Common Core Connections Activity Analyzing and discussing works of art Note: artwork can function as a kind of text! Common Core Connection Reading 1—Use evidence to support analysis of a text Reading 2—Analyze a theme or central idea of a text Reading 6—Determine an author’s point of view or purpose in a text Speaking & Listening 1—Participate in a range of collaborative discussions Writing an artist statement for a self-portrait Writing 2—Writing informative/explanatory texts Language 1, 2, 3—Use correct English conventions in writing Language 6—Use academic English vocabulary in writing Presenting selfportrait/Giving an artist talk about self-portrait Speaking and Listening 4 (Grades 1, 3, 6-7, 9-10)—Planning and delivering an expository presentation Additional Resources on Artists Njideka Akunyili Crosby Artwork in SFMOMA’s collection Interview with Arise Live Video interview by Bronx Teen Council Romare Bearden Biography and artwork in SFMOMA’s collection Interactive multimedia: The Art of Romare Bearden Video: Romare Bearden on His Imagery and Symbols Robert Colescott Artwork in SFMOMA’s collection Sargent Johnson Biography and artwork in SFMOMA’s collection Interactive multimedia: Sargent Johnson Video: Sargent Johnson on Surviving the Great Depression Glenn Ligon Artwork in SFMOMA’s collection Interactive multimedia: Glenn Ligon’s Self-Portraits Video: Glenn Ligon on Self-Portraits Video: Glenn Ligon on Confronting Slavery Video: Glenn Ligon Discusses Day of Absence San Francisco Museum of Modern Art Carrie Mae Weems Artwork in SFMOMA’s collection Audio with images: Carrie Mae Weems Artist Talk Videos and activities from Art21 Kehinde Wiley Article from The New York Times Lynette Yiadom-Boakye Artwork in SFMOMA’s collection Possible Sequence for Classroom Implementation This is just one way you could sketch out a sequence of instruction for this project. These days could be consecutive or broken up, depending on your class context, and could easily be expanded as part of a larger unit, which could include other texts (literature, film, etc.). Day One—Small Group Discussion: In small groups, students view and discuss one example of a portrait or self-portrait, first using a personal lens, then adding to their understanding by looking at the work through a contextual lens (video, article, interview, etc.). Each group then prepares a short presentation about their discussion of the work for the class; presentations could include discussion questions. Day Two—Jigsaw: Groups present to the whole class, with students taking notes on each of the works. Each student selects one work that resonates with them the most, and writes a short reflection piece. As an option, printed copies of all of the works could be posted around the room and students could have a moment to do a short gallery walk before or after the group presentations. Day Three—Brainstorm: Students complete the brainstorm graphic organizer to plan out their self-portraits. Each student shares their brainstorm with a partner, giving and receiving feedback. If time permits, students could begin sketching or working on their self-portraits. Day Four—Work Day: Students create self-portraits. At the end of class, students reflect on their progress. Day Five—Artist Statements: Students read and discuss example artist statements, ideally from the artists whose work students discussed previously, but also potentially from other artists to whom you have introduced students before. Students plan and begin to write artist statements. If there is extra time, students could work on self-portraits. San Francisco Museum of Modern Art Day 6—Presentation: Students share their self-portraits through a gallery walk and/or partner/small group presentation. Optionally, a few students could choose to present to the whole class. Depending on your goals, students could respond to their classmates’ self-portraits and/or to the entire project of creating self-portraits, from viewing works of art to creating and writing about their own work. San Francisco Museum of Modern Art