate,V. & Summers, I., Catalog of Science Fiction Hardware, Worman, USA,1980
Websites
Science Fiction Literature
http://linuxfinances.info/info/sf.html
Science Fiction Literature
http://www.questia.com/library/literature/fiction/science-fiction-and-fantasy/science-fictionliterature.jsp
Short stories contained at http://eserver.org Including complete works of E.A.Poe
http://www.eastoftheweb.com/short-stories/teacher.html
Science Fiction World
http://www.sffworld.com/
Sci-Fi Lists
http://home.austarnet.com.au/petersykes/topscifi/index.html
These were accurate at the time of publication.
113
The Journey and Reading for Enjoyment
Value 1.0
This unit combines The Journey 0.5 with Reading for Enjoyment 0.5.
Specific Unit Goals
This unit should enable students to:
 analyse the theme of the journey as a metaphor for life
 critically analyse and compare their own experiences of life in relation to common human experience
 critically read and view texts which investigate journeys real and imagined
 read and analyse a range of fictional texts
 develop skills in reading comprehension
 create their own texts in a variety of modes
 respond orally and in writing to texts.
Content
Students study:
 stories, both traditional and modern, which incorporate the theme ‘the journey’. These could
include a novel and a selection of other forms ranging from myths to current films and computer
games
 the common experiences which people [e.g. people from different cultures and walks of life] have
when operating outside their usual environments and the personal growth which results
 their experiences and relate the learning to the literature studied
 a selection of text both fiction and non-fiction which could include poetry and plays
 techniques to respond to the texts in a variety of written and oral modes.
 techniques to develop confidence in reading aloud
 literary analysis and techniques used in the creation of visual, electronic and written texts
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 personal response and reflective writing
 examining visual texts
 listening to and note making from guest speakers and members of the community
 individual or group oral presentations of personal research or reading and viewing
 excursion / individual projects modeled in class work. These might involve developing questionnaires
and doing oral and written reports on new experiences
 discussion (individual, group and whole class)
 regular silent sustained reading
 discussion in small and class groups
 reading aloud, dramatization, role play, discussion of issues, journal writing to develop shared
responses
 extended written responses including the processes of drafting, conferencing and editing
 keeping a reading journal to record responses including critical and reflective responses
 oral responses including small group discussion and perhaps “selling” a work to the whole class
114
 written responses including at least one sustained piece of writing
 use the library to assist them in making their own choices of reading materials.
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through the analysis of Indigenous myths and legends
that explore the theme of the journey.
 Australian Education through an investigation of Australian films that use the structure of the journey
as a plot device.
 Environment Education through a discussion of the use of the environment to develop setting in
texts that are based on the concept of the journey.
 Gender Equity through an analysis of the use of gender stereotypes to develop the theme of the
journey.
 Information Access through the use of ICT to write stories of real or imagined stories that use the
device of the journey.
 Language for understanding through close reading of the language of “journey” literature and nonfiction.
 Multicultural Education through an analysis of non-fiction that explores the experiences of the
journey to a new life.
 Special needs Education through reading the stories of those who have journeyed through life with
special needs.
 Work Education through exploring the idea of career as journey.
Specific Unit Resources
Books
Adams, D.,
Hitchhikers’ guide to the galaxy
Gardner, S.,
The Legend of Kevin the Plumber
Homer,
The Odyssey (extracts)
Marsden, J.,
The Journey
Tolkien, J.R.R.,
The Hobbit
Voight, C.,
Homecoming
Binchy, M.,
Circle of Friends
Clark, M.,
Back on Track
Earls, N.,
48 Shades of Brown
Ford, N.,
Not Quite the Man for the Job
Kelleher, V.,
Veranda, and Slow Burn
King, S.,
Needful Things
Lowry, B.,
Guitar Highway Rose
Marchetta, M.,
Looking for Alibrandi
Metzenthen, D.,
Falling Forward
115
McCarthy, M., Queen Kat Carmel and St. Jude, Cross My Heart, and In Between
Monk, S.,
Boyz ‘R’ Us
Nilsson, E.,
Outside Permission
Orr, W.,
Peeling the Onion
Ottley, T.,
Roadies
Parry, G.,
Sad Boys
Audio visual Material
Beneath Clouds
(Ivan Sen, 2002)
Lord of the Rings
(Peter Jackson, 2001, 2002, 2003)
Rabbit Proof Fence
(Phillip Noyce, 2002)
Rain Man
(Barry Levinson, 1998)
The Navigator
(Vincent Ward, 1988)
The Princess Bride
(Rob Reiner, 1987)
Whale Rider
(Niki Caro, 2002)
Yolgnu Boy
(Stephen Johnson, 2001)
Newspapers and magazines
From Inside Sport, Jill Collier (Editor)
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
Selected non-fiction texts.
Websites
http://www.aate.org.au/ follow the prompts to catalogue.
www.boardofstudies.nsw.edu.au/syllabus_hsc/ pdf_doc/annotations_texts_04_07.doc
www.boardofstudies.nsw.edu.au/syllabus_hsc/ pdf_doc/hsc_english_poster_04_07.pdf
www.boardofstudies.nsw.edu.au/ syllabus_hsc/pdf_doc/journey_stimulus_04_07.pdf
Evaluating Websites
http://www.shortstorygroup.com/storytips.htm
http://ok.essortment.com/writingshortst_rrmi.htm
http://www.eastoftheweb.com/short-stories/teacher.html
These were accurate at the time of publication
116
Advertising
Value 0.5
Specific Unit Goals
This unit should enable students to:
 identify a variety of advertising media
 examine the purpose and techniques of advertising
 analyse the techniques of persuasion used by advertisers
 create their own advertisements
Content
Students study:
 a variety of advertising media
 the development of marketing techniques
 the major features of advertising, both linguistic and visual
 the appropriate technologies to create visual texts
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 access and analyse advertising media which could include websites, magazines, television, radio,
shopfronts, pamphlets, newspapers, posters and film
 work in groups to compile a list of advertising techniques that can be shared with the class
 view videos about advertising and develop advertising campaigns using a variety of skills and
equipment
 compile scrapbook journals that consist of collections of advertisements, journal entries and
advertisements and drawings of design possibilities
 visit to the Canberra Times educational programme
 listen to guest speaker from an advertising agency
 participate in Talkback Classroom at Australian National Museum
 view videos about advertising and complete class tasks to develop advertisements
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of the construction of racial
stereotyping in tourism advertising.
 Australian Education through an examination of the use of Australian iconic imagery in television
advertising.
 Environment Education through an examination of the use of the environment to sell products that
are in themselves damaging to the environment.
 Gender Equity through an examination of the construction of gender stereotyping.
117
 Information Access through the creation of advertisements for real and imagined products and
services.
 Language for understanding through an investigation of the language of persuasion used in
advertisements aimed at young people.
 Multicultural Education through an examination of the construction of racial stereotyping in
government advertising
 Special needs Education through the modification of work for special needs students and through an
examination of the absence of people with special needs in print advertising.
 Work Education through an investigation of the way in which the world of work is represented in
both a positive and negative manner in advertisements.
Specific Unit Resources
Books
Crump, Durand and Hooke,
Viewing and Presenting in Context 1, Thomson Nelson, 2003.
Crump, Durand and Hooke,
Viewing and Presenting in Context 2, Thomson Nelson. 2003.
Sadler & Sadler,
Into English, Macmillan, 2004.
Heintz & Evans,
Insight Outcomes English Year 11, Insight Publications, 2002.
Huggard, Keaney and Brewer,
Insight Outcomes Year 12, Insight Publications, 2002.
Windschuttle, Keith,
Australia , Penguin, 1984.
The Media: A New Analysis of the Press, Television, Radio and Advertising in
Hopkinson, Simon,
The Crazy World of Advertising, Aust. Theatre Workshop,
Packard, Vance,
The Hidden Persuaders, Penguin, 1984.
Wake,Susan,
Advertising, Jun N/F
Morgan, Sally and Adrian,
Colour in Art and Advertising , Evans, 1994.
Hewett, Robert,
Theatre Series
The Adman: “ The Dog-Eat-Dog World of Modern Advertising Current
Magazines
Vibe - Indigenous Education Magazine ( see the ASSPA Officer in your college)
Open Road
Sports Magazines
Women’s Magazines
Newspapers
Koori Mail
The Sydney Morning Herald
The Canberra Times
The Age
The Australian
Audio visual Material
Deconstructing Advertising, Video Education Australia, 1993.
Advertising Strategies, Video Education Australia, 1992.
A Case Study, 1988
The Art of Persuasion, from the series ‘The Investigators.’ 1996
118
The Image Makers,
Advertising, from the series, “Words Fail Me.”
Advertising Layout Part 1
Advertising Layout Part 2
Other suggestions:
Excursions to;
Screensound Australia
WIN News studios
Canberra Times (and the Canberra Times Education Booklet)
Radio Stations
Websites
http://www.teachingonline.org/ADVERTISING.html
http://www.teachit.co.uk/index.asp?A=14&M=18&S=26
http://www.mediachannel.org/teach/
These were correct at the time of publication
119
Children’s Literature
Value 0.5
Specific Unit Goals
This unit should enable students to:
 read, view and respond with understanding to a range of texts for children and adolescents
 examine why particular books and television programs appeal to children
 analyse the role of children's texts in transmitting, maintaining or breaking down social stereotypes
and cultural values.
Content
Students study:
 a variety of texts written for children and adolescents such as nursery rhymes, picture books, novels,
short stories, television programmes, films, internet sites, games, traditional and contemporary texts
and texts from a variety of cultures and time periods
 issues and themes in contemporary texts for children and adolescents
 the extent to which the materials meet children's developmental needs
 a range of written and oral tasks
 the appropriateness and quality of such things as illustrations, layout, sequencing and tone in
children’s texts.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 recall students' childhood experiences
 visit a local primary or pre-school where students present their original material
 listen and respond to professional story tellers
 engage with a writer who speaks about their experiences in the writing process
 evaluate picture books in small groups
 maintain a journal
 create an original children's text
 perform stories, read poetry and dramatic texts
 view children’s television, films, internet sites, software for children and games
Assessment
Refer to pages 15 and 16.
120
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through reading Indigenous myths and legends.
 Australian Education through reading classic Australian texts such as Seven Little Australians.
 Environment Education through reading works such as Window.
 Gender Equity through writing texts that focus on the construction of gender for children.
 Information Access through the use of word processing software to create stories for children.
 Language for understanding through an examination of how language builds meaning in children’s
books.
 Multicultural Education through reading adolescent fiction that looks at the experiences of people
from other cultures such as No Guns For Asmir.
 Special needs Education through sharing stories with younger children who have special needs.
 Work Education through an examination of the importance of storytelling to a variety of childcare
careers.
Specific Unit Resources
Books
Baker, J.,
Where the Forest Meets the Sea
Baker, J.,
Windows
Baker, J.,
Belonging
Blyton, E.,
Be Brave Little Noddy
Blyton, E.,
The Island of Adventure
Blyton, E.,
The Sea of Adventure
Colfer, E.,
Artemis Fowl
Crew, G.,
Strange Objects
Crossley-Holland, K., Arthur: The Seeing Stone
Dahl, R.,
Fantastic Mr Fox
Dahl, R.,
The Magic Finger
de Saint Exupery, A.,
The Little Prince
Dr. Seuss,
Fox in Sox
Fox, M.,
Possum Magic
Graham, K.,
Wind in the Willows
Hearn, L.,
The Otori Trilogy
Hill, A.,
Soldier Boy
Horowitz, A.,
Ark Angel
Horowitz, A,
The Falcon’s Malteser
Innocenti, R.,
Rose Blanche
Jennings, P.,
Uncanny
121
Jennings, P.,
Unreal and others
Kelleher, V.,
Taronga
Klein, R.,
Hating Alison Ashley
Le Guin, U.,
A Wizard of Earthsea
Marsden, J.,
The Rabbits
Marsden, J.,
Tomorrow when the War Began
Mattingly, C.,
No Gun For Asmir
Milne, A.A.,
Winnie the Pooh
O’Brien, R.C.,
Mrs. Frisby and the Rats of Nimh
Ridden, B.,
Whistleman
Rowling, J. K.,
Harry Potter (series)
Sachar, L.,
Holes
Snickett, L.,
A Series of Unfortunate Events
Stine, R.L.,
Goosebumps Series
White, E.B.,
Charlotte’s Web
Wild, M.,
Let the Celebrations Begin
Winton, T.,
Lockie Leonard (series)
Yen Mah, A.,
Chinese Cinderella
Films
Charlotte’s Web
(Nichols, Charles A. and Takamoto, Iwao, 1973)
The Secret of Nimh
(Bluth, Don, 1982)
Disney Cartoons
Wind in the Willows
(Hall, Mark, 1983)
Winnie the Pooh
(Lounsbery, John, and Reithmann, Wolfgang, 1977)
Harry Potter Series
(Columbus, Chris, 2001 and 2002 and Cuaron, Alfonso, 2004)
Matilda
(De Vito, Danny, 1996)
TV Programs
Tele Tubbies
Bananas in Pyjamas
Sesame Street
Playschool
Round the Twist
Rugrats.
Teacher Resources
Saxby, M. (Ed.) Give Them Wings, Macmillan, Melbourne,
1987.
Children’s Book Council of Australia, Notable Australian Children’s Books, Annual
Publication
Children’s Book Council of Australia, Kids best: Australian books for Children and
Young Adults 1996 – 2000 compiled by the Primary English Teachers Association
122
Also:
ACT Storytellers’ Guild
The May Gibbs Writer in residence at UC
Get Real – UC
Websites
http://www.webenglishteacher.com/childlit.html
http://www.carolhurst.com/
http://www.ucalgary.ca/~dkbrown/
These were correct at the time of publication
123
Communicate with Confidence
Value 0.5
Specific Unit Goals
This unit should enable students to:
 recognize that oral communication involves speaking, listening and body language
 develop appropriate communication skills to meet a variety of real life and constructed situations
 analyse the techniques of effective communication
 develop oral, listening and written skills and awareness of the effect of body language
Content
Students study:
 a variety of texts to identify effective communication techniques
 effective speaking, listening, non-verbal and written communication
 methods of gathering, structuring and modifying information for delivery to a specific audience /
purpose
 the effects of positive and negative communication in everyday interactions and social situations
such as a speech for a formal occasion, a job interview, meeting new people, presenting to a large
audience at a College assembly, dealing with complaints, conflict resolution, acting as open day
guides, mentoring younger students, etc.
 a variety of communication types.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 role play, group work and discussion of communication techniques
 view visual texts to analyse body language, listening skills and verbal communication
 examine the role and effect of accents, pronunciation and voice production
 listen to a variety of aural communication models, including their own, to examine tone, use of voice
for emphasis, volume, pauses, sound effects, etc.
 plan and present an oral item eg wedding / funeral speech, a job interview, teaching a skill,
motivational talk, comedy routine
 write an application letter and develop a CV
 write letters for a number of purposes such as a letter to the editor, an apology, a thank you letter, a
love letter, etc.
 write and send e-mails and sms messages
 personal response and reflective writing (journals)
 proof reading and editing an on-line document
Assessment
Refer to pages 15 and 16.
124
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of the speaking conventions
and the uses of gestures in different cultures.
 Australian Education through an investigation of famous Australian speeches.
 Environment Education through the preparation of “soap box” speeches.
 Gender Equity through the preparation of “soap box” speeches.
 Information Access through the creation of worthwhile Power Point presentations.
 Language for understanding through an exploration of the differences needed in tone and vocabulary
when speaking for different audiences and purposes.
 Multicultural Education through an examination of the speaking conventions and the uses of
gestures in different cultures.
 Special needs Education through an exploration of the ways in which oral language can be made
easier to understand for those with special needs.
 Work Education through an exploration of the differences needed in tone and vocabulary when
speaking for different audiences and purposes in a workplace environment.
Specific Unit Resources
Books
Covey, S.,
The 7 Habits of Highly Effective Teens
Hollier, F.,
Conflict Resolution Trainers’ Manual
Loughton, J.,
Listening and Language, User Friendly Resource, 1996
Loughton, J.,
Listening and Understanding, User Friendly Resource, 1996
Loughton, J.,
Speaking and Power, User Friendly Resource, 1995
Loughton, J.,
Speaking and Structure, User Friendly Resource, 1995
Malouf, M.,
How to Create and Deliver a Dynamic Presentation, Melbourne, 1988
Pease A.,
Body Language
Quattrini, J.,
Speaking by Doing, National Textbook Company, 1996
Toovey, C.,
Speak Up, Oxford, 1992
Travers, M.,
Talking with confidence. New York, Melbourne, Cambridge University Press, 1995.
Audio visual Material
Assertive Issues, Pease Training Corporation
Blah, blah, blah: The Art of Public Speaking, Bendigo, Victoria, Video Education Australasia, 1999
Body Language, Pease Training Corporation
Effective Communications Meridan, Education Corporation, 1992
Getting Along on the Job, Bendigo, Victoria, Video Education Australasia
Making Your Presentation, Malvern Victoria Australia Learning Essentials
On Golden Pond, Mark Rydell
The Breakfast Club, John Hughes
Whose Life is it Anyway, John Badham
125
Websites
http://www.glencoe.com/sec/teachingtoday/weeklytips.phtml/88
http://www.iam.unibe.ch/~scg/Teaching/VariousMaterial/talkHowTo.html
These were correct at the time of publication
126
Contemporary Issues & Fantastical Worlds
Value 1.0
This unit combines Contemporary Issues 0.5 and Fantasy 0.5.
Specific Unit Goals
This unit should enable students to:
 read, view, listen to and understand a variety of texts dealing with issues in society that are relevant
to their lives
 study and respond to a range of fantasy texts such as novels, poetry, short stories, plays and films
 develop an understanding of broader contemporary issues
 respond imaginatively and critically to the ideas and values raised in the texts.
 examine and explore common themes and issues in fantasy texts
 analyse reasons for the popularity of the genre
Content
Students study:
 a variety of texts such as novels, stories, TV programs, lyrics, films, plays, poetry, newspaper and
magazine articles to explore themes and issues
 issues affecting the broader community. These may include youth suicide, homeless youth,
unemployment, multiculturalism, families, relationships, the environment, violence, authority and
the individual, alcohol and drug abuse, sport, technology, euthanasia, body image, sexuality,
consumerism, images of youth culture.
 a variety of fantasy texts
 themes and issues in fantasy
 elements of fantasy films, particularly special effects
 techniques to respond critically and creatively to texts.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 prepare and present an oral presentation comparing the treatment of an issue in a variety of media
 discussion of current issues in class and small groups
 explore the response of people of different ages, cultures or authority roles to a variety of issues
 investigate an issue, listen to guest speakers and respond by asking questions and writing a short
article
 use information technology to investigate responses to global issues
 discuss their experiences of texts in the fantasy genre
 research the features of the genre
 discuss both recent and early films
 contrast a written and visual text presenting the same story
 create a fantasy world
 maintain a reading and /or viewing journal
 create posters, collages, mobiles and board games
127
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of Dreamtime mythology and
Indigenous issues in the mainstream press.
 Australian Education through an investigation of local issues.
 Environment Education through an investigation of environmental issues, both here and abroad.
 Gender Equity through an investigation of how the media represents issues pertinent to both men
and women and through writing short stories in which traditional gender roles in fantasy stories are
explored.
 Information Access through the development of skills in electronic research.
 Language for understanding through an examination of the use of emotive language to create
interest in an issue and through an exploration of the language of the fantasy genre.
 Multicultural Education through an exploration of how “the other” is constructed in the fantasy
genre.
Specific Unit Resources
Novels (or extracts from novels)
Stiefvater, Maggie.,
The Scorpio Races
Rowling, J.K.,
Harry Potter and the Order of the Phoenix
Tolkien, J.R.R.,
The Lord of the Rings
Silvey, Craig.,
Jasper Jones
Picoult, Jodie.,
My Sister’s Keeper
Poetry
Dawe, B.,
Doctor to Patient, In the New Landscape, The Not-So-Good Earth, Planning a TimeCapsule, Enter Without so Much as Knocking, The Family Man, Search and Destroy
Guess, J.,
Leaving Maps (Private Nursing Home, Girl – Three Days in Car Wreck, Bike Death, A
View from the Bridge etc)
Tennyson
The Lady of Shalott
Films
Avatar
(Cameron, James 2009)
Bicentennial Man
(Smith, Kevin 1999)
Snow White and the Huntsman (Sanders, Rupert 2012)
The Lord of the Rings Trilogy
(Jackson, Peter 2001, 2002, 2003)
The Princess Bride,
(Reiner, Rob 1987)
128
Teacher’s Reference
Barron, N.,
Fantasy Literature: A Reader’s Guide, Garland, 1990
Clute, J.,
The Encyclopedia of Fantasy, St Martin’s Press, 1997
Contento, W.G. &Brown, C.N.
Science Fiction, Fantasy and Horror, Locus Press, USA 1986
Day, D.,
Tolkein: The Illustrated Encyclopedia, 1992
Peg, M. & Ingpen, R.,
Out of this World:The Complete Book of Fantasy, 1986
Schaffer, E.D.,
Exploring Harry Potter, 2000
Laverty, M., (Ed.),
What’s in an Issue? Perspectives on Contemporary Australian Concerns.
Laverty, M., (Ed.),
What’s at Issue Now? More Perspectives on Contemporary Australian
Concerns.
Websites
Victorian Times – Art Literature and fiction
http://www.victorianweb.org/genre/fantov.html
Science Fiction and Fantasy – Research Database
www.magicdragon.com
ABC NEWS http://www.abc.net.au/news/
129
Contemporary Issues
Value 0.5
Specific Unit Goals
This unit should enable students to:
 read, view, listen to and understand a variety of texts dealing with issues in society that are relevant
to their lives
 develop an understanding of broader contemporary issues
 respond imaginatively and critically to the ideas and values raised in the texts.
Content
Students study:
 a variety of texts such as novels, stories, TV programs, lyrics, films, plays, poetry, newspaper and
magazine articles to explore themes and issues
 issues affecting the broader community. These may include youth suicide, homeless youth,
unemployment, multiculturalism, families, relationships, the environment, violence, authority and
the individual, alcohol and drug abuse, sport, technology, euthanasia, body image, sexuality,
consumerism, images of youth culture.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 interview and survey on an issue to prepare a written report
 prepare and present an oral presentation comparing the treatment of an issue in a variety of media
 discussion of current issues in class and small groups
 role play the response of people of different ages, cultures or authority roles to a variety of issues
 investigate an issue, listen to guest speakers and respond by asking questions and writing a short
article
 contribute to Talkback Classroom or soap box speaking
 maintain a media scrapbook on an emerging issue in the news
 use information technology to investigate responses to global issues
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of Indigenous issues in the
mainstream press.
 Australian Education through an investigation of local issues.
 Environment Education through an investigation of environmental issues, both here and abroad.
 Gender Equity through an investigation of how the media represents issues pertinent to both men
and women.
 Information Access through the development of skills in electronic research.
130
 Language for understanding through an examination of the use of emotive language to create
interest in an issue.
 Multicultural Education through the writing of letters to the editor regarding the issues surrounding
refugees.
 Special needs Education through the writing of articles about the particular requirements of people
with special needs in our College.
 Work Education through an examination of how workplace issues need to be understood and
explored by both employers and employees.
Specific Unit Resources
Prose
Anon.,
Go Ask Alice
Bowles, C.,
Going Off
Clarke, I.,
Saving Jessie
Clarke, J.,
The Night Train
Cormier, R.,
After the First Death
Donaghy, B.,
Anna’s Story
Stewart, M.,
All of Me
Wheatley, N.,
The Blooding
Plays
Clark, B.,
Whose Life is it Anyway?
Keys, D.,
Flowers for Algemon
Biography
Hurley, J.,
How Far is it to London Bridge?
Poetry
Dawe, B.,
Doctor to Patient, In the New Landscape, The Not-So-Good Earth, Planning a TimeCapsule, Enter Without so Much as Knocking, The Family Man, Search and Destroy
Ford, A.,
Not Quite the Man for the Job (“Isms”, Racial Reminisces, Velocipede, Largest in
the Southern Hemisphere, Spellchecker, Reruns, Stop Me if You’ve Heard this One,
etc)
Foulcher, J.,
The Honeymoon Snaps
Goldsworthy, P.,
This Goes With That (Alcohol, Act Six, etc)
Goodfellow, G.,
Bow Tie and Tails (Down the Drain, Epitaph for Robbie, The All-Blacks, Mattie,
Poem for Annie, etc)
Guess, J.,
Leaving Maps (Private Nursing Home, Girl – Three Days in Car Wreck, Bike Death, A
View from the Bridge etc)
Kelen, S. K.,
Dingo
Kroll, Jeri (Ed.) & Westburg, Barry, Tuesday Night Live
131
Newspapers and magazines
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
Films
The Full Monty
(Cattaneo, Peter, 1997)
Brassed Off
(Herman, Mark, 1996)
Once were Warriors
(Tamahori, Lee, 1995)
Blackrock
(Vidler, Steven, 1997)
The Boys
(Woods, Rowan, 1998)
Ordinary People
(Redford, Robert, 1980)
Radiance
(Perkins, Rachel, 1998)
American Beauty
(Menders, Sam, 1999)
The Hurricane
(Jewison, Norman, 2000)
Philadelphia
(Demme, Jonathan, 1993)
Other:
Laverty, M., (Ed.),
What’s in an Issue? Perspectives on Contemporary Australian Concerns.
Laverty, M., (Ed.),
What’s at Issue Now? More Perspectives on Contemporary Australian Concerns.
Websites such as:
http://www.chaser.com.au/
http://www.abc.net.au/news/
http://www.screensound.gov.au/ScreenSound/Screenso.nsf/0/43D327F3386DF902CA256B5D001B8829?O
penDocument
These were correct at the time of publication
132
Fantasy
Value 0.5
Specific Unit Goals
This unit should enable students to
 study and respond to a range of fantasy texts such as novels, poetry, short stories, plays and films
 examine and explore common themes and issues in fantasy texts
 analyse reasons for the popularity of the genre
Content
Students study:
 a variety of fantasy texts
 themes and issues in fantasy
 elements of fantasy films, particularly special effects
 techniques to respond critically and creatively to texts.
Teaching and Learning Strategies
Teaching and learning strategies are negotiated as much as possible. The following strategies are
suggested:
 discuss their experiences of texts in the fantasy genre
 research the features of the genre

view and discuss of both recent and early films
 contrast a written and visual text presenting the same story
 create a fantasy world
 maintain a reading and /or viewing journal
 create posters, collages, mobiles and board games
 access fantasy games and relevant internet sites.
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an exploration of Dreamtime mythology.
 Australian Education through an examination of the development of Australian mythology since
white settlement.
 Environment Education through writing short stories which are set in the natural environment.
 Gender Equity through writing short stories in which traditional gender roles in fantasy stories are
explored.
 Information Access through the use of word processing software to write book reviews.
 Language for understanding through an exploration of the language of the fantasy genre through
textual study.
133
 Multicultural Education through an exploration of how “the other” is constructed in the fantasy
genre.
 Special needs Education through the investigation of the theme of “specialness” in the fantasy genre.
 Work Education through an examination of the importance of creativity in our working lives.
Specific Unit Resources
Novels (or extracts from novels)
Brown, D,
The Da Vinci Code
Carmody, I.,
The Gathering
Carroll,L.,
Alice in Wonderland
Colfer, E.,
Artemis Fowl: The Eternity Code
Donaldson, S.,
The Runes of the Earth
Douglas, S.,
The Axis Trilogy
Forsyth, K.,
The Witches of Eileanan
Kelleher, V.,
Taronga
King, S.,
Nightmares and Dreamscapes
King, S.,
The Dark Tower
La Guin, U.,
Gifts
La Guin, U.,
The Wizard of Earthsea
Masson, S.,
Cold Iron
McRobbie, D.,
The Fourth Caution
Nix, G. ,
Mister Monday
Poe , E.A.,
Short Stories
Pratchett,T.,
Discworld Series
Pratchett,T.,
Nightwatch
Rowling, J.K.,
Harry Potter and the Order of the Phoenix
Rubenstein, G.,
Beyond the Labyrinth
Shelley, M.,
Frankenstein
Tolkien, J.R.R.,
The Hobbit
Tolkien, J.R.R.,
The Lord of the Rings
Poetry
Tennyson
The Lady of Shalott
Coleridge
The Rime of the Ancient Mariner
Coleridge
Kublai Khan
134
Films
A Life Less Ordinary
(Boyle, David 1997)
Batman and Robin
(Schumacher,Joel 1997)
Bicentennial Man
(Smith, Kevin 1999)
City of Angels
(Silberling, B 1998)
Dogma
(Smith, Kevin 1999)
Dragonheart,
(Cohen, Rob 1996)
Edward Scissorhands
(Burton, Tim 1990)
Frankenstein
(Branagh, Kenneth 1994)
Ghost
(Zucker, Jerry 1990)
Ghostbusters
(Reitman, Ivan 1984)
Harry Potter& the Philosopher’s Stone (Columbus, Chris 2001)
Harry Potter & the Chamber of Secrets (Columbus, Chris 2001)
Harry Potter & the Prisoner of Azkaban (Cuaron, Alfonso 2004)
Harry Potter and the Goblet of Fire
(Newell, Mike 2005)
Heaven Can Wait
(Beatty, Warren& Henry, Buck 1978)
King Kong
(Jackson, Peter 2005)
Labyrinth
(Henson, Jim 1986)
Ladyhawk,
(Donner, Richard 1985)
Legend
(Donner, Richard 1985)
Raiders of the Lost Ark
(Spielberg, Steven 1981)
Spiderman
(Raimi ,Sam 2002)
Superman: The Movie
(Donner, Richard 1978)
The Lord of the Rings Trilogy
(Jackson, Peter 2001, 2002, 2003)
The Princess Bride,
(Reiner, Rob 1987)
The Secret of Roan Innish,,
(Sayles, John 1994)
The Time Machine
(Pal, George 1960)
The Truman Show
(Weir, Peter 1998)
The Wizard of Oz
(Fleming, Victor 1939)
What Dreams May Come
(Ward, Vincent 1998)
Who Framed Roger Rabbit
(Zemeckis, Robert 1988)
X-Men
(Singe, Bryan 2000)
Teacher’s Reference
Barron, N.,
Fantasy Literature: A Reader’s Guide, Garland, 1990
Clute, J.,
The Encyclopedia of Fantasy, St Martin’s Press, 1997
Contento, W.G. &Brown, C.N. Science Fiction, Fantasy and Horror, Locus Press, USA 1986
Day, D.,
Tolkein: The Illustrated Encyclopedia, 1992
Peg, M. &
Ingpen, R., Out of this World: The Complete Book of Fantasy, 1986
Schaffer, E.D.,
Exploring Harry Potter, 2000
135
Websites such as:
Fantasy 100
http://home.austarnet.com.au/petersykes/fantasy100/history.html
Victorian Times – Art Literature and fiction
http://www.victorianweb.org/genre/fantov.html
Science Fiction and Fantasy – Research Database
http://lib-oldweb.tamu.edu/cushing/sffrd/
www.magicdragon.com
These were correct at the time of publication
136
Film and Television
Value 0.5
Specific Unit Goals
This unit will enable students to:
 view critically a range of popular films and television programs
 analyse the techniques of film and television
 respond analytically and creatively to issues which arise
Content
Students study:
 at least two films and a range of the different types of television programs,
 film techniques
 the distinctive features of the various genres
 concerns and issues raised, and identify bias
 characters, settings, social issues and underlying ideologies
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 research the language of film and television
 write scripts, suggest and write alternative endings, compile storyboards
 explore the elements of film composition,
 research the various roles in the film/TV making process
 analyse viewing habits
 view a variety of films from the past including early black and white and compare to recent movies
 visit the cinema and Screensound Australia
 script and produce a short film
 read reviews on line and explore film and television website.
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of The Bush Mechanics.
 Australian Education through an examination of the development of Australian Television.
 Environment Education through an examination of the ways in which film and TV explore
environmental themes.
 Gender Equity through an exploration of the way in which men and women are stereotyped in soap
operas.
 Information Access through the development of electronic research skills.
 Language for understanding through writing television scripts.
137
 Multicultural Education through an examination of a foreign film.
 Special needs Education through the examination of the representation of people with special needs
in film and on television.
 Work Education through an examination of film that has been made for the workplace.
Specific Unit Resources
Magazines
Metro
Screen
TV Week
Who
Newspapers
The Canberra Times (The Guide, Panorama, Relax magazine)
Films
A Clockwork Orange
(Kubrick, Stanley 1971)
American Beauty
(Mendes, Sam 1999)
Billy Eliott
(Daldry, Stephen 2000)
Casablanca,
(Curtiz, Michael 1942)
Coffee & Cigarettes
(Jarmusch, Jim 2003)
ET- The ExtraTerrestrial
(Spielberg, Steven, 1980)
High Noon,
(Zimmerman, Fred 1952)
Psycho
(Hitchcock, Alfred 1960)
Run Lola Run
(Tykwer, Tom 1998)
Star Wars- Episode 1
(Lucas, George 1942)
The Matrix
(Wachowski, Andy & Wachowski, Larry 1999)
The Third Man
(Reid, Carol 1949)
The Shining
( Kubrick, Stanley 1982)
The Truman Show
(Weir, Peter 1998)
The War of the Worlds
(Spielberg, Steven, 2005)
Witness
(Weir, Peter 1982)
The Best of Tropfest
(Various, SMH, 2004, 2005)
Television such as:
At the Movies
A Current Affair
Better Homes and Gardens
CSI
Four Corners
GMA
138
Home and Away
Infomercials
Kath and Kim
Media Watch
Neighbours
The Bold and the Beautiful
The Footy Show
The Oprah Winfrey Show
The Panel
The Price is Right
The Simpsons
The Sketch Show
Survivor
Who Wants to be a Millionaire
And other contemporary television shows and infotainment such as:
documentaries, drama, comedies, soaps, sitcoms, TV news, current affairs, satirical shows, chat shows,
advertisements, sport, cartoons.
Teacher References
Arnold, J. S.,
Reading Television Books 1 & 2, OUP, Melbourne, 1997
Callow, J.
Image Matters:Visual texts in the Classroom, 1999, Newtown, NSW
Clothier, E & Dohohoe, L., Switched On! Longman, Melbourne, 1998
Cohen,D.,
Horror Movies, London 1984
Corrigan ,T& White,P. The Film Experience: An introduction, 2004. Macmillan
Costanzo, W.,
AATE, South Australia
Reading the Movies: Twelve great films on video and how to teach them,1992,
Cox, P. & Goldsworthy, F., Featuring Film, OUP, Melbourne, 1996
Dyer, R.,
Stars, BFI, London, 1986
Films for Women, BFI, London, 1986
Frank, A.,
The Science Fiction and Fantasy Film Handbook, BT Batsford, 1982
Fraser, G. M.,
The Hollywood History of the World. Penguin, London 1988
Glasson, T. & Carroll, J., Exploring Film as Text, Heineman Educational, Melbourne 1992
Hamilton, P. & Matthews, S., American Dreams: Australian Movies, Currency Press, Sydney, 1986
MacFarland, C.,
Classics on Film, Longman Cheshire, 1987
MacFarland, C.
,Masterpieces on Film, Longman Cheshire, 1985
McFarlane, B.
Words and Images - Australian Novels into Film, Heinemann,1983.
McGregor, R.,
Teaching Film as Text series English Club, Prahran, 1996 – 1999
139
Monaco, J.,
OUP
How to read a Film: the World of Movies, Media &Multi-Media, 2000, 3rd edition,
Partridge, D. & Hughes,P., Flicks: Studying Film as Text, Oxford Uni. Press, Melbourne, 1992
Pirie, D.,
Anatomy of the Movies, Macmillan, London, 1981
Shaw, E.,
Viewing, ACTATE, 1996
Viewing for Learning, Curriculum Corporation, Victoria, 1995
Winokur, M. & Holsinger,B. , The Complete Idiot’s Guide to Movies, Flicks and Films, 2001
Websites
ScreenSound Australia
http://www.nfsa.gov.au/screensound/screenso.nsf
Australian Film Commission
http://www.afc.gov.au/
Office of Film and Literature Classification
http://www.oflc.gov.au/
Film Reviews
http://www.suntimes.com/ebert/ebert_reviews/
http://www.rottentomatoes.com/
and also:
http://www.abc.net.au/
http://www.filmaust.com.au/
http://www.theeducationshop.com.au/
www.allaboutmovies.com
These were accurate at the time of publication.
140
Heroes
Value 0.5
Specific Unit Goals
This unit should enable students to:
 read, view, listen to and understand a range of texts which deal with heroes
 respond to a variety of real or imagined heroes
 critically analyse the values and heroic natures of characters in texts
Content
Students study:
 a variety of types of heroes such as sporting, national, religious or personal heroes, those who have
overcome adversity or achieved greatness
 how we construct the notion of a hero in different times and cultures
 a variety of texts involving different types of heroes
 heroic and anti-heroic characters in a variety of texts
 myths and legends from a variety of cultures
 gender differences in the creation of heroes and heroines
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 discussion of students’ perception of heroes
 consider the changes in the depiction of heroes in films over time
 compare screen and literary heroes/antiheroes
 interviews and biographies giving a character profile of a hero
 wide reading and viewing to introduce students to heroes such as biblical, mythological, historical
and contemporary figures
 write a creative piece depicting a hero
 discussion of the invention of the ‘superhero’ and the stereotypes associated with this character
Assessment
Refer to pages 15 and 16.
141
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an investigation of the representation of
Indigenous people in film.
 Australian Education through an investigation of Australian war time heroes.
 Environment Education through an investigation of people who have fought to save or live with the
natural world.
 Gender Equity through writing scripts about men and women in heroic roles.
 Information Access through using software to create cartoon narratives.
 Language for understanding through looking at the language used to create heroic character in film
and written texts.
 Multicultural Education through looking at foreign action and hero films.
 Special needs Education through the creation of a hero who explores some special needs.
 Work Education through the exploration of cultural understandings of heroism to develop
interpersonal skills.
Specific Unit Resources
Books
Baillie, A.,
Heroes: Australians at their Best
Bane, M.,
Who’s Who in Rock
Bennett, W.,
Australian Story
Campese, D.,
On a Wing and a Prayer
Cassidy, G.,
Greats of Australian Surf
Crew, G.,
Creating Adam West: Contemporary Biographies and Autobiographies
Diver, S.,
The Stuart Diver Story
Gibson, M.,
Gods, Heroes and Monsters from the Greek Myths
Gutman, B.,
Magic: More than a Legend
Kellerher, V.,
Slow Burn
Lehane, B.,
The Enchanted world; Legends of Valour
Metzenthen, D.,
Johnny Harts Heroes
McCarthy, M.,
Ganglands
Morrden, E.,
Movie Star-A Look at the Women Who Made Hollywood
Reed, A.W.,
Aboriginal Myths, Legends and Fables
Shepherd, J.,
Never Tell me Never
Audio Visual Material
The Aviator
(Scorsese, M., 2004)
Braveheart
(Gibson, M., 1995)
Dragonslayer
(Robbins, M., 1981)
Erin Brockovich
(Soderberg, S., 2000)
142
Ever After
(Tennant, A., 1998)
Fantastic Four
(Story, T., 2005)
Gladiator
(Scott, R., 2000)
The Hurricane
(Jewison, N., 1999)
Pirates of the Caribbean: The Curse of the Black Opal (Verbinski, G., 2003)
The Princess Bride
(Reiner, R., 1987)
RobRoy,
(Caton-Jones M., 1995)
Spiderman
(Raimi, S., 2002)
Troy
(Peterson, W., 2004)
Veronica Guerin
(Schumacher, J., 2003)
Whale Rider
(Caro, N., 2002)
Assorted Comics
Batman
Superman
Spiderman
The Phantom
Also:
Games sites
Games on network
College Miniatures Clubs
Websites
www.teachit.com.uk
www.filmeducation.org/secondary
www.webenglishteacher.com/beowulf/html
www.webenglishteacher.com/classmyth/html
http://www.english.efl/edu/comics/teaching/bill.shtml
These were accurate at the time of publication.
143
Images of Australia
Value 0.5
Specific Unit Goals
This unit should enable students to:
 critically analyse a variety of Australian texts
 demonstrate an understanding of the distinctive features of a range of Australian texts
 analyse their own experiences of Australian society through writing, speaking, listening and viewing
 analyse aspects of Australian culture and society past and present through the images in literature,
the arts and media.
Content
Students study:
 Australian culture and identity and a range of cultural groups which contribute to Australian society
 issues such as sport, Aborigines, reconciliation, multicultural, poverty-wealth, the bush.
 works of non-fiction, including magazines, historical documents and biographies
 some of the following: a novel or play, a selection from films, short stories, non fiction texts,
documentaries, music, video clips, articles, comics.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 class and small group reading, discussion and presentation of responses to texts with emphasis on
recognition of different interpretations and images of Australia, people and culture
 research, including online, of the historical, political and social contexts of the texts studied
 evaluation of online resources
 personal response and reflective writing (journals)
 stimulus material
 excursions to places of interest, eg War Memorial, National Museum of Australia
 guest speakers from organizations reflecting the different interests in the local community
 written responses including creative writing
 conferencing, drafting
 debate, Australia versus The Rest of the World
 regular and meaningful feedback (formal and informal)
 collaborative group work
Assessment
Refer to pages 15 and 16.
144
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through the exploration of Indigenous
characterisation in film.
 Australian Education through the examination of Australian settings in film and on television.
 Environment Education through an understanding of the role played by the environment in
Australian poetry.
 Gender Equity through an examination of the construction of gender in Australian texts.
 Information Access through the use of Power Point to create virtual tours of Australian icons.
 Language for understanding through a close reading of Australian registers of speech.
 Multicultural Education through an investigation of multi-cultural themes in Australian novels and
short stories.
 Special needs Education through the modification of work to suit those with Special needs.
 Work Education through an examination of the written language of the Australian work place.
Specific Unit Resources
Books
Benaud, R.,
Anything but an Autobiography
Beynon, R.,
The Shifting Heart
Burke, M.,
Matthew Burke
Cunxin, L.,
Mao’s Last Dancer
Ellis, L.,
Playing the Game
Davis, J.,
No Sugar
Facey,.A.B.,
A Fortunate Life
Gare, N.,
The Fringe Dwellers
Giles, J.,
Moving Out
Haran, P., and Kearney, Robert, Flashback
Hilde, J.,
The Place at the Coast
Lehmann, D.,
Worth the Wait
Knight, J.,
Mark Waugh
Lindquist, U-C.,
Rowing Without Oars
Lunn, H.,
Over the Top with Jim
Marchetta, M.,
Looking for Alibrandi
Matthews, G.,
Australian Son
Mienthzen, D.,
Johnny Hart’s Heroes
Morgan, S.,
My Place
Newcombe, J.,
No-one’s Indestructible
Oswald, D.,
Dags
145
Pilkington, D.,
Follow the Rabbit Proof Fence
Pryor, B. & McDonald, M., Maybe Tomorrow
Savage, L.,
My Story
Scaife, M.,
Diary of a Champion
Seymour, A.,
The One Day of the Year
Shea, A.,
Petria Thomas: Swimming against the Tide
Wharton, H.,
Yumba Days
Wheatley, N.,
The Blooding
Whitlock, G. (Ed),
Autographs; Contemporary Australian Autobiography
Films
Wake in Fright
(Kotchett, T., 1971)
The Fringe Dwellers
(Beresford, B., 1986)
The Shiralee
(Norman, L., 1957)
Gallipoli
(Weir, P., 1981)
The Year My Voice Broke
(Dugan, J., 1987)
Crocodile Dundee
(Faiman, P., 1986)
Malcolm
(Tass, N., 1986)
Sunday Too Far Away
(Hannam, K., 1975)
The Castle
(Sitch, R., 1997)
Two Hands
(Jordan, G., 1999)
The Wog Boy
(Vellis, A., 2000)
Rabbit Proof Fence
(Noyce, P., 2002)
Yolngu Boy
(Johnson, S., 2001)
Poetry
Dawe, B.,
Lifecycle, Planning a Time Capsule, Enter Without so Much as Knocking
Music
Selection of music from artists such as John Williams, Peter Allen and Red Gum eg. True Blue, Give Me a
Home Among the Gum Trees, I Still Call Australia Home, The Tenterfield Saddler, I Come From a Land
Downunder.
Waltzing Matilda, Advance Australia Fair
Sensitive New Age Cowboys: The New National Anthem
TV Programs
Australian Story (ABC)
Enough Rope with Andrew Denton (ABC)
Message Stick
Kath and Kim
Outback Jack
National Museum short films
146
Websites
National Library of Australia
www.nla,gov.au
www.musicaustralia.au
www.pictureaustralia.org
National Screen and Sound Archive
www.screensound.gov.au
National War Memorial
www.nwm.gov.au
Australian Film Commission
www.afc.gov.au
These were correct at the time of publication
147
Images of Sport
Value 0.5
Specific Unit Goals
This unit should enable students to:
 analyse texts which are sport-related in theme and plot
 examine dichotomies in sport such as young and old, male and female, amateur and professional
 explore the role of the media in sport
 examine the particular significance of sport to Australians.
Content
Students study:
 a variety of fiction and non-fiction texts which may include novels, plays, poetry, television
productions, short stories, print and documentary journalism, biography, autobiography and film
 issues related to sport such as racism, sexism, drugs, advertising, professionalism, and the individual
 the way the media chooses to discuss sport and sports related issues
 the success of films based on sports and sporting contests.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 discussing in class and in small groups
 writing reviews for films and documentaries
 writing feature articles and match reports
 presenting their own sports show
 creating web pages for fans of sports and sports people
 inviting visiting speakers, and going on excursions (e.g. to the AIS)
 creating texts based on their own experiences with sport.
Assessment
Refer to pages 15 and 16.
148
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of the treatment of
Indigenous sports people in the media.
 Australian Education through an investigation of the power of sport in the Australian community.
 Environment Education through an investigation of the impact of sport on the environment.
 Gender Equity through an exploration of the treatment by the media of men and women prominent
in sport.
 Information Access through the use of word processing to write articles about sport and sports
events.
 Language for understanding through the development of a glossary for sports colloquialisms.
 Multicultural Education through an investigation of articles on a variety of popular sports and sports
events, particularly those popular with ethnic communities.
 Special needs Education to investigate disabled sports people who have achieved at a high level.
 Work Education to explore sport as an employment option.
Specific Unit Resources
Books
Adams, G.
The Games of the Strong
Armstrong, L., It’s Not About the Bike
Blucher, M.
Perfect Union
Courtney, B.
The Power of One
Evans, N.
The Horse Whisperer
Foster, J. (ed)
Sport
Hemingway, E. Death in the Afternoon
The Old Man and the Sea
The Snows of Kilimanjaro
Hornby, N.
Fever Pitch
Keillor, G.
Lake Wobegon Days
Lawson, H.
Short Stories
MacLean, N.
A River Runs Through It
Sillitoe, A.
The Loneliness of the Long Distance Runner
Thompson, Hunter S.
Fear and Loathing in Las Vegas
Plays
Hopgood, A.
The Big Men Fly
Williamson, D.
The Club
149
Films and videos
The Dream (Roy and H.G.)
Chariots of Fire
(Hudson, H., 1981)
The Games
The Hurricane
(Jewison, N., 1999)
When We Were Kings
(Gast, L., 1996)
Hoop Dreams
(James, S., 1994)
Gladiator
(Scott, R., 2000)
Rocky
(Avildsen, J.G., 1976)
Remember the Titans
(Yakin, B., 2000)
Field of Dreams
(Robinson. P.A., 1989)
Ali
(Mann, M., 2001)
Happy Gilmore
(Dugan, D., 1996)
Cool Runnings
(Turtleaub, A., 1993)
The Legend of Bagger Vance
(Redford, R., 2000)
Blue Crush
(Stockwell, J, 2002)
Victory
(Huston, J., 1981)
Days of Thunder
(Scott, T., 1990)
Bend It Like Beckham
(Chader, G., 2002)
Also:
Magazines and Newspapers
Radio
Radio National,
The Sports Factor and Background briefing
Websites
www.abc.net.au/rn – The Sport Report
http://www.mediaawareness.ca/english/resources/educational/teaching_backgrounders/alcohol/alcohol_ads_and_sports.cf
m
http://www.mediaawareness.ca/english/issues/stereotyping/men_and_masculinity/masculinity_sports.cfm
These were correct at the time of publication
150
Images of War
Value 0.5
Specific Unit Goals
This unit should enable students to:
 critically examine a range of texts depicting the experience of war
 analyse some of the common war themes and issues and identify their social and historical contexts
 demonstrate an understanding of interpretations and images of war presented by the print media,
film and television
Content
Students study:
 a variety of visual texts that deal with the experience of war
 a variety of texts such as novels, poems, autobiographies, oral histories, diaries and letters in which
men and women from different walks of life have recorded their experiences of war
 a range of materials published in war time including books, poems, newspapers, posters, documents,
photographs, artwork, speeches and popular songs
 interpretations of modern warfare in popular novels, popular history, film, television, war games on
CD-ROM and the Internet
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 class and small group reading, discussion and presentation of responses to texts with emphasis on
recognition of different interpretations and images of warfare and especially of bias and propaganda
 explicit teaching of the historical, social and cultural contexts of the texts studied
 an introduction to the reality of war through visits to such places as the Australian War Memorial,
ADFA, the National Archives, the National Library
 guest speakers from these institutions and other groups such as refugee associations, Amnesty
International and students’ own family and acquaintances who have had experiences of war
 comparison of the texts inspired by war
 journal writing
 reading/viewing log
 oral presentations, taped interviews, dramatizations and reports
 written responses including creative writing
 analysis of the coverage of a war event by different television networks
 analysis of the images of war in popular songs about war, past and present engage in a range of
written and oral tasks which should include critical and creative responses to texts
Assessment
Refer to pages 15 and 16.
151
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through the exploration of the role of Indigenous
Australians in war time.
 Australian Education through an investigation of the power of the theme of war in the everyday life
of Australians.
 Environment Education through the study of the destruction of the natural world through war.
 Gender Equity through an investigation of the roles of women and men in war time.
 Information Access through the use of software to write about the experience of war in a creative
manner.
 Language for understanding through close readings of media texts relating to war.
 Multicultural Education through an investigation of the literature of wars in which our ethnic
communities have participated.
 Special needs Education through a discussion of the trauma of war.
 Work Education through an investigation of military work places.
Specific Unit Resources
Teacher References
Callow, J., (ed),
Image Matters: visual texts in the classroom, 1999, Newtown, NSW
Books
Baillie, A.,
Little Brother
Caswell, B., & Phu An Chiem, David, Only the Heart
Disher, G.,
The Divine Wind
Filipovic, Z.,
Zlata’s Diary
Follett, K.,
The Eye of the Needle
Frank, A.,
The Diary of Anne Frank
Gleeson, L.,
Refuge
Greene, B.,
Summer of My German Soldier
Marsden, J.,
Tomorrow When the War Began
Mattingly, C.,
Escape From Sarajevo
May, S.,
Cambodian Witness
McKay, G.,
In Good Company
Misto, M.,
The Shoe Horn Sonata
Reilly, M.,
Ice Station
Reilly, M.,
Temple
Shute, N.,
A Town Like Alice
152
Poets
Dawe, B.,
Owen, W.,
Page, G.
War Comics
Audio Visual Material
Documentaries such as:
Foyle’s War (ABC TV)
How Hollywood Made the War (SBS)
Dear America (Couturie, B., 1987)
Films such as:
1915
(mini series, Directors: Di Drew and Chris Thomson, 1982)
All Quiet on the Western Front (TV version, Delbert Mann, 1979)
Anzacs
(Pino Armenta & John Dixon, 1985)
Apocalypse Now
(Francis Ford Coppola, 1979)
Black Hawk Down
(Ridley Scott,2001)
Born on the Fourth of July
(Oliver Stone, 1989)
Braveheart
(Mel Gibson, 1995)
Breaker Morant
(Bruce Beresford, 1980)
Carve Her Name with Pride
(Lewis Gilbert, 1958)
Cold Mountain
(Anthony Minghella, 2003)
Gallipoli
(Peter Weir, 1981)
Good Morning Vietnam (Barry Levinson, 1987)
Hamburger Hill
(John Irvin, 1987)
Heaven and Earth
(Oliver Stone, 1993)
Hope and Glory
(John Boorman, 1987)
Hotel Rwanda
(Terry George, 2004)
Medal of Honour
(William Bison, 1999)
Missing
(Costa-Gavras, 1982)
Paradise Road
(Bruce Beresford, 1997)
Saving Private Ryan
(Steven Spielberg, 1998)
Schindler’s List
(Steven Spielberg, 1995)
Sword of Honour
(Mini-series, Bill Anderson, 2001)
The Day After
( TV, Nicholas Meyer, 1983)
The Devil’s Own
(Allan J. Pakula, 1997)
The Dirty Dozen
(Robert Aldrich, 1967)
The Great Escape
(John Sturgen, 1963)
153
The Guns of Navarone
(J. Lee Thompson, 1961)
The Killing Fields
(Roland Joffe, 1984)
Life is Beautiful
(Fazil, 2000)
We Were Soldiers
(Randall Wallace, 2002)
Songs
Redgum,
I Was only Nineteen (A Walk in the Light Green)
Cold Chisel
Khe San
Eric Bogle
And The Band Played Waltzing Matilda
Websites
Australian War Memorial (on line), 2005
http://www.awm.gov.au
National Museum of Australia (on line), 2005
http://www.nma.gov.au
Screensound Australia (on line), 2005
http://www.screensound.gov.au
Imperial War Museum (on line), 2005
http://www.iwm.org.uk
These were correct at the time of publication
154
Popular Music
Value 0.5
Specific Unit Goals
This unit should enable students to:
 critically analyse a variety of popular songs recorded over the last fifty years
 critically analyse in speech and writing the presentation of popular music on film and video
 read critically a selection of extracts from books and magazines concerned with popular music and
respond to these texts in speech and writing
 relate trends in popular music to wider social, political and cultural issues.
Content
Students study:
 a range of popular music from the 1950s to the present
 a number of video presentations of popular music and at least one full length film with popular music
as a central focus and consider the artistic and commercial objectives of these presentations, and the
techniques employed in these films
 a number of texts on popular music in both book and magazine form and produce a review of their
own on an aspect of popular music in written and/or spoken form
 the relationship between social history and musical movements and the nature of the pop
“industry”, with particular reference to audience, marketing and social influence.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 spoken and/or written reviews of specific musical pieces, musicians, writers and musical styles
 spoken and/or written analyses of the techniques employed and the objectives sought in the video
presentation of popular music
 personal writing, either as a prose response to popular musical pieces and/or themes, or taking the
form of song lyrics
 production of a marketing campaign to promote a fictitious musical performer and/or album to
display student awareness of advertising techniques employed in the pop industry
 extended research project in writing and/or speech and/or graphics of a particular historical period
and its relationship to the music produced during it
 internet research
 surveying skills, canvassing the viewing and reading habits of a range of individuals with regard to
popular music and the music and the media used to access this material.
Assessment
Refer to pages 15 and 16.
155
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an investigation of the lyrics of Indigenous
song writers.
 Australian Education through an exploration of Australian musical history.
 Environment Education through an investigation of representations of the natural world in Australian
music.
 Gender Equity through an exploration of the roles of women and men in popular music.
 Information Access through the development of skills in electronic research.
 Language for understanding through the close reading and creative writing of song lyrics to suit
different time periods.
 Multicultural Education through an exploration of how other nations have contributed to popular
Australian music.
 Special needs Education through the modification of work to suit those with special needs.
 Work Education through an investigation of the options for work in the music industry.
Specific Unit Resources
Books
Brokenmouth, R.,
Nick Cave: Bad Seed
Dalton, D.,
Daly, S. and Wise N.,
The Rolling Stones
Alternative Culture
Doyle, R.,
Hardy, P. and Laing, D.,
The Commitments
The Faber Companion to Twentieth Century Pop Music
Hilburn, R.,
Bruce Springsteen
Howitt, B.,
Rock Through History
Marcus, G.,
The Invisible Republic: Bob Dylan’s Basement Tapes
Marsh, D. and Marcus G.,
No One Gets Out of Here Alive
Ricks, C.,
Dylan’s visions of Sin.
Scuduto, A.,
Bob Dylan
Magazines
Students will be encouraged to read articles related to issues in popular music both from the mainstream
press and from such specialist magazines as Rolling Stone and New Musical Express.
Audio visual Material
Audio and video selections of popular music will be studied from a range of musicians/writers from the
1950s to the present. Significant figures might include:
John Lee Hooker, Bo Diddley, Bill Haley, Elvis Presley, Buddy Holly, Bob Dylan, The Beatles, The Rolling
Stones, The Beach Boys, Otis Redding, The Supremes, Aretha Franklin, The Doors, Leonard Cohen, Carly
Simon, Carol King, Simon and Garfunkel, David Bowie, Elton John, Led Zeppelin, The Sex Pistols, The Clash,
U2, Midnight Oil, INXS, Michael Jackson, Bob Marley, Bruce Springsteen, Eric Clapton, Madonna, Yothu
Yindi, Snoop Doggy Dog, Tupac, Spice Girls, Euphoria.
156
Film and Extended Television Features
The Blues Brothers
(Landis, J., 1980)
Bring On the Night
(Apted, M., 1985)
Buena Vista Social Club
(Wenders, W., 1999)
Classic Albums
The Commitments
(Parker, A., 1991)
Dancing in the Streets
Gimme Shelter
(Maysles, A and D., 1970)
A Hard Day’s Night
(Lester, R., 1964)
La Bamba
(Valdez, L., 1987)
The Last Waltz
(Scorcese, M., 1978)
Purple Rain
(Magnoli, A., 1984)
Rattle and Hum
(Joanou, P., 1988)
The Rose
(Rydell, M., 1986)
Sid and Nancy
(Cox, A., 1986)
Sounds of the Sixties
This Is Spinal Tap
(Reiner, R., 1984)
Tommy
(Russell, K., 1975)
The Wall
(Parker, A., 1982)
Woodstock
(Wadleigh, M., 1970)
Websites
http://popmusic.mtsu.edu/
http://www.iaspm.net/rpm/
http://www.liswa.wa.gov.au/poprock.html
These were correct at the time of publication
157
P-Plate English
Value 0.5
Specific Unit Goals
This unit should enable students to:
 identify, analyse and use the different language forms relevant to obtaining a licence, driving and
owning a vehicle
 read and analyse the legal rights and responsibilities of a licensed driver
 analyse the issues and concerns of drivers, particularly the effects that attitudes and emotions have
on driving skills and decisions
Content
Students study:
 a variety of texts e.g. pamphlets, articles, news reports, short stories, T V programs and films with a
focus upon driving and owning a vehicle
 the issues and expectations of being a responsible driver and driving safely e.g. alcohol, curfews
 the legal aspects of buying, owning and driving a car
 the language of formal documents and texts e.g. ‘L’ application form, speeding fines, road rules and
regulations
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 analysis of articles and news reports
 research and report on insurance, buying a vehicle, road safety
 class and group discussion on driver issues
 collaborative work for a road safety campaign
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through reading about Indigenous interactions with
driving and other transport options.
 Australian Education through writing about driving experiences.
 Environment Education through an analysis of how our dependence on the car impacts on the
environment.
 Gender Equity through an investigation of gender stereotyping when discussing driving behaviour in
the media.
 Information Access through the use of the internet to access information about driving and transport
options.
 Language for understanding through a close reading of the language of transport.
 Multicultural Education through an investigation of racial stereotyping when discussing driving
behaviour in the media.
158
 Special needs Education through a discussion of transport options for people with special needs.
 Work Education through an exploration of the value of a driver’s licence for work opportunities.
Specific Unit Resources
ACT Roads Pamphlets
Motor Registry Handbooks
Mentoring Road Safety Kit: A Resource for Teachers, ACT Department of Education & Community Services
Newspaper Reports and Articles
National Road Transport Authority
Books
Tolcher, E.,
Folk Hero
Goldsworthy, P.,
The Car Keys
Gallico, P.,
To My Daughter On Acquiring Her Driver’s Licence
Maloney J.,
Black Taxi
Audio visual Material
Gone in 60 Seconds
(Dominic Sena, 2000)
Road Rage and Aggressive Driving, Bendigo Victoria Video Education Australasia 1998
Thelma and Louise
(Ridley Scott, 1991)
The Italian Job
(F. Gary Gray, 2003)
The Fast and The Furious (Rob Cohen, 2001)
Websites
Canberra Connect – Driver Licence Information, 2004
www.canberraconnect.act.gov.au/transroadstraffic/transport/roadtransport/roadrules/driverissues.html
National Roads and Motoring Services, 2004
www.mynrma.com.au
The Open Road, 2004 www.theopenroad.com.au
These were accurate at the time of publication.
159
Print and Multimedia Texts
Value 0.5
Specific Unit Goals
This unit should enable students to:
 identify the characteristics of a variety of print media
 analyse the features of electronic and other multi-media texts
 review and evaluate a range of print and multi-media texts
 develop reading and comprehension skills
 develop and refine their writing skills including writing for the media
Content
Students study:
 a variety of print media including broadsheet, community newspapers and magazines. They will also
access a range of multi media texts.
 some of the following:
 bias and sensationalism in the media
 the development and construction of letters, editorials and feature articles
 the role of advertising in print and multi-media
 journalistic styles
 how the media both shapes and responds to changes in society
 the variety of different multi-media texts
 the reliability of information on the internet
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 visits to newspaper or magazine publishers
 the comparison of styles used in different publications
 comparing the presentation of a text across a range of media
 individual and small group presentations of current news items
 writing editorials, letters or articles appropriate to specific publications and
sites
multi-media web
 collecting and comparing women’s, men’s and teenage magazines
 discussing and writing about specific interest magazines and web sites
 discussing the use and experience of multi-media
 evaluating websites or other multi multi-media texts.
Assessment
Refer to pages 15 and 16.
160
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through reading current media articles about
Indigenous issues.
 Australian Education through an investigation of international perceptions of Australia through the
internet research.
 Environment Education through the investigation of the presence of environmental groups on the
web.
 Gender Equity through the writing of articles about the roles of men and women in our society.
 Information Access through the use of word processing software to write articles.
 Language for understanding
 Multicultural Education through reading current media articles about ethnic communities in
Australia.
 Special needs Education through reading current media articles about people with special needs in
our local community.
 Work Education through the discussion of workplace opportunities that are connected with
journalism and writing professionally.
Specific Unit Resources
Primary Resources
Current newspapers and magazines – The Canberra Times is provided as a class set weekly, and other
newspapers are readily available. Students will bring magazines as appropriate.
Various internet sites
Books
Crump, C., Durand, P., Hooke, C., Viewing and Representing in Context Book 1,
Thompson Nelson, Southbank, Victoria, 2003.
Crump, C., Durand, P., Hooke, C.,
Viewing and Representing in Context Book 2,
Thompson Nelson, Southbank, Victoria, 2003
De Kantzow, M., Stubbs, S., Targeting Media: newspapers and magazines,
Blake Education, Glebe, NSW. 2000
Dorney Short, R., Dickenson, B., The Newspaper, an Alternative Textbook.
Grover, P., Visual Texts, Heinemann, Harcourt Education. Port Melbourne, Victoria.
Kennedy, M., Lee-Ack, M., Net Texts: Exploring Electronic English, Heinemann,
2004
Melbourne, Victoria. 2004
McCarthy, J., English Workbook 2, Pascal Press, Glebe, NSW. 2004
McGregor, R., www.english. Student Projects for the Internet, English Club. 2001
McRoberts, R., Media Workshop. Vol 2. Images, Macmillan Company of Australia,
1987
Crows Nest, NSW.
Perine, G, Lopez, A., Targeting Media radio and multimedia, Blake Education, Glebe, NSW. 2000
Stewart, C., Colin, Kowalski, Media New Ways and Meanings, Jacaranda Wiley Ltd. 1990
161
Audio visual Material
Frontline
Writing for Media
The Revolution in Genetics (video), 1998 Quantum, ABC Science Unit
Websites
Evaluating Websites
http://servercc.oakton.edu/~wittman/find/eval.htm
Australian war Memorial Website
www.awm.gov.au
Targeting Media (Radio and Multi Media)
www.atsic.gov.au
www.Englishwebteacher. (includes Romeo and Juliet in text messages).
www.eserver.
These were accurate at the time of publication.
162
A Study of Short Texts
Value 1.0
This unit combines Short Stories 0.5 and Real Life Stories 0.5.
Specific Unit Goals
This unit should enable students to:
 analyse critically and creatively respond to a variety of short stories and personal stories in a variety
of text types
 research the influences that shape people’s lives
 respond critically to texts that develop understanding of the experiences of men and women from
different cultural backgrounds and times
 demonstrate the skill of storytelling both written and oral
 investigate the cultural and historical influences on the form of the short story
Content
Students study:
 a variety of biographical and autobiographical texts
 text types, such as magazine biographies, radio interviews, television documentaries e.g. Australian
Story, and films, that reflect a wide range of cultural perspectives
 techniques to enable them to write their own life story
 a selection of appropriate and relevant short stories
 appropriate film adaptations
 techniques to undertake the writing of at least one short story
 presentation skills relevant to the genre
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 collaborative work, interviews and oral presentations which may include role play and discussions
 research and gather information to report on a local or famous person – could include guest speakers
 use of ICT where appropriate
 personal response and reflective writing
 class and small group discussions about the structure and common features of short stories
 written (e.g. journal writing) and oral (e.g. oral presentations) responses to short stories
 listening to/viewing audio and visual adaptations of short stories
Assessment
Refer to pages 15 and 16.
163
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Australian Education through reading the life stories and short stories of Australians from rural and
urban areas.
 Aboriginal and Torres Strait Islander Education through the reading of Indigenous short stories.
 Language for understanding through the development of a critical language to talk about non-fiction
and short stories
 Multicultural Education through watching films that explore the experiences of different cultures.
 Environment Education through an investigation of how the environment in represented in short
stories.
 Gender Equity through an investigation of how men and women have used the short story form and
real life story form in order to explore issues of gender construction.
 Information Access through the investigation of how short stories are developed for films.
Specific Unit Resources
Books
Angelou, M.
I Know Why the Caged Bird Sings
Archer,J
A Twist in the Tale-twelve short stories
Baillie, A.,
Dream Catcher and Other Stories
Blakers, G.
A Useless Young Man?
Caswell B. & Chiem D. Only the Heart
Dahl, R.,
Kiss, Kiss
Dahl, R., Boy
Going Solo
Delaney Sisters
Having our Say: The Delaney Sisters First 100 Years
Edwards, E., (Ed.)
Thirty Stories
Facey, A.
A Fortunate Life
Firkin, H., (Ed.)
Australian Short Stories (available on the Net)
http://austshortstories.com/index.htm
Frame, J.
An Angel at my Table
Gleeson, L.,
Love Me, Love Me Not
Heseltine, H., (Ed.)
The Penguin Book of Australian Short Stories
Larkin, J.,
Bite Me
McBride, J.
The Color of Water
MacDowell, R
Inside Story
Morgan, S.
My Place
Mortimer, J.
Clinging to the Wreckage
Park, R.
A Fence Around the Cuckoo
Park, R.
Fishing in the Styx
Poe, E. A.,
Thirteen Classic Tales of the Macabre and Fantastic
164
Prejean, H.
Dead Man Walking
Reimer, A.
Inside, Outside
Stewart, M.
Autobiography of My Mother
Wharton, H.
Murrie Drovers
Yen Mah, A.
Falling Leaves
Audio visual Material
A Beautiful Mind
(Ron Howard, 2001)
Australian Story, ABC
Bran Nue Day
Cry Freedom
(Richard Attenborough, 1987)
Dead Man Walking
(Tim Robbins, 1995)
Fabulous Women (ABC Series)
Janis Joplin (BBC)
My Left Foot
(Jim Sheridan, 1989)
Nostradamas Kid
(Bob Ellis, 1993)
Not Without My Daughter
(Brian Gilbert, 1991)
The Aviator
(Martin Scorcese, 2004)
The Power of One
(John G. Avildsen, 1992)
Shine
(Scott Hicks, 1996)
Veronica Guerin
(Joel Schumacher, 2003)
Poetry
Dawe, B.
Murray, L.
Plath, S.
Websites
Short stories contained at http://eserver.org Including complete works of E.A.Poe
http://www.eastoftheweb.com/short-stories/teacher.html
165
Reading for Enjoyment
Value 0.5
Specific Unit Goals
This unit should enable students to:
 read and analyse a range of fictional texts
 develop skills in reading comprehension
 create their own texts in a variety of modes
 respond orally and in writing to texts.
Content
Students study:
 a selection of text both fiction and non-fiction which could include poetry and plays
 techniques to respond to the texts in a variety of written and oral modes.
 techniques to develop confidence in reading aloud
 literary analysis and techniques used in the creation of visual, electronic and written texts
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 regular silent sustained reading
 discussion in small and class groups
 reading aloud, dramatization, role play, discussion of issues, journal writing to develop shared
responses
 extended written responses including the processes of drafting, conferencing and editing
 keeping a reading journal to record responses including critical and reflective responses
 oral responses including small group discussion and perhaps “selling” a work to the whole class
 written responses including at least one sustained piece of writing
 use the library to assist them in making their own choices of reading materials.
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through reading of the lives of Indigenous Australians.
 Australian Education through writing about the lives of significant Australians.
 Environment Education through the close reading of poetry that is set in the natural world.
 Gender Equity through the analysis of films that explore relationships between men and women.
 Information Access through the use of word processing software to write fictional narratives.
 Language for understanding through the development of close reading skills.
 Multicultural Education through an analysis of fiction and non-fiction which explores the migrant
experience.
166
 Special needs Education through the exploration of literature and non-fiction that explores the
experiences of people with special needs.
 Work Education through an investigation of the importance of reading skills for the workplace.
Specific Unit Resources
Books
Binchy, M.,
Circle of Friends
Clark, M.,
Back on Track
Earls, N.,
48 Shades of Brown
Ford, N.,
Not Quite the Man for the Job
Kelleher, V.,
Veranda, and Slow Burn
King, S.,
Needful Things
Lowry, B.,
Guitar Highway Rose
Marchetta, M.,
Looking for Alibrandi
Metzenthen, D.,
Falling Forward
McCarthy, M.,
Queen Kat Carmel and St. Jude, Cross My Heart, and In Between
Monk, S.,
Boyz ‘R’ Us
Nilsson, E.,
Outside Permission
Orr, W.,
Peeling the Onion
Ottley, T.,
Roadies
Parry, G.,
Sad Boys
Newspapers and magazines
From Inside Sport, Jill Collier (Editor)
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
Selected non-fiction texts.
Websites
Evaluating Websites
http://www.shortstorygroup.com/storytips.htm
http://ok.essortment.com/writingshortst_rrmi.htm
http://www.eastoftheweb.com/short-stories/teacher.html
These were accurate at the time of publication.
167
Real Life Stories
Value 0.5
Specific Unit Goals
This unit should enable students to:
 analyse critically and creatively personal stories in a variety of text types
 research the influences that shape peoples lives
 respond critically to texts that develop understanding of the experiences of men and women from
different cultural backgrounds and times
Content
Students study:
 a variety of biographical and autobiographical texts
 texts types, such as magazine biographies, radio interviews, television documentaries e.g. Australian
Story, and films, that reflect a wide range of cultural perspectives
 techniques to enable them to write their own life story
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 collaborative work, interviews and oral presentations which may include role play and discussions
 research and gather information to report on a local or famous person – could include guest speakers
 use of ICT where appropriate
 personal response and reflective writing
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through listening to the experiences of Indigenous
Australians.
 Australian Education through reading the life stories of Australians from rural areas.
 Environment Education through an exploration of how lives are shaped by the environment, either
directly or indirectly.
 Gender Equity through reading the lives of women and men and discussing their differences.
 Information Access through the students’ use of ICT to tell their own life stories.
 Language for understanding through the development of a critical language to talk about non-fiction.
 Multicultural Education through watching films that explore the experiences of different cultures.
 Special needs Education through discussion and journaling about the experiences of those with
special needs.
 Work Education through an exploration of how the development of empathy can be a useful skill in
the workplace.
168
Specific Unit Resources
Books
Allende, P.
Paula
Angelou, M.
I Know Why the Caged Bird Sings
Blakers, G.
Boswell, J.
A Useless Young Man?
Life of Johnson
Caswell B. & Chiem D. Only the Heart
Dahl, R., Boy
Going Solo
Delaney Sisters Having our Say: The Delaney Sisters First 100 Years
Dunlop, E.
War Diaries
Facey, A.
A Fortunate Life
Frame, J.
An Angel at my Table
McBride, J.
The Color of Water
MacDowell, R.
Inside Story
Metcalf, P.
War in the Shadows
Morgan, S.
My Place
Mortimer, J.
Clinging to the Wreckage
Park, R. A Fence
Around the Cuckoo
Park, R.
Fishing in the Styx
Pepys
Diaries
Prejean, H.
Dead Man Walking
Reimer, A.
Inside, Outside
Stewart, M.
Autobiography of My Mother
Weisel, E.
Night
Wharton, H.
Murrie Drovers
Yen Mah, A.
Falling Leaves
Poets
Dawe, B.
Murray, L.
Plath, S.
Audio visual Material
A Beautiful Mind
(Ron Howard, 2001)
Australian Story, ABC
Bran Nue Day
Cry Freedom
(Richard Attenborough, 1987)
Dead Man Walking
(Tim Robbins, 1995)
Fabulous Women (ABC Series)
169
In the Name of the Father
(Jim Sheridan, 1993)
Janis Joplin (BBC)
My Left Foot
(Jim Sheridan, 1989)
Nostradamas Kid
(Bob Ellis, 1993)
Not Without My Daughter
(Brian Gilbert, 1991)
The Aviator
(Martin Scorcese, 2004)
The Hurricane
(Norman Jewison, 1999)
The Power of One
(John G. Avildsen, 1992)
Shadowlands
(Richard Attenborough, 1993)
Shine
(Scott Hicks, 1996)
Veronica Guerin
(Joel Schumacher, 2003)
Websites
An Average Australian’s Diary http://www. toxiccustaard.com/diary/
The Secret Diary of Bill Gates http://www.tiac.net/users/billg40/
Civil War Era Diary http://pages.prodigy.com/GA//daddyof3/diary.html
These were accurate at the time of publication.
170
Australian Literature
Value 1.0
This Unit combines Images of Australia 0.5 and Understanding Gender Issues 0.5
Specific Unit Goals
This unit should enable students to:
 critically analyse a variety of Australian texts which deal with gender stereotypes and roles in our
society
 demonstrate their awareness of a range of roles in the Australian context, including cross-cultural
perspectives in our society and others
 analyse their own experiences of Australian society through writing, speaking, listening and viewing
 analyse aspects of Australian culture and society past and present through the images in literature,
the arts and media.
 respond critically and imaginatively to the issues raised
Content
Students study:
 Australian culture and identity and a range of cultural groups which contribute to Australian society
 the images of men and women created by different groups and individuals in our society, such as
stereotyping in ads, bias in sport and focus on body image
 issues such as sport, Aborigines, reconciliation, multicultural, poverty-wealth, the bush.
 works of non-fiction, including magazines, historical documents and biographies
 some of the following: a novel or play, a selection from films, short stories, non-fiction texts,
documentaries, music, video clips, articles, comics.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 class and small group reading, discussion and presentation of responses to texts with emphasis on
recognition of different interpretations and images of Australia and gender
 research, including online, of the historical, political and social contexts of the texts studied
 evaluation of online resources
 personal response and reflective writing (journals)
 stimulus material
 excursions to places of interest, eg War Memorial, National Museum of Australia
 guest speakers from organizations reflecting the different interests in the local community
 conferencing, drafting
 talking, writing and responding creatively
 regular and meaningful feedback (formal and informal)
 collaborative group work
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
171
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through the exploration of Indigenous
characterisation in film and examination of gender issues specific to Indigenous communities.
 Australian Education through an examination of gender issues explored in Australian film and written
texts.
 Environment Education through an understanding of the role played by the environment in
Australian poetry.
 Gender Equity through an examination of the construction of gender in Australian texts.
 Information Access through the development of electronic research skills.
 Language for understanding through a discussion of the language of gender politics and Australian
registers of speech.
 Multicultural Education through an examination of gender issues specific to Australian minority
communities.
 Special needs Education through an investigation of how conversation about gender sidelines those
with special needs.
 Work Education through an investigation of gender-appropriate language for the Australian work
place.
Specific Unit Resources
Books
Beynon, R.,
The Shifting Heart
Davis, J.,
No Sugar
Davis, J.,
A Boy’s Life
Earls, N.,
Bachelor Kisses
Enright, N.,
Blackrock
Facey,.A.B.,
A Fortunate Life
Gare, N.,
The Fringe Dwellers
Giles, J.,
Moving Out
Gwynne, P.,
Deadly, Unna
Haran, P., and Kearney, Robert, Flashback
Hilde, J.,
The Place at the Coast
Marchetta, M.,
Looking for Alibrandi
Morgan, S.,
My Place
Oswald, D.,
Dags
Pilkington, D.,
Follow the Rabbit Proof Fence
Pryor, B. & McDonald, M., Maybe Tomorrow
Savage, L.,
My Story
Seymour, A.,
The One Day of the Year
Tannen, J.,
You Just Don’t Understand: Men and Women in Conversation
Williamson, D.,
The Perfectionist
172
Williamson, D.,
The Removalist
Williamson, D.,
Brilliant Lies
Williamson, D.,
The Club
Wharton, H.,
Yumba Days
Wheatley, N.,
The Blooding
Whitlock, G. (Ed),
Autographs; Contemporary Australian Autobiography
Films
Bebeath Clouds
(Sen 2002)
Wake in Fright
(Kotchett, T., 1971)
The Fringe Dwellers
(Beresford, B., 1986)
The Shiralee
(Norman, L., 1957)
The Year My Voice Broke
(Dugan, J., 1987)
Crocodile Dundee
(Faiman, P., 1986)
The Adventures of Priscilla: Queen of the Desert (Stephan Elliott, 1994)
The Castle
(Sitch, R., 1997)
Two Hands
(Jordan, G., 1999)
The Wog Boy
(Vellis, A., 2000)
Rabbit Proof Fence
(Noyce, P., 2002)
Yolngu Boy
(Johnson, S., 2001)
Poets
Bruce Dawe
Gwen Harwood
Geoff Goodfellow
Stephen Herrick
Adam Ford
Stephen Kelen
John Foulcher
Duglas Stewart
Music
Selection of music from artists such as John Williams, Peter Allen and Red Gum eg. True Blue, Give Me a
Home Among the Gum Trees, I Still Call Australia Home, The Tenterfield Saddler, I Come From a Land
Downunder.
Waltzing Matilda, Advance Australia Fair
TV Programs
Australian Story (ABC)
National Museum short films
173
Websites
National Library of Australia
www.nla,gov.au
www.musicaustralia.au
www.pictureaustralia.org
National Screen and Sound Archive
www.screensound.gov.au
National War Memorial
www.nwm.gov.au
Australian Film Commission
www.afc.gov.au
http://members.cox.net/academia/vivien.html
http://www.kidsource.com/education/gender.issues.L.A.html
These were correct at the time of publication
174
Short Stories and Science Fiction
Value 1.0
This unit combines Short Stories 0.5 and Science Fiction 0.5
Specific Unit Goals
This unit should enable students to:
 read and critically respond to a range of science fiction texts
 analyse the common themes and issues of science fiction
 analyse the reasons for the popularity of this genre
 analyse and critically respond to a variety of short stories
 demonstrate the skill of story telling both written and oral
 investigate the cultural and historical influences on the form of the short story
Content
Students study:
 a variety of texts in their historical and social context
 common themes and issues in science fiction
 elements of film, particularly special effects
 techniques to enable them to respond critically and creatively to texts.
 a selection of appropriate and relevant short stories
 appropriate film adaptations
 techniques to undertake the writing of at least one short story
 presentation skills relevant to the genre
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 discuss their experiences of texts in the science fiction genre
 research the features of this genre
 view and discuss both current and early films
 contrast written and visual texts presenting the same story
 research the historical development of science fiction
 research areas where science fiction has become scientific fact e.g. cloning, robotics
 consider the concerns and issues associated with such developments
 create a science fiction world
 maintain a reading / viewing journal
 create posters, collages, mobiles and board games
 access science fiction games and relevant internet sites
 class and small group discussions about the structure and common features of short stories
 written (e.g. journal writing) and oral (e.g. oral presentations) responses to short stories
 listening to/viewing audio and visual adaptations of short stories
175
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an investigation of Indigenous writing that
asks the question, “What if?”
 Australian Education through reading Australian science fiction authors.
 Environment Education through an exploration of the strong thread of environmentalism in Science
Fiction literature and film.
 Gender Equity through an exploration of the themes of gender equity in Science Fiction literature
and film.
 Information Access through the use of ICT to develop students’ own web texts.
 Language for understanding through an analysis of the language of Science Fiction writing.
 Multicultural Education through an exploration of multicultural themes in Science Fiction literature
and film.
 Special needs Education through an exploration of the themes of special needs in Science Fiction
literature and film.
 Work Education through an exploration of how Science Fiction influences developments which take
place in industry.
 Aboriginal and Torres Strait Islander Education through the reading of Indigenous short stories.
 Australian Education through the close analysis of Australian short stories.
 Environment Education through an investigation of how the environment in represented in short
stories.
 Gender Equity through an investigation of how men and women have used the short story form in
order to explore issues of gender construction.
 Information Access through the investigation of how short stories are developed for films.
 Language for understanding through a discussion of the differences between the language used in
various forms including short stories.
 Multicultural Education through the analysis of the stories that focus on the needs of migrants in our
communities.
 Special needs Education through an analysis of how the short story form is used to explore the issues
surrounding people with special needs.
 Work Education through an analysis of how work place relations are constructed in short stories.
176
Specific Unit Resources
Novels (or extracts from Novels)
AATE Publications,
The Girl Who Married a Fly
Adams, D
Hitchhiker’s Guide to the Galaxy
Archer,J
A Twist in the Tale-twelve short stories
Asimov, I
Foundation
Baillie, A.,
Dream Catcher and Other Stories
Baillie, A.,
Mates and Other Stories
Bennett, B Cowan, &
Bradbury, R
Fahrenheit 451
Bradbury, R
The Martian Chronicles
Burroughs, Edgar R.
The Princess of Mars
Burroughs, Edgar R.
Tarzan of the Apes
Clarke, Arthur C.
2001: A Space Odyssey
Collins, P., (Ed.)
Dream Weaver (fantasy)
Crew, G.,
Forces of Evil
Dahl, R.,
Kiss, Kiss
Dahl, R.,
Tales of the Unexpected
Dick, Philip K.
Do Androids Dream of Electric Sheep?
Edwards, E., (Ed.)
Thirty Stories
Firkin, H., (Ed.)
Australian Short Stories (available on the Net)
http://austshortstories.com/index.htm
Gibson, William,
Neuromancer
Gleeson, L.,
Love Me, Love Me Not
Hay, J., (Eds)
Perspectives 1: Short Stories
Heinlein, Robert A.
Starship Troopers
Heinlein, Robert A.
Stranger in a Strange Land
Herbert, Frank
Dune
Heseltine, H., (Ed.)
The Penguin Book of Australian Short Stories
Huxley, Aldous
Brave New World
King, S.,
Cat’s Eye
Larkin, J.,
Bite Me
Le Guin, Ursula
The Left Hand of Darkness
Lieber, Fritz
Gather, Darkness
McKenzie, J & L.,
Stories from Three Worlds
McLoughlin, McNamara &
Mieville, China
Perfido Street Station
177
Miller, Walter M.
A Canticle for Leibowitz
Newton, B.,
Or Else: Stories of Conflict
Nieuwenhuizen, A.,
Crossings
Niven, Larry
Ringworld
Orwell, George
1984
Perrine, L.,
Literature: Structure, Sound and Sense
Poe, E. A.,
Thirteen Classic Tales of the Macabre and Fantastic
Reidy,
Englishworks 4
Russ,
The Female Man
Skrzynecki, P., (Ed.)
Joseph’s Coat
Simmons, Dan
Hyperion
Verne, Jules
2000 Leagues Under the Sea
Wells, H. G.
War of the Worlds
Wells, H. G.
The Time Machine
Wyndham, John
The Chrysalids
Wyndham, John
The Midwich Cuckoos
Zamyatin, Yevgeny
We
Graphic Novels
Briggs, Raymond
When the Wind Blows
Various
Judge Dredd
Short Stories
Asimov, Isaac
I, Robot (et al.)
Borges, George L.
Bradbury, Ray
Le Guin, Ursula
Keyes, Daniel
“Flowers for Algernon”
King, Stephen
“The Running Man”
Gibson, William
Burning Chrome
Films
2001: A Space Odyssey
(Kubrick, Stanley 1968)
A.i
(Spielberg, Steven 2001)
Alien
(Scott, Ridley 1979)
Alien Nation
(Baker, Graham 1988)
Bladerunner
(Scott, Ridley 1982)
Close Encounters of the Third Kind
(Spielberg, Steven 1977)
Cocoon
(Howard, Ron 1985)
Delicatessen
(Jeunet, Jean-Pierre 1991)
178
Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb (Kubrick, Stanley 1964)
E.T.
(Spielberg, Steven 1982)
eXistenZ
(Cronenberg, David 1999)
Flash Gordon
(Hodges, Mike 1980)
Gattaca
(Niccol, Andrew 1997)
Hellboy
(Del Toro, Guillermo 2004)
Independence Day
(Emmerich, Roland 1996)
I, Robot
(Proyas, Alex 2004)
Logan’s Run
(Anderson, Michael 1975)
Mars Attacks
(Burton, Tim 1996)
Matrix Trilogy, The
(Wachowski, Andy and Larry, 1999, 2003)
Metropolis
(Lang, Fritz 1927)
Minority Report
(Spielberg, Steven 2002)
Pitch Black
(Toohy, David 2000)
Predator
(McTiernan, John 1987)
Soilent Green
(Fleischer, Richard 1966)
Star Wars
(Lucas, George 1977)
Terminator, Terminator 2: Judgement Day (Cameron, James 1984, 1991)
The Chronicles of Riddick
(Toohy, David 2004)
The Fifth Element
(Beson, Luc 1997)
The Fly
(Cronenberg, David 1986)
The Fly
(Neumann, Kurt 1958)
The Navigator
(Ward, Vincent 1988)
The Planet of the Apes
(Schaffner, Franklin J 1967)
The War of the Worlds
(Spielberg, Steven 2005)
Total Recall
(Veerhoven, Paul 1990)
Twelve Monkeys
(Gilliam, Terry 1995)
Television
V
Doctor Who
Battlestar Galactica
Star Trek
Babylon 5
Farscape
Red Dwarf
The X-Files
Lost
179
X-men
Medium
Lost in Space
Audio Resources
Hitchhiker’s Guide to the Galaxy
War of the Worlds
Atlanta Radio Theatre Company (www.artc.org)
Alien Worlds (www.alienworlds.com)
Sci Fi Audio (www.scifiaudio.com)
Virtually American (www.virtuallyamerican.com)
Bowen in Space (www.live365.com/index.live)
Sci-Five, Live! (www.greatnorthernaudio.com/gnrt/sci5.html)
Teacher Reference
Clute,J. The Encyclopedia of Science Fiction, Butler and Tanner, London, 1999
Clute, J. Science Fiction: The Illustrated Encyclopedia ,Reed Business Information, USA, 1995
Contento, W.G. &Brown, C.N. Science Fiction, Fantasy and Horror, Locus Press, USA 1986
DiFate,V. & Summers, I., Catalog of Science Fiction Hardware, Worman, USA,1980 1
Websites
Science Fiction Literature
http://linuxfinances.info/info/sf.html
Science Fiction Literature
http://www.questia.com/library/literature/fiction/science-fiction-and-fantasy/science-fiction-literature.jsp
Short stories contained at http://eserver.org Including complete works of E.A.Poe
http://www.eastoftheweb.com/short-stories/teacher.html
Science Fiction World
http://www.sffworld.com/
Sci-Fi Lists
http://home.austarnet.com.au/petersykes/topscifi/index.html
These were accurate at the time of publication.
180
Science Fiction
Value 0.5
Specific Unit Goals
This unit should enable students to:
 read and critically respond to a range of science fiction texts
 analyse the common themes and issues of science fiction
 analyse the reasons for the popularity of this genre
Content
Students study:
 a variety of texts in their historical and social context
 common themes and issues in science fiction
 elements of film, particularly special effects
 techniques to enable them to respond critically and creatively to texts.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 discuss their experiences of texts in the science fiction genre
 research the features of this genre
 view and discuss both current and early films
 contrast written and visual texts presenting the same story
 research the historical development of science fiction
 research areas where science fiction has become scientific fact e.g. cloning, robotics
 consider the concerns and issues associated with such developments
 create a science fiction world
 maintain a reading / viewing journal
 create posters, collages, mobiles and board games
 access science fiction games and relevant internet sites
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an investigation of Indigenous writing that
asks the question, “What if?”
 Australian Education through reading Australian science fiction authors.
 Environment Education through an exploration of the strong thread of environmentalism in Science
Fiction literature and film.
 Gender Equity through an exploration of the themes of gender equity in Science Fiction literature
and film.
181
 Information Access through the use of ICT to develop students’ own web texts.
 Language for understanding through an analysis of the language of Science Fiction writing.
 Multicultural Education through an exploration of multicultural themes in Science Fiction literature
and film.
 Special needs Education through an exploration of the themes of special needs in Science Fiction
literature and film.
 Work Education through an exploration of how Science Fiction influences developments which take
place in industry.
Specific Unit Resources
Novels (or extracts from Novels)
Adams, D
Hitchhiker’s Guide to the Galaxy
Asimov, I
Foundation
Bradbury, R
Fahrenheit 451
Bradbury, R
The Martian Chronicles
Burroughs, Edgar R.
The Princess of Mars
Burroughs, Edgar R.
Tarzan of the Apes
Clarke, Arthur C.
2001: A Space Odyssey
Dick, Philip K.
Do Androids Dream of Electric Sheep?
Gibson, William,
Neuromancer
Heinlein, Robert A.
Starship Troopers
Heinlein, Robert A.
Stranger in a Strange Land
Herbert, Frank
Dune
Huxley, Aldous
Brave New World
Le Guin, Ursula
The Left Hand of Darkness
Lieber, Fritz
Gather, Darkness
Mieville, China
Perfido Street Station
Miller, Walter M.
A Canticle for Leibowitz
Niven, Larry
Ringworld
Orwell, George
1984
Russ,
The Female Man
Simmons, Dan
Hyperion
Verne, Jules
2000 Leagues Under the Sea
Wells, H. G.
War of the Worlds
Wells, H. G.
The Time Machine
Wyndham, John
The Chrysalids
Wyndham, John
The Midwich Cuckoos
Zamyatin, Yevgeny
We
182
Graphic Novels
Briggs, Raymond
When the Wind Blows
Various
Judge Dredd
Short Stories
Asimov, Isaac
I, Robot (et al.)
Borges, George L.
Bradbury, Ray
Le Guin, Ursula
Keyes, Daniel
“Flowers for Algernon”
King, Stephen
“The Running Man”
Gibson, William
Burning Chrome
Films
2001: A Space Odyssey
(Kubrick, Stanley 1968)
A.i
(Spielberg, Steven 2001)
Alien
(Scott, Ridley 1979)
Alien Nation
(Baker, Graham 1988)
Bladerunner
(Scott, Ridley 1982)
Close Encounters of the Third Kind (Spielberg, Steven 1977)
Cocoon
(Howard, Ron 1985)
Delicatessen
(Jeunet, Jean-Pierre 1991)
Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb (Kubrick, Stanley 1964)
E.T.
(Spielberg, Steven 1982)
eXistenZ
(Cronenberg, David 1999)
Flash Gordon
(Hodges, Mike 1980)
Gattaca
(Niccol, Andrew 1997)
Hellboy
(Del Toro, Guillermo 2004)
Independence Day
(Emmerich, Roland 1996)
I, Robot
(Proyas, Alex 2004)
Logan’s Run
(Anderson, Michael 1975)
Mars Attacks
(Burton, Tim 1996)
Matrix Trilogy, The
(Wachowski, Andy and Larry, 1999, 2003)
Metropolis
(Lang, Fritz 1927)
Minority Report
(Spielberg, Steven 2002)
Pitch Black
(Toohy, David 2000)
Predator
(McTiernan, John 1987)
Soilent Green
(Fleischer, Richard 1966)
Star Wars
(Lucas, George 1977)
183
Terminator, Terminator 2: Judgement Day (Cameron, James 1984, 1991)
The Chronicles of Riddick
(Toohy, David 2004)
The Fifth Element
(Beson, Luc 1997)
The Fly
(Cronenberg, David 1986)
The Fly
(Neumann, Kurt 1958)
The Navigator
(Ward, Vincent 1988)
The Planet of the Apes
(Schaffner, Franklin J 1967)
The War of the Worlds
(Spielberg, Steven 2005)
Total Recall
(Veerhoven, Paul 1990)
Twelve Monkeys
(Gilliam, Terry 1995)
Television
V
Doctor Who
Battlestar Galactica
Star Trek
Babylon 5
Farscape
Red Dwarf
The X-Files
Lost
X-men
Medium
Lost in Space
Audio Resources
Hitchhiker’s Guide to the Galaxy
War of the Worlds
Atlanta Radio Theatre Company (www.artc.org)
Alien Worlds (www.alienworlds.com)
Sci Fi Audio (www.scifiaudio.com)
Virtually American (www.virtuallyamerican.com)
Bowen in Space (www.live365.com/index.live)
Sci-Five, Live! (www.greatnorthernaudio.com/gnrt/sci5.html)
Teacher Reference
Clute,J. The Encyclopedia of Science Fiction, Butler and Tanner, London, 1999
Clute, J. Science Fiction: The Illustrated Encyclopedia , Reed Business Information, USA, 1995
Contento, W.G. &Brown, C.N. Science Fiction, Fantasy and Horror, Locus Press, USA 1986
DiFate,V. & Summers, I., Catalog of Science Fiction Hardware, Worman, USA,1980- 1
184
Websites
Science Fiction Literature
http://linuxfinances.info/info/sf.html
http://www.questia.com/library/literature/fiction/science-fiction-and-fantasy/science-fiction-literature.jsp
Science Fiction World
http://www.sffworld.com/
Sci-Fi Lists
http://home.austarnet.com.au/petersykes/topscifi/index.html
These were accurate at the time of publication.
185
Short Stories
Value 0.5
Specific Unit Goals
This unit should enable students to:
 analyse and critically respond to a variety of short stories
 demonstrate the skill of storytelling both written and oral
 investigate the cultural and historical influences on the form of the short story
Content
Students study:
 a selection of appropriate and relevant short stories
 appropriate film adaptations
 techniques to undertake the writing of at least one short story
 presentation skills relevant to the genre
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 class and small group discussions about the structure and common features of short stories
 written (e.g. journal writing) and oral (e.g. oral presentations) responses to short stories
 listening to/viewing audio and visual adaptations of short stories
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through the reading of Indigenous short stories.
 Australian Education through the close analysis of Australian short stories.
 Environment Education through an investigation of how the environment in represented in short
stories.
 Gender Equity through an investigation of how men and women have used the short story form in
order to explore issues of gender construction.
 Information Access through the investigation of how short stories are developed for films.
 Language for understanding through a discussion of the differences between the language used in
various forms including short stories.
 Multicultural Education through the analysis of the stories that focus on the needs of migrants in our
communities.
 Special needs Education through an analysis of how the short story form is used to explore the issues
surrounding people with special needs.
 Work Education through an analysis of how work place relations are constructed in short stories.
186
Specific Unit Resources
Books
AATE Publications,
The Girl Who Married a Fly
Archer,J
A Twist in the Tale-twelve short stories
Baillie, A.,
Dream Catcher and Other Stories
Baillie, A.,
Mates and Other Stories
Bennett, B Cowan, & Hay, J., (Eds)
Perspectives 1: Short Stories
Collins, P., (Ed.)
Dream Weaver (fantasy)
Crew, G.,
Forces of Evil
Dahl, R.,
Kiss, Kiss
Dahl, R.,
Tales of the Unexpected
Edwards, E., (Ed.)
Thirty Stories
Firkin, H., (Ed.)
Australian Short Stories (available on the Net)
http://austshortstories.com/index.htm
Gleeson, L.,
Love Me, Love Me Not
Heseltine, H., (Ed.)
The Penguin Book of Australian Short Stories
King, S.,
Cat’s Eye
Larkin, J.,
Bite Me
McKenzie, J & L.,
Stories from Three Worlds
McLoughlin, McNamara & Reidy,
Englishworks 4
Newton, B.,
Or Else: Stories of Conflict
Nieuwenhuizen, A.,
Crossings
Perrine, L.,
Literature: Structure, Sound and Sense
Poe, E. A.,
Thirteen Classic Tales of the Macabre and Fantastic
Skrzynecki, P., (Ed.)
Joseph’s Coat
Web sites
Short stories contained at http://eserver.org Including complete works of E.A.Poe
http://www.eastoftheweb.com/short-stories/teacher.html
These were accurate at the time of publication.
187
Suspense
Value 0.5
Specific Unit Goals
This unit should enable students to:
 read, view, listen to and analyse a range of suspense novels, short stories, plays and films
 identify and analyse the elements of suspense
 create a ‘suspenseful’ piece of writing
Content
Students study:
 the theme of suspense in popular print and film texts
 techniques and types of suspense through a range of material which may include spy fiction,
detective stories, ‘thrillers’, horror, short stories, and film
 techniques to help them write range of written tasks which should include critical and creative
responses to texts
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 discussion of students’ own experience of horror films and stories and their understanding of
‘suspense’ and ‘thriller’ literature and film
 analysis of the writers’ and film makers’ techniques
 historical study, comparing classic with contemporary suspense films
 study of short mystery stories of the ‘Who dun it?’, ‘You solve the murder’ types to encourage
students to reason effectively
 written creative response
 oral response and presentation
 role play e.g. How to Host a Murder
 reading/viewing log
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an analysis of how suspense is used as a
teaching tool in oral traditions.
 Australian Education through an analysis of Australian novels that used suspense as their main
device.
 Environment Education through an analysis of the use of setting to develop suspense in film.
 Gender Equity through an understanding of how gender stereotypes are used to create suspense in
film.
 Information Access through the use of ICT to create original suspense stories.
188
 Language for understanding through a close reading of the language used to develop suspense in
short stories.
 Multicultural Education through an understanding of how cultural stereotypes are used to create
suspense in film.
 Special needs Education through an understanding of how stereotypes are used to create suspense
in film.

Work Education through the development of predictive skills which are useful in the workplace.
Specific Unit Resources
Books
Archer, J.,
A Twist in the Tale
Brickhill, P.,
Escape or Die
Burns, C. and McNamara, M.,
Eclipsed: Two centuries of Australian Women’s Fiction.
Chatfield, H. & Williamson, J.,
Crime Busters: A Collection of Stories
Christie, A.,
Murder on the Orient Express
Corris, P.,
Heroin Annie
Crew, G.,
Crew’s 13 Classic Tales of the Macabre & Fantastic
Dahl, R.,
Tales of the Unexpected
Du Maurier, D.,
The Birds and other Stories
Francis, D.,
Bolt
Greenwood, K & Pausacker, J.,
Recipes for Crime
Grisham, J.,
Time to Kill
King, S.,
Needful Things
Lasagan, M.
Black Juice
McRobbie, D
Gumshoe
Paretsky., S. (Ed),
A Woman’s Eye
Sheehan, D.,
Thomas,C.,
Firefox
Van Than,H.,
Macabre Stories
Williams, E.,
The Escapers
Also Students’ writing from the SMH Writing Competition
Audio visual Material such as:
Psycho
(Hitchcock, A., 1960)
The Birds
(Hitchcock, A., 1963)
Psycho
(Van Sant, G., 1998)
Murder on the Orient Express (Lumet, S., 1974)
Death on the Nile
(Guillermin, J., 1978)
The Firm
(Pollack, S., 1993)
189
Cape Fear
(Scorsese, M., 1991)
Secret Window
(Koeppe, D., 2004)
The Usual Suspects
(Singer, B., 1995)
The Sixth Sense
(Night Shyamalan, M., 1999)
The Others
(Amenabar, A., 2001)
Websites
http://www.teachit.co.uk/index.asp?M=4&A=1&S=241&Z=1#S241
http://www.filmsite.org/thrillerfilms.html
These were accurate at the time of publication
190
The Journey
Value 0.5
Specific Unit Goals
This unit should enable students to:
 analyse the theme of the journey as a metaphor for life
 critically analyse and compare their own experiences of life in relation to common human experience
 critically read and view texts which investigate journeys real and imagined
Content
Students study:
 stories, both traditional and modern, which incorporate the theme ‘the journey’. These could
include a novel and a selection of other forms ranging from myths to current films and computer
games
 the common experiences which people [e.g. people from different cultures and walks of life] have
when operating outside their usual environments and the personal growth which results
 their experiences and relate the learning to the literature studied
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 personal response and reflective writing
 examining visual texts
 listening to and note making from guest speakers and members of the community
 individual or group oral presentations of personal research or reading and viewing
 excursion / individual projects modeled in class work. These might involve developing questionnaires
and doing oral and written reports on new experiences
 discussion (individual, group and whole class)
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through the analysis of Indigenous myths and legends
that explore the theme of the journey.
 Australian Education through an investigation of Australian films that use the structure of the journey
as a plot device.
 Environment Education through a discussion of the use of the environment to develop setting in
texts that are based on the concept of the journey.
 Gender Equity through an analysis of the use of gender stereotypes to develop the theme of the
journey.
 Information Access through the use of ICT to write stories of real or imagined stories that use the
device of the journey.
191
 Language for understanding through close reading of the language of “journey” literature and nonfiction.
 Multicultural Education through an analysis of non-fiction that explores the experiences of the
journey to a new life.
 Special needs Education through reading the stories of those who have journeyed through life with
special needs.
 Work Education through exploring the idea of career as journey.
Specific Unit Resources
Books
Adams, D.,
Hitchhikers’ guide to the galaxy
Gardner, S.,
The Legend of Kevin the Plumber
Homer,
The Odyssey (extracts)
Marsden, J.,
The Journey
Tolkien, J.R.R.,
The Hobbit
Voight, C.,
Homecoming
Audio visual Material
Beneath Clouds
(Ivan Sen, 2002)
Lord of the Rings
(Peter Jackson, 2001, 2002, 2003)
Rabbit Proof Fence
(Phillip Noyce, 2002)
Rain Man
(Barry Levinson, 1998)
The Navigator
(Vincent Ward, 1988)
The Princess Bride
(Rob Reiner, 1987)
Whale Rider
(Niki Caro, 2002)
Yolgnu Boy
(Stephen Johnson, 2001)
Websites
http://www.aate.org.au/ follow the prompts to catalogue.
www.boardofstudies.nsw.edu.au/syllabus_hsc/ pdf_doc/annotations_texts_04_07.doc
www.boardofstudies.nsw.edu.au/syllabus_hsc/ pdf_doc/hsc_english_poster_04_07.pdf
www.boardofstudies.nsw.edu.au/ syllabus_hsc/pdf_doc/journey_stimulus_04_07.pdf –
These were accurate at the time of publication.
192
Understanding Gender Issues
Value 0.5
Specific Unit Goals
This unit should enable students to:
 read, view, listen to and analyse a variety of texts dealing with gender stereotypes and roles in our
society
 demonstrate their awareness of a range of roles in the Australian context, including cross-cultural
perspectives in our society and others
 investigate and analyse gender images and role models in the media
 respond critically and imaginatively to the issues raised
Content
Students study:
 the images of men and women created by different groups and individuals in our society, such as
stereotyping in ads, bias in sport and focus on body image
 the myths and realities of such images
 at least one novel or one play, and a selection from films, short stories, documentaries, music, video
clips and articles and advertising
 relevant web sites
 the role of men and women in military conflict
 gender images in sport
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 research report writing
 oral presentation
 class and small group discussion
 creative responses
 role play
 listening to guest speakers
 excursions
 maintaining a journal in which students reflect on texts
 talking, writing and responding creatively
 using information technology
Assessment
Refer to pages 15 and 16.
193
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an examination of gender issues specific to
Indigenous communities.
 Australian Education through an examination of gender issues explored in Australian film and written
texts.
 Environment Education through an exploration of women in the media who speak for environmental
programmes.
 Gender Equity through an examination of the roles of men and women in Australian society and the
world.
 Information Access through the development of electronic research skills.
 Language for understanding through a discussion of the language of gender politics.
 Multicultural Education through an examination of gender issues specific to Australian minority
communities.
 Special needs Education through an investigation of how conversation about gender sidelines those
with special needs.
 Work Education through an investigation of gender-appropriate language for the work place.
Specific Unit Resources
Teacher References:
Martino, W. & Cook, C.,
Gender and Texts, 1988, AATE
Martino, W. & Mellor, B.,
Gendered Fictions, 1995, Chalkface Press, Cottesloe, W.A.
Books
Charlwood, D.,
All The Green Year
Charlwood, D.,
No Moon Tonight
Chichester, F.,
The Lonely Sea and the Sky
Connor, D.,
My Race for the America’s Cup
Courtenay, B.,
The Power of One
Courtenay, B.,
April Fool’s Day
Walker, S.,
Camphor Laurel
Davis, J.,
A Boy’s Life
Earls, N.,
Bachelor Kisses
Enright, N.,
Blackrock
Forsyth, F.,
No Comebacks
Francis, D.,
Dead Cert
Geldoff, B.,
Is That It?
Gwynne, P.,
Deadly, Unna
Hornby, N.,
A Long Way Down
Hudson, C.,
The Killing Fields
Kureshi, H.,
Surfacing
Lillee, D.,
My Life in Cricket
194
Mahmoody, B.,
Not Without My Daughter
Marsh, R.,
Over and Out
McCarthy, M.,
Dirt Bikes
McCarthy, M.,
Ganglands
McCarthy, M.,
Cross My Heart
Roy, A.,
The God of Small Things
Sasson, J.P.,
Princess
Tan, A..,
The Hundred Secret Things
Tannen, J.,
You Just Don’t Understand: Men and Women in Conversation
Williamson, D.,
The Perfectionist
Williamson, D.,
The Removalist
Williamson, D.,
Brilliant Lies
Williamson, D.,
The Club
Zindel, P.,
The Big Man and Me
Television Programs
Attitude
Baywatch
Beverley Hills 90210
The Panel
Degrassi High
Heartbeat
Judge Judy,
The Simpsons,
Heartbreak High,
The Footy Show
Blue Heelers
Friends
Police Rescue
Films
Bend It Like Beckham
(Gurinder Chadha, 2002)
Bride and Prejudice
(Gurinder Chadha, 2004)
Dirty Harry
(Director: Don Siegel, 1971)
In the Line of Fire
(Wolfgang Petersen, 1993)
Kindergarten Cop
(Ivan Reitman, 1990)
Mrs Doubtfire
(Chris Columbus, 1993)
Muriel’s Wedding
(P.J. Hogan, 1994)
My Big Fat Greek Wedding
(Joel Zwick, 2002)
My Life as a Dog
(TV series, Norma Bailey & Neil Fearnley, 1996)
Philadelphia
(Jonathan Demme, 1993)
195
Regarding Henry
(Mike Nichols, 1991)
Sea Change
(Michael Bray, 1998)
Shame
(Steve Jodrell, 1987)
The Accused
(Jonathan Kaplan, 1988)
The Adventures of Priscilla: Queen of the Desert (Stephan Elliott, 1994)
The Castle
(Rob Sitch, 1997)
The Prince and Me
(Martha Coolidge, 2004)
The Sum of Us
(Geoff Burton & Kevin Dowling, 1994)
The Wog Boy
(Aleksi Vellis, 2000)
Three Men and a Baby
(Leonard Nimoy, 1987)
Tootsie
(Sydney Pollack, 1982)
Wake in Fright
(Ted Kotcheff, 1971)
Whalerider
(Niki Caro, 2002)
Mona Lisa Smile
(Newell, M., 2003)
Magazines
Inside Sport, Sports Illustrated, Cleo, Ralph, Dolly, New Woman
Current newspaper articles and advertisements
Short Stories
Hathorn, L.,
The Blue Dress
Weller, A.,
Going Home
Poets
Geoff Goodfellow
Stephen Herrick
Adam Ford
Stephen Kelen
John Foulcher
Websites
http://members.cox.net/academia/vivien.html
http://www.kidsource.com/education/gender.issues.L.A.html
These were accurate at the time of publication.
196
Write Your Way
Value 0.5
Specific Unit Goals
This unit should enable students to:
 become aware of and value their own experience as writers
 develop and demonstrate a range of writing styles
 analyse the writing process
Content
Students study:
 their own experiences and write about these in appropriate forms such as descriptions, reflections,
scripts, diaries, letters, anecdotes and poetry.
 genres such as short stories, newspaper/magazine articles or essays.
 techniques to assist them to produce a sustained piece of writing
 models of each form and genre and investigate other forms of written expression as meets the needs
of individuals in this unit.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 a variety of observation and reflection exercises
 models and videos may be used as stimulus for writing
 excursions to provide new experiences and give students the opportunity to search for ideas
 writing journals to reflect on class work and the writing process and to record ideas for further
writing
 pair, small group and class discussions to encourage and give feedback to the group
 a writing folder to encourage development of the writing folder
 use of word processing and desk top publishing software to present finished work
 publication in College, class or virtual magazines
 participation in appropriate competitions
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through the reading of Indigenous life stories.
 Australian Education through writing the life stories of members of the family.
 Environment Education through writing advertising campaigns to protect local woodlands.
 Gender Equity through the examination of the lives of men and women through letters and diaries.
 Information Access through the use word processing to write to a variety of audiences.
 Language for understanding
197
 Multicultural Education through writing poetry about the life stories of refugees.
 Special needs Education through the modification of work for those with special needs.
 Work Education through the exploration of appropriate writing forms for work places.
Specific Unit Resources
Prose
Marquez, G.G. One Hundred Years of Solitude
Goldsworthy, P. Maestro
Malouf, D.
Fly Away Peter
Steinbeck, J.
The Moon is Down
McLeod, A.
The Lost Salt Gift Of Blood
Winton, T.
Allende, I.
Scission
The Stories of Eva Luna
Garner, H.
Postcards From Surfers
Farmer, B.
Hometime
Teacher Resources
Bailey, R.F. ,
A Survival Kit for Writing English, Longman Cheshire, Melbourne, 1984.
Goodfellow, G.,
Triggers. Turning Experiences into Poetry, Wakefield Press, South
Australia, 1992.
Mallick, D.,
The Writing of Poetry, Thomas Nelson Australia, Melbourne 1986.
McRoberts, R. A.,
Writing Workshop, Macmillan, Melbourne, 1981.
Prain, V.,
Left to Write, Oxford Universty Press, Melbourne, 1990.
Woolfe, S. and Grenville, K.
Making Stories, Sydney, 1993.
Websites
http://www.sasked.gov.sk.ca/docs/ela20/teach4.html
http://teacher2b.com/creative/createwr.htm
These were accurate at the time of publication.
198
The Poet’s World – From Chaucer to Hopkins
Value 0.5
Prerequisites
Nil
Specific Unit Goals
A Course
This unit should enable students to:
 Read and discuss a range of poems from the time of Chaucer to the 19th century
 Discuss and write about some key poems from those selected for study
 Consider the social and historical contexts in which the poet lived
 Discuss and write about some of the issues and themes of the period
Content
A Course
A range of poems that fall within this period
 Something of the history of the literary movements of the time and such groups as the
“Augustans” the “Romantic” poets, the “Victorian” poets
 A variety of poetic forms and techniques
 The use of imagery
 Techniques to undertake the writing of two/three poems
 Common themes and issues in the poems read
 Biographies of poets
Teaching and Learning Strategies
A Course
Compare and contrast poetry and other art forms (eg. Class 11 Romanticism Main Lesson)
Read and perform selected works
Experiment with the writing of poetry individually and in groups
Examine the life and works of a particular poet
Maintain a journal – reflections on poems read
Discussion - individual/whole class
Listen to recorded readings of poems
Writing/oral responses to poems
199
Assessment
Refer to pages 15 and 16.
Specific Unit Resources
Anthologies
Oxford Book of English Verse 1250 -1900
Oxford Period Poetry Anthology
Shakespeare’s Sonnets
The Norton Anthology of Verse
Poets and Poetry
Untamed verse
Seven Centuries of Poetry in English
Poets
Chaucer G
Marrell A
Keats J
Coleridge S T
Blake W
Browning E B
Donne J
Wordsworth W Tennyson A
Herbert G
Milton J
Byron G G
Shelley P B
Rossetti C
Whitman W
Dikinson E
Hardy
Hopkins G M
Websites
http://www.luminarium.org/medlit/chaucer.htm
www.poetseers.org/the_romantics
www.victorianweb.org/authors/tennyson/index.html
www.bulb.ac.uk/link/e/englishpoetry.htm
www.routledge.com
www.oundleschool.org.uk/english_poetry
www.universalteacher.org.uk/lit
These were accurate at the time of publication.
200
A Shakespearean Study
Value 0.5
Prerequisites
Nil
Specific Unit Goals
A Course
This unit should enable students to:
 Read, listen to and view extracts from some of the plays of Shakespeare
 Identify and discuss the element of tragedy and comedy in Shakespearean plays
 Explore and discuss the cultural and social context in which the plays were written
Content
A Course
Read, listen to and view extracts and scenes from a comedy, a tragedy and an historical
Shakespearean play
The life and times of Shakespeare
The Elizabethan world and the significance of the Globe
Teaching and Learning Strategies
A Course
View live performances
Group work/individual work - Perform scenes from the plays
View and discuss film versions of various scenes from selected plays
Close textual study of chosen speeches and scenes
Spoken and written reviews of live performances and film versions
Research projects – writing/graphics of the Elizabethan Period
Assessment
Please see page 14 for additional assessment advice.
Specific Unit Resources
Plays
All’s Well That Ends Well
As You Like It
Comedy of Errors
Hamlet
Julius Caesar
Macbeth
Midsummer Night’s Dream
Much Ado About Nothing
201
Romeo and Juliet
The Tempest
Films
Brannah K
As You Like It (2006)
Hamlet (1969)
Much Ado About Nothing ((1993)
Love’s Labor’s Lost (2000)
Blessed B
King Lear (1999)
Luhrmann B
Romeo and Juliet (1996)
Zeffirelli F
Hamlet (1990)
Romeo and Juliet (1968)
Teachers’ Resources
Brown JR
Shakespeare: The Tragedies (2001)
McEvoy S
Shakespeare: The Basics (2000)
Marsh L
Starting Shakespeare – First Encounters with Shakespeare’s plays
Bennell M
Shakespeare’s Flowering of the Spirit (2000)
Websites
Absolute Shakespeare
http://absoluteshakespeare.com/
Shakespeare Study Note, Texts, Background
http://www.shakespeare.com/
Sher’s Shakespeare Index
http://www.websher.net/shakespeare/
Internet Shakespeare Editions
http://ise.uvic.ca/index.html
The Language of Shakespeare
http://www.bardweb.net/words.html
Mr William Shakespeare
http://shakespeare.palomar.edu/
The Globe Theatre
http://www.shakespeare.globe.org
Shakespeare Workshop Series
http://www.stclairpress.com.au
These were accurate at the time of publication.
202
Advertising and Issues
Value 1.0
This unit combines Advertising 0.5 and Contemporary Issues 0.5.
Specific Unit Goals
This unit should enable students to:

identify a variety of advertising media

examine the purpose and techniques of advertising

analyse the techniques of persuasion used by advertisers

create their own advertisements

read, view, listen to and understand a variety of texts dealing with issues in society that are relevant to
their lives

develop an understanding of broader contemporary issues

respond imaginatively and critically to the ideas and values raised in the texts.
Content
Students may study:

a variety of advertising media

the development of marketing techniques

the major features of advertising, both linguistic and visual

the appropriate technologies to create visual texts

a variety of texts such as novels, stories, TV programs, lyrics, films, plays, poetry, newspaper and
magazine articles to explore themes and issues

issues affecting the broader community. These may include youth suicide, homeless youth,
unemployment, multiculturalism, families, relationships, the environment, violence, authority and the
individual, alcohol and drug abuse, sport, technology, euthanasia, body image, sexuality, consumerism,
images of youth culture.
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:

access and analyse advertising media which could include websites, magazines, television, radio,
shopfronts, pamphlets, newspapers, posters and film

work in groups to compile a list of advertising techniques that can be shared with the class

view videos about advertising and develop advertising campaigns using a variety of skills and
equipment

compile scrapbook journals that consist of collections of advertisements, journal entries and
advertisements and drawings of design possibilities

visit to the Canberra Times educational programme

listen to guest speaker from an advertising agency

participate in Talkback Classroom at Australian National Museum

view videos about advertising and complete class tasks to develop advertisements
203

interview and survey on an issue to prepare a written report

prepare and present an oral presentation comparing the treatment of an issue in a variety of media

discussion of current issues in class and small groups

role play the response of people of different ages, cultures or authority roles to a variety of issues

investigate an issue, listen to guest speakers and respond by asking questions and writing a short article

contribute to Talkback Classroom or soap box speaking

maintain a media scrapbook on an emerging issue in the news

use information technology to investigate responses to global issues
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:

Aboriginal and Torres Strait Islander Education through an examination of the construction of racial
stereotyping in tourism advertising.

Australian Education through an examination of the use of Australian iconic imagery in television
advertising.

Environment Education through an examination of the use of the environment to sell products that are
in themselves damaging to the environment.

Gender Equity through an examination of the construction of gender stereotyping.

Information Access through the creation of advertisements for real and imagined products and
services.

Language for understanding through an investigation of the language of persuasion used in
advertisements aimed at young people.

Multicultural Education through an examination of the construction of racial stereotyping in
government advertising

Special needs Education through the modification of work for special needs students and through an
examination of the absence of people with special needs in print advertising.

Work Education through an investigation of the way in which the world of work is represented in both
a positive and negative manner in advertisements.
Specific Unit Resources
Prose such as:
Anon., Go Ask Alice
Bowles, C., Going Off
Clarke, I., Saving Jessie
Clarke, J., The Night Train
Cormier, R., After the First Death
Donaghy, B., Anna’s Story
Stewart, M., All of Me
204
Wheatley, N., The Blooding
Books such as:
Covey, S., The 7 Habits of Highly Effective Teens
Crump, Durand and Hooke, Viewing and Presenting in Context 1, Thomson Nelson, 2003.
Crump, Durand and Hooke, Viewing and Presenting in Context 2, Thomson Nelson. 2003.
Heintz & Evans, Insight Outcomes English Year 11, Insight Publications, 2002.
Hewett, Robert, The Adman: “ The Dog-Eat-Dog World of Modern Advertising Current Theatre Series
Hollier, F., Conflict Resolution Trainers’ Manual
Hopkinson, Simon, The Crazy World of Advertising, Aust. Theatre Workshop,
Huggard, Keaney and Brewer, Insight Outcomes Year 12, Insight Publications, 2002.
Laverty, M., (Ed.), What’s in an Issue? Perspectives on Contemporary Australian Concerns.
Laverty, M., (Ed.), What’s at Issue Now? More Perspectives on Contemporary Australian Concerns.
Loughton, J., Listening and Language, User Friendly Resource, 1996
Loughton, J., Listening and Understanding, User Friendly Resource, 1996
Loughton, J., Speaking and Power, User Friendly Resource, 1995
Loughton, J., Speaking and Structure, User Friendly Resource, 1995
Malouf, M., How to Create and Deliver a Dynamic Presentation, Melbourne, 1988
Morgan, Sally and Adrian, Colour in Art and Advertising , Evans, 1994.
Packard, Vance, The Hidden Persuaders, Penguin, 1984.
Pease A., Body Language
Quattrini, J., Speaking by Doing, National Textbook Company, 1996
Sadler & Sadler, Into English, Macmillan, 2004.
Toovey, C., Speak Up, Oxford, 1992
Travers, M., Talking with confidence. New York, Melbourne, Cambridge University Press, 1995. Wake,Susan,
Advertising, Jun N/F
Windschuttle, Keith, The Media: A New Analysis of the Press, Television, Radio and Advertising in Australia ,
Penguin, 1984.
Magazines such as:
Vibe - Indigenous Education Magazine ( see the ASSPA Officer in your college)
Open Road
Women’s Magazines
‘Who’ Magazine
Special interest magazines such as sporting magazines
Newspapers such as:
Koori Mail
The Sydney Morning Herald
The Canberra Times
The Age
The Australian
205
Plays such as:
Clark, B., Whose Life is it Anyway?
Keys, D., Flowers for Algemon
Biography such as:
Hurley, J., How Far is it to London Bridge?
Poetry such as:
Dawe, B., Doctor to Patient, In the New Landscape, The Not-So-Good Earth, Planning a Time-Capsule, Enter
Without so Much as Knocking, The Family Man, Search and Destroy
Ford, A., Not Quite the Man for the Job (“Isms”, Racial Reminisces, Velocipede, Largest in the Southern
Hemisphere, Spellchecker, Reruns, Stop Me if You’ve Heard this One, etc)
Foulcher, J., The Honeymoon Snaps
Goldsworthy, P., This Goes With That (Alcohol, Act Six, etc)
Goodfellow, G., Bow Tie and Tails (Down the Drain, Epitaph for Robbie, The All-Blacks, Mattie, Poem for
Annie, etc)
Guess, J., Leaving Maps (Private Nursing Home, Girl – Three Days in Car Wreck, Bike Death, A View from the
Bridge etc)
Kelen, S. K., Dingo
Kroll, Jeri (Ed.) & Westburg, Barry, Tuesday Night Live
Films such as:
The Full Monty (Cattaneo, Peter, 1997)
Brassed Off
(Herman, Mark, 1996)
Once were Warriors
(Tamahori, Lee, 1995)
Blackrock
(Vidler, Steven, 1997)
The Boys
(Woods, Rowan, 1998)
Ordinary People(Redford, Robert, 1980)
Radiance
(Perkins, Rachel, 1998)
American Beauty
(Menders, Sam, 1999)
The Hurricane
(Jewison, Norman, 2000)
Philadelphia
(Demme, Jonathan, 1993)
Audio visual Material such as:
A Case Study, 1988
Advertising, from the series, “Words Fail Me.”
Advertising Layout Part 1
Advertising Layout Part 2
Advertising Strategies, Video Education Australia, 1992.
Assertive Issues, Pease Training Corporation
Blah, blah, blah: The Art of Public Speaking, Bendigo, Victoria, Video Education Australasia, 1999
206
Body Language, Pease Training Corporation
Deconstructing Advertising, Video Education Australia, 1993.
Effective Communications Meridan, Education Corporation, 1992
Getting Along on the Job, Bendigo, Victoria, Video Education Australasia
Making Your Presentation, Malvern Victoria Australia Learning Essentials
On Golden Pond, Mark Rydell
The Art of Persuasion, from the series ‘The Investigators.’ 1996
The Breakfast Club, John Hughes
The Image Makers,
Whose Life is it Anyway, John Badham
Other suggestions:
Excursions to;
Screensound Australia
WIN News studios
Canberra Times (and the Canberra Times Education Booklet)
Radio Stations
Websites such as:
http://www.teachingonline.org/ADVERTISING.html
http://www.teachit.co.uk/index.asp?A=14&M=18&S=26
http://www.mediachannel.org/teach/
http://www.chaser.com.au/
http://www.abc.net.au/news/
http://www.screensound.gov.au/ScreenSound/Screenso.nsf/0/43D327F3386DF902CA256B5D001B8829?O
penDocument
http://www.glencoe.com/sec/teachingtoday/weeklytips.phtml/88
http://www.iam.unibe.ch/~scg/Teaching/VariousMaterial/talkHowTo.html
These were correct at the time of publication
207
Images of Australia through Real Stories
Value 1.0
This unit combines Images of Australia 0.5 and Real Life Stories 0.5.
Specific Unit Goals
This unit should enable students to:
 critically analyse a variety of Australian texts
 analyse their own experiences of Australian society through writing, speaking, listening and viewing
 analyse aspects of Australian culture and society past and present through the images in literature,
the arts and media.
 analyse critically and creatively personal stories in a variety of text types
 research the influences that shape people’s lives
 respond critically to texts that develop understanding of the experiences of men and women from
different cultural backgrounds and times
Content
Students may study:
 Australian culture and identity and a range of cultural groups which contribute to Australian society
 issues such as sport, Aborigines, reconciliation, multicultural, poverty-wealth, the bush.
 works of non-fiction, including magazines, historical documents, portraits, documentaries, music,
video clips, articles and biographies.
 a variety of biographical and autobiographical texts
 texts types, such as magazine biographies, radio interviews, television documentaries e.g. Australian
Story, and films, that reflect a wide range of cultural perspectives
 techniques to enable them to write their own life story
Teaching and Learning Strategies
Teaching strategies will be negotiated as much as possible. The following are suggestions:
 class and small group reading, discussion and presentation of responses to texts with emphasis on
recognition of different interpretations and images of Australia, people and culture
 research, including online, of the historical, political and social contexts of the texts studied
 evaluation of online resources
 personal response and reflective writing (journals)
 stimulus material
 excursions to places of interest, eg National Museum of Australia, National Portrait Gallery
 written responses including creative writing
 conferencing, drafting
 debate, Australian identity versus other cultural identities
 regular and meaningful feedback (formal and informal)
 collaborative group work
 research and gather information to report on a local or famous Australian person
 respond critically to texts that develop understanding of the experiences of men and women from
different cultural back grounds and time
208
Assessment
Refer to pages 15 and 16.
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through listening to the experiences of Indigenous
Australians.
 Australian Education through reading the life stories of Australians from rural areas.
 Environment Education through an exploration of how lives are shaped by the environment, either
directly or indirectly.
 Gender Equity through reading the lives of women and men and discussing their differences.
 Information Access through the students’ use of ICT to tell their own life stories.
 Language for understanding through the development of a critical language to talk about non-fiction.
 Multicultural Education through watching films that explore the experiences of different cultures.
 Special needs Education through discussion and journaling about the experiences of those with
special needs.
 Work Education through an exploration of how the development of empathy can be a useful skill in
the workplace.
Specific Unit Resources
Books
Sarah Turnbull
Almost French
Lucy Frost
No Place for a Nervous Lady
Audio visual Material
Australian Story, ABC
Bran Nue Day
First Love
(Claire Gorman 2011)
Web sites
An Average Australian’s Diary http://www. toxiccustaard.com/diary/
National Library of Australia www.nla,gov.au
www.musicaustralia.au
www.pictureaustralia.org
National Screen and Sound Archive www.screensound.gov.au
National War Memorial www.nwm.gov.au
Australian Film Commission www.afc.gov.au
209
Contemporary Issues and Communication M
Value 1.0
This unit combines Communicate with Confidence 0.5 and Contemporary Issues 0.5.
Student Profile
Students with a mild to moderate intellectual disability
Prerequisites
Nil
Specific Unit Goals
A unit before Modification
This unit should enable students to:
M unit after Modification
This unit should enable students to:
Contemporary Issues
Contemporary Issues
Read, view, listen to and understand a variety
of texts dealing with issues in society that are
relevant to their lives
Read, view, listen to and comprehend a variety
of texts dealing with issues in society that are
relevant to their lives
Develop an understanding of broader
contemporary issues
Identify broader contemporary issues
Develop an understanding of broader
contemporary issues
Describe the ideas and values raised in the
texts
Communicate with Confidence
Communicate with Confidence
Recognize that oral communication involves
speaking, listening and body language
Recognize that oral communication involves
speaking, listening and body language
Develop appropriate communication skills to
meet a variety of real life and constructed
situations
Develop appropriate communication skills to
meet a variety of real life and constructed
situations
Analyse the techniques of effective
communication
Identify techniques of effective communication
Develop oral, listening and written skills and
awareness of the effect of body language
Develop oral, listening and written skills and
awareness of the effect of body language
Teaching and Learning Strategies
Students with special educational needs will be provided with opportunities to engage in successful and
challenging learning experiences in all key learning areas. The outcomes for them will be appropriate to
their abilities and needs.
Teaching strategies that are particularly relevant and effective for students with disabilities include:
 Keeping students ‘on task’
 Questioning
 Regular reviews (weekly)
 Adapting/modifying resources
 Using simple plans or maps to show the steps in completing tasks, i.e. metacognitive strategies
 frequent repetition
 Direct teaching.
210
Content
A unit before Modification
M unit after Modification
Contemporary Issues
Contemporary Issues
 interview and survey on an issue to
prepare a written report
 interview and survey on an issue to
prepare a written report
 prepare and present an oral presentation
comparing the treatment of an issue in a
variety of media
 prepare and present an oral presentation
discussing an issue
 discussion of current issues in class and
small groups
 discussion of current issues in class and
small groups
 role play the response of people of
different ages, cultures or authority roles
to a variety of issues
 investigate an issue, listen to guest
speakers and respond by asking
questions and writing a short article
 investigate an issue, listen to guest
speakers and respond by asking
questions and writing a short article
 contribute to Talkback Classroom or soap
box speaking
 listen to Talkback Classroom or soapbox
speaking
 maintain a media scrapbook on an
emerging issue in the news
 maintain a media scrapbook on an
emerging issue in the news
 use information technology to investigate
responses to global issues
Communicate with Confidence
 use information technology to investigate
responses to global issues
Communicate with Confidence
 role play, group work and discussion of
communication techniques
 view visual texts to analyse body
language, listening skills and verbal
communication
 examine the role and effect of accents,
pronunciation and voice production
 listen to a variety of aural communication
models, including their own, to examine
tone, use of voice for emphasis, volume,
pauses, sound effects, etc.
 plan and present an oral item eg wedding
/ funeral speech, a job interview,
teaching a skill, motivational talk, comedy
routine
 write an application letter and develop a
CV
 write letters for a number of purposes
such as a letter to the editor, an apology,
a thank you letter, a love letter, etc.
 write and send e-mails and sms messages
 personal response and reflective writing
(journals)
 proof reading and editing an on-line
document
 view visual texts to analyse body
language, listening skills and verbal
communication
 listen to a variety of aural communication
models, including their own, to examine
tone, use of voice for emphasis, volume,
pauses, sound effects, etc.
 plan and present an oral item eg wedding
/ funeral speech, a job interview,
teaching a skill, motivational talk, comedy
routine
 write an application letter and develop a
CV
 write letters for a number of purposes
such as a letter to the editor, an apology,
a thank you letter, a love letter, etc.
 write and send e-mails and sms messages
 proof reading and editing an on-line
document
211
Assessment
Refer to pages 15 and 16.
Capabilities
Evidence could be in:
Student Capabilities
Goals
Content
Teaching
Assessment















independent and self-managing learners


collaborative team members


creative and critical thinkers
enterprising problem-solvers

skilled and empathetic communicators
informed and ethical decision-makers

environmentally and culturally aware
citizens
confident and capable users of technologies



Specific Unit Resources
Contemporary Issues
Prose
Anon.,
Go Ask Alice
Bowles, C.,
Going Off
Clarke, I.,
Saving Jessie
Clarke, J.,
The Night Train
Cormier, R.,
After the First Death
Donaghy, B.,
Anna’s Story
Stewart, M.,
All of Me
Wheatley, N.,
The Blooding
Plays
Clark, B.,
Whose Life is it Anyway?
Keys, D.,
Flowers for Algemon
Biography
Hurley, J.,
How Far is it to London Bridge?
Poetry
Dawe, B.,
Doctor to Patient, In the New Landscape, The Not-So-Good Earth, Planning a TimeCapsule, Enter Without so Much as Knocking, The Family Man, Search and Destroy
Ford, A.,
Not Quite the Man for the Job (“Isms”, Racial Reminisces, Velocipede, Largest in
the Southern Hemisphere, Spellchecker, Reruns, Stop Me if You’ve Heard this One,
etc)
Foulcher, J.,
The Honeymoon Snaps
Goldsworthy, P.,
This Goes With That (Alcohol, Act Six, etc)
212
Goodfellow, G.,
Bow Tie and Tails (Down the Drain, Epitaph for Robbie, The All-Blacks, Mattie,
Poem for Annie, etc)
Guess, J.,
Leaving Maps (Private Nursing Home, Girl – Three Days in Car Wreck, Bike Death, A
View from the Bridge etc)
Kelen, S. K.,
Dingo
Kroll, Jeri (Ed.) & Westburg, Barry, Tuesday Night Live
Newspapers and magazines
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
Films
The Full Monty
(Cattaneo, Peter, 1997)
Brassed Off
(Herman, Mark, 1996)
Once were Warriors
(Tamahori, Lee, 1995)
Blackrock
(Vidler, Steven, 1997)
The Boys
(Woods, Rowan, 1998)
Ordinary People(Redford, Robert, 1980)
Radiance
(Perkins, Rachel, 1998)
American Beauty
(Menders, Sam, 1999)
The Hurricane
(Jewison, Norman, 2000)
Philadelphia
(Demme, Jonathan, 1993)
Other:
Laverty, M., (Ed.),
What’s in an Issue? Perspectives on Contemporary Australian Concerns.
Laverty, M., (Ed.),
What’s at Issue Now? More Perspectives on Contemporary Australian Concerns.
Websites
http://www.chaser.com.au/
http://www.abc.net.au/news/
http://www.screensound.gov.au/ScreenSound/Screenso.nsf/0/43D327F3386DF902CA256B5D001B8829?O
penDocument
213
Communicate With Confidence
Books
Covey, S.,
The 7 Habits of Highly Effective Teens
Hollier, F.,
Conflict Resolution Trainers’ Manual
Loughton, J.,
Listening and Language, User Friendly Resource, 1996
Loughton, J.,
Listening and Understanding, User Friendly Resource, 1996
Loughton, J.,
Speaking and Power, User Friendly Resource, 1995
Loughton, J.,
Speaking and Structure, User Friendly Resource, 1995
Malouf, M.,
How to Create and Deliver a Dynamic Presentation, Melbourne, 1988
Pease A.,
Body Language
Quattrini, J.,
Speaking by Doing, National Textbook Company, 1996
Toovey, C.,
Speak Up, Oxford, 1992
Travers, M.,
Talking with confidence. New York, Melbourne, Cambridge University Press, 1995.
These were correct at the time of publication
214
Advertising and Short Stories M
Value 1.0
This unit combines Short Stories 0.5 and Advertising 0.5.
Student Profile
Students with a mild to moderate intellectual disability
Prerequisites
Nil
Specific Unit Goals
A unit before Modification
This unit should enable students to:
M unit after Modification
This unit should enable students to:
 analyse and critically respond to a variety
of short stories
 consider and respond to a variety of short
stories
 demonstrate the skill of storytelling both
written and oral
 demonstrate the skill of storytelling both
written and oral
 investigate the cultural and historical
influences on the form of the short story
 identify a variety of advertising media
 identify a variety of advertising media
 examine the purpose and techniques of
advertising
 identify (with assistance) some
techniques of advertising
 analyse the techniques of persuasion
used by advertisers
 create (with assistance) their own
advertisements
 create their own advertisements
Content
A or T unit before Modification
M unit after Modification
Students study:
Students study:
 a selection of appropriate and relevant
short stories
 a selection of appropriate and relevant
short stories
 appropriate film adaptations
 appropriate film adaptations
 techniques to undertake the writing of at
least one short story
 techniques to undertake the writing of
one short story
 presentation skills relevant to the genre
Students study:
 presentation skills relevant to the genre
Students study:
 a variety of advertising media
 a variety of advertising media
 the development of marketing
techniques
 the major features of advertising, both
linguistic and visual
 the major features of advertising, both
linguistic and visual
 the appropriate technologies to create
visual texts
 the appropriate technologies to create
visual texts
215
Teaching and Learning Strategies
Students with special educational needs will be provided with opportunities to engage in successful and
challenging learning experiences in all key learning areas. The outcomes for them will be appropriate to
their abilities and needs.
A or T unit before Modification
M unit after Modification
 class and small group discussions about
the structure and common features of
short stories
 small group discussions about the
structure and common features of short
stories
 written (e.g. journal writing) and oral
(e.g. oral presentations) responses to
short stories
 written (e.g. journal writing) and oral
(e.g. oral presentations) responses to
short stories
 listening to/viewing audio and visual
adaptations of short stories
 listening to/viewing audio and visual
adaptations of short stories
 access and analyse advertising media
which could include websites, magazines,
television, radio, shopfronts, pamphlets,
newspapers, posters and film
 access advertising media which could
include websites, magazines, television,
radio, shopfronts, pamphlets,
newspapers, posters and film
 work in groups to compile a list of
advertising techniques that can be shared
with the class
 work in groups to identify advertising
techniques, with assistance
 view videos about advertising and
develop advertising campaigns using a
variety of skills and equipment
 compile scrapbook journals that consist
of collections of advertisements, journal
entries and advertisements
 compile scrapbook journals that consist
of collections of advertisements, journal
entries and advertisements and drawings
of design possibilities
 view videos about advertising and
complete class tasks to develop
advertisements
 view videos about advertising
 view videos about advertising and
complete class tasks to develop
advertisements, (with assistance)
 keeping students ‘on task’
 repetition
 questioning
 regular reviews
Assessment
Refer to pages 15 and 16.
216
Capabilities
Evidence could be in:
Student Capabilities
Goals
Content
Teaching
Assessment















independent and self-managing learners


collaborative team members


creative and critical thinkers
enterprising problem-solvers

skilled and empathetic communicators
informed and ethical decision-makers

environmentally and culturally aware
citizens
confident and capable users of technologies



Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through reading of the lives of Indigenous Australians.
 Australian Education through writing about the lives of significant Australians.
 Environment Education through the close reading of poetry that is set in the natural world.
 Gender Equity through the analysis of films that explore relationships between men and women.
 Information Access through the use of word processing software to write fictional narratives.
 Language for understanding through the development of close reading skills.
 Multicultural Education through an analysis of fiction and non-fiction which explores the migrant
experience.
 Special needs Education through the exploration of literature and non-fiction that explores the
experiences of people with special needs.
 Work Education through an investigation of the importance of reading skills for the workplace.
 Aboriginal and Torres Strait Islander Education through an examination of The Bush Mechanics.
 Australian Education through an examination of the development of Australian Television.
 Environment Education through an examination of the ways in which film and TV explore
environmental themes.
 Gender Equity through an exploration of the way in which men and women are stereotyped in soap
operas.
 Information Access through the development of electronic research skills.
 Language for understanding through writing television scripts.
 Multicultural Education through an examination of a foreign film.
 Special needs Education through the examination of the representation of people with special needs
in film and on television.
 Work Education through an examination of film that has been made for the workplace.
217
Specific Unit Resources
AATE Publications,
The Girl Who Married a Fly
Archer,J
A Twist in the Tale-twelve short stories
Baillie, A.,
Dream Catcher and Other Stories
Baillie, A.,
Mates and Other Stories
Bennett, B Cowan, &
Hay, J., (Eds)
Perspectives 1: Short Stories
Collins, P., (Ed.)
Dream Weaver (fantasy)
Crew, G.,
Forces of Evil
Dahl, R.,
Kiss, Kiss
Dahl, R.,
Tales of the Unexpected
Edwards, E., (Ed.)
Thirty Stories
Firkin, H., (Ed.)
Australian Short Stories (available on the Net)
http://austshortstories.com/index.htm
Gleeson, L.,
Love Me, Love Me Not
Heseltine, H., (Ed.)
The Penguin Book of Australian Short Stories
King, S.,
Cat’s Eye
Larkin, J.,
Bite Me
McKenzie, J & L.,
Stories from Three Worlds
McLoughlin, McNamara &
Reidy,
Englishworks 4
Newton, B.,
Or Else: Stories of Conflict
Nieuwenhuizen, A.,
Crossings
Perrine, L.,
Literature: Structure, Sound and Sense
Poe, E. A.,
Thirteen Classic Tales of the Macabre and Fantastic
Skrzynecki, P., (Ed.)
Joseph’s Coat
Crump, Durand and Hooke,
Viewing and Presenting in Context 1, Thomson Nelson, 2003.
Crump, Durand and Hooke,
Viewing and Presenting in Context 2, Thomson Nelson. 2003.
Sadler & Sadler,
Into English, Macmillan, 2004.
Heintz & Evans,
Insight Outcomes English Year 11, Insight Publications, 2002.
Huggard, Keaney and Brewer,
Insight Outcomes Year 12, Insight Publications, 2002.
Windschuttle, Keith,
Australia , Penguin, 1984.
The Media: A New Analysis of the Press, Television, Radio and Advertising in
Hopkinson, Simon,
The Crazy World of Advertising, Aust. Theatre Workshop,
Packard, Vance,
The Hidden Persuaders, Penguin, 1984.
Wake,Susan,
Advertising, Jun N/F
Morgan, Sally and Adrian,
Colour in Art and Advertising , Evans, 1994.
Hewett, Robert, The Adman:
“ The dog-Eat-Dog World of Modern Advertising Current Theatre Series
218
Magazines
Vibe - Indigenous Education Magazine ( see the ASSPA Officer in your college)
Open Road
Sports Magazines
Women’s Magazines
Newspapers
Koori Mail
The Sydney Morning Herald
The Canberra Times
The Age
The Australian
Audio visual Material
Deconstructing Advertising, Video Education Australia, 1993.
Advertising Strategies, Video Education Australia, 1992.
A Case Study, 1988
The Art of Persuasion, from the series ‘The Investigators.’ 1996
The Image Makers,
Advertising, from the series, “Words Fail Me.”
Advertising Layout Part 1
Advertising Layout Part 2
Other suggestions:
Excursions to:
Screensound Australia
WIN News studios
Canberra Times (and the Canberra Times Education Booklet)
Radio Stations
Websites
Short stories contained at http://eserver.org Including complete works of E.A.Poe
http://www.eastoftheweb.com/short-stories/teacher.html
http://www.teachingonline.org/ADVERTISING.html
http://www.teachit.co.uk/index.asp?A=14&M=18&S=26
http://www.mediachannel.org/teach/
These were accurate at the time of publication.
219
Film, Television & Contemporary Issues M
Value1.0
Student Profile
Students with a mild to moderate intellectual disability.
Prerequisites
Nil
Specific Unit Goals
A unit before Modification
This unit should enable students to:
M unit after Modification
This unit should enable students to:
 read, view, listen to and understand a
variety of texts dealing with issues in
society that are relevant to their lives
 read, view, listen to and understand a
variety of texts dealing with issues in
society that are relevant to their lives
 develop an understanding of broader
contemporary issues
 be exposed to broader contemporary
issues through texts
 respond imaginatively and critically to the
ideas and values raised in the texts.
 view critically a range of popular films and
television programs
 view a range of popular films and television
programs
 analyse the techniques of film and
television
 learn and use the terminology of film and
television
 respond analytically and creatively to
issues which arise
Content
A unit before Modification
M unit after Modification
 a variety of texts such as novels, stories, TV
programs, lyrics, films, plays, poetry,
newspaper and magazine articles to
explore themes and issues
 a variety of texts such as stories, TV
programs, lyrics, films, newspaper and
magazine articles to explore issues
 issues affecting the broader community.
These may include youth suicide, homeless
youth, unemployment, multiculturalism,
families, relationships, the environment,
violence, authority and the individual,
alcohol and drug abuse, sport, technology,
euthanasia, body image, sexuality,
consumerism, images of youth culture
 issues affecting the broader community.
These may include, families, relationships,
the environment, sport, technology, body
image, images of youth culture
 at least two films and a range of the
different types of television programs
 at least two films and a range of the
different types of television programs,
 film techniques
 the distinctive features of the various
genres
 characters, settings, social issues and
underlying ideologies
 characters, settings
220
Teaching and Learning Strategies
Students with special educational needs will be provided with opportunities to engage in successful and
challenging learning experiences in all key learning areas. The outcomes for them will be appropriate to
their abilities and needs.
A or T unit before Modification
M unit after Modification
 interview and survey on an issue to
prepare a written report
 maintain a media scrapbook on an
emerging issue in the news
 prepare and present an oral presentation
comparing the treatment of an issue in a
variety of media
 use information technology to investigate
responses to global issues
 discussion of current issues in class and
small groups
 complete language workbook to explore
language features and improve grammar
and spelling
 role play the response of people of
different ages, cultures or authority roles
to a variety of issues
 investigate an issue, listen to guest
speakers and respond by asking
questions and writing a short article
 contribute to Talkback Classroom or soap
box speaking
 maintain a media scrapbook on an
emerging issue in the news
 use information technology to
investigate responses to global issues
 research the language of film and
television
 write scripts, suggest and write
alternative endings, compile storyboards
 analyse viewing habits
 read reviews on line and explore film and
television website.
 explore the elements of film
composition,
 research the various roles in the film/TV
making process
 analyse viewing habits
 view a variety of films from the past
including early black and white and
compare to recent movies
 visit the cinema and Screensound
Australia
 script and produce a short film
 read reviews on line and explore film and
television website.
Assessment
Refer to pages 15 and 16.
221
Student Capabilities
Evidence could be in:
Student Capabilities
Goals
Content
creative and critical thinkers

enterprising problem-solvers

Teaching


skilled and empathetic communicators
informed and ethical decision-makers


environmentally and culturally aware
citizens


confident and capable users of technologies


independent and self-managing learners
collaborative team members

Assessment




Specific Unit Resources
Prose
Anon.,
Go Ask Alice
Bowles, C.,
Going Off
Clarke, I.,
Saving Jessie
Clarke, J.,
The Night Train
Cormier, R.,
After the First Death
Donaghy, B.,
Anna’s Story
Stewart, M.,
All of Me
Wheatley, N.,
The Blooding
Plays
Clark, B.,
Whose Life is it Anyway?
Keys, D.,
Flowers for Algemon
Biography
Hurley, J.,
How Far is it to London Bridge?
Poetry
Dawe, B.,
Doctor to Patient, In the New Landscape, The Not-So-Good Earth, Planning a Time-Capsule,
Enter Without so Much as Knocking, The Family Man, Search and Destroy
Ford, A.,
Not Quite the Man for the Job (“Isms”, Racial Reminisces, Velocipede, Largest in the
Southern Hemisphere, Spellchecker, Reruns, Stop Me if You’ve Heard this One, etc)
Foulcher, J.,
The Honeymoon Snaps
Goldsworthy, P.,
This Goes With That (Alcohol, Act Six, etc)
Goodfellow, G.,
Poem for Annie, etc)
Bow Tie and Tails (Down the Drain, Epitaph for Robbie, The All-Blacks, Mattie,
Guess, J.,
Leaving Maps (Private Nursing Home, Girl – Three Days in Car Wreck, Bike Death, A View
from the Bridge etc)
222
Kelen, S. K.,
Dingo
Kroll, Jeri (Ed.) & Westburg, Barry, Tuesday Night Live
Newspapers and magazines
The Canberra Times
‘Who’ Magazine
Special interest magazines such as sporting magazines
Films
The Full Monty
(Cattaneo, Peter, 1997)
Brassed Off
(Herman, Mark, 1996)
Once were Warriors
(Tamahori, Lee, 1995)
Blackrock
(Vidler, Steven, 1997)
The Boys
(Woods, Rowan, 1998)
Ordinary People
(Redford, Robert, 1980)
Radiance
(Perkins, Rachel, 1998)
American Beauty
(Menders, Sam, 1999)
The Hurricane
(Jewison, Norman, 2000)
Philadelphia
(Demme, Jonathan, 1993)
Other:
Laverty, M., (Ed.),
What’s in an Issue? Perspectives on Contemporary Australian Concerns.
Laverty, M., (Ed.),
What’s at Issue Now? More Perspectives on Contemporary Australian Concerns.
Websites
http://www.chaser.com.au/
http://www.abc.net.au/news/
http://www.screensound.gov.au/ScreenSound/Screenso.nsf/0/43D327F3386DF902CA256B5D001B8829?O
penDocument
Magazines
Metro
Screen
TV Week
Who
Newspapers
The Canberra Times (The Guide, Panorama, Relax magazine)
Films
A Clockwork Orange
(Kubrick, Stanley 1971)
American Beauty
(Mendes, Sam 1999)
Billy Eliott
(Daldry, Stephen 2000)
Casablanca,
(Curtiz, Michael 1942)
223
Coffee & Cigarettes
(Jarmusch, Jim 2003)
ET- The Extra Terrestrial
(Spielberg, Steven, 1980)
High Noon,
(Zimmerman, Fred 1952)
Psycho
(Hitchcock, Alfred 1960)
Run Lola Run
(Tykwer, Tom 1998)
Star Wars- Episode 1
(Lucas, George 1942)
The Matrix
(Wachowski, Andy & Wachowski, Larry 1999)
The Third Man
(Reid, Carol 1949)
The Shining
( Kubrick, Stanley 1982)
The Truman Show
(Weir, Peter 1998)
The War of the Worlds
(Spielberg, Steven, 2005)
Witness
(Weir, Peter 1982)
The Best of Tropfest
(Various, SMH, 2004, 2005)
Television
At the Movies
A Current Affair
Better Homes and Gardens
CSI
Four Corners
GMA
Home and Away
Infomercials
Kath and Kim
Media Watch
Neighbours
The Bold and the Beautiful
The Footy Show
The Oprah Winfrey Show
The Panel
The Price is Right
The Simpsons
The Sketch Show
Survivor
Who Wants to be a Millionaire
And other contemporary television shows and infotainment such as:
documentaries, drama, comedies, soaps, sitcoms, TV news, current affairs, satirical shows, chat shows,
advertisements, sport, cartoons.
224
Teacher References
Arnold, J. S.,
Reading Television Books 1 & 2, OUP, Melbourne, 1997
Callow, J.
Image Matters:Visual texts in the Classroom, 1999, Newtown, NSW
Clothier, E & Dohohoe, L.,
Switched On! Longman, Melbourne, 1998
Cohen,D.,
Horror Movies, London 1984
Corrigan ,T& White,P.
The Film Experience: An introduction, 2004. Macmillan
Costanzo, W.,
Reading the Movies: Twelve great films on video and how to teach
them,1992, AATE, South Australia
Cox, P. & Goldsworthy, F.,
Featuring Film, OUP, Melbourne, 1996
Dyer, R.,
Stars, BFI, London, 1986
Films for Women, BFI, London, 1986
Frank, A.,
The Science Fiction and Fantasy Film Handbook, BT Batsford, 1982
Fraser, G. M.,
The Hollywood History of the World. Penguin, London 1988
Glasson, T. & Carroll, J.,
Exploring Film as Text, Heineman Educational, Melbourne 1992
Hamilton, P. & Matthews, S.,
American Dreams: Australian Movies, Currency Press, Sydney, 1986
MacFarland, C.,
Classics on Film, Longman Cheshire, 1987
MacFarland, C.,
Masterpieces on Film, Longman Cheshire, 1985
McFarlane, B.
Words and Images - Australian Novels into Film, Heinemann,1983.
McGregor, R.,
Teaching Film as Text series English Club, Prahran, 1996 – 1999
Monaco, J.,
How to read a Film: the World of Movies, Media &Multi-Media, 2000, 3rd
edition, OUP
Partridge, D. & Hughes,P.,
Flicks: Studying Film as Text, Oxford Uni. Press, Melbourne, 1992
Pirie, D.,
Anatomy of the Movies, Macmillan, London, 1981
Shaw, E.,
Viewing, ACTATE, 1996
Viewing for Learning, Curriculum Corporation, Victoria, 1995
Winokur, M. & Holsinger,B. ,
The Complete Idiot’s Guide to Movies, Flicks and Films, 2001
Websites
ScreenSound Australia
http://www.nfsa.gov.au/screensound/screenso.nsf
Australian Film Commission
http://www.afc.gov.au/
Office of Film and Literature Classification
http://www.oflc.gov.au/
Film Reviews
http://www.suntimes.com/ebert/ebert_reviews/
http://www.rottentomatoes.com/
and also:
http://www.abc.net.au/
225
http://www.filmaust.com.au/
http://www.theeducationshop.com.au/
www.allaboutmovies.com
226
Real Life Stories and Fantasy M
Value 1.0
This unit combines Real Life Stories 0.5 and Fantasy 0.5 units.
Student Profile
Students with a mild to moderate intellectual disability.
Prerequisites
Nil
Specific Unit Goals
A unit before Modification
This unit should enable students to:
M unit after Modification
This unit should enable students to:
 Analyse critically and creatively personal
stories in a variety of text types
 Read personal stories in a variety of text
types
 Research the influences that shape
people’s lives
 Identify the influences that shape people’s
lives
 Respond critically to texts that develop
understanding of the experiences of
men and women from different cultural
backgrounds and times.
Study and respond to a range of fantasy
texts such as novels, poetry, short stories,
plays and films
 Respond to texts that develop
understanding of the experiences of men
and women from different cultural
backgrounds and times.
 Examine and explore common themes
and issues in fantasy texts
 Identify the basic features of fantasy texts
 Analyse reasons for the popularity of the
genre
 Study and respond to a range of simplified
fantasy texts such as novels, poetry, short
stories, plays and films
 Identify reasons for the popularity of
fantasy texts
227
Content
A or T unit before Modification
M unit after Modification
Students may study:
Students may study:
 a variety of biographical and
autobiographical texts
 a variety of biographical and
autobiographical texts
 texts types, such as magazine biographies,
radio interviews, television documentaries
e.g. Australian Story, and films, that reflect
a wide range of cultural perspectives
 texts types, such as magazine
biographies, radio interviews, television
documentaries e.g. Australian Story,
and films, that reflect a wide range of
cultural perspectives
 techniques to enable them to write their
own life story
Students may study:
 a variety of fantasy texts
 themes and issues in fantasy
 elements of fantasy films, particularly
special effects
 techniques to respond critically and
creatively to texts
 techniques to enable them to write
their own life story
Students may study:
 a variety of fantasy texts
 themes and issues in fantasy
 elements of fantasy films, particularly
special effects
 techniques to respond to texts
Teaching and Learning Strategies
Students with special educational needs will be provided with opportunities to engage in successful and
challenging learning experiences in all key learning areas. The outcomes for them will be appropriate to
their abilities and needs.
A or T unit before Modification
M unit after Modification
 collaborative work, interviews and oral
presentations which may include role play
and discussions
 collaborative work and discussions
 research and gather information to report
on a local or famous person – could include
guest speakers
 use of ICT where appropriate
 research and gather information to
report on a local or famous person
 personal response and reflective writing
 use of ICT where appropriate
 personal response and reflective writing
 discuss their experiences of texts in the
fantasy genre
 discuss their experiences of texts in the
fantasy genre
 research the features of the genre
 research the features of the genre
 view and discuss both recent and early films
 view and discuss both recent and early
films
 contrast a written and visual text presenting
the same story
 create a fantasy world
 maintain a reading and /or viewing journal
 create posters, collages, mobiles and board
games
 access fantasy games and relevant internet
sites.
 contrast a written and visual text
presenting the same story
 create a fantasy world
 maintain a reading and /or viewing
journal
 create posters, collages, mobiles and
board games
228
Assessment
Refer to pages 15 and 16.
Capabilities
Evidence could be in:
Student Capabilities
Goals
Content
Teaching
Assessment















independent and self-managing learners


collaborative team members


creative and critical thinkers
enterprising problem-solvers

skilled and empathetic communicators
informed and ethical decision-makers

environmentally and culturally aware
citizens
confident and capable users of technologies



Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through reading of the lives of Indigenous Australians.
 Australian Education through writing about the lives of significant Australians.
 Environment Education through the close reading of poetry that is set in the natural world.
 Gender Equity through the analysis of films that explore relationships between men and women.
 Information Access through the use of word processing software to write fictional narratives.
 Language for understanding through the development of close reading skills.
 Multicultural Education through an analysis of fiction and non-fiction which explores the migrant
experience.
 Special needs Education through the exploration of literature and non-fiction that explores the
experiences of people with special needs.
 Work Education through an investigation of the importance of reading skills for the workplace.
 Aboriginal and Torres Strait Islander Education through an examination of The Bush Mechanics.
 Australian Education through an examination of the development of Australian Television.
 Environment Education through an examination of the ways in which film and TV explore
environmental themes.
 Gender Equity through an exploration of the way in which men and women are stereotyped in soap
operas.
 Information Access through the development of electronic research skills.
 Language for understanding through writing television scripts.
 Multicultural Education through an examination of a foreign film.
 Special needs Education through the examination of the representation of people with special needs
in film and on television.
 Work Education through an examination of film that has been made for the workplace.
229
Specific Unit Resources
Books such as:
Allende, P.
Paula
Angelou, M.
I Know Why the Caged Bird Sings
Blakers, G.
A Useless Young Man?
Boswell, J.
Life of Johnson
Caswell B. & Chiem D. Only the Heart
Dahl, R., Boy
Going Solo
Delaney Sisters Having our Say: The Delaney Sisters First 100 Years
Dunlop, E.
War Diaries
Facey, A.
A Fortunate Life
Frame, J.
An Angel at my Table
McBride, J.
The Color of Water
MacDowell, R. Inside Story
Metcalf, P.
War in the Shadows
Morgan, S.
My Place
Mortimer, J.
Clinging to the Wreckage
Park, R.
A Fence Around the Cuckoo
Park, R.
Fishing in the Styx
Pepys
Diaries
Prejean, H.
Dead Man Walking
Reimer, A.
Inside, Outside
Stewart, M.
Autobiography of My Mother
Weisel, E.
Night
Wharton, H.
Murrie Drovers
Yen Mah, A.
Falling Leaves
Poets
Dawe, B.
Murray, L.
Plath, S.
Audio visual Material
A Beautiful Mind
(Ron Howard, 2001)
Australian Story, ABC
Bran Nue Day
Cry Freedom
(Richard Attenborough, 1987)
Dead Man Walking
(Tim Robbins, 1995)
Fabulous Women (ABC Series)
230
In the Name of the Father
(Jim Sheridan, 1993)
Janis Joplin (BBC)
My Left Foot
(Jim Sheridan, 1989)
Nostradamas Kid
(Bob Ellis, 1993)
Not Without My Daughter
(Brian Gilbert, 1991)
The Aviator
(Martin Scorcese, 2004)
The Hurricane
(Norman Jewison, 1999)
The Power of One
(John G. Avildsen, 1992)
Shadowlands
(Richard Attenborough, 1993)
Shine
(Scott Hicks, 1996)
Veronica Guerin
(Joel Schumacher, 2003)
Websites
An Average Australian’s Diary http://www. toxiccustaard.com/diary/
The Secret Diary of Bill Gates http://www.tiac.net/users/billg40/
Civil War Era Diary http://pages.prodigy.com/GA//daddyof3/diary.html
These were accurate at the time of publication.
Novels (or extracts from novels)
Brown, D,
The Da Vinci Code
Carmody, I.,
The Gathering
Carroll,L.,
Alice in Wonderland
Colfer, E.,
Artemis Fowl: The Eternity Code
Donaldson, S.,
The Runes of the Earth
Douglas, S.,
The Axis Trilogy
Forsyth, K.,
The Witches of Eileanan
Kelleher, V.,
Taronga
King, S.,
Nightmares and Dreamscapes
King, S.,
The Dark Tower
La Guin, U.,
Gifts
La Guin, U.,
The Wizard of Earthsea
Masson, S.,
Cold Iron
McRobbie, D.,
The Fourth Caution
Nix, G.
Mister Monday
Poe , E.A.,
Short Stories
Pratchett,T.,
Discworld Series
Pratchett,T.,
Nightwatch
Rowling, J.K.,
Harry Potter and the Order of the Phoenix
231
Rubenstein, G.,
Beyond the Labyrinth
Shelley, M.,
Frankenstein
Tolkien, J.R.R.,
The Hobbit
Tolkien, J.R.R.,
The Lord of the Rings
Poetry
Tennyson
The Lady of Shalott
Coleridge
The Rime of the Ancient Mariner
Coleridge
Kublai Khan
Films
A Life Less Ordinary
(Boyle, David 1997)
Batman and Robin
(Schumacher,Joel 1997)
Bicentennial Man
(Smith, Kevin 1999)
City of Angels
(Silberling, B 1998)
Dogma
(Smith, Kevin 1999)
Dragonheart,
(Cohen, Rob 1996)
Edward Scissorhands
(Burton, Tim 1990)
Frankenstein
(Branagh, Kenneth 1994)
Ghost
(Zucker, Jerry 1990)
Ghostbusters
(Reitman, Ivan 1984)
Harry Potter&The Philosopher’s Stone (Columbus, Chris 2001)
Harry Potter &The Chamber of Secrets (Columbus, Chris 2001)
Harry Potter & The Prisoner of Azkaban (Cuaron, Alfonso 2004)
Harry Potter and the Goblet of Fire
(Newell, Mike 2005)
Heaven Can Wait
(Beatty, Warren& Henry, Buck 1978)
King Kong
(Jackson, Peter 2005)
Labyrinth
(Henson, Jim 1986)
Ladyhawk,
(Donner, Richard 1985)
Legend
(Donner, Richard 1985)
Raiders of the Lost Ark
(Spielberg, Steven 1981)
Spiderman
(Raimi ,Sam 2002)
Superman: The Movie
(Donner, Richard 1978)
The Lord of the Rings Trilogy
(Jackson, Peter 2001, 2002, 2003)
The Princess Bride,
(Reiner, Rob 1987)
The Secret of Roan Innish,,
(Sayles, John 1994)
The Time Machine
(Pal, George 1960)
The Truman Show
(Weir, Peter 1998)
The Wizard of Oz
(Fleming, Victor 1939)
What Dreams May Come
(Ward, Vincent 1998)
Who Framed Roger Rabbit
(Zemeckis, Robert 1988)
X-Men
(Singe, Bryan 2000)
232
Teacher’s Reference
Barron, N.,
Fantasy Literature: A Reader’s Guide, Garland, 1990
Clute, J.,
The Encyclopedia of Fantasy, St Martin’s Press, 1997
Contento, W.G. &Brown, C.N. Science Fiction, Fantasy and Horror, Locus Press, USA 1986
Day, D.,
Tolkein: The Illustrated Encyclopedia, 1992
Peg, M. & Ingpen, R.,
Out of this World:The Complete Book of Fantasy, 1986
Schaffer, E.D.,
Exploring Harry Potter, 2000
Websites
Fantasy 100
http://home.austarnet.com.au/petersykes/fantasy100/history.html
Victorian Times – Art Literature and fiction
http://www.victorianweb.org/genre/fantov.html
Science Fiction and Fantasy – Research Database
http://lib-oldweb.tamu.edu/cushing/sffrd/
www.magicdragon.com
These were correct at the time of publication.
233
Heroes & the Journey M
Value 1.0
Student Profile
Students with a mild to moderate intellectual disability.
Prerequisites
Nil
Specific Unit Goals
A or T unit before Modification
This unit should enable students to:
M unit after Modification
This unit should enable students to:
This unit will enable students to:
This unit will enable students to:
 read, view, listen to and understand a
range of texts which deal with heroes
 respond to a variety of real or imagined
heroes
 critically analyse the values and heroic
natures of characters in texts
 read, view and listen to a range of texts
which deal with heroes with teacher
assistance
 respond to a variety of real or imagined
heroes
 learn about the values common to heroes
 analyse the theme of the journey as a
metaphor for life
 review how the theme of the journey can
relate to their life
 critically analyse and compare their own
experiences of life in relation to common
human experience
 critically read and view texts which
investigate journeys real and imagined
 compare and discuss their own
experiences of life with others
 read, view and listen to texts which
investigate journeys real and imagined
with teacher assistance
234
Content
A or T unit before Modification
M unit after Modification
Students study:
Students study:
 a variety of types of heroes such as
sporting, national, religious or personal
heroes, those who have overcome
adversity or achieved greatness
 how we construct the notion of a hero in
different times and cultures
 a variety of texts involving different
types of heroes
 heroic and anti-heroic characters in a
variety of texts
 myths and legends from a variety of
cultures
 gender differences in the creation of
heroes and heroines
 stories, both traditional and modern,
which incorporate the theme ‘the
journey’. These could include a novel
and a selection of other forms ranging
from myths to current films and
computer games
 different types of heroes
 heroes from different countries and
heroes from different points in history
 short stories, tv programs, movies, comics
and pictures about or involving heroes
 villains and how a villain is different from
a hero
 classic myths and legends
 the ways that male heroes are different
from female heroes
 short stories, tv programs, movies, comics
and pictures about or involving stories a
journey
 what challenges you can face when on a
journey
 personal experience on journeys
 the common experiences which people
[e.g. people from different cultures and
walks of life] have when operating
outside their usual environments and the
personal growth which results
 their experiences and relate the learning
to the literature studied
Teaching and Learning Strategies
Students with special educational needs will be provided with opportunities to engage in successful and
challenging learning experiences in all key learning areas. The outcomes for them will be appropriate to
their abilities and needs.
Teaching strategies that are particularly relevant and effective for students with disabilities include:
 Keeping students ‘on task’
 Questioning
 Regular reviews (weekly)
 Adapting/modifying resources
 Using simple plans or maps to show the steps in completing tasks, ie metacognitive strategies
 frequent repetition
 direct teaching.
235
A or T unit before Modification
M unit after Modification
Teaching strategies will be negotiated as
much as possible. The following are
suggestions:
Teaching strategies will be negotiated as
much as possible. The following are
suggestions:
 discussion of students’ perception of
heroes
 discuss what student’s already know
about heroes and villains
 consider the changes in the depiction of
heroes in films over time
 create word bank about heroes and
villains
 compare screen and literary
heroes/antiheroes
 reading and viewing comic books that
include heroes and villains
 interviews and biographies giving a
character profile of a hero
 dot point common points about heroes
and villains (heroes are good and have
super powers – villains are bad and
sneaky)
 wide reading and viewing to introduce
students to heroes such as biblical,
mythological, historical and
contemporary figures
 write a creative piece depicting a hero
 planning how to do assessment
 decide if student likes heroes or villains
better and why
 discussion of the invention of the
‘superhero’ and the stereotypes
associated with this character
 listen to popular music about heroes
(Mariah Carey)
 personal response and reflective writing
 examining visual texts
 communicate understanding to teacher
and peers
 listening to and note making from guest
speakers and members of the community
 contribute to class discussion with
guidance from teacher.
 learn basic features of a PowerPoint
 individual or group oral presentations of
personal research or reading and viewing
 excursion / individual projects modeled in
class work. These might involve
developing questionnaires and doing oral
and written reports on new experiences
 discussion (individual, group and whole
class)
Assessment
Refer to pages 15 and 16.
236
Capabilities
Evidence could be in:
Student Capabilities
Goals
Content
Teaching

creative and critical thinkers
enterprising problem-solvers
Assessment



skilled and empathetic communicators

informed and ethical decision-makers




environmentally and culturally aware
citizens




confident and capable users of technologies






independent and self-managing learners
collaborative team members

Specific Unit Resources
Books
Adams, D.,
Hitchhikers’ guide to the galaxy
Gardner, S.,
The Legend of Kevin the Plumber
Homer,
The Odyssey (extracts)
Marsden, J.,
The Journey
Tolkien, J.R.R.,
The Hobbit
Voight, C.,
Homecoming
Audio visual Material
Beneath Clouds
(Ivan Sen, 2002)
Lord of the Rings
(Peter Jackson, 2001, 2002, 2003)
Rabbit Proof Fence
(Phillip Noyce, 2002)
Rain Man
(Barry Levinson, 1998)
The Navigator
(Vincent Ward, 1988)
The Princess Bride
(Rob Reiner, 1987)
Whale Rider
(Niki Caro, 2002)
Yolgnu Boy
(Stephen Johnson, 2001)
Websites
http://www.aate.org.au/ follow the prompts to catalogue.
www.boardofstudies.nsw.edu.au/syllabus_hsc/ pdf_doc/annotations_texts_04_07.doc
www.boardofstudies.nsw.edu.au/syllabus_hsc/ pdf_doc/hsc_english_poster_04_07.pdf
www.boardofstudies.nsw.edu.au/ syllabus_hsc/pdf_doc/journey_stimulus_04_07.pdf –
These were accurate at the time of publication.
237
Books
Baillie, A.,
Heroes: Australians at their Best
Bane, M.,
Who’s Who in Rock
Bennett, W.,
Australian Story
Campese, D.,
On a Wing and a Prayer
Cassidy, G.,
Greats of Australian Surf
Crew, G.,
Creating Adam West: Contemporary Biographies and Autobiographies
Diver, S., T
The Stuart Diver Story
Gibson, M.,
Gods, Heroes and Monsters from the Greek Myths
Gutman, B.,
Magic: More than a Legend
Kellerher, V.,
Slow Burn
Lehane, B.,
The Enchanted world; Legends of Valour
Metzenthen, D.,
Johnny Harts Heroes
McCarthy, M.,
Ganglands
Morrden, E.,
Movie Star-A Look at the Women Who Made Hollywood
Reed, A.W.,
Aboriginal Myths, Legends and Fables
Shepherd, J.,
Never Tell me Never
Audio Visual Material
The Aviator
(Scorsese, M., 2004)
Braveheart
(Gibson, M., 1995)
Dragonslayer
(Robbins, M., 1981)
Erin Brockovich
(Soderberg, S., 2000)
Ever After
(Tennant, A., 1998)
Fantastic Four
(Story, T., 2005)
Gladiator
(Scott, R., 2000)
The Hurricane
(Jewison, N., 1999)
Pirates of the Caribbean: The Curse of the Black Opal (Verbinski, G., 2003)
The Princess Bride
(Reiner, R., 1987)
RobRoy,
(Caton-Jones M., 1995)
Spiderman
(Raimi, S., 2002)
Troy
(Peterson, W., 2004)
Veronica Guerin
(Schumacher, J., 2003)
Whale Rider
(Caro, N., 2002)
238
Assorted Comics such as:
Batman
Superman
Spiderman
The Phantom
Also:
Games sites
Games on network
College Miniatures Clubs
Web sites such as
www.teachit.com.uk
www.filmeducation.org/secondary
www.webenglishteacher.com/beowulf/html
www.webenglishteacher.com/classmyth/html
http://www.english.efl/edu/comics/teaching/bill.shtml
These were accurate at the time of publication.
239
Popular Music and Science Fiction M
Value 1.0
Student Profile
Student One – Prader Willi Syndrome; has worked on modified programs from Year 7-10
Student Two – Noonan’s Syndrome and a mild intellectual disability; has worked on modified programs
from Year 7-10
Student Three – Mild intellectual disability; has worked on modified programs from Year 7-10
Student Four – Moderate intellectual disability; has worked on modified programs from Year 7-10
All students are of similar levels in their ability to process information and complete set tasks.
Prerequisites
Nil
Specific Unit Goals
A unit before Modification
This unit should enable students to:
M unit after Modification
This unit should enable students to:
 critically analyse a variety of popular
songs recorded over the last fifty years
 Consider a variety of popular songs
recorded over the last fifty years
 critically analyse in speech and writing
the presentation of popular music on
film and video
 Read (with assistance) a selection of
extracts from books and magazines
concerned with popular music and
respond to the texts in speech and writing.
 read critically a selection of extracts
from books and magazines concerned
with popular music and respond to
these texts in speech and writing
 relate trends in popular music to wider
social, political and cultural issues.
 read and critically respond to a range of
science fiction texts
 view and respond to a range of science
fiction visual texts
 analyse the common themes and issues
of science fiction
 identify some characteristics of science
fiction
 analyse the reasons for the popularity
of this genre
240
Content
A or T unit before Modification
M unit after Modification
 a range of popular music from the 1950s
to the present
 a range of popular music from the 1950s
to the present
 a number of video presentations of
popular music and at least one full length
film with popular music as a central focus
and consider the artistic and commercial
objectives of these presentations, and
the techniques employed in these films
 a number of documentaries with popular
music as a central focus
 a number of texts on popular music in
both book and magazine form and
produce a review of their own on an
aspect of popular music in written
and/or spoken form
 popular music in magazine form and
produce a review of their own on an
aspect of popular music in written and/or
spoken form
 the relationship between social history
and musical movements and the nature
of the pop “industry”, with particular
reference to audience, marketing and
social influence.
 a variety of texts in their historical and
social context
 common themes and issues in science
fiction
 common themes and issues in science
fiction
 elements of film, particularly special
effects
 elements of film, particularly special
effects
 techniques to enable them to respond
critically and creatively to texts.
241
Teaching and Learning Strategies
Students with special educational needs will be provided with opportunities to engage in successful and
challenging learning experiences in all key learning areas. The outcomes for them will be appropriate to
their abilities and needs.
A or T unit before Modification
M unit after Modification
 spoken and/or written reviews of specific
musical pieces, musicians, writers and
musical styles
 spoken and/or written analyses of the
techniques employed and the objectives
sought in the video presentation of popular
music
 personal writing, either as a prose response
to popular musical pieces and/or themes, or
taking the form of song lyrics
 production of a marketing campaign to
promote a fictitious musical performer
and/or album to display student awareness
of advertising techniques employed in the
pop industry
 spoken reviews of specific musical pieces,
musicians, and musical styles
 personal writing taking the form of
reviews
 internet research
 use of PowerPoint to communicate
understanding of oral and visual
presentation skills.
 Keeping students ‘on task’
 Frequent repetition
 Questioning
 Regular reviews
 extended research project in writing and/or
speech and/or graphics of a particular
historical period and its relationship to the
music produced during it
 internet research
 surveying skills, canvassing the viewing and
reading habits of a range of individuals with
regard to popular music and the music and
the media used to access this material.
 discuss their experiences of texts in the
science fiction genre
 discuss the features of this genre
 research the features of this genre
 research areas where science fiction has
become scientific fact e.g. robotics
 view and discuss both current and early films
 contrast written and visual texts presenting
the same story
 view and discuss current films
 maintain a reading / viewing journal
 research the historical development of
science fiction
 research areas where science fiction has
become scientific fact e.g. cloning, robotics
 consider the concerns and issues associated
with such developments
 create a science fiction world
 maintain a reading / viewing journal
 create posters, collages, mobiles and board
games
 access science fiction games and relevant
internet sites
242
Assessment
A or T unit before Modification:
Criteria & Task Type Description
Criteria /Sample Task
Task 1
Task 2
Task 3
Task 4
Oral
Creative
Response
Short story
response
In-class
analytical
response
An ability to respond critically to texts
and logically justify viewpoint




Effective and competent use of
language for a range of purposes and
audiences




Imagination and originality




Ability to locate, synthesise and
reference material from various sources




Control of appropriate medium




25%
25%
25%
25%
Weighting
For A courses the weightings are provided to guide teachers about the relative importance of the tasks, not
to provide a unit or course score.
M unit after Modification:
Criteria & Task Type Description
Task 1
Task 2
Task 3
Task 4
Criteria /Sample Task
Oral
Creative
response
Short
story
response
In-class
written
response
Knowledge and understanding




Application of skills




25%
25%
25%
25%
Weighting
Capabilities
Evidence could be in:
Student Capabilities
Goals
Content
Teaching
Assessment















independent and self-managing learners


collaborative team members


creative and critical thinkers
enterprising problem-solvers

skilled and empathetic communicators
informed and ethical decision-makers

environmentally and culturally aware citizens
confident and capable users of technologies



243
Across Curriculum Perspectives
This unit may address the following Across Curriculum Perspectives according to the content and texts
chosen:
 Aboriginal and Torres Strait Islander Education through an investigation of the lyrics of Indigenous
song writers.
 Australian Education through an exploration of Australian musical history.
 Environment Education through an investigation of representations of the natural world in Australian
music.
 Gender Equity through an exploration of the roles of women and men in popular music.
 Information Access through the development of skills in electronic research.
 Language for understanding through the close reading and creative writing of song lyrics to suit
different time periods.
 Multicultural Education through an exploration of how other nations have contributed to popular
Australian music.
 Special needs Education through the modification of work to suit those with special needs.
 Work Education through an investigation of the options for work in the music industry.
 Aboriginal and Torres Strait Islander Education through an investigation of Indigenous writing that
asks the question, “What if?”
 Australian Education through reading Australian science fiction authors.
 Environment Education through an exploration of the strong thread of environmentalism in Science
Fiction literature and film.
 Gender Equity through an exploration of the themes of gender equity in Science Fiction literature
and film.
 Information Access through the use of ICT to develop students’ own web texts.
 Language for understanding through an analysis of the language of Science Fiction writing.
 Multicultural Education through an exploration of multicultural themes in Science Fiction literature
and film.
 Special needs Education through an exploration of the themes of special needs in Science Fiction
literature and film.
 Work Education through an exploration of how Science Fiction influences developments which take
place in industry.
Specific Unit Resources
Books
Brokenmouth, R.,
Nick Cave: Bad Seed
Dalton, D.,
Daly, S. and Wise N.,
The Rolling Stones
Alternative Culture
Doyle, R.,
Hardy, P. and Laing, D.,
The Commitments
The Faber Companion to Twentieth Century Pop Music
Hilburn, R.,
Bruce Springsteen
Howitt, B.,
Rock Through History
Marcus, G.,
The Invisible Republic: Bob Dylan’s Basement Tapes
Marsh, D. and Marcus G.,
No One Gets Out of Here Alive
244
Ricks, C.,
Dylan’s visions of Sin.
Scuduto, A.,
Bob Dylan
Magazines
Students will be encouraged to read articles related to issues in popular music both from the mainstream
press and from such specialist magazines as Rolling Stone and New Musical Express.
Audio visual Material
Audio and video selections of popular music will be studied from a range of musicians/writers from the
1950s to the present. Significant figures might include:
John Lee Hooker, Bo Diddley, Bill Haley, Elvis Presley, Buddy Holly, Bob Dylan, The Beatles, The Rolling
Stones, The Beach Boys, Otis Redding, The Supremes, Aretha Franklin, The Doors, Leonard Cohen, Carly
Simon, Carol King, Simon and Garfunkel, David Bowie, Elton John, Led Zeppelin, The Sex Pistols, The Clash,
U2, Midnight Oil, INXS, Michael Jackson, Bob Marley, Bruce Springsteen, Eric Clapton, Madonna, Yothu
Yindi, Snoop Doggy Dog, Tupac, Spice Girls, Euphoria.
Film and Extended Television Features
The Blues Brothers
(Landis, J., 1980)
Bring On the Night
(Apted, M., 1985)
Buena Vista Social Club
(Wenders, W., 1999)
Classic Albums
The Commitments
(Parker, A., 1991)
Dancing in the Streets
Gimme Shelter
(Maysles, A and D., 1970)
A Hard Day’s Night
(Lester, R., 1964)
La Bamba
(Valdez, L., 1987)
The Last Waltz
(Scorcese, M., 1978)
Purple Rain
(Magnoli, A., 1984)
Rattle and Hum
(Joanou, P., 1988)
The Rose
(Rydell, M., 1986)
Sid and Nancy
(Cox, A., 1986)
Sounds of the Sixties
This Is Spinal Tap
(Reiner, R., 1984)
Tommy
(Russell, K., 1975)
The Wall
(Parker, A., 1982)
Woodstock
(Wadleigh, M., 1970)
Websites
http://popmusic.mtsu.edu/
http://www.iaspm.net/rpm/
http://www.liswa.wa.gov.au/poprock.html
These were correct at the time of publication
245
Specific Unit Resources
Novels (or extracts from Novels)
Adams, D
Hitchhiker’s Guide to the Galaxy
Asimov, I
Foundation
Bradbury, R
Fahrenheit 451
Bradbury, R
The Martian Chronicles
Burroughs, Edgar R.
The Princess of Mars
Burroughs, Edgar R.
Tarzan of the Apes
Clarke, Arthur C.
2001: A Space Odyssey
Dick, Philip K.
Do Androids Dream of Electric Sheep?
Gibson, William,
Neuromancer
Heinlein, Robert A.
Starship Troopers
Heinlein, Robert A.
Stranger in a Strange Land
Herbert, Frank
Dune
Huxley, Aldous
Brave New World
Le Guin, Ursula
The Left Hand of Darkness
Lieber, Fritz
Gather, Darkness
Mieville, China
Perfido Street Station
Miller, Walter M.
A Canticle for Leibowitz
Niven, Larry
Ringworld
Orwell, George
1984
Russ,
The Female Man
Simmons, Dan
Hyperion
Verne, Jules
20,000 Leagues Under the Sea
Wells, H. G.
War of the Worlds
Wells, H. G.
The Time Machine
Wyndham, John
The Chrysalids
Wyndham, John
The Midwich Cuckoos
Zamyatin, Yevgeny
We
Graphic Novels
Briggs, Raymond
When the Wind Blows
Various
Judge Dredd
246
Short Stories
Asimov, Isaac
I, Robot (et al.)
Borges, George L.
Bradbury, Ray
Le Guin, Ursula
Keyes, Daniel
“Flowers for Algernon”
King, Stephen
“The Running Man”
Gibson, William
Burning Chrome
Films
2001: A Space Odyssey
(Kubrick, Stanley 1968)
A.i
(Spielberg, Steven 2001)
Alien
(Scott, Ridley 1979)
Alien Nation
(Baker, Graham 1988)
Bladerunner
(Scott, Ridley 1982)
Close Encounters of the Third Kind
(Spielberg, Steven 1977)
Cocoon
(Howard, Ron 1985)
Delicatessen
(Jeunet, Jean-Pierre 1991)
Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb (Kubrick, Stanley 1964)
E.T.
(Spielberg, Steven 1982)
eXistenZ
(Cronenberg, David 1999)
Flash Gordon
(Hodges, Mike 1980)
Gattaca
(Niccol, Andrew 1997)
Hellboy
(Del Toro, Guillermo 2004)
Independence Day
(Emmerich, Roland 1996)
I, Robot
(Proyas, Alex 2004)
Logan’s Run
(Anderson, Michael 1975)
Mars Attacks
(Burton, Tim 1996)
Matrix Trilogy, The
(Wachowski, Andy and Larry, 1999, 2003)
Metropolis
(Lang, Fritz 1927)
Minority Report
(Spielberg, Steven 2002)
Pitch Black
(Toohy, David 2000)
Predator
(McTiernan, John 1987)
Soilent Green
(Fleischer, Richard 1966)
Star Wars
(Lucas, George 1977)
Terminator, Terminator 2: Judgement Day (Cameron, James 1984, 1991)
The Chronicles of Riddick
(Toohy, David 2004)
The Fifth Element
(Beson, Luc 1997)
247
The Fly
(Cronenberg, David 1986)
The Fly
(Neumann, Kurt 1958)
The Navigator
(Ward, Vincent 1988)
The Planet of the Apes
(Schaffner, Franklin J 1967)
The War of the Worlds
(Spielberg, Steven 2005)
Total Recall
(Veerhoven, Paul 1990)
Twelve Monkeys
(Gilliam, Terry 1995)
WALL-E
(Stanton, A., 2008)
Meet the Robinsons
(Anderson, S., 2007)
Television
V
Doctor Who
Battlestar Galactica
Star Trek
Babylon 5
Farscape
Red Dwarf
The X-Files
Lost
X-men
Medium
Lost in Space
Audio Resources
Hitchhiker’s Guide to the Galaxy
War of the Worlds
Atlanta Radio Theatre Company (www.artc.org)
Alien Worlds (www.alienworlds.com)
Sci Fi Audio (www.scifiaudio.com)
Virtually American (www.virtuallyamerican.com)
Bowen in Space (www.live365.com/index.live)
Sci-Five, Live! (www.greatnorthernaudio.com/gnrt/sci5.html)
248
Teacher Reference
Clute,J. The Encyclopedia of Science Fiction, Butler and Tanner, London, 1999
Clute, J. Science Fiction: The Illustrated Encyclopedia ,Reed Business Information, USA, 1995
Contento, W.G. &Brown, C.N. Science Fiction, Fantasy and Horror, Locus Press, USA 1986
DiFate,V. & Summers, I., Catalog of Science Fiction Hardware, Worman, USA,1980
Websites
Science Fiction Literature
http://linuxfinances.info/info/sf.html
Science Fiction Literature
http://www.questia.com/library/literature/fiction/science-fiction-and-fantasy/science-fictionliterature.jsp
Science Fiction World
http://www.sffworld.com/
Sci-Fi Lists
http://home.austarnet.com.au/petersykes/topscifi/index.html
These were accurate at the time of publication.
249
Board Endorsed December 2005 – Amended December 2013
Appendix B – Australian Curriculum Achievement Standards
Creating oral, written
and multimodal texts
Responding to oral, written
and multimodal texts
Essential English (A) Units 1 and 2
A student who achieves an A grade
typically
A student who achieves a B
grade typically
 analyses how medium, mode
and text structure are
integrated to achieve particular
purposes and effects
 evaluates how effectively
details and examples are used
to support main ideas in texts
 analyses how medium,
mode and text structure are
used in texts to achieve
particular purposes
 analyses how details and
examples are used to
support the main ideas in
texts
 analyses how the context,
purpose and audience of
texts influence language
choices
 analyses how different
ideas and information are
presented in texts to
persuade audiences
 selects text structures and
language features effectively
for different contexts and
purposes
 presents ideas and
opinions effectively in
different modes and types of
texts
 selects and integrates
relevant information from
different sources
 communicates ideas using
clear and controlled
expression
 analyses the effectiveness of
language choices for different
contexts, purposes and
audiences
 evaluates how effectively
different ideas and information
are presented in texts to
persuade audiences
 integrates text structures and
language features skilfully for
different contexts and purposes
 presents ideas and opinions
persuasively in different modes
and types of texts
 selects and synthesises
relevant information from
different sources
 communicates ideas
demonstrating fluency and
consistent control of expression
A student who achieves a C
grade typically
A student who achieves a D
grade typically
A student who achieves an E
grade typically
 explains the use of
medium, mode and text
structure in texts
 describes elements of
medium, mode and text
structure in familiar texts
 identifies some elements of
medium, mode and text
structure in familiar texts
 distinguishes between and
explains the main ideas and
supporting details in texts
 describes some main ideas
and information in a text
 identifies some ideas or
information in a text
 explains how the purpose
and context of texts
influence language use
 identifies the purpose and
context of texts and
describes some elements of
language use
 identifies the purpose and
context of some texts
 uses text structures and
language features with some
understanding of context
and purpose
 presents some ideas and
opinions appropriately
 uses some text structures
and language features with
limited understanding of
context and purpose
 presents some ideas and
opinions
 selects some information
from different sources
 locates some information in
texts
 communicates ideas
demonstrating some control
of expression
 communicates ideas
demonstrating limited control
of expression
 explains how ideas and
information are presented in
texts
 uses text structures and
language features
appropriately for different
contexts and purposes
 presents ideas and
opinions appropriately in
different modes and types of
texts
 selects relevant
information from different
sources
 communicates ideas
demonstrating appropriate
expression
250
Board Endorsed December 2005 – Amended December 2013
Creating oral, written and multimodal texts
Responding to oral, written and multimodal texts
Australian Curriculum Achievement Standards for Essential English (A) Units 3 and 4
A student who achieves an A grade
typically
A student who achieves a B grade
typically
A student who achieves a C grade
typically
A student who achieves a D
grade typically
A student who achieves an
E grade typically
 evaluates the effectiveness of
text structures and language
features used to achieve
particular purposes and effects
 critically analyses underlying
attitudes and values reflected in
a text and analyses the effect of
the text
 evaluates how effectively the
purpose and point of view of
texts combine to influence
response
 evaluates how effectively
perspectives and ideas are
represented in texts to engage
and persuade an audience
 creates sustained and wellargued texts for different
contexts, purposes and
audiences
 makes discerning selection of
language features and text
structures to influence and
engage audiences in particular
ways
 constructs a compelling and
sustained argument
comprehensively supported by
relevant evidence and examples
 communicates ideas
demonstrating fluency and
sustained control of expression
 analyses how text structures
and language features are used
to achieve particular purposes
and analyses their effects
 analyses underlying attitudes
and values reflected in a text and
explains the effect of the text
 explains how text structures
and language features are used
for particular purposes and
explains their effect
 explains some attitudes and
values reflected in a text and
describes the effect of the text
 describes the use of text
structures and language
features
 identifies some text
structures and language
features
 describes some attitudes
and values reflected in a
text
 identifies some
attitudes or values in a
text
 analyses how the purpose and
point of view of texts work
together to influence response
 explains how the purpose and  describes the purpose
point of view of texts influence
and point of view of texts
response
 identifies some
aspects of purpose or
point of view of texts
 analyses how effectively
perspectives and ideas are
represented in texts to engage
and persuade an audience
 creates effective and coherent
texts for different contexts,
purposes and audiences
 explains how perspectives
and ideas are represented in
texts to engage or persuade an
audience
 creates texts appropriate for
different contexts, purposes
and audiences
 explains information and
ideas in texts that engage
an audience
 describes some
information and ideas in
texts
 creates texts for some
contexts, purposes and
audiences
 creates simple texts
for a specified context,
purpose or audience
 makes considered selection of
language features and text
structures effectively to influence
and engage audiences
 selects language features and
text structures to influence and
engage audiences
 selects some language
features and text structures
to influence or engage
audiences
 selects some language
features and text
structures
 constructs a coherent and
logical argument consistently
supported by relevant evidence
and examples
 communicates ideas
demonstrating clear and concise
expression
 constructs an argument
supported by relevant evidence
and examples
 constructs an argument
supported by some
evidence and examples
 constructs a limited
argument
 communicates ideas
demonstrating control of
expression
 communicates ideas
demonstrating some
control of expression
 communicates ideas
demonstrating limited
control of expression
251
Board Endorsed December 2005 – Amended December 2013
Achievement Standards for Modified Units 1 - 4
Creating oral, written and multimodal
texts
Responding to oral, written and multimodal
texts
A student who achieves an A
grade typically
A student who achieves a B
grade typically
 describes how medium,
mode and text structure
achieve a particular purpose
and effect
A student who achieves a C
grade typically
A student who achieves a D
grade typically
A student who achieves an E
grade typically
 identifies elements of
medium, mode and text
structure in familiar texts,
with explicit and direct
instruction
 identifies some main ideas
and information in a text with
explicit and direct instruction
 identifies some elements of
medium, mode and text
structure in familiar texts,
with continuous and direct
instruction
 identifies some ideas or
information in a text, with
continuous and direct
instruction
 identifies the purpose of
texts, with explicit instruction
and regular assistance
 identifies the purpose with
explicit and direct instruction
 identifies the purpose and
context of some texts, with
continuous and direct
instruction
 identifies how medium,
mode and text structure
achieve a particular purpose,
with explicit instruction and
occasional assistance
 describes how examples are  identifies how details and
used to support ideas in a text examples are used to support
the main ideas in texts, with
explicit instruction and
occasional assistance
 describes the use of
 identifies how the context,
language choices for different purpose and audience of texts
purposes and audiences
influence language choices,
with explicit instruction and
occasional assistance
 presents opinions
 presents opinions
appropriately in texts
appropriately in texts, with
explicit instruction and
occasional assistance
 identifies medium, mode
and text structure in texts ,
with explicit instruction and
regular assistance
 presents opinions in texts,
with explicit instruction and
regular assistance
 presents some opinions,
with explicit and direct
instruction
 presents some opinions,
with continuous and direct
instruction
 selects relevant information
from different sources
 selects relevant information
from sources, with explicit
instruction and regular
assistance
 communicates ideas, with
explicit instruction and
regular assistance
 selects some information
from different sources,
presents some ideas, with
explicit and direct instruction
 communicates some ideas,
with explicit and direct
instruction
 locates some information in
texts, with continuous and
direct instruction
 communicates ideas
demonstrating clear
expression
 selects relevant information
from sources, with explicit
instruction and occasional
assistance
 communicates ideas using
clear expression, with explicit
instruction and occasional
assistance
 identifies main ideas and
supporting details in texts,
with explicit instruction and
regular assistance
 communicates ideas, with
continuous and direct
instruction
252
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