Commemoration and empathy Children’s fiction that draws upon the First World War War is still a reality People prayed, or wished, or said, as it drew to a close, that the First World War had been the ‘war to end wars’. Its impact was truly global: the political map of the world was redrawn. The huge movements of peoples that resulted from this led to a flu pandemic that killed thousands if not millions of souls. Yet the war just lasted for a few months longer than four years. It is sad to reflect that for some children in the world today, living in zones where conflict has raged, on and off, for decades, war is all they have ever known, and the impact on their health, aspirations, educational opportunities and life expectancy is truly terrible. Yet for children born and brought up in Britain over the last ten or fifteen years, imagining life in a conflict zone must be extremely difficult. Sadly there are children from families in the Armed Forces who have lost a parent; and the occasional terror attacks that assault citizens on the street fill us with horror, but imagining life in a war-torn country with its accompanying privations, insecurity and the loss of loved ones is mostly beyond us. We live on a globe where war remains a reality and our communities include those who have fled conflict situations, so although we cannot imagine it ourselves, we know that this is something that profoundly affects fellow human beings: some we will never encounter, and some, having fled their homeland, may be living next door. Commemoration and empathy As a nation, we are invited and asked, a hundred years after it took place, to commemorate the First World War. If this commemoration is to have some ultimate purpose, other than a recounting of national stories and a listing of dates, perhaps this might be for us all to develop an appreciation that war is a terrible thing that devastated the world more than once in the last century and devastates the lives of children and adults, still, today. Fiction is one route into this. Using fiction Maurice Lynch, in his little book Tell Me a Story: Story and RE (BFSSS National RE Centre, 1990) suggests that in sharing stories with children we are seeking to help them develop: A sense of awe and wonder A sense of transience and constant change A sense of pattern, order and purpose An awareness of and relationship with the natural world (wind, fire, light, darkness, water, stone, wood) An awareness of special worth, uniqueness, identity An awareness of community, its demands, values, rituals and celebrations An awareness of others as feeling, thinking people – relationships An awareness of joy and celebration An awareness of sadness, loss and suffering An awareness that life involves choices and that making them is often hard Stories create a climate where children can respond both cognitively and affectively: Cognitive Affective What was it about? Why did she do that? Are there other stories like it? How would you have felt? I wonder why we tell that story? Stories help us to: Respect and value the ideas of others Evaluate interpretations Develop empathy and understanding 1 The extraordinary success of the play and the film based on Michael Morpurgo’s novel Warhorse, persuades us that people are ‘up for this’. So as we seek to create commemoration events, of many kinds and for many people, over the next few years, it may be worth investigating the collection of children’s fiction that draws upon the First World War as a way to rehearse not just the facts and feelings of a century ago, but to change us, so that when the occasion arises, we can align ourselves with those who still encounter the horrors of war, and stand beside them, not just with sympathy, but with empathy. Fiction titles for children and young people Sam Angus, Soldier Dog, Square Fish, 2014, ISBN: 978-1250044174 Paul Dowswell, Eleven Eleven, Bloomsbury, 2012, ISBN: 978-1408826232 Jim Eldridge, Stories of the First World War, Scholastic, 2014, ISBN: 978-1407140551 Michael Foreman, War Game, Pavilion Children’s Books, 2006, ISBN: 978-1843650898 Michael Foreman, The Amazing Tale of Ali Pasha, Templar Publishing, 2014, ISBN: 9781848778979 Sonya Hartnett, The Silver Donkey, Walker Books, 2008, ISBN: 978-1406304299 Michael Morpurgo, War Horse, Egmont, 2012, ISBN: 978-1405259415 Micahel Morpurgo, Private Peaceful, Harper Collins, 2004, ISBN: 978-0007150076 Linda Newbury, The Shell House, Red Fox, 2003, ISBN: 978-0099455936 Linda Newbury, Some Other War, Barn Owl Books, 2002, ISBN: 978-1903015209 Marcus Sedgwick, The Foreshadowing, Orion Children’s Books, 2006, ISBN: 978-1842555170 Marcia Williams, Archie’s War, Walker Books, 2014, ISBN: 978-1406352689 Non-fiction titles for children and young people Peter Hepplewhite, True Stories from World War 1, Macmillan 2014, ISBN: 978-1447256298 Barroux, Line of Fire: Diary of an Unknown Soldier, August-September 1914, Phoenix Yard Books, ISBN: 978-1907912399 Paul Dowswell, The Story of the First World War, Usborne 2014, ISBN: 978-1409523468 Teaching resources Chris Hudson, What Price Peace? Barnabas in Schools, 2014, ISBN: 978 841016917 Anyone wishing to include children in events related to First World War commemorations will find helpful ideas in this book, intended to resource primary school teachers. Offering cross-curricular teaching material with a strong RE element, the book focuses on four themes, ‘Patriotism and protest’, ‘Keeping yourself human’, ‘Caring for the soldiers’ and ‘Myths and reality’. The treasures of this book are the stories, each carefully researched and engagingly told, of individuals who engaged, cared, challenged and suffered. Three assemblies conclude the book. These are assemblies (input with a short prayer), rather than acts of worship, each concentrating on an event that might be the focus of a commemoration at some point over the coming four years. The first, ‘How the Great War started’, ingeniously examines the vainglorious ambitions and futile outcomes of imperialism using paper hats. Gill Ambrose, Editor of ROOTS Adult & All Age www.rootontheweb.com 2 3